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Period: 1930s
A Morning in May
— Ashcan School Social Realism, New York City
Located in Myrtle Beach, SC
Reginald Marsh, 'A Morning in May', etching, 1936, edition 100 (Whitney, 1969), Sasowsky 169. Unsigned as published; numbered '89/100' in pencil. A superb, richly-inked impression, ...
Category
Ashcan School 1930s Figurative Prints
Materials
Etching
Icart, Sans titre, Le Sopha (after)
By Louis Icart
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
Modern 1930s Figurative Prints
Materials
Drypoint, Etching
$876 Sale Price
20% Off
L
Ete (Summer), Surrealist Pochoir Print by Joan Miro
By Joan Miró
Located in Long Island City, NY
Artist: Joan Miro, Spanish (1893 - 1983)
Title: L'Ete (Summer) from Verve (Vol. 1, No. 3)
Year: 1938
Medium: Color Pochoir on Wove Paper, signed, titled and dated in the plate, verso...
Category
Surrealist 1930s Figurative Prints
Materials
Stencil
Poppy
— Art Deco Pochoir from the acclaimed portfolio
RELAIS
Located in Myrtle Beach, SC
Edouard Benedictus, 'Poppy' from the portfolio 'Relais', plate 14, color pochoir, 1930. Signed in the matrix, in the center bottom margin. A superb, richly-inked impression, with fresh, vibrant colors, including metallic gold and silver inks, on heavy, cream wove paper; the full sheet with margins (1 3/8 inches), in excellent condition. Published by Éditions Vincent, Fréal et Cie, Paris. The pochoir production is by Jean Saudé, the French printmaker known for his mastery of the technique and the author of the first how-to book on the pochoir process. Matted to museum standards, unframed.
Image size 14 3/8 x 11 inches (365 x 279 mm); sheet size 17 1/4 x 13 7/8 inches (438 x 352 mm).
Impressions of this work are held in the following museum collections: Cooper-Hewitt National Design Museum Library (Smithsonian), Metropolitan Museum of Art, Minneapolis Institute of Art, New York Public Library, Toledo Museum of Art, Victoria and Albert Museum (London), Virginia Museum of Fine Arts.
ABOUT THIS WORK
The Pochoir process is a refined stencil-based technique employed to create multiples or to add color to prints produced in other mediums. Characterized by its crisp lines and rich color, the print-making process was most popular from the late 19th century through the 1930s, with its center of activity in Paris. The pochoir process began with the analysis of an image’s composition, including color tones and densities. The numerous stencils (made of aluminum, copper, or zinc) necessary to create a complete image were then designed and hand-cut by the 'découpeur.' The 'coloristes' applied watercolor or gouache pigments through the stencils, skillfully employing a variety of different brushes and methods of paint application to achieve the desired depth of color and textural and tonal nuance. The pochoir process, by virtue of its handcrafted methodology, resulted in the finished work producing the effect of an original painting, and in fact, each print was unique.
ABOUT THE ARTIST
Edouard Benedictus (1878 -1930), artist, designer, composer, and chemist, was born and died in Paris. A highly-regarded designer and art critic of the Art Nouveau era, Benedictus gained renown as a colorist and creator of Art Deco-inspired geometric and floral motifs. His work had a significant influence on international fashions in clothing, home furnishings, graphic design, and decorative objects of the period, earning him commissions from leading European design firms. In 1925 he was invited to represent Art Deco textile design...
Category
Art Nouveau 1930s Figurative Prints
Materials
Stencil
Modern Music
— WPA Modernism, New York City El
Located in Myrtle Beach, SC
Albert Potter, 'Modern Music' also Twilight Melodies', linocut, c. 1935, from the posthumous edition of 20, printed in 1977, authorized by the artist’s widow. Estate authenticated in...
Category
American Modern 1930s Figurative Prints
Materials
Linocut
Abstract Boats
— American Modernism, WPA
By Leon Bibel
Located in Myrtle Beach, SC
Leon Bibel, 'Abstract Boats', color serigraph, 1938, edition 12. Signed, dated, and numbered ' /12' in pencil. A fine, painterly impression, with fresh colors, on buff wove paper; t...
