Early 20th Century Figurative Prints

This exquisite lithograph after Henri Matisse (1869–1954), titled Plume (Feather), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse), originates from the 1925 editi...

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue ...

GUSTAVE BAUMANN (1881 – 1971) THE RUG WEAVER, 1910 (Chamberlain 26) Color woodcut signed in pencil. Unnumbed from an edition 100 as published in the Hills o’ Brown...

Boris Lovet-Lorski, Untitled (Nike), lithograph, edition 250, 1929. Signed and numbered 1 in pencil. Number 1 of Volume 1, a series of 10 lithographs in each of 2 portfolios, publish...

'Maenad in Frenzy' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above top right corner of the im...

Hermine David, drypoint and engraving, Boxing Match, circa 1927, signed and numbered in pencil, lower margin. Reference: Jean Adhemar, Inventaire Biblioth...

The Rabbit is an original woodcut print by Giselle Hallf in the first half of the 20th Century. Good conditions. The artwork is depicted through strong strokes in a well-balanced c...

This artwork titled "Turmgasschen" 1935 is an original color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil at the lower center by the artist and titled in the plate. The plate mark (image) size is 15.5 x 10 inches, framed is 24.35 x 17.5 inches. It is custom framed in a dark wood frame, with light creme color matting and light brown filet. It is in very good condition, the frame have some scratches. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand. Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...

Mucha, Alfons Maria 1860 - 1939 Lefevre-Utile - Sarah Bernhardt Lithograph 1903 Dimensions: 27.5 x 20 in. (70 x 51 cm) Framed: 28 x 35.5 Inches Printe...

This artwork titled "Heidelberg" 1928 is an original color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil at the lower center by the artist and titled, dated November 19 1928 in the plate. The plate mark (image) size is 13 x 10.25 inches, framed is 21.65 x 17.25 inches. It is custom framed in a dark wood frame, with light creme color matting and dark silver filet. It is in excellent condition. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand. Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...

Drypoint on gewöhnlichem aber holzfreiem vélin paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the album, Verzeichnis Des graphischen Werks Edvard Munchs Bis 1...

Drypoint etching with engraving printed in black ink on Japanese mulberry paper, 4 1/2 x 3 3/8 inches (113 x 84 mm), full margins. In superb condition. A beautiful New York City river...

Les Biches is a ballet by Bronislava Nijinska, with music by Francis Poulenc and with costume design by Marie Laurencin. Edition of 335 copies. Copy nu...

Original 1929 Bruxelles 10th Foire Commerciale Poster – Linen Backed & Ready to Wow! Art by Armand Massonet. Grade A condition poster almost 100 years old. No restoration but resi...

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue ...

This artwork titled "L'Ame du Poete (The Soul of the Poet)" 1901, is an original etching and aquatint by renown French artist Louis Auguste Mathieu Legrand, 1863-1951. Signed in the ...

(A charming lady chatting with a lady perfect in every possible way) Signed in the plate. No pencil signed impressions are existent. Edition: 368 (including 50 imps on japan) includi...

New York: c 1920. Etching with aquatint printed in brownish black ink on cream wove paper, 8 3/4 x 12 inches (220 x 304 mm), full margins. Signed and titled in pencil in the lower ma...

Medium: original woodcut. The inscription on the banner translates to "Come Sweet Death". Printed in Germany in 1922 for the rare Ganymed portfolio of "Das vierte Jahrbuch der Marees...

This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...

Luigi Kasimir, 'Brooklyn Bridge', color etching with aquatint, 1927, edition 100. Signed in pencil. A superb impression, with fresh colors, on heavy, cream wove paper; with margins...

A framed Art Nouveau lithograph collotype poster by Alphone Mucha from 1905 representing the artist’s sketches of nudes, women and beautiful ladies in blues and white pigments on vel...

Original London Midland and Scottish Railway (LMS) vintage Art Deco railway poster from 1925. The artist is Raymond Virac. Archival linen-backed and in excellent condition, ready to ...

This artwork titled "Hanover Schmiedestrasse" 1920 is an original color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil by the artist at the lower cen...

Louis Icart, French (1888 - 1950) - Fishing, Medium: Poster, Image Size: 18.5 x 24.5 inches, Size: 19.25 x 25.5 in. (48.9 x 64.77 cm), Description: Offset lithograph depicting tw...

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue ...

