Stencil Figurative Prints

This exquisite lithograph and pochoir after Marc Chagall (1887–1985), titled Musique (Music), from the folio Couleur amour, 13 Aquarelles, Gouaches, Lavis (Color of Love, 13 Watercol...

This exquisite lithograph and pochoir after Georges Rouault (1871–1958), titled Le Docte (The Scholar), from the album Georges Rouault, Visages (Faces), originates from the 1969 edit...

Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Etude pour le Fumeur (Study for The Smoker), from the folio Contrastes, 13 Aquarelles, Gouache, Lavis, C...

This exquisite lithograph and pochoir with hand coloring by Jean Cocteau (1889–1963), titled Sans titre (Untitled), from the album Le Livre blanc (The White Book), precede dun fronti...

Lithograph and stencil on grand Velin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Édouard Pignon, Arbres et Voi...

This exquisite lithograph and pochoir after Georges Rouault (1871–1958), titled Blaise (Blaise), from the album Georges Rouault, Visages (Faces), originates from the 1969 edition pub...

This exquisite lithograph and pochoir with hand coloring by Jean Cocteau (1889–1963), titled Sans titre (Untitled), from the album Le Livre blanc (The White Book), precede dun fronti...

This exquisite lithograph and pochoir after Georges Rouault (1871–1958), titled Martial, from the album Georges Rouault, Visages (Faces), originates from the 1969 edition published b...

This exquisite lithograph and pochoir after Marc Chagall (1887–1985), titled L'Aube (The Dawn), from the folio Couleur amour, 13 Aquarelles, Gouaches, Lavis (Color of Love, 13 Waterc...

Lithograph and stencil on grand Velin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Édouard Pignon, Arbres et Voi...

Lithograph and stencil on grand Velin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Édouard Pignon, Arbres et Voi...

Lithograph and stencil on vélin papier a la cuve du moulin richard de bas specialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued....

This exquisite lithograph and pochoir with hand coloring by Jean Cocteau (1889–1963), titled Sans titre (Untitled), from the album Le Livre blanc (The White Book), precede dun fronti...

Lithograph and stencil on vélin papier a la cuve du moulin richard de bas specialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued....

This exquisite lithograph and pochoir with hand coloring by Jean Cocteau (1889–1963), titled Sans titre (Untitled), from the album Le Livre blanc (The White Book), precede dun fronti...

Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...

Lithograph and stencil on vélin papier a la cuve du moulin richard de bas specialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued....

Lithograph and stencil on grand Velin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Édouard Pignon, Arbres et Voi...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Autoportrait (Self-Portrait), from the folio Eaux-de-vie, Esprit de la fleur et du fruit (Spirits, Essence of the Flowe...

Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...

This exquisite lithograph after Jacques Villon (1875–1963), titled Couverture (Cover), from the folio Vins, Fleurs et Flammes (Wines, Flowers, and Flames), originates from the 1956 e...

This exquisite lithograph and pochoir with hand coloring by Jean Cocteau (1889–1963), titled Sans titre (Untitled), from the album Le Livre blanc (The White Book), precede dun fronti...

This exquisite lithograph and pochoir after Georges Rouault (1871–19558), titled Delphine (Delphine), from the album Georges Rouault, Visages (Faces), originates from the 1969 editio...

This exquisite lithograph and pochoir after Georges Rouault (1871–1958), titled Camille (Camille), from the album Georges Rouault, Visages (Faces), originates from the 1969 edition p...

This exquisite lithograph and pochoir after Georges Rouault (1871–1958), titled Solange (Solange), from the album Georges Rouault, Visages (Faces), originates from the 1969 edition p...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled La Lecture (The Reading), from the folio Contrastes, 13 Aquarelles, Gouache, Lavis, Crayon (Contrasts, 1...

This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Les Buches (The Logs), from the folio Contrastes, 13 Aquarelles, Gouache, Lavis, Crayon (Contrasts, 13 W...

Lithograph and stencil on grand Velin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Édouard Pignon, Arbres et Voi...

Lithograph and stencil on vélin papier a la cuve du moulin richard de bas specialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued....

This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...

This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...

This exquisite lithograph after Francois Auguste Rene Rodin (1840–1917), titled Sans titre (Untitled), from the folio La Varende, Rodin (La Varende, Rodin), originates from the 1944 ...

This exquisite lithograph after Gen Paul (1895–1975), titled Le Quart du Tourlourou (The Soldier’s Ration), from the folio Vins, Fleurs et Flammes (Wines, Flowers, and Flames), origi...