Category
American Modern 1930s Figurative Prints
Materials
Screen
Negro
— California WPA Social Realism – Slavery
Located in Myrtle Beach, SC
Nicholas Panesis, 'Negro', 1934, color lithograph, edition 18. Signed, dated, titled, and numbered 8/28 in pencil. Initialed in the stone, lower right. A fine impression, with fresh colors, on buff wove paper, with margins (1 1/8 to 2 3/8 inches). Minor glue staining at the extreme sheet edges verso, where previously taped (not visible recto), otherwise in excellent condition. Very scarce.
Matted to museum standards, unframed.
Image size 10 5/8 x 8 1/2 inches; (270 x 216 mm); sheet size 14 13/16 x 10 15/16 inches (376 x 278 mm).
Created for the California Works Progress Administration, Federal Art Project (WPA).
Impressions of this work are held in the public collections of La Salle University Art Museum (Philadelphia), U.S. General Services Administration, and Weisman Art Museum (University of Minnesota).
ABOUT THE ARTIST
Born in Massachusetts, Nicholas Panesis (1913-1967) studied art at Syracuse University, NY, and went on to teach ceramics at Alfred University, NY.
Panesis moved to San Francisco in the early 1930s shortly before settling in Los Angeles, where he worked for different animation studios...
Category
American Realist 1930s Figurative Prints
Materials
Lithograph
Down the River
Located in London, GB
In this sentimental work from 1939, Benton expresses his admiration for the rural lifestyle of the Midwest. He highlights the connection between man and the land by depicting two fig...
Category
American Modern 1930s Figurative Prints
Materials
Lithograph
Icart, Sans titre, Le Sopha (after)
By Louis Icart
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
Modern 1930s Figurative Prints
Materials
Drypoint, Etching
$876 Sale Price
20% Off
EARLY JACOULET - A DOWNPOUR AT METALANIM PONOPE EAST CAROLINAS
Located in Santa Monica, CA
EARLY JACOULET
PAUL JACOULET (1896 – 1960)
UNE AVERSEA METALANIM, PONAPE , EST CAROLINES, 1935
A DOWNPOUR AT METALANIM PONOPE EAT CAROLINAS (Miles 29)
Color woodcut, with metallic ...
Category
Modern 1930s Figurative Prints
Materials
Color, Woodcut
Original South Africa Express Italian Line - Genoa 1931 vintage travel poster
By Giovanni Patrone
Located in Spokane, WA
Original 1931 South Africa Express Vintage Italian Cruise Line Poster - Art Deco Masterpiece - Rare Collectible. Archival linen backed in Grade A- condition. This poster features...
Category
Art Deco 1930s Figurative Prints
Materials
Lithograph
To Market, to Market
— Surrealist Fantasy
Located in Myrtle Beach, SC
Zena Kavin, 'To Market, to Market', lithograph, c. 1935, edition 20. Signed, titled, and numbered '6/20' in pencil. A fine, richly-inked impression, on cream wove paper, with full ma...
Category
American Modern 1930s Figurative Prints
Materials
Lithograph
$360 Sale Price
20% Off
Little Girl
— American Modernism
By Milton Avery
Located in Myrtle Beach, SC
Milton Avery, 'Little Girl', drypoint, 1936, edition 60, Lunn 11. Signed, dated, and numbered '22/60' in pencil. A superb impression, in warm black ink with delicate overall plate tone, on off-white wove paper, with wide margins (2 5/8 to 4 1/8 inches); hinge stains on the top sheet edge, verso, otherwise in excellent condition. Matted to museum standards, unframed.
Image size 8 3/4 x 4 3/4 inches (222 x 121 mm); sheet size 14 7/8 x 13 1/8 inches (378 x 333 mm).
Collections: Cantor Arts Center, National Gallery of Art.
ABOUT THE ARTIST
"I never have any rules to follow; I follow myself."
"I paint not by sight but by faith. Faith gives you sight."
—Milton Avery
'His is the poetry of sheer loveliness.'
—Mark Rothko in his 1965 eulogy to Avery.
Milton Avery (1885-1965) is recognized as one of America's foremost modernist artists, renowned for his uniquely expressive style, evocative use of color, and captivating compositions.