Original WW1 poster. Put Fighting Blood in Your Business. Here’s his record! Does he get a Job? Arthur Woods, Assistant to the Secretary of...

The Whales Back. 1925. Etching. Giardina catalog 95 stateiii. Image: 6 1/2 x 12 (sheet 10 x 16). Trial proof, prior to the edition of 90. Illustrated in Fine Prints of the Year, 1927. A rich impression with plate tone printed on cream laid paper. Signed and annotated 'imp' (imprimit) in pencil, indicating a proof printed Eby. The scene is probably Westport or Cos Cob, Connecticut. The scene is probably Westport or Cos Cob, Connecticut. Kerr Eby...

After Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his mas...

William Robinson Leigh, 'Foul Rope (Left)', etching, c. 1920, edition unknown but small. Signed in pencil and signed in the plate, lower left. A superb, richly-inked impression, in dark brown ink, on buff wove Umbria paper, the full sheet with margins (1 1/2 to 2 3/4 inches); slight toning at the sheet edges, otherwise in excellent condition. Very scarce. Archivally matted to museum standards, unframed. Image size 14 7/8 x 11 15/16 inches (378 x 303 mm); sheet size 20 3/8 x 15 3/8 inches (518 x 391 mm). ABOUT THE ARTIST Born near Falling Waters, West Virginia, on a plantation a year after the Civil War and raised in Baltimore, William Robinson Leigh (1866 - 1955) became one of the foremost painters of the American West. His career spanning some seventy-five years, Leigh created some of the most iconic depictions of the Western landscape, with admirers referring to him as ‘The Sagebrush Rembrandt.’ The son of impoverished Southern aristocrats, Leigh received his first art training at age 14 from Hugh Newell at the Maryland Institute, where he was regarded as the best student in his class. From 1883 to 1895, he studied in Europe, mainly at the Royal Academy in Munich with Ludwig Loefftz. From 1891 to 1896, he painted six cycloramas or murals in the round, a giant German panorama. In 1896, Leigh began working as a magazine illustrator for Scribner's and Collier's Weekly Magazine in New York City. He also painted portraits, landscapes, and genre scenes. Leigh's trips to the Southwest began in 1906 when he agreed to paint the Grand Canyon with William Simpson, Santa Fe Railway advertising manager, in exchange for free transportation West. In 1907, he completed his Grand Canyon painting, which led to more commissions and an extensive painting trip through Arizona and New Mexico. These travels inspired him to paint western subjects for the next 50 years, and his primary interests were the Hopi and Navajo Indians. In 1910, he traveled to Wyoming, where he painted in Yellowstone Park and created sketches, many of which he later converted into large canvases such as ‘Lower Falls of the Yellowstone’ (1915) and ‘Grand Canyon of the Yellowstone’ (1911). In 1926, he traveled to Africa at the invitation of Carl Akeley for the American Museum of Natural History, and from this experience, wrote and illustrated 'Frontiers of Enchantment: An Artist's Adventures in Africa'. In 1933, he wrote and illustrated 'The Western Pony'. His adventures were chronicled in several popular magazines, including Life, the Saturday Evening Post, and Colliers. For many years, Grand Central Art Galleries at the Biltmore Hotel handled his work exclusively in New York. In 1953, Leigh was elected an associate member of the National Academy of Design and became a full Academician in 1955. In March 1999, the Historical Center of Cody, Wyoming, held an exhibition of his field sketches and finished works depicting his experiences near Cody early in the century. Between 1910 and 1921, when he often painted in the Carter Mountain vicinity, these years were considered pivotal to his artistic development and devotion to the Western landscape. Leigh's work is held in many museum collections of American Western art...

Original vintage poster: La 18 ch Peugeot. Archival linen-backed art deco early antique French automobile poster. Notable artist Rene Vincent. Excellent condition. Black and white lithograph on natural unbleached paper. Ready to frame. This is a full-size poster and not a magazine ad. From our research, it has been almost a decade since the last copy of this poster was available. Rare Rene Vincent automobile poster. Black and white posters are a rarity as far as vintage posters are concerned. The original idea was to catch the attention of passersby in every possible way. Color was an essential tool in advertising when posters were an essential source for name-brand recognition. The absence of color gives these auto posters a touch of class. They can also be compared to old photographs. Either way, you're looking at something special. This one is incredibly cool since it came from the talented artist Rene Vincent. If his name doesn't ring a bell, his poster "Porto Ramos" probably will if you look it up on our site. You will find that he also created automobile posters as early as 1905, which are all extremely rare and hard to find. Don’t let this excellent-condition vintage poster pass you by. Vincent only got to devote a little time to posters once he was in his forties, after working for many years in various publications--mainly humor and fashion magazines--and in decorative design. However, once he made the switch, he produced prolifically posters, even using additional pseudonyms. He preferred sleek automotive posters...

