Mid-18th Century Figurative Prints
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Period: Mid-18th Century
Framed eighteenth century botanical engraving in a decalcomania frame.
Located in Richmond, GB
From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia", c1739, presented in a hand- made parcel-gilt, ebonised and decalcomania frame. So...
Category
Mid-18th Century Figurative Prints
Materials
Handmade Paper, Engraving, Mezzotint
Adoration of the Shepherds
By Peter Paul Rubens
Located in New York, NY
Adoration of the Shepherds after Peter Paul Rubens (Flemish, 1577-1640), engraved by Pierre-Franois Basan (French, 1723-1797), engraving, c. 1750, in black on ivory laid paper, 282 x 200 mm., with small margins. In very good condition.
A fine proof impression, before letters. A draft printing of letters is visible, lower left, below image: “P P Rubens inv.”; lower right: “F. Basan excudit”.
Basan’s engraving after Rubens may be modeled after another engraving of the Adoration after Rubens by Theodor Galle (1571-1633), which appeared as an illustration to the 1618 reprint of 1616 edition of “Missale Romanum...
Category
Old Masters Mid-18th Century Figurative Prints
Materials
Engraving
Colossus of Rhodes, Optic View from the Seven Wonders Series, Probst, 18th cent
By Georg Balthasar Probst
Located in Firenze, IT
The Colossus of Rhodes - Vue d'optique day/night, Seven Wonders series, Probst, 1770
Technique and materials: hand-colored etching, punch-perforated, with collage work and colored p...
Category
Old Masters Mid-18th Century Figurative Prints
Materials
Paper, Handmade Paper, Engraving
Bacchus Cumampelo
— 18th Century Classical Italian Realism
Located in Myrtle Beach, SC
Giovanni Domenico Campiglia, 'Bacchus Cumampelo', engraving, 1734, edition unknown. Signed 'Dom. Campiglia del.' in the plate, lower left. Engraving by Gabbugiani, after the original...
Category
Realist Mid-18th Century Figurative Prints
Materials
Engraving
Al Dolo - Etching by Giovanni Antonio Canal - 1735/44
By Giovanni Antonio Canal (Canaletto)
Located in Roma, IT
Al Dolo is an original Artwork realized by Giovanni Antonio Canal, commonly known as Canaletto (Venice, 1697 - 1768).
Original Etching on Laid paper...
Category
Modern Mid-18th Century Figurative Prints
Materials
Etching
Ancient Roman Temple Architecture: An 18th Century Framed Etching by Piranesi
Located in Alamo, CA
This is an 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Tempio detto della Tosse su la Via Tiburtina, un miglio vicino a Tivoli" (View of the so-called Tem...
Category
Old Masters Mid-18th Century Figurative Prints
Materials
Etching
Draught of a Galley /// Old Masters Ship Boat Seascape Construction Diagram Art
By William Henry Toms
Located in Saint Augustine, FL
Artist: William Henry Toms (English, c.1700-1765)
Title: "Draught of a Galley" (Plate 13, Vol. III, page 131)
Portfolio: La Spectacle de la Nature
Year: 1737
Medium: Original Hand-Co...
Category
Old Masters Mid-18th Century Figurative Prints
Materials
Watercolor, Laid Paper, Engraving, Intaglio
Moscovite Funeral Ceremony - by G. Pivati - 1746-1751
Located in Roma, IT
Moscovite Funeral Ceremony
Etchings, Hand-Watercoloured. Vol. VIII, Plate XC
Image Dim: cm 25.5 x 18; Sheet Dim: cm 37.5 x 23.8; Passepartout Dim: cm 49 x 34
Wonderful etching, ha...
Category
Old Masters Mid-18th Century Figurative Prints
Materials
Etching
Shunga - Woodcut by Katsukawa Schuncho - Mid-18th Century
Located in Roma, IT
Shunga is an original modern artwork realized by Katsukawa Schuncho (1726 – 1793) in the half of the 18th Century.
Erotic scene from the series "Koshuko zue juni ko".
A courtesan with a customer under a kimono stand...