Growing up in a working-class family in Altmar, New York, Avery's early life was marked by the struggles and realities of rural New York. Despite lacking formal artistic training, he displayed an innate talent for drawing from an early age. In 1905, his family relocated to Hartford, Connecticut, where he worked various odd jobs while developing his artistic skills through self-study and experimentation. In 1915, he enrolled at the Connecticut League of Art Students, where he received formal instruction and began to refine his distinctive style.
In 1918, Avery transferred to the School of the Art Society of Hartford and worked in the evenings so that he could paint during the day. He became a member of the Connecticut Academy of Fine Arts in 1924. That summer in Gloucester, Massachusetts, he met the artist Sally Michael...
Category
American Modern 1930s Figurative Prints
Materials
Drypoint
$3,520 Sale Price
20% Off
Icart, Sans titre, Le Sopha (after)
By Louis Icart
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
Modern 1930s Figurative Prints
Materials
Drypoint, Etching
$876 Sale Price
20% Off
Max Eisler Eine Nachlese folio “The Bride” collotype print
Located in Palm Beach, FL
After Gustav Klimt, Max Eisler #30, Brautzug; multi-color collotype after unfinished 1917/18 painting in oil on canvas.
Painted in the last months of Klimt’s life, The Bride was one...
Category
Vienna Secession 1930s Figurative Prints
Materials
Paper
Harry Bowden, (Seated Figure)
By Harry Bowden
Located in New York, NY
This print was made for the American Abstract Artists Portfolio, 1937. All the images were lithographs made on zinc plates. Usually they were signed or initialed in the image -- on t...
Category
Abstract 1930s Figurative Prints
Materials
Lithograph
A Handsome 1930s Rockwell Kent Lithograph on Paper, Titled "Canterbury Tales"
Located in Chicago, IL
A handsome 1930s Rockwell Kent lithograph on paper, titled "Canterbury Tales". Nicely matted and framed in a gold-toned frame. Image size: ...
Category
American Modern 1930s Figurative Prints
Materials
Paper, Lithograph
Bowling on the Green (from the Bicentennial Pageant of George Washington)
Located in Soquel, CA
Bowling on the Green (from the Bicentennial Pageant of George Washington)
'Bowling on the Green', by printmaker Frederick Childe Hassam, depicts George Washington and friends lawn b...
Category
American Impressionist 1930s Figurative Prints
Materials
Ink, Etching, Laid Paper
Stoops in Snow
By Martin Lewis
Located in Plano, TX
Stoops in Snow. 1930. Drypoint and sandpaper ground. McCarron catalog 89.state ii. 9 x 14 7/8 (sheet 13 1/4 x 18 7/16 ). Edition 115 recorded impressio...
Category
American Modern 1930s Figurative Prints
Materials
Drypoint, Etching
$35,000 Sale Price
30% Off
Below Stairs.
Located in Plano, TX
Below Stairs. 1930-31. Drypoint. Appleby 143. 10 1/4 x 7 3/4 (sheet 15 3/4 x 10 1/8). Edition 100, #31. A very rich, tonal impression on cream-colored laid paper. Unobtrusive soiling in the top left- and lower-left hand margins, just below the platemark; and light mat line just outside the platemark. . Signed and numbered in ink. Housed in a 20 x 16-inch archival mat, suitable for framing. A charming discussion between the chef and a scullery maid in a "Downtown Abbey...
Category
Modern 1930s Figurative Prints
Materials
Drypoint, Etching
$975 Sale Price
56% Off
Squirrel - Woodcut by Maurits Cornelis Escher - 1931
Located in Roma, IT
Woodcut print realized by Escher in 1931.
It belongs to the series "Emblemata".
Signed with initials in the plate lower right.
Ref. F.H. Bool, J.R. Kist, J.L. Locher and F. Wierda...
Category
Modern 1930s Figurative Prints
Materials
Woodcut
Original vintage poster Tentez Votre Chance Loterie Nationale art deco litho
Located in Spokane, WA
Tentez Votre Chance Loterie Nationale original antique French art deco poster; image created by artist Francois del Ry. "Try Your Luck National Lottery." This is a small format size...
