Late 20th Century Figurative Prints

"Equal Justice Under Law" Screenprint #99/125 on Wove Paper Iconic composition by Robert Rauschenberg (American, 1925-2008). A red envelope and a hand holding sprouted grass the pli...

RENJISHI is a hand drawn, limited edition lithograph by the renowned artist/caricaturist Al Hirschfeld (1903-2003) printed by hand using traditional lithography techniques on archiva...

Artist: Andy Warhol (1928-1987) Title: Mao 97 Year: 1972 Medium: Silkscreen in colors on Lenox Museum Board Size: 36 x 36 inches Condition: Good Inscription: signed in ball-point pen...

Piper is an original artwork realized by Italian artist Pietro Morando (Alessandria 1889- 1980). Hand-colored lithograph. Hand-signed on the lower right in pencil. Good conditions...

Lithograph in black and red, on BFK Rives paper. Hand signed and dated lower right by Keith Haring. Hand numbered 59/80 lower right (there were also twenty artist's proofs). Sheet...

Color lithograph on Arches wove paper, with watermark. Image dimension 51.5x43 cm. Published by Editions des Amis du Message Biblique. Edition of 200. Printed by Charles Sorlier an...

Walter SPITZER (1927-) Jewish Wedding Original lithograph Handsigned in pencil Numbered /75 ex On Japan paper 55 x 75 cm (c. 22 x 30 inch) Excellent ...

Wonderful silkscreen of Japanese diarist doll in glass case. Illegibly signed left corner, dated (October 8, 1983) and numbered (2/30). Presented in wood frame. Image size: 20"H x 14...

Adolf Frohner, Austrian (1934 - 2007) - Woman, Year: circa 1978, Medium: Etching, signed and numbered in pencil, Edition: E.D.A, Image Size: 7.75 x 7 inches, Size: 11.5 x 8.5 in. (...

David Hockney XVI RIP ARLES (Hand signed, inscribed and dated by David Hockney), 1985 Offset lithograph poster Hand signed and inscribed with dateline London, 1985 by David Hockney o...

This artwork titled "Nature Morte aux Vases" c.1980, is an original colors lithograph on wove paper by noted French artist Rene Genis, 1922-2004. It is hand signed and numbered 67/10...

Synthia Saint James (American, b. 1949), WITH HONORS is a hand drawn limited edition color lithograph(not a photo reproduction or digital print) printed using hand lithography techni...

This artwork "American Indian, Navajo" is a offset lithograph on paper by noted Brazilan artist Ozz Franca, 1928-1991. The image size is 21 x 14.75 inches, framed size is 31.25 x 27 inches. Custom framed in a wooden brown/grey frame, with lith purple matting. It is in excellent condition. About the artist: Born October 2, 1928, França (pronounced FRON-suh) grew up in Sao Paulo, Brazil, and from an early age showed talent as an artist, as well as exceptional prowess as a competitive swimmer. At 14 he won first prize at the annual Spring Salon Art Competition. At 15, he qualified for the Brazilian Olympic Swimming Team. With two amazing talents, França was unsure what he should do with his life. Fate stepped in, and the Olympic Games were canceled the year França was to compete due to the outbreak of World War II. At that point, he decided to devote his life to art. He held his first one-man show at the age of 18. Following what he would later say was the best advice anyone ever gave him, França came to the U.S, to accept a scholarship in Utah. A year later, he moved to Hollywood and began doing movie illustration for Walt Disney. His projects included Lady and the Tramp and 20,000 Leagues Under the Sea. He moonlighted as a swimmer when movie parts were available. França painted many subjects, but he is best known for his esoteric images of Native American women. França's art enters the world of fantasy and dreams, where the spiritual meets the sensual. His works, with their floating imagery and airy, muted colors, evoke an aura of mystery. França said he always painted his subjects, which primarily were women, either in profile, looking toward the edge of the painting, or looking over her shoulder, "so that anyone could walk into it." Joan Lee, print marketing professional, said that Ozz saw the spirituality and quiet dignity of Native American men and women. "there's a romance surrounding Native Americans that people appreciate seeing," said Lee. Ozz França died in 1991. Ozz Franca’s work is held in the collections of numerous celebrity, including: Jacqueline Onassis Lyndon B. Johnson Patty Duke Jerry Lewis Kim Novak Burt Lancaster Gig Young Tom Bradley Sammy Davis, Jr. Ronald Reagan Red Skelton...