Category
Modern Mid-18th Century Figurative Prints
Materials
Paper, Woodcut
Veduta della Spelonca, detta il Bergantino - Etching by G. B. Piranesi - 1762
Located in Roma, IT
Veduta della Spelonca, detta il Bergantino is an original etching realized by G. B. Piranesi in 1762.
Image Dimensions: 43 x 63 cm
Very good condition.
Ref. Ficacci., p.442
Category
Mid-18th Century Figurative Prints
Materials
Etching
The Monument of London in Remembrance of the Dreadful Fire of 1666
Located in Middletown, NY
Bowles, Thomas III (after John Donowell)
John Bowles & Richard Wilkinson, 1751.
Steel engraving with extensive hand coloring in watercolor on cream wove paper, 10 1/4 x 16 inches (...
Category
English School Mid-18th Century Figurative Prints
Materials
Watercolor, Handmade Paper, Engraving
The "Water Theatre" in Versailles - Etching by Giambattista Albrizzi - 1745 ca
Located in Roma, IT
Etching realized by Giambattista Albrizzi (1698-1777) for Thomas Salmon's Lo Stato presente di tutti i Paesi e Popoli do Mondo. Regno di Spagna.
Includes a contemporary wooden frame...
Category
Modern Mid-18th Century Figurative Prints
Materials
Etching
Chrysanthemums and the Rising Moon
Located in Middletown, NY
An image that originally appeared in an astrological calendar for the year 1766.
Tokyo: Shuei-Sha, 1766. Woodblock print in colors printed on laid mulberry paper, 10 3/4 x 7 7/8 in...
Category
Edo Mid-18th Century Figurative Prints
Materials
Watercolor, Handmade Paper, Woodcut
The Place Dauphine in Paris - Etching by Giambattista Albrizzi - 1745 ca
Located in Roma, IT
Etching realized by Giambattista Albrizzi (1698-1777) for Thomas Salmon's Lo Stato presente di tutti i Paesi e Popoli do Mondo. Regno di Spagna.
Includes a contemporary wooden frame...
Category
Modern Mid-18th Century Figurative Prints
Materials
Etching
A Harlot
s Progress - Etching after William Hogarth - 1732
Located in Roma, IT
A Harlot's Progress is an etching print realized after William Hogarth in 1732
Signature on the plate on the lower right.
Good conditions, with some foxing.
A Harlot's Progress" i...
Category
Surrealist Mid-18th Century Figurative Prints
Materials
Etching
William Hogarth
s "Analysis of Beauty": A Set of Two Framed 18th C. Engravings
Located in Alamo, CA
The two plates in this set were created utilizing both engraving and etching techniques by William Hogarth in 1753, originally as illustrations of his book on aesthetics, entitled "Analysis of Beauty". Due to their popularity, these plates were later published separately. The publication line in the lower right reads: "Designed, Engraved, and Publish'd by Wm. Hogarth, March 5th 1753, according to Act of Parliament." Hogarth's original copper plates were refurbished where needed by James Heath and engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's copper plates were used for printing. Most were melted during World War I for the construction of bombs.
These large folio sized "Analysis of Beauty" engravings are presented in antiqued gold-colored frames with double mats; the outer silk mats are light brown-colored and the inner mats are dark brown. Each frame measures 27.38" x 31.25" x 1.13". There is one tiny spot in the right margin of plate 1 and another in the lower margin; the latter could be from the printing process. The prints are otherwise in excellent condition.
The "Analysis of Beauty" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Fine Arts Museums of San Francisco.
The first engraving (Plate 1) depicts a courtyard of statues which is filled with some of the most famous works of classical sculpture. The most important sculptures are surrounded by less impressive works. The Medicean Venus (#13) is in the center with a statue of Julius Caesar (#19) to the right, elevated on a pulley with a short, overdressed Brutus stands over the falling Caesar. The Apollo Belvedere (#12) is next. A judge stands to the right with his foot on a cherub (#16). Another crying cherub holds a gallows and wipes his tears with the judge's robe.