Etching and drypoint on wove paper realized by Marc Chagall between 1923 and 1927. Plate from the Suite "Les Ames Mortes de Gogol" published by Tériade in Paris in 1948. Edition of 1...

Capri-Faraglioni is a splendid print in etching technique engraved by Felice Casorati (1883-1963) in the early 20th Century. The state of preservation of the artwork is good, except...

William Monk, 'The Elevated, East 42nd Street, New York', etching, 1910. Signed in pencil and titled in the bottom right sheet corner. Signed in the plate, lower right. A superb, ric...

Karl Michel, 'Venus, Ex Libris - Hanns U. Herta Heeren', woodcut, 1923, edition not stated but small. Signed, dated, and numbered 'op.154' in pencil. Signed in the block, lower left. A fine impression, on cream Japan paper, with full margins (15/16 to 2 11/16 inches), in good condition. Printed by the artist. Matted to museum standards (unframed). . Translation: Venus Ex Libris for Hanns and Herta Heeren. Image size 5 15/16 x 4 inches (156 x 102 mm); sheet size 9 5/8 x 6 inches (245 x 152 mm). ABOUT THE ARTIST Karl Michel (1889-1984) was a noted graphic designer and expressionist printmaker during Germany's pre-Nazi Weimar Republic (1919-1933). Michel’s work was the subject of a feature article in the influential German graphic design magazine Das Plakat (The Poster) in 1920. An anti-war advocate, Michel created a suite of 12 wood engravings depicting his impressions of the humanitarian toll of WWII entitled ‘Humanitas’ (Humanity). The German publishing house Greifenverlag published the series in a reduced folio of unsigned prints. Michel’s graphic work is held in the permanent collections of the Auckland War Memorial Museum (New Zealand), Frederikshavn Kunstmuseum & Exlibrissamling (Denmark), Museum of Applied Arts (Budapest), The Robert Gore Rifkind Center for German Expressionist Studies at the Los Angeles County Museum of Art, and the German Expressionism...

Japanese Artisans - Japanese Woodblock Print J Japanese woodblock depicting six women, all wearing vibrant kimonos, working on crafts by Tosa Mitsuoki (Japanese, 1617-1691). Japanese,c. 1600. Handcraft depiction (dye works).Section from a painted screen with presentations of handcraft.Kita-in, Saitama. Stamped lower left. Presented in a white mat and giltwood frame. Frame: 19"H x 14"W Mat: 18.25"H x 13.25"W Image: 14.5"H x 9.5"W Tosa Mitsuoki was a Japanese painter, reinvigorating the Yamato style of classical Japanese painting. Yamato-e originated from interest in reproducing early Tang dynasty paintings, and was later reinvented and further refined to fit Japanese cultural perceptions in the late Heian period. Yamato, sometimes referred to as wa or kazu had become synonymous with the Tosa-ha by the Muromachi period as a way for Japanese artist to distinguish their works from those of mainland Chinese paintings, kara-e. Yamato-e incorporated various visual and literary techniques for establishing narrative. Works were not always accompanied with text and may rely on heavily on period specific visual motifs, icons, and symbols to relay a story or theme. Tosa style by the time of Mitsuoki focused heavily on depicting themes of plants and nature, famous places, meisho, the four seasons, shik, bird-and-flower, kacho. Many of these popular symbols and icons from mimicking Chinese practices, treating the original Chinese masterwork as a sort of prototype to improve upon. Popular formats for Mitsuoki's pictures were wall scrolls kakemono, or handscrolls that would be read from right to left with the accompanied story, sliding doors fusuma and folding screen panels byobu that featured up to six panels. Mitsuoki's style incorporated the depth and calligraphy techniques of ink wash brushwork similar to Song dynasty and Yuan dynasty Chinese court paintings...

'The Discobolus' Photogravure after Donald Macbeth. Donald Macbeth was a commercial photographer who seems to have held a quasi-official position at the British Museum, where he reg...