This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...

This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...

This exquisite lithograph after Francois Auguste Rene Rodin (1840–1917), titled Sans titre (Untitled), from the folio La Varende, Rodin (La Varende, Rodin), originates from the 1944 ...

This exquisite lithograph after Francois Auguste Rene Rodin (1840–1917), titled Sans titre (Untitled), from the folio La Varende, Rodin (La Varende, Rodin), originates from the 1944 ...

This exquisite lithograph after Andre Derain (1880–1954), titled Age d'or et Terre promise (Golden Age and Promised Land), from the folio Vins, Fleurs et Flammes (Wines, Flowers, and...

This exquisite lithograph after Francois Auguste Rene Rodin (1840–1917), titled Sans titre (Untitled), from the folio La Varende, Rodin (La Varende, Rodin), originates from the 1944 ...

This exquisite lithograph after Andre Derain (1880–1954), titled Enlevement de Dionysos (The Abduction of Dionysus), from the folio Vins, Fleurs et Flammes (Wines, Flowers, and Flame...

This exquisite lithograph after Maurice Brianchon (1899–1979), titled Une vigne de la doulce France (A Vineyard of Sweet France), from the folio Vins, Fleurs et Flammes (Wines, Flowe...

This exquisite lithograph after Maurice Brianchon (1899–1979), titled Voyage du Vin (Journey of Wine), from the folio Vins, Fleurs et Flammes (Wines, Flowers, and Flames), originates...

This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...

This exquisite lithograph by Maurice Utrillo (1883–1955), titled a Notre-Dame, La Cite (At Notre-Dame, The City), from the album Paris Capitale (Paris Capital), originates from the 1...

This exquisite lithograph after Maurice Utrillo (1883–1955), titled Vin d'honneur (Wine of Honor), from the folio Vins, Fleurs et Flammes (Wines, Flowers, and Flames), originates fro...

This exquisite lithograph after Maurice Brianchon (1899–1979), titled La Vigne de Paris (The Vineyard of Paris), from the folio Vins, Fleurs et Flammes (Wines, Flowers, and Flames), ...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Saltimbanque, from the folio Picasso, Fifteen Drawings, 1946, originates from the 1946 edition published by Pantheon Books, Inc., New York, and rendered and printed by Albert Carman, City Island, New York, 1946. Saltimbanque reflects Picasso’s enduring fascination with circus performers—a theme that recurred throughout his career as a metaphor for the artist’s own life and emotional world. The figure’s delicate poise and introspective expression capture both melancholy and grace, merging humanity and artistry in a timeless meditation on performance, solitude, and creative spirit. Executed as a lithograph and pochoir on velin paper, this work measures 18.75 x 12.63 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the exemplary standards and artistic integrity of the fine art publishing and printmaking of Pantheon Books, Inc., and Albert Carman whose next collaborative project following this edition was with Marc Chagall in the creation of his monumental suite, Four Tales from the Arabian Nights in 1948. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Saltimbanque, from the folio Picasso, Fifteen Drawings, 1946 Medium: Lithograph and pochoir on velin paper Dimensions: 18.75 x 12.63 inches (47.6 x 32.1 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1946 Edition: D, primary edition; L, out of commerce, hand signed by Pablo Picasso Publisher: Pantheon Books, Inc., New York Printer: Albert Carman, City Island, New York Catalogue raisonne reference: Orozco, Miguel. Picasso Interpretation Prints II - Etchings, Pochoirs Woodcuts. Catalogue Raisonne. 2023, illustration 388–402 Condition: Well preserved, consistent with age and medium Provenance: From the folio Picasso, Fifteen Drawings, 1946, published by Pantheon Books, Inc., New York; printed by Albert Carman, City Island, New York, 1946 About the Publication: Picasso, Fifteen Drawings (1946) was one of the earliest fine art portfolios issued in the United States to feature the work of Pablo Picasso in the mediums of lithography and pochoir. Published by Pantheon Books, Inc., New York—a press renowned for its pioneering role in introducing European modernism to American audiences—the portfolio marked an important cultural bridge between postwar Paris and the emerging art scene in New York. The suite comprised fifteen images selected from Picasso’s prolific oeuvre, including depictions of mythological figures, musicians, and introspective portraits. Each work was rendered using a combination of lithography and pochoir, printed by Albert Carman at his atelier in City Island, New York, whose craftsmanship ensured a remarkable fidelity to the tonal and chromatic nuances of Picasso’s originals. The portfolio was produced in an edition of D, primary edition; L, out of commerce, hand signed by Pablo Picasso, issued unbound within a printed paper folder, and distributed primarily through Pantheon’s art book division under the direction of Kurt Wolff and Monroe Wheeler—key figures in shaping the intellectual reception of modern art in the United States. Picasso, Fifteen Drawings helped establish the artist’s postwar reputation among American collectors, scholars, and institutions, introducing a generation of viewers to the expressive immediacy and psychological depth of his draftsmanship. The publication also exemplified Pantheon’s broader mission to make modern European art accessible to an American audience, alongside their landmark editions devoted to Henri Matisse, Georges Rouault, and Marc Chagall. Technically refined and historically significant, the portfolio stands as a testament to the transatlantic exchange of modernist aesthetics during the mid-20th century and remains one of the most sought-after Picasso print editions issued in the United States before 1950. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picasso's career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d'Alger (Version O) achieved a record-breaking sale of 179,365,000 USD at Christie's, New York, on May 11, 2015, affirming Picasso's enduring legacy as one of the most influential and valuable artists in history. Pablo Picasso Saltimbanque...