Jack Vettriano OBE, (1951-2025) was a self taught Scottish artist most famous for his best-selling image, The Singing Butler. Vettriano gained acclaim for his film noire 1930s glam s...

Portrait of Gene Autry, by Frank Romero This print was featured in “Dreamland”, the first solo exhibition of a Chicano artist at MOLAA (Museum of Latin American Art). This is the f...

THE FAMILY is an original hand drawn, limited edition lithograph by the African American artist James Denmark, printed using hand lithography on Arches paper 100% acid free. Rich, vi...

Signed, titled and numbered lithograph by Trevor Southey. Male nude portrait of a young man. this is the terra cotta version, there was also an edition done in grey. Trevor Southey ...

Hand Signed. Edition of 100 pieces. Very good conditions.

MARC CHAGALL (1887-1985) "Monde familier" lithograph in colours, 1983, on wove paper. Signed in pencil, Numbered 23/50 in pencil Image 350 x 270 mm. Sheet 545 x 430 mm. LITERATURE: M...

M-Maybe, from Art of the Sixties after Roy Lichtenstein, American (1923–1997) Date: 1979 (after 1965 painting) Screenprint Poster, unsigned Image Size: 34 x 34 inches Size: 55 in. x ...

Artist: Peter Max (1937) Title: Umbrella Man (Retro Suite II) Year: 1994 Edition: A.P.; 300, plus proofs Medium: Silkscreen on Arches paper Size: 11 x 10.5 inches Condition: Excellen...

Lithograph printed on Japon paper, not signed and not numbered. The lithograph is cataloged number 721 in "Chagall-The Lithographs" by D.A.P. The overall outside dimensions are 26 x...

Artist: Albert Hirschfeld Title: Kabuki Kyo Medium: Lithograph, signed and numbered in pencil Edition: 1116/275 Size: 30 x 21.75 in. (76.2 x 55.25 cm)

Keith Haring ‘Kutztown Connection’ 1984: This rare vintage 1980s Keith Haring poster was illustrated by Haring in conjunction with the Benefit Performances for the New Arts Program o...

Artist: Keith Haring (American, 1958-1990) Title: "National Coming Out Day" *Signed and dated by Haring in the plate (printed signature) lower right Year: 1988 Medium: Original Offse...

This artwork titled "Madame Butterfly" 1986, is an original color serigraph with gold addition by noted American artist Margaret Keane, 1927-2022. It is hand signed and numbered HH 109/150 in pencil by the artist. The image size is 24 x 24 inches, framed size is 39.5 x 38.5 inches. Custom framed in a wooden gold frame, with green fabric matting, gold color bevel and three different colors fillet. It is in excellent condition, the frame have some minor restorations, barely visible. About the artist. Margaret D. H. Keane was born 1927 in Tennessee, and attributes her deep respect for the Bible and inspirations of her artwork to the relationship with her grandmother. She later became one of Jehovah's Witnesses, which she said changed her life for the better. In the 1960s, Margaret Keane's artwork was sold under the name of her husband, Walter Keane. He locked her in a room and forced her to paint,while taking credit for her work. Conflict over that issue was cited as one of the reasons they divorced. Neither wanting to relinquish rights to the artwork, Walter and Margaret's divorce proceedings went all the way to federal court. At the hearing, Margaret created a painting in front of the judge to prove that she was the artist. Walter declined to paint before the court, citing a sore shoulder. In 1986, the courts sided with her, enabling her to paint under her own name. Her works while living in her husband's shadow tended to depict sad children in a dark setting, but after divorcing, moving to Hawaii, and becoming one of Jehovah's Witnesses, her paintings took on a happier, brighter style. Keane is a fixture in popular culture. Some of her well-known fans over the years have included actresses Joan Crawford and Natalie Wood, whom she painted portraits of; filmmaker Tim Burton, who commissioned Keane to paint Lisa Marie; and animator Craig McCracken, whose characters the Powerpuff Girls are based on Keane's 'waifs'; additionally the Girls' schoolteacher is named "Ms. Keane". Cultural references • The American television comedy show Saturday Night Live once had a skit that featured her work, during the time when it was thought to be by her husband, as a parody of the reaction against modern art (e.g., Cubism or the New York Armory Show). "People don't look like that!" one comedian shrieks, before the picture in question was shown to the camera and audience as the punch line. • In Woody Allen's 1973 comedy Sleeper, the people of the future consider Keane to be one of the greatest artists in history, one of many references mocking the popular culture of the seventies. • Late Night with Conan O'Brien has "bumper" art in her style depicting a glum Conan O'Brien at his desk, next to a dog. • Weird Al Yankovic's song Velvet Elvis, in which the narrator says he needs "no pictures of Mexican kids with those really big eyes or dogs playing poker". • In season 3, episode 20 of 90210 (Women on the Verge), Annie is described as looking "like a Keane painting...

