Late 20th Century Figurative Prints

Original limited edition poster for Mozart '91, Salzburg. Published by Marlborough Gallery, New York. Lithograph printed on Arches paper with deckled edges. This original lithograph...

Übersicht By Gerhard Richter 1998 Signed and numbered Offset print on heavy rag paper 82.8 x 68.2 cm Edition of 100

This second edition of Henri Matisse’s Blue Nude III is an authorized open-edition print, recreated with the permission of the Estate of Henri Matisse. The printing quality is superb...

"Le Trait de la Figure" is an original lithograph by Claude Weisbuch. The artist signed the piece lower right and wrote the edition number (III/CXX) in the lower left. This piece dep...

This artwork titled "Pau Hana" c.1990 is an original color lithograph on paper by noted French artist Guy Buffet, 1943-2023. It is hand signed and numbered H.C. 1/10 in pencil by the...

Untitled from Celui qui dit les choses sans rien dire (One who says things without saying anything). Color etching and aquatint on Japon Imperial paper. Hand signed and numbered by M...

Vintage offset poster realized after Andy Warhol in occasion of the 14° Olympic Winter Games of Sarajevo (1984). A striking original poster designed by Andy Warhol for the 1984 Wint...

This exquisite lithograph by Bernard Cathelin (1919–2004), titled L’Arlequin (The Harlequin), originates from the 1972 edition published by Editions A. C. Mazo et Cie., Paris, in col...

This artwork titled "Cockle Burrs at Tinker's" 1966, is an original etching on Wove paper by noted American artist Richard Claude Ziemann, b.1932. It is hand signed, titled, dated an...

Leonor Fini - Friends - Original Handsigned Lithograph Les Elus de la Nuit 1986 Conditions: excellent Handsigned and Numbered Edition: 230 Dimensions: 38 x 28 cm Editions: Trinckvel...

Vintage original Alexander Calder Three Legged Man Lithograph 1975: Lithograph in colors. 15 x 11 inches. Very good overall vintage condition. Unsigned from an edition of unknown. ...

Roland Garros French Open By Donald Lipski 1995 Medium: Offset Lithograph Paper Size: 29.5 x 22.75 inches ( 75 x 58 cm ) Image Size: 29.5 x 22.75 inches ( 75 x 58 cm ) Edition ...

Lithograph hand retouched. Hand signed and numbered in pencil. Edition of 50. Very good condition, with some minor foxing.

Lithograph hand colored realized by Rosanna Cattaneo. Edition of 190. Original title "Quando il Porto è Silenzio". Hand signed and numbered. Excellent condition.

Fritz Scholder, Native American (1937 - 2005) - Bicentennial Indian, Portfolio: Kent Bicentennial Portfolio, Year: 1975, Medium: Offset Lithograph, Image Size: 9.5 x 13 inches, S...

PKZ Reprint - 1981 - Official 1981 reprint for Kunstgewerbemuseum, Zurich Printer: JE Wolfensberger Niklaus Stoecklin – PKZ – 1935 PKZ Burger-Kehl & Co. AG, Zurich, C Switerland Lit...

Etching realized in 1974. Hand signed and numbered in pencil. Edition of 12.

Etching realized by Antonio Saliola in 1990s. Titled and hand signed. Very good condition.

Screen print on paper realized by Antonio Saliola in 1990s. Hand signed and titled. Artist proof. Diffused foxing, otherwise very good condition.

Etching realized in the early 1980s. Hand signed and numbered. Edition of 30. Very good condition.

Magda Bolumar (Spain, 1936) 'C. Creciente (Carpeta ""La luna presente"")', 1997 etching, aquatint on paper Rives BFK 300 g. 27.6 x 19.7 in. (70 x 50 cm.)...

Richard Serra Marilyn Monroe - Greta Garbo Poster (Hand Signed by Richard Serra), 1982 Offset Lithograph poster published by Leo Castelli Gallery Hand signed on lower front in black ...

ARTIST: Salvador Dali TITLE: Pilgrim's Journey MEDIUM: Lithograph SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: 301/400 MEASUREMENTS: 22.75" x 17" YEAR: 1978 FRAMED: No...

This exact work was exhibited at the Art Students League in an important show. (details below) Elizabeth Catlett Homage to the Panthers, 1993 Color Lithograph on wove paper with deck...

Chuck Close Phil, 1976 Limited Edition rubber stamp print on Strathmore 3-Ply Paper. Pencil numbered from the edition of 1000 on the verso. Artist's printed copyright name verso. Acc...