Sir Frank Short, R.A., P.R.E. 1857-1945. The Shadowed Valley. 1927. Mezzotint. Hardie 128. 14 3/8 x 19 3/8 (sheet 19 x 24). A rich, glowing impression p...

Arab Decorative Style is a print on ivory-colored paper realized by Andrea Alessio in the early 20th Century. Signed on the plate on the lower. Vintage Chromolithograph. Very good...

Original WW1 poster: Keep this Hand of Mercy at its work. War Fund Week. One hundred Million Dollars. Original WW1 lithograph, archival line...

Fifth Avenue Bridge. 1928. Drypoint. McCarron 72. 9 7/8 x 12 (sheet 12 3/4 x 15). Edition of 108 recorded impressions. A rich impression printed on cream laid paper, with full margin...

This artwork "Wien" c.1930, is a color etching on paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the artist's estate at the lower center. The plate mark (image) size is 18 x 12.65 inches, framed size is 28 x 22.75 inches. Custom framed in a wooden gold stressed frame, with off white/green matting and green and black fillets It is in Excellent condition. About the artist. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand. Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...

This lithograph from the portfolio "Egon Schiele" is a reproduction of "Mädchen mit grünem Rock", an original artwork realized by Egon Schiele in 1910. The portfolio, that includes...

Anonymous, Japanese Kimono Fabric Design, color woodcut, c. 1930. A superb impression, with fresh colors, fine graduations, and metallic gold motifs, on ...

Original American Red Cross vintage poster. Linen backed and ready to frame. The Red Cross nurse warming thousands, feeding thousands, hea...

Alphonse MUCHA (1860-1939) "Flowers" Variante 2 Rare original lithograph Each flower, carnation, iris, lily and rose, is signed at the lower part of the plate "Mucha". This lithogra...

Pablo Picasso Les Trois Graces, II 1922/23 This is numbered 74/100 Published by Marcel Guiot, Paris. Original etching, hand signed in pencil by Pica...

Louis Icart, French (1888 - 1950) - Silk Robe, Medium: Offset Lithograph on paper, signed in plate, Image Size: 17.5 x 21.5 inches, Size: 19 x 22.5 in. (48.26 x 57.15 cm), Descrip...

Etching with aquatint on watermarked cream laid J Perrigot Arches paper, 15 7/8 x 9 3/4 inches (400 x 248 mm), full margins. Signed, dated, and dedicated to the the artist Ruth Knobl...