Artist: Keith Haring Title: Apocalypse 6 Size: 38 × 38 in 96.5 × 96.5 cm Medium: Screenprint in colors on Lenox Museum Board Edition: WP (Working Proof) of 90 Year: 1988 Notes: Ha...

Helen of Troy (  is an original signed lithograph by Salvador Dali from the French limited edition suite Hommage a H...

Muramasa Kudo, Japanese (1948 - ) - Loves Passenger, Medium: Screenprint, signed and numbered in pencil, Edition: 150/275, Image Size: 26.5 x 35.75 inches, Size: 33 x 41.75 in. (83.8...

Artist: Alice Neel (1900-1984) Title: The Family Year: 1982 Medium: Lithograph on Arches paper Edition: 57/175, plus proofs Size: 31.25 x 27 inches Condition: Excellent Inscription: ...

Artist: Keith Haring Title: Growing (Plate 3), from the Growing Portfolio Size: 40 x 30 Inches (76.2 x 101.6 cm) Medium: Screenprint in colors, on Lenox Museum Board, with full mar...

Printer’s ink from rubber stamp on vélin Strathmore 3-ply paper. Paper Size: 8 x 8 inches. Inscription: Unsigned, as issued. Notes: From the folio, Rubber Stamp Portfolio, 1977. Publ...

This strikingly large poster was produced for a 1979 exhibition at the iconic Leo Castelli Gallery on West Broadway, New York. It captures the vibrant art scene of the late 1970s, sh...

GLOWING HANDS is a hand drawn original lithograph printed using hand lithography techniques on archival Arches printmaking paper 100% acid free. GLOWING HANDS is a highly detailed sp...

BROTHERS is an original hand drawn lithograph by the Argentine artist, Aldo Luongo. Printed in 1975 at Circle Gallery NYC using traditional hand lithography methods on archival Arche...

Artist: John Kacere (1930-1999) Title: Diane Year: 1982 Edition: A.P.; 300, plus proofs. Medium: Lithograph on Somerset paper Size: 18.5 x 24.25 inches Inscription: Signed by the art...

Raymond PEYNET Astrology - Zodiac : Pisces, 1979 Original etching Handsigned in pencil Numbered /22 On Arches vellum 76x56 cm (c. 30 x 22 inches) This etching is authentified by the...

This exquisite lithograph by David Hockney (born 1937), titled Letter A, from the folio Hockney's Alphabet, Drawings by David Hockney, originates from the 1991 edition published by A...