Lithograph in colors on arches paper. Hand signed and numbered by Liliane Klapisch. Edition 115/190. From the "Ten Painters on War and Peace" portfolio. Printed on May 10, 1978 ...

Richard Haas The Whitney (Marcel Breuer Building), 1979 Woodcut engraving Signed, titled, dated and numbered by the artist on the back. This is a rare Artist Proof 9/10, aside from ...

This original lithograph in colours is hand signed by the artist in pencil "P. Delvaux" at the lower right margin. It is also hand inscribed ‘EA’ in pencil at the lower left margin. ...

Color monotype. Rafael Ferrer depicts the intense life of the Caribbean in his paintings and prints. With hot colors, deep shadows and mysterious relationships among his figures, Fe...

This artwork titled "Liliana" c.1990 in an original color serigraph by Bolivian artist Marion Ferrer (Mario) Cespedes, b.1942It is hand signed, titled and numbered 157/290 in pencil ...

This exquisite lithograph after Georges Braque (1882–1963), titled Paysage a L'estaque (Landscape at L'Estaque), from the folio Fauves, VII, Collection Pierre Levy, 1972, originates ...

Rodeo Queen, 1981 Edition 36/50 Signed lower left, Inscribed: for the "Rose" 82. Provenance: Print was a gift to Rozanne Charington, companion and model for "Rodeo Queen", "Rose Tattoo" and "Jimenez at Adeliza's Candy Store". Lithograph on paper 42 ½ × 29 in. (107.3 × 73.7 cm) Luis Alfonso Jimenez Born, 1940, El Paso, Texas, died 2006, Hondo, New Mexico. Statement: Luis Jimenez, in his work, celebrates the vitality of life. . . . Jimenez es un hijo de la frontera; he knows its people and the landscape. It is the transformation of these people into art that is his most important contribution to the art of this vast region which stretches between Mexico and the United States. His subject matter utilizes the popular images of the cultura del norte, and a large part of it is depicted and transformed in the rough and tumble world of la frontera. He is also a son of el norte, and so he uses its materials and explores its emerging, popular myths. The tension and attraction of Jimnez’s work is that he always creates within the space of his two worlds, the Mexicano and the Americano. He constantly shows us the irony of the two forces which repel, while showing us glimpses of the synthesis he seeks. What a gift it has been to us for this talented artist to reflect on the soul of our region. He gives meaning to our existence and history. Rudolfo Anaya (passage chosen by the artist), A View from La Frontera, Man on Fire: Luis Jimenez, pp. 1, 3, 6Biography: Luis Jimenez was born in Texas to parents who had emigrated from Mexico to the United States; he would later dedicate his 1989 sculpture Border Crossing to his father, who had entered the country illegally. The elder Jimenez was a neon sign designer in El Paso, and Luis worked with him as a youth. His experience working in the neon shop and his fascination with U.S. car culture would both become major influences on his art career. Jimenez studied architecture at the University of Texas, Austin (UTA), and also took art courses in which he first created sculptures with wood, steel, and fiberglass, choosing the latter because of its association with U.S. popular culture. He subsequently became one of the artists who made fiberglass an acceptable medium in the 1960s. In 1964 Jimenez received his B.S. in art from UTA, and he continued his studies at the Universidad Nacional Autonoma de Mexico in Mexico City. In 1966 he moved to New York City and worked as an assistant to sculptor Seymour Lipton. Jimenez began to exhibit his art while in New York and in 1972 moved to New Mexico to focus on creating public sculptures, even as he maintained his diverse output of drawings, prints, and lithographs. Drawing on his early experiences, Jimenez creates works that come from a border perspective, one that draws upon the hybridity bred by culture clashes. Often socially and politically informed, his works speak not only in regional terms, those germane to the southwestern United States, but to broader, more global issues as well. They exhibit a profoundly Chicano aesthetic and sensibility, one that is informed by Mexican and Mexican American traditions, North American popular culture, Chicano cultural icons, and images and themes unique to the Southwest. Death, sexuality, and the struggle of the common people are frequent themes. Inspired by authors who write in an autobiographical style, Jimenez creates works that function as personal narrative yet are also able to make statements about culture in more global terms. His use of bold colors and lines, a legacy from his fathers work as a neon sign maker, lends a dynamic sensuality to his work, one that is particularly evident in his monumental fiberglass and acrylic urethane sculptural works Many of Jimenez's works correspond to scholar Toms Ybarra-Fraustos definition of the Chicano aesthetic of rasquachismo, a lowbrow sensibility that appeals to the working class in that it applies to objects that subvert expressions of the mainstream or dominant culture. Creating art that speaks to the people, Jimenez is able to transform regional and culturally specific myths and symbols into globally recognized and relevant icons. Exhibitions: In addition to his personal work, Jimenez has been commissioned for numerous public art projects. In 1999 his sculpture Southwest Piet was designated a National Treasure by First Lady Hillary Clinton. The many exhibitions featuring his work have included Human Concern/Personal Torment (Whitney Museum of American Art, New York, 1969). The First International Motorcycle Art Show (Phoenix Art Museum, Phoenix, AZ, 1973). Three Texas Artists (Centre Cultural Americaine, USIS, Paris, 1977), Recent Trends in Collecting (Smithsonian Institution, Washington, DC, 1982). Committed to Print (Museum of Modern Art, New York, 1989) Printmaking in Texas: The 1980s (Modern Art Museum, Fort Worth, TX. Laguna Gloria Art Museum, Austin, 1990. The Whitney Biennial (Whitney Museum of American Art, New York, 1991) Man On Fire: Luis Jimnez (Albuquerque Museum of Art, NM, 1994-95). 47th Annual Purchase Exhibition (American Academy of Arts and Letters, New York, 1995). Traveling solo exhibition, Working Class Heroes: Images from the Popular Culture (1997-2000). Jiménez Collier Gallery has been in continuous operation for over 40 years. Originally located just off Main Street in downtown Scottsdale, Arizona, we have moved to Phoenix to accommodate and showcase our large inventory including: • Original works by Maynard Dixon, Lon Megargee, Ed Mell, Fritz Scholder, Bill Schenck, Bill Lesch, Luis Jimenez, Greg Singley, Dan Budnik, and other 20th century Western, WPA and Contemporary Southwestern artists. • The Fine Art Estate of Lon Megargee • Vintage rodeo...

