1860s Figurative Prints

Beautiful mid 19th century Japanese woodblock print of a samurai by Utagawa Toyokuni III (Kunisada) (Japanese, 1786-1864/5). This piece is from a series of "The 53 Stations of the To...

Uses and Customs - Gioncatore and Ciociare is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History...

Dance called the Candiotta is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the governme...

Customs - Persian Deities is a lithograph on paper realized in 1862. Titled on the lower. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " Hi...

Curarlos y a otra is an original artwork realized by the great Spanish artist Francisco Goya in 1810. Original etching on paper. The artwork belongs to the famous print collection L...

Uses and Customs - Road of the Tombs in Pompei is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " His...

Uses and Customs -Gladiators is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the govern...

Customs -Balok Dancers is a Hand-colored lithograph on paper realized in 1862. Titled on the lower. The artwork belongs to the Suite Uses and customs of all the peoples of the univ...

Kabuki Aizurie is an original artwork realized in 1852 by Utagawa Kunisada (1786-1865). The lovers Osome and Hisamatsu on the run at night, the roles played by Ichikawa Danjuro and...

Tal para Qual is an original artwork realized by the Spanish artist Francisco Goya and published for the first time in 1799. Original etching on paper. The plate is part of the Thi...

Osakae is an original artwork realized in the 1861 by Ichiyôsai Yoshitaki. Woodcut print Chuban Diptych. The actor Nakamura Jakuemon I as Matsushita Kaheiji, Arashi Rikan III as Ak...

Osakae is an artwork realized by Ichiyôsai Yoshitaki in 1860. Woodcut print chuban dyptich. Nakamura Sennosuki I in the role of the courtesan Sakurako, Ichikawa Takijuro II as Kame ...

Kabuki is an original artwork realized in 1864 by Utagawa Kunisada (1786-1865). Breast portrait of the actor Sawamura Toshi in front of a dark blue background, he's wearing a lion dance costume. In the inset portrait of Kataoka Nizaemon with a feather costume. Signed: Oshio Toyokuni ga (77 Toyokuni). Publisher: Ebiya Rinnosuke in Horie. Censorship: Aratame. Wood engraver: Matsushima Masakichi. Excellent impression with visible wood grain and baren print lines...

Kabuki is an original artwork realized in 1862. Breast portrait of the actor Sawamura Tanosuke in front of a dark blue background, as Kanehira's daughter, in the inset portrait of B...

Di que sirvé una taza? is an original artwork realized by the great Spanish artist Francisco Goya in 1810. Original Etching on paper. The artwork belongs to the famous series "Lo...

Kabukie is an original artwork realized in the 1861 by Ichiyôsai Yoshitaki. Woodcut Print. The actor Onoe Tomizo as Ishii Genzo and Jitsugawa Ensaburo as Isshi Hyosuke in the 9th a...

Portrait of the actor Kawarazaki Gonjuro and curtain is an original artwork realized in 1864 by Toyohara Kunichika (30 June 1835 – 1 July 1900) Oban. Bust portrait of the actor Kawarazaki Gonjuro in front of the brown theatre curtain with advertisement for the theatre performances. Signed: Kunichika ga. Publisher: Tsujiokaya Bunsuke. Censored by Aratame. Excellent impression with blind printing and very fine visible vertical wood grain in the brown curtain and haori, glossy black print (collar), a little bit creased. Toyohara Kunichika (30 June 1835 – 1 July 1900) was a ukiyo-e Japanese woodblock print artist. Talented as a child, at about thirteen he became a student of Tokyo's then-leading print maker, Utagawa Kunisada. His deep appreciation and knowledge of kabuki drama...

Actualités, Old Angle is an amusing satirical illustration by the French illustrator and caricaturist, Cham (alias Count Amédée de Noé, 1818-1879) realized in 1865. Beautiful Hand-c...

Lola De Valence Etching, 1862 Signed in the plate lower left: “Ed Manet” Printed on chine collee paper, without watermark From the first edition, published by Cadart and Luquet, Paris, before the removal of the inscription “ Ed. Manet sculpt” From the 1863 edition, before the 1874 Portfolio, 1890 Portolio. 1894 Dumont edition and the Strolin edition of 100 in 1905 Pencil inscription with title below the plate in the lower margin Conditiono: Excellent Image size: 10 7/8 x 6 7/8 inches Plate size: 18 3/4 x 13 inches Reference: Harris-Manet 33 iii/III Guerin-Manet 23 vi/VIII The painting that this etching is inspired by is in the collection of the Musee d'Orsay, Paris. "Lola de Valence is a painting by the painter Édouard Manet in 1862 . The canvas represents a dancer dressed intraditional Spanish clothes...