Artist: Keith Haring Title: Apocalypse 2 Size: 38 × 38 in 96.5 × 96.5 cm Medium: Screenprint in colors on Lenox Museum Board Edition: 22 of 90 Year: 1988 Notes: Hand-signed by artist, Signed, numbered, and dated in pencil. Published by George Mulder Fine Arts, New York. Catalog Raisonne: Littmann, 98. Text: Willliam S. Burroughs Page 2 The planet is pulling loose from its moorings, careening into space, spilling cities and mountains and seas into the Void, spinning faster and faster as days and nights flash by like subway stations. Iron penis chimneys ejaculate blue sparks in a reek of ozone, tunnels crunch down teeth of concrete and steel, flattening cars like beer cans...

From the rare, Deluxe, hand signed edition of only 100: David Hockney The Prisoner, for Amnesty International, 1977 Color Offset Lithograph Hand signed, numbered 17/100 and inscribed...

David Hockney, Munich Olympics Poster - Olympische Spiele Munchen, 1972 Offset lithograph poster Signed in plate Issued in a run of 4000 101 x 64 c...

This is a signed press proof of one of Leroy Neiman's coolest images, created originally for Playboy Magazine in two panels. This never fails to get guests' attention on the wall, as...

Artist: Peter Max (1937) Title: Angel Year: 1978 Edition: 234/250, plus proofs Medium: Silkscreen on Fabriano Rosapina paper Size: 22 x 30 inches Condition: Good Inscription: Signed ...

Cat is an artwork realized  by Suzanne Tourte in the Mid 20th Century. Etching and Drypoint on paper. In good conditions. Hand-Signed. Numbered. Edition 63/100. The artwork is r...

Artist: (after) Roy Lichtenstein (American, 1923-1997) Title: "Yale University Art Gallery (Thinking of Him)" Series: Yale University Art Gallery Posters Year: 1991 Medium: Original Offset-Lithograph, Poster on smooth wove paper Limited edition: Unknown Printer: Springdale Graphics, Springdale, CT Publisher: Yale University Art Gallery, New Haven, CT Sheet size: 27" x 26" Image size: 22.25" x 22.5" Condition: Never framed, has been professionally stored away for decades. In excellent condition Notes: Provenance: acquired directly from the printer Springdale Graphics, Springdale, CT. Comes from the 1991 "Yale University Art Gallery" series of three offset-lithograph, posters: "Thinking of Him", "Blam", and "Washing Machine". The image featured on this poster is Lichtenstein's 1963, 68" x 68", magna on canvas painting "Thinking of Him" which is part of the Yale University Art Gallery's permanent collection. GIA Gallery Poster Disclaimer: Not to be confused with thousands of contemporary inkjet/giclée/digital reproductions ignorantly or deliberately passed off as originals on the market today. The examples we offer here are the original period vintage (exhibition) posters, created and designed by, or under the supervision and authorization of the artist or their respective estate (posthumously), for various exhibitions and events in which they participated. If applicable, this poster is also fully documented within its respective artists' official catalogue raisonné of authentic graphic works, prints, and or posters. Biography: American artist Roy Lichtenstein was born in New York City on October 27, 1923, and grew up on Manhattan's Upper West Side. In the 1960s, Lichtenstein became a leading figure of the new Pop Art movement. Inspired by advertisements and comic strips, Lichtenstein's bright, graphic works parodied American popular culture and the art world itself. He died in New York City on September 29, 1997. Lichtenstein was committed to his art until the end of his life, often spending at least 10 hours a day in his studio. His work was acquired by major museum collections around the world, and he received numerous honorary degrees and awards, including the National Medal of Arts in 1995. In 2013 the painting "Woman with Flowered Hat" set another record at $56.1 million as it was purchased by British jeweler Laurence Graff...

Artist: Robin Shepherd (English-American, Active: Late 20th Century) Title: "St. Tropez" *Signed by Shepherd in pencil lower right Year: 1991 Medium: Original Screenprint on Stonehenge paper Limited edition: 150 (exact number may differ from photos) Printer: possibly the artist Shepherd himself, Jacksonville, FL Publisher: the artist Shepherd himself and The Collector's Exchange, Jacksonville, FL (present day Graves International Art...

M.F. Husain - Untitled Edition - 11/125 40 x 22 inches (unframed size) Serigraph on Paper, 1998 (Unframed & Delivered) MF Husain , world acclaimed artist has been famous for various...