This exquisite lithograph after Henri Matisse (1869–1954), titled Crayon (Crayon), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse), originates from the 1925 edition published by Editions des Quatre Chemins, Paris, rendered by Daniel Jacomet, Paris, and printed by Atelier Daniel Jacomet et Cie, Paris, December 15, 1925. The work exemplifies Matisses mastery of pure line and the expressive economy of form that defined his graphic art of the 1920s, transforming simplicity into lyrical harmony. Executed as a lithograph on velin Lafuma Navarre paper, this work measures 8 x 10 inches (20.32 x 25.4 cm). Unsigned and unnumbered, as issued. The edition exemplifies the refined craftsmanship of the Daniel Jacomet et Cie workshops, Paris. Artwork Details: Artist: After Henri Matisse (1869–1954) Title: Crayon (Crayon), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse) Medium: Lithograph on velin Lafuma Navarre paper Dimensions: 8 x 10 inches (20.32 x 25.4 cm) Inscription: Unsigned and unnumbered, as issued Date: 1925 Publisher: Editions des Quatre Chemins, Paris Printer: Atelier Daniel Jacomet et Cie, Paris Catalogue Raisonne Reference: Duthuit, Claude. Henri Matisse: Catalogue raisonne des ouvrages illustres. Editions Claude Duthuit, Paris, 1988, illustration 3. Condition: Well preserved, consistent with age and medium Provenance: From the album Dessins de Henri-Matisse (Drawings by Henri Matisse), published by Editions des Quatre Chemins, Paris; rendered by Daniel Jacomet, Paris; printed by Atelier Daniel Jacomet et Cie, Paris, December 15, 1925 Notes: Excerpted from the album (translated from French), This album was printed in C examples on velin d'Arches with an original example by Henri-Matisse, numbered from I to C, and M examples on velin Lafuma. Printing was completed on December Fifteenth, One Thousand, Nine Hundred and Twenty-Five by F. Dutal et Cie, in Paris; the boards having been executed by the Daniel Jacomet et Cie workshops in Paris. About the Publication: Dessins de Henri-Matisse (Drawings by Henri Matisse), published by Editions des Quatre Chemins, Paris, in 1925, is a landmark early graphic portfolio that captures the artist’s mastery of contour and proportion through a series of delicately rendered lithographs. Realized under the direction of the Daniel Jacomet et Cie workshops—renowned for their exceptional skill in fine art printmaking—the album showcases Matisse’s fascination with the purity of line and the human form. Issued in a limited printing of examples on both velin d’Arches and velin Lafuma papers, it reflects the refined aesthetics and technical excellence that characterized the interwar Parisian print ateliers. The publication represents a pivotal stage in Matisse’s evolution as a draughtsman, bridging the intimate immediacy of his drawings with the permanence of fine print. About the Artist: Henri Matisse (1869–1954) was a French painter, sculptor, draughtsman, and printmaker whose revolutionary vision redefined modern art through his daring use of color, line, and form. Celebrated as one of the greatest artists of the 20th century, Matisse led the Fauvist movement and devoted his life to the pursuit of balance, beauty, and emotional expression in visual art. His early works burst with vibrant hues and liberated brushwork, while his later “cut-out” compositions achieved a poetic simplicity that transformed the relationship between color and space. Deeply influenced by the work of Paul Cezanne, Vincent van Gogh, and Georges Seurat, as well as by the rhythmic patterns of Islamic art, Byzantine mosaics, and Japanese prints, Matisse forged a new visual language that celebrated joy, movement, and serenity. He was part of an extraordinary generation of artists who shaped the evolution of modernism, maintaining lifelong dialogue and friendly rivalry with contemporaries such as Pablo Picasso, Georges Braque, Marc Chagall, Andre Derain, Albert Marquet, and Raoul Dufy—peers who, like him, sought to expand the expressive potential of color and composition. Matisses influence extended across generations, inspiring modern and contemporary masters including Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom drew upon his fearless experimentation and refined visual harmony. His paintings, sculptures, and works on paper are held in the most prestigious museums in the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Hermitage Museum, where his art continues to symbolize the essence of creativity and human emotion. The highest price ever paid for a Henri Matisse artwork is approximately 80.8 million USD, achieved in 2018 at Christies New York for Odalisque couchee aux magnolias (1923). Henri Matisse Crayon...

Woodcut engraving on Vergé Bouffant paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Feu de Joie, 1920. Published and printed by Au Sans Pareil, édi...

Aristide Maillol Seated Nude (version 1) from the portfolio Aristide Maillol: Sculpture and Lithography, 1925 Lithograph on watermarked paper 12 1/2 × 19 1/2 inches Edition AP Hand-s...

Henri MATISSE (1869-1964) Paris : Saint Michel Bridge, 1927 Original etching Printed signature in the plate Limited to 225 copies On BFK Rives vellum 25 x 33 cm (c. 9.8 x 12.9 in)...

Original Swedish movie poster, The Sea Master. (Herre på Skutan).. Archival linen backed in good condition, ready to frame. The USA silent movie was produced in 1917 but released in ...

This artwork titled "Wien Opernring" 1921, is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed by the estate in pencil at the lower center. The plate mar...

Etching and drypoint. Signed and dated in pencil. Extremely rare artist's proof, II state on 2 A/C variant, before the editions Marées-Gesellschaft R. Piper & C. Printed in 1919 by ...

Old Houses, Milbank Grosvenor Road London 1906 This an etching of Grosvenor Road Old Houses, done in 1906 by American printmaker and Whistler biographer Joseph Pennell (American, 18...

Hand Signed. Edition of 130 pieces. This artwork is from the collection "Dix danseures"  Ref. Duthuit 481 Very good condition.

GEORGES ROUAULT (1871-1958) MON DOUX OU-ETES-VOUS? / MY SWEET COUNTRY, WERE ARE YOU? 1927 ( Chapon/Rouault 97; Wofsy 151) Miserere XLIV Aquatint, 1927, on laid Arches. watermark...

Henri AMEDEE-WETTER (1869-1929) Life in the Sea : Mermaid Maternity, 1922 Original woodcut Handsigned in pencil Numbered /105 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blin...