A sphinx (#21) and the drunken Silenus (#107) are below the Venus. Michaelangelo's torso (#54) and a statue of Antonius (#6) are seen in the foreground. The Farnese Hercules (#3) and a bust of another Hercules (#4) under two statuettes of Isis are also included in the scene.
The key to these objects is included in the form of a serpentine line winding around a cone (#26), Hogarth's "Line of Beauty". For Hogarth the winding line is an essential element of beauty in art. Hogarth's theory of beauty is communicated in this plate.
Plate 2 is thought to represent the Wanstead Assembly, with the Earl of Tynley and his household. It is an adaptation of a scene in the Happy Marriage series, which complements Hogarth's Marriage à la Mode...
Category
Old Masters Mid-18th Century Figurative Prints
Materials
Engraving, Etching
Veduta del Ponte Lugano sull
Anione - Etching by G. B. Piranesi
Located in Roma, IT
Image dimensions 45x65.6.
Veduta del Ponte Lugano su l'Anione is a superb black and white etching on laid paper realized by Giovan Battista Piranesi....
Category
Mid-18th Century Figurative Prints
Materials
Etching
Moscovian Christening - by G. Pivati - 1746-1751
Located in Roma, IT
Moscovian Christening
Etchings, Hand-Watercoloured. Vol. VIII, Plate LXXXIX
Image Dim: cm 25.5 x 18; Sheet Dim: cm 37.5 x 23.8; Passepartout Dim: cm 49 x 34
Wonderful Etchings, Ha...
Category
Old Masters Mid-18th Century Figurative Prints
Materials
Etching
Bacchus
— 18th Century Classical Italian Realism
Located in Myrtle Beach, SC
Giovanni Domenico Campiglia, 'Bacchus', engraving, 1734, edition unknown. Signed 'Dom. Campiglia del.' in the plate, lower left. Engraving by Gabbugiani, after the original by Giovan...
Category
Realist Mid-18th Century Figurative Prints
Materials
Engraving
Sepolcro Regio, o Consolare , inciso nella rupe... - G. B. Piranesi - 1764
Located in Roma, IT
Sepolcro Regio, o Consolare , inciso nella rupe del Monte Albano (Royal or Consular Tomb in the Alban Hills) is an original etching realized by Giovan Battista Piranesi in 1764.
Ed...
Category
Mid-18th Century Figurative Prints
Materials
Etching
The Royal Exchange of London
Located in Middletown, NY
London: A. Churchill & J. Knapton, 1754
Engraving on fibrous laid paper with a "C" watermark, 9 3/4 x 11 3/4 inches (246 x 297 mm), full margins. Significant edge wear including mul...
Category
French School Mid-18th Century Figurative Prints
Materials
Handmade Paper, Engraving, Laid Paper
Ancient View of Lyon - Etching - 1748
Located in Roma, IT
Etching on paper realized in 1748.
Very good condition except for some minor foxing.
Includes a wooden frame cm. 27.5x41.5
Category
Modern Mid-18th Century Figurative Prints
Materials
Etching
The South East Prospect of Westminster Bridge
By Alfred Benjamin Cole
Located in Middletown, NY
After Giovanni Antonio Canal, called Canaletto
Copper plate engraving with hand coloring on cream laid paper with the Arms of France watermark (a crown in shield topped by a fleur-de-lys and the letters GR), 22 3/4 x 15 3/4 inches (576 x 400 mm), wide to full margins. Multiple vertical and horizontal creases from folding and rolling; none appear to be particularly hard, there is however some associated cockeling. While there is some minor mat tone visible around the perimeter of the sheet, the extensive handcoloring remains extremely fresh and saturated in the intended areas. There are edge tears at each the right and left sheet edge (outside of the image area) due to an improper effort to mount the sheet to a mat. Otherwise in very good condition with all issues being consistent with age.
The print is wrongly titled "The South East Prospect of Westminster Bridge...
Category
English School Mid-18th Century Figurative Prints
Materials
Laid Paper, Engraving, Watercolor
Four 18th Century Optical views of Paris etc.; "Vue des Rives de la Seine ....