(after) Maurice Utrillo Inspired Village of Montmartre Pochoir with printed signature Edition of 490 Dimensions: 39 x 30 cm Information : This print was created for the portfolio "Le Village inspiré, Chronique de la bohème de Montmartre (1920-1950) " published by Vertex in 1950 Condition : Excellent Maurice Utrillo (1883 - 1955) The French painter Maurice Utrillo was born as the illegitimate son of the painter Suzanne Valladon in Paris on December 26, 1883. He was adopted by the Catalan art critic Miguel Utrillo...

This exquisite lithograph after Francois Auguste Rene Rodin (1840–1917), titled Sans titre (Untitled), from the folio La Varende, Rodin (La Varende, Rodin), originates from the 1944 ...

This exquisite lithograph after Max Jacob (1876–1944), titled Le vin de la Cene (The Wine of the Last Supper), from the folio Vins, Fleurs et Flammes (Wines, Flowers, and Flames), or...

(after) Maurice Utrillo Inspired Village of Montmartre Pochoir with printed signature Edition of 490 Dimensions: 39 x 30 cm Information : This print was created for the portfolio "Le Village inspiré, Chronique de la bohème de Montmartre (1920-1950) " published by Vertex in 1950 Condition : Excellent Maurice Utrillo (1883 - 1955) The French painter Maurice Utrillo was born as the illegitimate son of the painter Suzanne Valladon in Paris on December 26, 1883. He was adopted by the Catalan art critic Miguel Utrillo...

This exquisite lithograph after Leonard Tsuguharu Foujita (1886–1968), titled Garden Party, from the folio Vins, Fleurs et Flammes (Wines, Flowers, and Flames), originates from the 1...

This exquisite lithograph after Maurice Brianchon (1899–1979), titled L'Hiver (Winter), from the folio Vins, Fleurs et Flammes (Wines, Flowers, and Flames), originates from the 1956 ...

Amusing original colored lithograph with pouchoir details, representing a father talking to his daughter. Satiric illustration by the French draftsman Frédéric Bouchot (1798- 1865). Plate 12, from the series, Soins Tyranniques, Aubert and C.ie, Paris. Signed on plate, on lower-left margin. With the printed capture on lower margin: "Chère enfant, tu es en âge de te marier, l'agitation de ton ésprit, tes émotions inquiètes et vagues; tout m'annonce que ton coeur s'épanouit..... J'ai fait pour toi...

Amusing original colored lithograph with pouchoir details. Satiric illustration by Frédéric Bouchot (1798- 1865), published on Souvenirs Grotesques, d'Aubert and Cie Publishing, P...

Miroir de Paris n. 11 is a satirical illustration by the French draftsman Edmé-Jean Pigal (1798-1872). Original colored lithograph with pouchoir details. In very good condition. ...

Soon after the German invasion of the Soviet Union in June of 1941, the Okna TASS studio spontaneously formed in Moscow. Comprised of renowned artists, poets and literary figures, th...

after Georges Braque Oiseaux Color Pochoir on Paper Published in the deluxe art review, XXe Siecle (issue number 11 "Les nouveaux rapports de l'art et de la nature") 1958 Dimensions:...