This artwork titled "Les Petit Rats, Ballerinas" c.1980 is an original color lithograph on Japan paper by noted Bolivian artist Graciela Rodo Boulanger, b.1935. It is hand signed and numbered XLII/C in pencil by the artist. The image size is 22.5 x 18 inches, framed size is 36 x 30.75 inches. Custom framed in a wooden gold leaf frame, with off white matting and gold color spacer. It is in excellent condition. About the artist:   Born in La Paz, Bolivia in 1935, Graciela Rodo Boulanger was raised in an artistic environment. Her mother, a concert pianist, and her father, a businessman and art connoisseur, nurtured her talents. She studied the piano and at age 11 enrolled in the School of Fine Arts. At 17 she went to Vienna to study both art and music, and at 22 shetravelled to Argentina for the stimulating artistic environment of Buenos Aires. Continuing to study both piano and painting...

Charles Bragg, American (1931 - 2017) - Don Juan, Year: circa 1970, Medium: Etching, signed, numbered, and titled in pencil, Edition: 300, Image Size: 8 x 10.5 inches, Size: 11.5 x...

This original etching and aquatint is hand signed by the artist in pencil "Moore" at the lower right margin. It is also numbered in pencil from the edition of 50, at the lower left m...

An original Screenprint, signed, titled and numbered (29/35) in pencil by British Contmeporary Pop Artist, Mackenzie Thorpe. The work is in excellent condition and very nicely framed...

An original Screenprint with gold foil, signed, titled and numbered (29/35) in pencil by British Contmeporary Pop Artist, Mackenzie Thorpe. The work is in excellent condition and ver...

Artist: Erte, Romain de Tirtoff (1892-1990) Title: Ebony in White Year: 1982 Medium: Lithograph on wove paper Size: 33 x 24 inches Condition: Excellent Inscription: Signed by the art...

Etching on vellum.  Hand signed in pencil. Image dimension 51x41 cm. Artist proof, aside of an edition of 150. Very good condition.

Théo Tobiasse Title: Jerusalem roule le long de ma gorge Signed and Numbered Dimensions: 57 x 76 cm Information : Edition of 175 Condition : Excellent

Lithograph realized in 1980s. Hand signed in pencil. Artist proof. Very good condition.

Etching realized in 1990s. Hand signed, numbered and titled. Edition of 30. Very good condition.

Dior Perfume Eau Sauvage By René Gruau René Gruau was one of the most influential fashion illustrators of the 20th century, celebrated for his elegant, expressive, and instantly re...

"Le Bouclier" is an original drypoint etching by Claude Weisbuch. The artist signed the piece lower right and wrote the edition number (25/100) in the lower left. This piece depicts ...