Located in Middletown, NY
Four 18th Century Optical views
"Vue des Rives de la Seine prise du Pont Neuf à Paris"
"Vue de la Place de l'Hôtel de Ville et du Phare à Calais"
"Vue de Paris prise du Port de la Co...
Category
French School Mid-18th Century Figurative Prints
Materials
Watercolor, Handmade Paper, Engraving
The Council Hall in Fontainebleau - Etching by Giambattista Albrizzi - 1745 ca
Located in Roma, IT
Etching realized by Giambattista Albrizzi (1698-1777) for Thomas Salmon's Lo Stato presente di tutti i Paesi e Popoli do Mondo. Regno di Spagna.
Includes a contemporary wooden frame...
Category
Modern Mid-18th Century Figurative Prints
Materials
Etching
The City of Brussels in the Duchy...- Etching by Giambattista Albrizzi - 1745 ca
Located in Roma, IT
Etching realized by Giambattista Albrizzi (1698-1777) for Thomas Salmon's Lo Stato presente di tutti i Paesi e Popoli do Mondo. Regno di Spagna.
Includes a contemporary wooden frame...
Category
Modern Mid-18th Century Figurative Prints
Materials
Etching
The Painting - Etching by Nicholas Cochin - 1755
Located in Roma, IT
The Painting is an etching realized by Nicholas Cochin in 1755.
Signed on the plate.
Good conditions.
The artwork is depicted through confident strokes.
The etching was realized ...
Category
Modern Mid-18th Century Figurative Prints
Materials
Etching
Telephe guéri, from "Le Temple des Muses"
Located in Roma, IT
Black and white etching on wire rod paper, representing the myth of Telephus and his healing.
Plate with fresh impression, from the volume “Le Temple des Muses...
Category
Old Masters Mid-18th Century Figurative Prints
Materials
Etching
View of Fountain Court, Middle Temple, City of London
Located in Middletown, NY
An 18th century view of the first permanent water fountain in London.
London: J.Boydell, 1753.
Engraving with hand coloring in watercolor on white laid paper, laid down to a modern...
Category
English School Mid-18th Century Figurative Prints
Materials
Watercolor, Handmade Paper, Laid Paper, Engraving
The Pool Called Apollo
s - Etching by Giambattista Albrizzi - 1745 ca
Located in Roma, IT
Etching realized by Giambattista Albrizzi (1698-1777) for Thomas Salmon's Lo Stato presente di tutti i Paesi e Popoli do Mondo. Regno di Spagna.
Includes a contemporary wooden frame...
Category
Modern Mid-18th Century Figurative Prints
Materials
Etching
The city of Namur, capital of the...- Etching by Giambattista Albrizzi - 1745 ca
Located in Roma, IT
Etching realized by Giambattista Albrizzi (1698-1777) for Thomas Salmon's Lo Stato presente di tutti i Paesi e Popoli do Mondo. Regno di Spagna.
Includes a contemporary wooden frame...
Category
Modern Mid-18th Century Figurative Prints
Materials
Etching
View of the Cave known as Bergantino - Etching by G. B. Piranesi - 1762
Located in Roma, IT
View of the Cave known as Bergantino is an etching realized by the italian artist Giovanni Battista Piranesi in 1762.
Very precious and rare lifetime impression. Roman edition.
C...
Category
Old Masters Mid-18th Century Figurative Prints
Materials
Etching
The Court of the White Horse in... - Etching by Giambattista Albrizzi - 1745 ca
Located in Roma, IT
Etching realized by Giambattista Albrizzi (1698-1777) for Thomas Salmon's Lo Stato presente di tutti i Paesi e Popoli do Mondo. Regno di Spagna.
Includes a contemporary wooden frame...
Category
Contemporary Mid-18th Century Figurative Prints
Materials
Etching
The Court of the Fountains and... - Etching by Giambattista Albrizzi - 1745 ca
Located in Roma, IT
Etching realized by Giambattista Albrizzi (1698-1777) for Thomas Salmon's Lo Stato presente di tutti i Paesi e Popoli do Mondo. Regno di Spagna.
Includes a contemporary wooden frame...