Category
Art Deco 1930s Figurative Prints
Materials
Lithograph
Jon Corbino, Montana Earthquake, 1936, lithograph
By Jon Corbino
Located in New York, NY
Works by Jon Corbino (1905-1964) feature drama. Here he's showing us the chaos produced by a major earthquake in rural Montana in 1936 -- an actual historical event.
The horses (ear...
Category
American Modern 1930s Figurative Prints
Materials
Lithograph
Icart, Composition, Le Sopha (after)
By Louis Icart
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
Modern 1930s Figurative Prints
Materials
Drypoint, Etching
$876 Sale Price
20% Off
Wild Pilgrimage
(Contemplation) —
Story Without Words
Graphic Modernism
By Lynd Ward
Located in Myrtle Beach, SC
Lynd Ward, 'Wild Pilgrimage', No. 26, wood engraving, 1932, edition not stated but very small. Signed in pencil. A fine, black impression, with full margins (1 1/16 to 3 3/16 inches), on tissue-thin cream Japan paper, in very good condition. A scarce, artist-printed, hand-signed proof impression before the published edition. Matted to museum standards, unframed.
Created by Lynd Ward for his narrative book of illustrations without words, 'Wild Pilgrimage', published by Harrison Smith...
Category
American Modern 1930s Figurative Prints
Materials
Woodcut
Loop Alley
— Modernist Chicago Cityscape, WPA
Located in Myrtle Beach, SC
Charles Turzak, 'Loop Alley (Chicago)', color woodcut, edition c. 25, c. 1935. Signed and titled in pencil. A fine, richly-inked impression, with fresh colors, on cream wove Japan pa...
Category
American Modern 1930s Figurative Prints
Materials
Woodcut
Pipe and Brawn
— WPA Era American Realism
By James Allen
Located in Myrtle Beach, SC
James Allen, 'Pipe and Brawn,' 1937, lithograph, edition 40. Signed and annotated 'Ed/40' in pencil. A superb, richly inked impression on cream wove paper, the full sheet with margin...
Category
American Realist 1930s Figurative Prints
Materials
Lithograph
Figurative Picasso Etching,
Trois Femmes nues et une Coupe d’Anémones
, 1933
Located in New York, NY
Pablo Picasso's "Trois Femmes nues et une Coupe d'Anémones" (1933) is a powerful and evocative work that captures the artist's fascination with the female form and his ongoing explor...
Category
Cubist 1930s Figurative Prints
Materials
Laid Paper, Etching
Cargo Carriers
— New York Harbor
By Otto Kuhler
Located in Myrtle Beach, SC
Otto Kuhler, 'Cargo Carriers', etching and drypoint, c. 1932, edition 10, Kennedy 44. Signed in pencil. A superb, atmospheric impression with rich burr and selectively wiped overall plate tone, in dark brown ink, on Arches cream laid paper; wide margins (2 to 2 3/4 inches), in very good condition. Printed by the artist. Original Kennedy Galleries mat and label. Very scarce.
"On my trips up and down N.Y. harbor on the Weehawken Ferry, the late evening sun playing on the side of the big liners has always intrigued me... The liner shown I believe to be the Vaterland of the North German Lloyd...
Category
American Modern 1930s Figurative Prints
Materials
Etching, Drypoint
$1,440 Sale Price
20% Off
William Gropper, (Choral Group)
Located in New York, NY
An early serigraph (screen print) by William Gropper. There's a harpist to provide the music and a choir master conducting. The seated members of the group are individually drawn as ...
Category
Ashcan School 1930s Figurative Prints
Materials
Screen
Icart, Composition, Le Sopha (after)
By Louis Icart
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
Modern 1930s Figurative Prints
Materials
Drypoint, Etching
$876 Sale Price
20% Off
Original 1933 Concours de Photographie e Cinematographie vintage French poster
Located in Spokane, WA
Original 1933 French Poster — Touring Club de France “Concours de Photographie et de Cinématographie” — Art Deco — Linen Backed Vintage Advertising Grade a- condition with minor r...