"The Urchin (Le Gamin)" is an original etching by Edouard Manet. It depicts a young boy holding a basket with his long-haired dog. This is the second and fina...

Etching on laid paper Signed in plate lower left: L. Lhermitte Published by Cadart Luquet, Éditeurs, 79 Rue Richelieu, Paris With the blindstamp of the Société des Aquafortiste...

Etching on laid paper. Signed in the plate; publisher’s credit to Cadart Luquet, Éditeurs, Paris. With the blindstamp of the Société des Aquafortistes in the lower margin A som...

Etching on laid paper Signed in plate lower left: J. F. Jacquemart Published by Cadart Luquet, Éditeurs, 79 Rue Richelieu, Paris With the blindstamp of the Société des Aquafort...

Etching on laid paper Signed in plate lower left: Armand Gautier Published by Cadart Luquet, Éditeurs, 79 Rue Richelieu, Paris With the blindstamp of the Société des Aquafortis...

Etching on laid paper Signed in plate lower left: A. Lançon Published by Cadart Luquet, Éditeurs, 79 Rue Richelieu, Paris With the blindstamp of the Société des Aquafortistes, ...

Etching on laid paper Signed in plate lower left: W. Ridley Published by Cadart Luquet, Éditeurs, 79 Rue Richelieu, Paris With the blindstamp of the Société des Aquafortistes, ...

Etching on laid paper Sheet size: approx. 65 × 50 cm Signed in plate lower left: F. Bracquemond Published by Cadart Luquet, Éditeurs, 79 Rue Richelieu, Paris With the blinds...

Etching on laid paper Signed in plate lower left: STOP Published by Cadart Luquet, Éditeurs, 79 Rue Richelieu, Paris With the blindstamp of the Société des Aquafortistes, lower...

Samuel Palmer (English, 1805-1881), "The Early Ploughman", Etching on Laid Paper, 1861, titled and inscribed "From Keppel Estate" to the verso, unframed. Image: 5" H x 7.75" W; sheet...

Uses and Customs - Women's Head is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the gov...

Roveroto in Tyrol is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the government, of th...

WO RO SI IA ZIN Russian Soldier with His Family Color woodcut, 1861 2nd month Signed upper left (see photo) Titled upper right in black cartouche (see photo) Format: oban Style: Yokohama-e Publisherr: Sagamiya Tokichi (Marks #435) active 1955-1866 Metropolitan Museum of Art in New York, has an impression of this image RARE Condition: with usual aging Image size: 13 7/8 x 9 3/8 inches Rebecca Salter in her Japanese Popular Prints... on page 18 gives a different take on the situation that Yoshifuji found himself in. "A giant of the period, however, was Utagawa Kuniyoshi (1797-861). Although best known for warrior prints which reflected the militaristic undercurrents of the time, he was also responsible for some of the most light-heartend and humorous works in this book. His followers in the Utagawa school, Utagawa Yoshitsuya...

Uses and Customs - Republic of Cisalpina is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History o...

Uses and Customs - Man From Mountain is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of th...

Uses and Customs - Bavarian is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the governm...

Uses and Customs - the Carnival of Venice is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History ...

Uses and Customs - Royal Villa of Naples is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History o...

Uses and Customs - Cloister of Saint Martin in Naples is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe...

Porto Ferrajo is a hand colored lithograph realized in 1864. Good conditions. The artwork belongs to the Suite Uses and customs of all the peoples of the universe, or History of th...

Palermo is a  hand colored lithograph realized in 1864. Good conditions. The artwork belongs to the Suite Uses and customs of all the peoples of the universe, or History of the gov...