Category
Contemporary Mid-18th Century Figurative Prints
Materials
Etching
La Porte de la Conference in Paris - Etching by Giambattista Albrizzi - 1745 ca
Located in Roma, IT
Etching realized by Giambattista Albrizzi (1698-1777) for Thomas Salmon's Lo Stato presente di tutti i Paesi e Popoli do Mondo. Regno di Spagna.
Includes a contemporary wooden frame...
Category
Modern Mid-18th Century Figurative Prints
Materials
Etching
La Porte de Saint Bernard, Paris - Etching by Giambattista Albrizzi - 1745 ca
Located in Roma, IT
Etching realized by Giambattista Albrizzi (1698-1777) for Thomas Salmon's Lo Stato presente di tutti i Paesi e Popoli do Mondo. Regno di Spagna.
Includes a contemporary wooden frame...
Category
Modern Mid-18th Century Figurative Prints
Materials
Etching
Agenor and Cadmus, Ovid
s Metamorphoses, French Classical engraving, 1768
By Binet after Charles Monnet (1732-1808)
Located in Melbourne, Victoria
Copper-line engraving by Binet after Charles Monnet (1732-1808).
Agenor tells Cadmus to go and look for his sister Europae.
From 'Les Metamorphoses d'...
Category
Naturalistic Mid-18th Century Figurative Prints
Materials
Engraving
Anatomy Studies - Etching by Nicholas Cochin - 1755
Located in Roma, IT
Anatomy Studies is an etching realized by Nicholas Cochin in 1755.
Signed in the plate.
Good conditions with foxing and folding.
The artwork is depicted through confident strokes....
Category
Surrealist Mid-18th Century Figurative Prints
Materials
Etching
La Messe (The Mass), after Caravaggio
Located in Middletown, NY
Chiaroscuro woodcut with underlying engraving on cream laid paper, printed from two blocks in brown and olive. 10 1/4 x 12 3/4 inches (260 x 321 mm) (plate), full margins with the text printing clearly below in black ink. In very good condition with scattered surface soiling and several minor flecks of light discoloration in the margins, especially in the area of the lower right corner, well outside of image area. Unobtrusive notations in pencil in the margin and on the verso. All condition issues are consistent with age. After a drawing of the same title by Polidoro da Caravaggio...
Category
Old Masters Mid-18th Century Figurative Prints
Materials
Laid Paper, Engraving, Woodcut
Jacob blesses his sons - Flemish School, 18th Centruy
Located in Middletown, NY
Engraving on light wove paper with a large Amsterdam Coat of Arms watermark, 9 5/16 x 7 1/2 inches (236 x 190 mm), narrow margins. Scattered lig...
Category
Flemish School Mid-18th Century Figurative Prints
Materials
Black and White, Engraving
Marriage and Birth among the Incas - Etching by G. Pivati - 1746/1751
Located in Roma, IT
Image dimensions: 25.5 x 18 cm.
Marriage and Birth among the Incas is a fine etching, hand-watercolored, realized by the engraver Gianfrancesco Pivati.
This original print, represe...
Category
Old Masters Mid-18th Century Figurative Prints
Materials
Etching
The Temple of Asclepius with the Chariot - Etching by Giuseppe Vasi - 1753
Located in Roma, IT
The architect is Paolo Posi, and the image is engraved by Giuseppe Vasi.
The title: Prospetto della prima machina de fuochi d'artifizio, rappresentante il Tempio di Esculapio figl...
Category
Modern Mid-18th Century Figurative Prints
Materials
Etching
Portrait after Raphael - Etching by Nicholas Cochin - 1755
Located in Roma, IT
Portrait after Raphael is an etching realized by Nicholas Cochin in 1755.
Signed in the plate.
Good conditions with foxing and folding.
The artwork is depicted through confident s...
Category
Modern Mid-18th Century Figurative Prints
Materials
Etching
Study of an architectural devotional with a Sacred Heart and three Putti
Located in Middletown, NY
Etching on light cream laid paper, 8 x 5 1/2 inches (200 x 138 mm), 1/8-inch margins. Minor repairs, including expertly repaired lower right corner, and minor light in-painting at l...