Category
American Modern 1930s Figurative Prints
Materials
Lithograph
The Connectors
— Vintage American Realism, New York City
By James Allen
Located in Myrtle Beach, SC
James Allen, 'The Connectors', 1934, etching, edition not stated, Ryan 66. Signed in pencil. A superb, richly-inked impression, on handmade, cream laid paper, with margins (1/2 to 1...
Category
American Realist 1930s Figurative Prints
Materials
Etching
Run Little Chillun
also
Revival
— African American Subject
Located in Myrtle Beach, SC
Isac Friedlander, 'Run Little Chillun' also 'Revival', wood engraving, 1933, edition 50. Signed, titled and annotated 'New York 1933' in pencil. A sup...
Category
American Modern 1930s Figurative Prints
Materials
Woodcut
20th century color lithograph postcard indigenous figures landscape rock sky
By Joseph Roy Willis
Located in Milwaukee, WI
"Navajo Indians At Home" is a color lithograph postcard by Joseph Roy Willis. A number of American Natives of varying ages and genders are depicted in the brightly colored clothing a...
Category
Other Art Style 1930s Figurative Prints
Materials
Postcard, Lithograph
Irving Guyer, Roll Them Bones, Depression-era African-American men at craps
By Irving Guyer
Located in New York, NY
An American Depression-Era subject of African-American men playing craps by Irving Guyer.. (Craps is a game of chance that required neither skill nor strategy. The object is to predi...
Category
Ashcan School 1930s Figurative Prints
Materials
Etching
Washington At Pohick Church - 1932 Etching On Paper
Located in Soquel, CA
Washington At Pohick Church - 1932 Etching On Paper
1932 black and white etching depicting George Washington at Pohick Church by Ernest David Roth (German, 1879-1964). George Washin...
Category
American Impressionist 1930s Figurative Prints
Materials
Laid Paper, Etching
$720 Sale Price
20% Off
Balance - Woodcut by Maurits Cornelis Escher - 1931
Located in Roma, IT
Woodcut print realized by Escher for the series "Emblemata", and published in 1931.
On Hollande van Gelder paper.
Edition of 300.
Unsigned, as issued. Excellent condition, matted....
Category
Modern 1930s Figurative Prints
Materials
Woodcut
Original Norwich Castle England lithographic vintage British travel poster
Located in Spokane, WA
Original linen-backed NORWICH CASTLE vintage travel poster, printed in England in 1935 by artist C. W. Hobbis and published by Page Brothers (Norwich) Ltd. It features a city center ...
Category
American Modern 1930s Figurative Prints
Materials
Lithograph
The Great Draughtsman Sitting (Self-Portrait)
Located in Chicago, IL
This etching is signed and numbered by the artist and was printed in an edition of 50. The references for this work are: Auberty
Perussaux 266 and Ginestet
Pouillon E. 3...
Category
Modern 1930s Figurative Prints
Materials
Etching
The New Cable British Modern Mid 20th Century Vorticist European Vorticism Woman
Located in New York, NY
The New Cable British Modern Mid 20th Century Vorticist European Vorticism Woman
Sybil Andrews CPE (British/Canadian, 1898-1992)
"The New Cable," 1931
12 x 16 1/2 inches
Color linocut
Signed, titled, inscribed 'Second State', and numbered 13/60 in pencil
Framed: 19 x 24 inches
Literature: Coppel Sa17
Illustrated on page 10 of the catalog
The proposed edition of the first state of the Giant Cable was 50, but only 30 impressions were pulled. Andrews removed the blue background for the second state, which was published under the title The New Cable in an edition of 60.
BIO
Sybil Andrews was a printmaker, painter, graphic artist and educator who was born in Bury St. Edmonds, Suffolk, England. She moved to London (England) in 1922. In 1947, she emigrated to Campbell River (Vancouver Island) British Columbia, Canada, where she worked, taught and lived for the rest of her life. She died at a hospital in Victoria (B.C.)
Her mediums were the colour linocut (1) (most famous), etching, posters, pastels, ink, watercolour, monoprint and oil. Her subjects were human activity (at work, sports, travel, etc.), figures, animals, genre, allegory, architecture and landscape. Her style was Art Deco (see AskART styles), Futurism, Cubism and Vorticism (2). Her work is identified by a simple format, clean lines, distortion, vivid colours, drama and rhythm.