ICARUS I is an original hand-drawn lithograph created in 1986 by the French American artist Marius Sznajderman, printed in neutral warm grays and intense black on archival Arches pap...

Artist: Erte, Romain de Tirtoff (1892-1990) Title: Alphabet Year: 1982 Medium: Offset lithograph on archival paper Size: 36 x 24 inches Condition: Excellent Inscription: Signed in in...

Lithograph on Guarro vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: Published by Galerie Börjeson, Malmö; printed by La Polígrafa, Barcelona, 19...

This artwork titled "La Cote d'Azur" c.1980, is an original colors lithograph on watermarked Arches paper by noted French artist Jean Claude Picot, 1933-2020. It is hand signed and ...

"Valerio Adami (Italy, 1935) 'Moments musicaux de six a huit', 1976 Original poster from 1976 lithograph on paper 26 x 18.2 in. (66 x 46 cm.) Unframed Ref: ADA100-202 Valerio Adami ...

Igor Gabor 'Arquitectura', 1989 silkscreen on paper 19.7 x 27.6 in. (50 x 70 cm.) Edition of 25 ID: GAB1057-001-025 Unframed Hand-signed by author

The title Favor Rites for this poster references a theme or concept related to rituals, preferences, or influential practices in art or culture. Rauschenberg's use of titles often co...

Duke Ellington Jazz Music Legend African American Grammys NY Times Published Al Hirschfeld (1903 – 2003) Duke Ellington Sight Size: 12 x 12 1/4 inches Etching with aquatint Signed ...

Eduardo Naranjo (Spain, 1944) 'La creación III', 1984 etching, aquatint on paper Guarro Super Alpha 250g. 20.9 x 15 in. (53 x 38 cm.) Edition of 225 I...

ARTIST: Salvador Dali TITLE: Visions Surrealiste Coronation of Gala MEDIUM: Lithograph SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: EA MEASUREMENTS: 21.37" x 29.75" YEA...