Category
Old Masters Mid-18th Century Figurative Prints
Materials
Laid Paper, Etching
Ears - Etching by Jean François Poletnich - 1755
Located in Roma, IT
Ears is an etching realized by Jean Francois Poletnich in 1755.
Signed in the plate.
Good conditions with foxing.
The artwork is depicted through confident strokes.
The etching was realized for the anatomy study “JOMBERT, Charles-Antoine (1712-1784) - Méthode pour apprendre le dessein, ou l'on donne les regles générales de ce grand Art.. enrichie de cent planches representant differentes parties du Corps Humain.. et quelques etudes d`Animaux & de Paysage. Paris: C.A. Jombert, 1755”
The plates of this important study were mainly dedicated to anatomical studies, physiognomy and proportions, many taken from works by famous artists such as Raphael, Guido Reni and Titian, as well as classical works including the Farnese Hercules and the Medici Venus.
Category
Modern Mid-18th Century Figurative Prints
Materials
Etching
The Study of Hand after Bouchardon - Etching by Nicholas Cochin - 1755
Located in Roma, IT
The Study of Hand after Bouchardon is an etching realized by Nicholas Cochin in 1755.
Signed on the plate.
Good conditions.
The artwork is depicted through confident strokes.
The...
Category
Modern Mid-18th Century Figurative Prints
Materials
Etching
Prospectuum Aedium Viarumque Insignorum Ubis Venetiarum -by G.B. Brustolon- 1763
By Giovanni Battista Brustolon
Located in Roma, IT
Complete series of 20 original black and white etchings on oblong folio and laid paper, in first state before numeration.
On frontispiece with date “1763”, dedication to Prince Marco Foscareno and name and address of Ludovico Furlanetto. Each plate is titled and signed on plate "Jo. Bap. Brustoloni sculp." on the lower right margin.
Complete title of the series: Prospectuum aedium, viarumque insigniorum Urbis venetiarum nautico certamine, ac nundinis adiectis. Tomus Primus, tabulas XII complectens, quas Antonius Canale coloribus expressit – Joannes Baptista Brustolon aere incidit. Serenissimo Principi D.D. Marco Foscareno Egregio, emerito, sapientissimo Augustae Republicae Duci D.D.D. Anno AE C. 1763 ab V.C. 1341.
This series is considered the most important one by Brustolon after Canaletto (from the engravings of Visentini), and was edited in a first version of 12 tables and in a second version of 22 tables. However, Succi affirms that the I state series includes just 20 tables, and the missing two vary from suite to suite so that this series can be considered complete.
Very fresh and bright sheets in wide margins, with restored little tear on 4 sheets and a very light vertical fold on center. Papers show the following watermarks:
Big cartouche with half-moon
Big cartouche with letters “FO” and “AS”
Bound and ripples on paper.
In detail: Prospectuum Aedium Viarumque Insignorum Ubis Venetiarum is one of the finest of Venetian topographical print suites, equal in relevance to the publications of Carlevarijs, Canaletto-Visentini, and Marieschi, preciously rare, especially in the first edition (of four) with all plates in first state and in excellent state of preservation.
Ten of its twenty vedute of the Serenessima derive from the paintings of Canaletto, drawn and engraved by Antonio Visentini, adapted to a larger size by Brustolon. The Bellunese artist extended the views and enriched the landscapes with new objects and figures that animate the scenes.
Other four views are deeply inspired by Michele...
Category
Old Masters Mid-18th Century Figurative Prints
Materials
Etching
The Sacrifice of Savage in Quitchi - Manitù - Etching by G. Pivati - 1746/1751
Located in Roma, IT
The Sacrifice of Savage in Quitchi - Manitù is a fine etching, hand-watercolored, realized by the engraver Gianfrancesco Pivati .
This original print, representing an important ri...
Category
Old Masters Mid-18th Century Figurative Prints
Materials
Etching
The Story of Noah - Original Complete Series of 6 Etchings - 1768
Located in Roma, IT
The Story Of Noah is an original series of 6 artworks realized by Anonymous artist in 1768.