Quote: "The colour linocut was just the medium for me, being interested in dynamics and ideas and patterns... It is impossible to be fussy with lines, you have to simplify, you are forced to simplify your idea to its fundamentals." Andrews produced 76 linocuts in her life, of which 43 were made from 1929 to 1939, which is considered to be her best period.
John Hassall's art correspondence course (1918) was the beginning of her formal art education. She went from there to Heatherley's School of Fine Art (London/1922) where she studied under Henry Massey (see AskART) and met artistic partner Cyril Power (see AskART). At the same time, she studied independently with sculptor Henri Glicenstein (see AskART) who taught her drypoint etching and to draw from life.
She also attended the Grosvenor School of Modern Art (1925). Iain McNab (1890-1967) was Principal and Claude Flight (3) (see AskART) an instructor who had a great influence on her choice of linocut as a primary medium. Some of his other students and her associates were Edith Lawrence (1890-1973), Lill Tschudi (1911-2001), Eileen Mayo (see AskART) and William Greengrass (1896-1970). After emigrating to Canada she taught art continuously until a month before her death.
She was elected a member of the Canadian Painters - Etchers Society (after 1976 the Print and Drawing Council of Canada) in 1951.
She began exhibiting her work in 1921.In 1929 she was included in "The First Exhibition of British Linocuts...
Category
Modern 1930s Figurative Prints
Materials
Linocut
TAUREAU AILE CONTEMPLE PAR QUATRE ENFANTS (BLOCH 229)
Located in Aventura, FL
Plate 13 from La Suite Vollard. Bloch 229. Baer 444. Etching on Montval paper. Signed in pencil, from the edition of 260 (there was also an edition of 50 with larger margins). Printe...
Category
Cubist 1930s Figurative Prints
Materials
Paper, Engraving
$31,600 Sale Price
29% Off
James Penney, Street Pavers (New York City), mid-century labor scene, 1930s
By James Penney
Located in New York, NY
James Penney was widely known for his New Yorker covers as well as his paintings and prints. This lithograph of male laborers, Street Pavers, remi...
Category
Ashcan School 1930s Figurative Prints
Materials
Lithograph
Pablo Picasso, "Sculpteur et Modele debout, " etching, hand signed
Located in Chatsworth, CA
Artist: Pablo Picasso
Title: Sculpteur et Modele debout
Year: 1933
Medium: Original etching
Edition: hand signed in pencil from an edition of 250 on small margins
Size: Frame: 27 x 2...
Category
Surrealist 1930s Figurative Prints
Materials
Etching
Polyxène, Fille de Priam, est égorgée sur la Tombe d
Achille
Located in Roma, IT
Original etching from the portfolio "Les Métamorphoses d'Ovide" realized by Pablo Picasso in 1930 and published by Skira. Edition of 145 copies.
Very good conditions.
Re. Bloch p....
Category
Modern 1930s Figurative Prints
Materials
Etching
Couple Under a Tree
Located in New York, NY
Elyse Ashe Lord (1900-1971), Couple Under a Tree, c. 1930, color etching, soft ground, drypoint; signed lower right in pencil and numbered by the artist lower left. In very good condition, the full sheet, 11 3/4 x 12 1/4, the sheet 17 x 16 inches.
A fine impression, with strong colors and plate tone. Printed on a light laid ivory Japan...
Category
Art Nouveau 1930s Figurative Prints
Materials
Drypoint, Etching
Tenant Farmers
— Depression Era, WPA
By Lou Barlow
Located in Myrtle Beach, SC
Lou Barlow (Louis Breslow), 'Tenant Farmers', color wood engraving, 1936, edition 25. Signed, titled, and numbered '15/25' in pencil. A superb, richly-inked impression, with fresh c...
Category
American Modern 1930s Figurative Prints
Materials
Woodcut
Pretty Woman - Lithograph by Umberto Brunelleschi - 1930s
Located in Roma, IT
Pretty woman is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949).
Illustration for “Tales and Short Stories” by L...