This exquisite lithograph by Henry Moore (1898–1986), titled Reclining Figure Interior Setting I, from the album XXe siecle, Nouvelle serie, XXXIXe Annee, No. 49, Decembre 1977, originates from the 1977 edition published by Societe Internationale d'Art XXe siecle, Paris, and printed by Curwen Prints Ltd, London, 1977. Reclining Figure Interior Setting I reflects Moore’s masterful synthesis of form and space, capturing his lifelong exploration of the reclining human figure as a symbol of harmony between nature, body, and landscape. Executed as a lithograph on velin paper, this work measures 9.75 x 12.5 inches (24.77 x 31.75 cm). Unsigned and unnumbered, as issued. The edition exemplifies the superb craftsmanship of Curwen Prints Ltd, London. Artwork Details: Artist: Henry Moore (1898–1986) Title: Reclining Figure Interior Setting I, from the album XXe siecle, Nouvelle serie, XXXIXe Annee, No. 49, Decembre 1977 Medium: Lithograph on velin paper Dimensions: 9.75 x 12.5 inches (24.77 x 31.75 cm) Inscription: Unsigned and unnumbered, as issued Date: 1977 Publisher: Societe Internationale d'Art XXe siecle, Paris Printer: Curwen Prints Ltd, London Catalogue raisonne reference: Moore, Henry, et al. Henry Moore, Catalogue of Graphic Work. Gerald Cramer, 1986, illustration 458 Condition: Well preserved, consistent with age and medium Provenance: From the album XXe siecle, Nouvelle serie, XXXIXe Annee, No. 49, Decembre 1977, published by Societe Internationale d'Art XXe siecle, Paris About the Publication: Gualtieri di San Lazzaro's XXe Siecle (Twentieth Century) was one of the most influential art journals of the modern era, founded in Paris in 1938 as a platform for the greatest painters, sculptors, and writers of the 20th century. San Lazzaro, a visionary editor, critic, and champion of modernism, believed that art and literature should coexist as expressions of a shared human imagination. Under his direction, XXe Siecle became a cultural bridge between Europe and the wider world, publishing special issues devoted to leading figures such as Picasso, Matisse, Chagall, Braque, Calder, Miro, Kandinsky, and Leger. Each edition combined essays by renowned critics and poets with original lithographs printed by the foremost ateliers of Paris and London, including Mourlot, Arte, and Curwen, creating a uniquely rich dialogue between text and image. Through XXe Siecle, San Lazzaro preserved the creative spirit of the avant-garde during and after World War II, championing freedom of expression and the evolution of abstraction, Surrealism, and modern thought. Over nearly four decades, the journal shaped international taste and defined the intellectual landscape of postwar art publishing. Today, XXe Siecle remains celebrated for its extraordinary synthesis of art, literature, and design, an enduring testament to Gualtieri di San Lazzaro's belief that the visual arts are the soul of the modern age. About the Artist: Henry Moore (1898–1986) was a British sculptor, draftsman, and modernist pioneer whose monumental bronzes and organic abstractions revolutionized 20th-century sculpture and made him one of the most influential artists of his time. Renowned for his reclining figures, mother-and-child compositions, and pierced biomorphic forms inspired by nature, Moore transformed traditional carving into a universal language of rhythm, balance, and humanity. Born in Castleford, Yorkshire, he studied at the Leeds School of Art and the Royal College of Art in London, absorbing the influences of classical sculpture, African and Pre-Columbian art, and the radical innovations of the European avant-garde. Inspired by Pablo Picasso’s Cubist fragmentation of form, Joan Miro’s lyrical biomorphism, Wassily Kandinsky’s spiritual abstraction, and Constantin Brancusi’s purity of shape, Moore developed a style rooted in the harmony between mass and void, structure and space. During the interwar years, he became part of an international circle that included Alexander Calder, Alberto Giacometti, Salvador Dali, Marcel Duchamp, and Man Ray—artists who, like Moore, expanded art’s boundaries through abstraction, surrealism, and conceptual experimentation. Like Calder, Moore explored balance and movement; like Giacometti, he sought the spiritual essence of humanity; and like Dali and Duchamp, he challenged perception and redefined modern form. His sculptures, carved in stone or cast in bronze, evoke both ancient and modern sensibilities—forms that appear to breathe with natural vitality while engaging directly with their surrounding landscapes. Moore’s “Shelter Drawings” (1940–41), created during the London Blitz, revealed his deep empathy for the human condition, marking a pivotal moment in his exploration of resilience and vulnerability. By the mid-20th century, Moore’s monumental bronzes had become landmarks around the world, from the Lincoln Center in New York to the UNESCO headquarters in Paris, embodying timeless symbols of endurance, renewal, and unity. His synthesis of organic abstraction and humanism influenced generations of sculptors including Barbara Hepworth, Isamu Noguchi, Eduardo Paolozzi, Antony Gormley, Anish Kapoor, and Rachel Whiteread. Like Kandinsky and Miro, he believed abstraction could transcend culture and time, while like Duchamp and Man Ray, he embraced experimentation as a pathway to new truths. Moore’s works, housed in major collections including the Museum of Modern Art in New York, the Tate in London, the Guggenheim Museum, and the Art Institute of Chicago, continue to define the landscape of modern sculpture for their elegance, power, and emotional depth. Standing alongside Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, Henry Moore remains a cornerstone of modern art—a sculptor whose vision united nature, form, and spirit into a universal language of beauty and meaning. His highest auction record was achieved by Reclining Figure: Festival (1951), which sold for $33.1 million USD at Christie’s, London, on June 30, 2016, reaffirming Henry Moore’s enduring legacy as one of the most visionary, influential, and collectible sculptors in the history of modern art. Henry Moore Reclining Figure...

Artist: Roberto Matta (1912-2002) Title: Centre Noeuds (Sabatier 393) Year: 1974 Edition: 38/125, plus proofs Medium: Etching on Arches paper Size: 23.875 x 17.5 inches Inscription: ...