Original etchings and burin. Posthumous hand-watercolo...
Category
Mid-18th Century Figurative Prints
Materials
Watercolor, Etching
Avanzi di Antiche Terme in Albano denominate Cello Mano - by G. B. Piranesi
Located in Roma, IT
Image dimensions 40.5x60.5 cm.
Ancient Baths in Albano called Cello Majo is an etching, drypoint and burin on laid and watermarked paper (lily in a double cercle).
Wonderful Specimen of a Roman antique edition. From the series of Piranesi’s etchings “Antichità di Albano e di Castel Gandolfo...
Category
Mid-18th Century Figurative Prints
Materials
Etching
Hearse
Coffin
By Pieter van Cuyck
Located in Houston, TX
Beautifully detailed 18th century Dutch copper engraving of hearse and coffin by PV Cuyck, 1754.
Original artwork on paper displayed on a whi...
Category
Mid-18th Century Figurative Prints
Materials
Engraving
Frontispiece from "Carceri d
Invenzione" - Etching by G. B. Piranesi - 1749/59
Located in Roma, IT
Carcere d'Invenzione is an original Modern Artwork realized by Giovan Battista Piranesi (Mogliano Veneto, 1720 - Rome, 1778).
Original Etchin...
Category
Modern Mid-18th Century Figurative Prints
Materials
Etching
Landscape - Etching by Nicholas Cochin - 1755
Located in Roma, IT
Landscape is an etching realized by Nicholas Cochin in 1755.
Good conditions.
The artwork is depicted through confident strokes.
The etching was rea...
Category
Modern Mid-18th Century Figurative Prints
Materials
Etching
Ancient Views of Paris - Etching - 1748
Located in Roma, IT
4 Etchings on paper realized in 1748. Each cm. 17x22.
Very good condition except for some minor foxing.
Includes a wooden frame cm. 27.5x41.5
Category
Modern Mid-18th Century Figurative Prints
Materials
Etching
Anatomy Studies Muscles - Etching by Jean François Poletnich - 1755
Located in Roma, IT
Anatomy Studies Muscles is an etching realized by Jean Francois Poletnich in 1755.
Signed in the plate.
Good conditions with foxing.
The artwork is depicted through confident stro...
Category
Modern Mid-18th Century Figurative Prints
Materials
Etching
The Industrious Prentice - Etching by William Hogarth - 1747
Located in Roma, IT
The Industrious Prentice - Lord Mayor of London is an original etching print realized by William Hogarth in 1747
Signature on the plate on the lower right, with the description on t...
Category
Old Masters Mid-18th Century Figurative Prints
Materials
Etching
Piazza Navona in Rome: A Framed Original 18th Century Etching by Barbault
Located in Alamo, CA
This early 19th century etching entitled "Veduta di Piazza Navona sopra le rovine del Circo" was created by Jean Barbault (1718-1762) after a painting by...
Category
Old Masters Mid-18th Century Figurative Prints
Materials
Etching
The Commemoration of Hussein - Etching by G. Pivati - 1746/1751
Located in Roma, IT
Image dimensions: 25.5 x 18 cm.
The Commemoration of Hussein is a fine etching, hand-watercolored, realized by the engraver Gianfrancesco Pivati.
This original print, representing ...
Category
Old Masters Mid-18th Century Figurative Prints
Materials
Etching
Kabuki Actor in Blue Kimono - Original Woodblock Print
Located in Soquel, CA
Kabuki Actor in Blue Kimono - Original Woodblock Print
Original woodblock print depicting a Kabuki actor in a blue kimono by Suzuki Harunobu (Japanese, 1725-1770). The actor holds u...
Category
Edo Mid-18th Century Figurative Prints
Materials
Ink, Rice Paper, Woodcut
The Study of Hand after Bouchardon - Etching by Nicholas Cochin - 1755
Located in Roma, IT
The Study of Hand after Bouchardon is an etching realized by Nicholas Cochin in 1755.
Signed on the plate.
Good conditions.
The artwork is depicted through confident strokes.
The...
Category
Modern Mid-18th Century Figurative Prints
Materials
Etching
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