The custody is as barbarous as the crime (Tan barbara la seguridad como el delito) is an artwork realied by Francisco Goya y Lucientes, 1867. Paris: Delâtre, 1867. Etching and burin. cm. 10.5x8.4.Sheet 21x16.2. Excellent proof of III state and first edition after the appearance of the letter and the bevel of the plate, published in the Gazette des Beau-Arts, vol. XXII, p. 196. Ref. Harris 26 Intact sheet with wide margins. Slight exposure yellowing around image. Francisco José de Goya y Lucientes (Fuendetodos, March 30, 1746 - Bordeaux, April 16, 1828) was a Spanish painter and engraver. Considered the pioneer of modern art, he was one of the greatest Spanish painters who lived between the late eighteenth and early nineteenth centuries. His paintings, drawings and etchings of him reflected the ongoing historical upheavals and influenced the most important contemporary and following century painters. Goya is often referred to as the last of the old masters and the first of the moderns. Born into a middle-class family in 1746 in Aragon, he was a pupil of painting from the age of 14 to José Luzán y Martínez, later moving to Madrid to study with Anton Raphael Mengs. In 1786 he became court painter to the Spanish crown and this first part of his career was characterized by numerous portraits of members of the Spanish aristocracy and royal family, as well as by the production of rococo tapestries for the royal palace. In 1793 he suffered from an undiagnosed serious illness which left him deaf, after which his work became progressively darker and more pessimistic. His subsequent paintings seem to reflect a bleak vision of existence, which contrasts with his resounding social ascent: in 1799, in fact, he became Primer Pintor de Cámara (First Court Painter), the highest rank for a Spanish court painter . In late 1799, commissioned by Godoy, he completed his Maja desnuda, a remarkably bold nude for the time and clearly inspired by the style of Diego Velázquez. In the early 19th century he painted The Family of Charles IV, again influenced by Velázquez. In 1807, Napoleon led the Grand Army in the Peninsular War against Spain. During the conflict Goya remained in Madrid and, although he never expressed his thoughts in public, it seems that these facts affected him deeply, as can be seen from some of his works such as The Disasters of War, The 2nd of May 1808, The 3rd May 1808. Other works of his maturity include a wide variety of paintings concerning madness, asylums, witches, fantastic creatures, and religious and political corruption, which suggest that he feared for his mental and physical health. His later period culminates with the Black Paintings of 1819-1823, made in the Quinta del Sordo, his home on the outskirts of Madrid where he lived, disillusioned by political and social developments in Spain, in a situation of almost isolation. Finally, in 1824, Goya decided to abandon Spain to retire to the French city of Bordeaux...

Lithograph on chine collée on firm white paper. Image dimension (chine collée) 28.7x22.7; Sheet size 50.4x32.6. Not signed, as issued. Lower inscribed and titled in typographic sc...

The Bear is an original lithograph on paper, realized by E.Laport in about 1860. The state of preservation is good except for some diffused stains. Hand-colored. Plate No.9 Shee...

Signed lower left, outside of design, 'John Leech' (British, 1817-1864) and created circa 1865. Titled verso, 'Scenes at Sandbath', and inscribed, 'The female Blondin out done! Grand...

Lithograph on paper realized by Ulysses Butin (1837-1883). Not signed. as issued. Good condition with the left corners missing.

Etching on laid paper Signed in plate lower right: E. Thirion Published by Cadart & Luquet, Éditeurs, 79 Rue Richelieu, Paris With the blindstamp of the Société des Aquafortistes, lo...

Customs - Kings of Armenia is a lithograph on paper realized in 1862. Titled on the lower. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " H...

Etching on laid paper Signed and dated in plate lower center: Dresde Oct. 1863 / Fantin Inscribed: Un morceau de Schumann Published by Cadart & Luquet, Éditeurs, 79 Rue Richelieu, Pa...

Two etchings on a single sheet of laid paper Each signed and dated in the plate: L. Lhermitte sculp. 1863 Published by Cadart & Luquet, Éditeurs, 79 Rue Richelieu, Paris With the bli...

Etching realized by Brunet-Debaines in the late 19th Century after Decamps (1874). Not signed, as issued. Very good condition.

Etching on laid paper, signed in the plate and dated lower margin. This fine etching by Adolphe Martial Potémont, one of the leading French etchers of the 19th century, captures the...

Original etching, published by Cadart et Luquet, Paris. A moving and intimate composition by Amédée Guérard, this etching captures the tenderness of maternal love with a mother embr...

Etching on laid paper Signed and inscribed in plate lower left: K. Bodmer sculp. Published by Cadart & Luquet, Éditeurs, 79 Rue Richelieu, Paris With the blindstamp of the Société de...

Etching on laid paper Signed and inscribed in plate lower left: Paul Huet sculp. Published by Cadart & Luquet, Éditeurs, 79 Rue Richelieu, Paris With the blindstamp of the Société de...

Edouard MANET (1832-1883) Exotic flower (or Woman with a Mantilla) 1869 Original etching Signed in the plate On vellum 36 x 26 cm REFERENCES: - Catalogue raisonné Guérin #51 - Cata...

Wonderful, rare and perfect proof on china paper before letter, signed with initials in pencil. First final edition before the letter, in 100 pieces realized for the “Album des pein...

Uses and Customs - Indian is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the governmen...

Edouard Manet Le Chat et les Fleurs (from "Les Chats par Champfleury") 1869 Etching and aquatint on Rives paper Image: 6.25 x 5.125 (17.3 × 13 cm) Plate: 8 x 6 inches (20.3 x 15.2 c...

Les Vendagnes is an artwork realized by Charles François Daubigny in the 1870s. Etching. Image size:20x33 Good conditions. Realized for the "Société des Aquafortistes. Born on ...

Farmer is an original etching, realized by French artist Félix Henri Bracquemond. Sheet dimension: 52.5 x 64.5 cm. Image Dimensions: 42.5 x 51 cm Hand Signed on the lower right. ...