Category
Art Nouveau 1930s Figurative Prints
Materials
Lithograph
The Cyclops (Ulysses, PL.205)
Located in Greenwich, CT
This etching on paper, 11.75 x 8.25" image size, is signed ‘Henri Matisse’ lower right, numbered lower left, and framed in a beautiful, custom gold-leaf frame. From the edition of 15...
Category
Modern 1930s Figurative Prints
Materials
Paper, Etching
Icart, Composition, Le Sopha (after)
By Louis Icart
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
Modern 1930s Figurative Prints
Materials
Drypoint, Etching
$876 Sale Price
20% Off
Henri Matisse, Teeny, from XXe siecle, 1938
Located in Southampton, NY
This exquisite linocut by Henri Matisse (1869–1954), titled Teeny, from the album XXe siecle, Chroniques du jour, 13 rue Valette (5e), Directeur G. di San Lazzaro, Sommaire du no. 4,...
Category
Fauvist 1930s Figurative Prints
Materials
Linocut
$2,396 Sale Price
20% Off
Beehive - Woodcut by Maurits Cornelis Escher - 1931
Located in Roma, IT
Woodcut print realized by Escher for the series "Emblemata", and published in 1931.
On Hollande van Gelder paper.
Edition of 300.
Unsigned, as issued. Excellent condition, matted....
Category
Modern 1930s Figurative Prints
Materials
Woodcut
Cheetah - From Chats et Autres Bêtes - Lithograph 1933
Located in Roma, IT
Cheetah - From Chats et Autres Bêtes is an original black and white lithograph realized in 1933 by Théophile Alexandre Steinlen.
Signed on plate.
The lithograph, on Arches vellum,...
Category
1930s Figurative Prints
Materials
Lithograph
Icart, Composition, Le Sopha (after)
By Louis Icart
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
Modern 1930s Figurative Prints
Materials
Drypoint, Etching
$876 Sale Price
20% Off
Cat and Busybody
Located in Middletown, NY
A 1933 lithograph on cream wove paper 14 x 18 inches (354 x 452mm), full margins. Signed, titled, and numbered 17/33 in pencil, lower margin. Minor mat tone around the perimeter of t...
Category
American Modern 1930s Figurative Prints
Materials
Lithograph
"Charge of the Revolutionist Cavalry" - 1931 Woodcut On Paper
Located in Soquel, CA
"Charge of the Revolutionist Cavalry" - 1931 Woodcut On Paper
1931 Black and white woodcut print titled "Charge of the Revolutionist Cavalry" by Leo...
Category
Contemporary 1930s Figurative Prints
Materials
India Ink, Laid Paper, Woodcut
Art Deco : The Palm Tree under the Sun, 1933 - Original Lithograph
Located in Paris, IDF
Jacques Camus
The Palm Tree under the Sun, 1933
Original lithograph and stencil
Unsigned
On paper 39 x 29 cm (c. 15.3 x 11.4 inch)
INFORMATION : This lithograph is part of the "Idé...
Category
Art Deco 1930s Figurative Prints
Materials
Lithograph, Stencil
LA SORCIERE - (The Witch)
Located in Santa Monica, CA
KURT SELIGMANN (1900–1962 American, born in Switzerland,)
LA SORCIERE - (The Witch) 1934
Etching and aquatint, unsigned ? possibly a proof aside from The ...
Category
Surrealist 1930s Figurative Prints
Materials
Etching, Aquatint
"Winch" British Linocut Grosvenor School Machine Age 1930 Woman Artist Print
Located in New York, NY
"Winch" British Linocut Grosvenor School Machine Age 1930 Woman Artist Print
"The Winch" 1930. 7 3/4 x 11 (sight) inches. Linocut in colors on tissue...
Category
Modern 1930s Figurative Prints
Materials
Linocut
The Workers (No. 1)
— 1930s WPA Modernist Woodcut
Located in Myrtle Beach, SC
Charles Turzak, 'The Workers (No. 1)', woodcut, edition c. 50, c. 1935. Signed and titled in pencil. Signed in the block, lower right. A fine, richly-inked impression, on cream wove...
Category
American Modern 1930s Figurative Prints
Materials
Woodcut
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