Yves SAINT-LAURENT Presentation of La Vilaine Lulu, 1985 Lithograph On heavy paper 50 x 65 cm (c. 20 x 26 inches) Limited to 300 copies INFORMATION : Edited in 1985 and limited to ...

Raymond Pettibon illustrated Black Flag flyer published on the occasion of: Black Flag at the Elite Club, Oct. 31 1981; with D.O.A., Saccharine Trust, & Overkill. A rare early Petti...

Pierre-Jean COUARRAZE Golf : Birdy Original lithograph Handsigned in pencil Limited /275 copies On vellum 76 x 54 cm (c. 30 x 21.25 in) Excellent condition

Hand embellished giclee on canvas. Hand signed and numbered on front by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 95. Stretched....

This artwork titled "Pineapple Hill, The old Day, Kapalua Maui" 1986, is an original color lithograph on paper by noted French artist Guy Buffet, 1943-2023. It is hand signed and num...

"Lion Tamer" lithograph by Alexander Calder. Hand-lettered EA in lower left front corner. Hand-signed Calder in lower right front corner. From an ed...

Original Mudd Club poster, New York 1979: A must have for any true Jean Michel Basquiat, Keith Haring collector - this piece is featured in the 2017 Jean-Michel Basquiat documentary, 'Boom For Real.' Promotional poster. 1979. Dimensions: 18x24 inches. Very good overall vintage condition condition; some minor fading consistent with age. Provenance: Obtained directly from the original art designer. The Mudd Club was founded by filmmaker Steve Mass, art curator Diego Cortez, and downtown punk scene figure Anya Phillips in 1978. Mudd Club featured an art gallery curated by Keith Haring on the upper floor. Live performances by New York No Wave bands such as, DNA, the Contortions, Talking Heads & Basquiat's band Gray. On the dance floor, DJs, Anita Sarko and Johnny Dynell played an eclectic mix of punk, funk and curiosities. From the start it functioned as an antidote to the uptown disco glitz of Studio 54. Six months after it opened, the Mudd Club was mentioned in People: "New York's fly-by-night crowd of punks, posers and the ultra-hip has discovered new turf on which to flaunt its manic chic. It is the Mudd Club ... . For sheer kinkiness, there has been nothing like it since the cabaret scene in 1920s Berlin". After its first few years, Studio 54 celebrities like Andy Warhol, Grace Jones and David Bowie began to show up. In 1981, the Mudd Club's Steve Mass began showing up at the more informal Club 57 on St. Mark's Place, and began hiring Club 57 regulars including Keith Haring to help attract the downtown art & music scene. The Mudd Club was frequented by many of Manhattan's emerging emerging cultural figures, such as, Lou Reed, Johnny Thunders, David Byrne, Debbie Harry, Arto Lindsay, John Lurie, Nico with Jim Tisdall, Lydia Lunch, X, the Cramps...

Hand signed and numbered screen print in colors on paper. Edition of 300. Sheet size 33 x 39 inches. Image size approx 26 x 33 inches. Frame size approx 37 x 43 inches. Artwork ...

Allen Jones (English, b. 1937) Catwalk Fragment, 1998 Medium: Etching on paper Dimensions: 53.5 × 38 cm (21 1/10 × 15 in) Edition of 150: Hand-signed and numbered Condition: Excellent

Hand signed by Andy Warhol & Mick Jagger, numbered in pencil. Number AP 19/50 (aside from the main edition of 250). Screenprint on Arches Aquarelle (Rough) Paper. Printed by Alex...

From the 'American Family' portfolio. Hand signed and numbered by the artist. Lithograph on arches paper. Printed by Atelier Mourlot, Paris. Published by Raymond & Raymond, Inc. in ...

Serigraph on paper. Hand signed and numbered by the artist. Edition of 300. Image size 20 x 24 inches. Sheet size 26 x 30 inches. Artwork is in excellent condition. Certificate o...

Whimsical in nature, the exuberant application of color captures a quality of spontaneity and experimentation. Famous for the "Dupe of Being" in which he strives to combine the tragi...

The shepherds  is a contemporary artwork realized by Remo Brindisi in  the 1980s. Screenprint on paper. Hand signed on the right margin. Edition XLVII/L prints.  In very good condi...

From the "ADS" portfolio. Screen print on lenox museum board Hand signed and numbered by the artist. Edition PP 5/5 (There is a main edition of Edition of 190, 30 AP, 5 PP, 5 EP, 1...

Poster/Print on Hardboard. Plate-signed by the artist. Measures 19 x 38.75 inches and is Unframed. Piece is in Fair Condition-signs of wear consistent with age and handling (i.e. cre...