Abstract Geometric Figurative Prints

Full-page, colour pochoir of costume designs by Sonia Delaunay Edition 331/500 copies on Velin Aussedat Dimensions: 28.5 x 19.5 cm. From 27 Living Paintings. [Milano, Edizioni del Naviglio, 1969]. Jacques Damase. Robes Poèmes, Introduction. Text by Guillaume Apollinaire and Blaise Cendrars. Sonia Delaunay was known for her vivid use of color and her bold, abstract patterns, breaking down traditional distinctions between the fine and applied arts as an artist, designer and printmaker. Born Sarah Stern on November 14, 1885 in Gradizhsk, Ukraine, she was adopted in 1890 by her maternal uncle, Henri Terk, a lawyer in St. Petersburg, where she grew up, exposed to music and art, and learning several foreign languages. In 1903, she moved to Germany to study drawing with Ludwig Schmidt-Reutler (1863–1909) at the Karlsruhe academy of fine arts; Arnold Schoenberg (1874–1951), composer-to-be, was among her classmates there. In 1905, she traveled to Paris where she attended art classes at the Académie de la Palette, learned printmaking from Rudolf Grossman (1889–1941), and met Amédée Ozenfant (1886–1966), André Dunoyer de Segonzac (1884–1974), and Jean-Louis Boussingault (1883–1943). Sonia spent much of her time at exhibitions and galleries in Paris, which showed works by Paul Cézanne, Vincent Van Gogh, Pierre Bonnard, and Edouard Vuillard, as well as Les Fauves, Henri Matisse and André Derain. She did, however, maintain contact with Germany, exhibiting at the Galerie Der Sturm, Berlin, in 1913, 1920 and 1921. During her first year in Paris, Sonia met the German collector and art-dealer, Wilhelm Uhde (1874–1947), whom she married on December 5, 1908, and whose Montparnasse gallery, the Galerie Notre-Dame des Champs, showed her first solo exhibition. Through Uhde, Sonia encountered many painters, including Pablo Picasso, Georges Braque, Maurice de Vlaminck, and Robert Delaunay (1885–1941). In 1910, Sonia divorced Uhde by mutual agreement, married Delaunay that same year, and gave birth to their son, Charles, in January 1911. Together Sonia and Robert Delaunay pursued the study of color, influenced by theories of Michel-Eugène Chevreul (1786–1889). Sonia’s interest in simultaneous contrast, as evidenced in her early collages, book bindings, small painted boxes...

Konrad Klapheck - Original Lithograph 1976 Dimensions: 32 x 25 cm Revue XXe Siècle Edition: Cahiers d'art published under the direction of G. di San Lazzaro. Konrad Klapheck (born...

(after) Robert Delaunay - La Femme et la Tour - Handsigned Lithograph Handsigned and numbered by Sonia Delaunay with a dedication to Robert Delaunay Dimensions: 55 x 33 cm Circa 1960...

Jean Bazaine (after) - Lithograph 1958 Dimensions: 32 x 24 cm Signed in the plate From the art revue XXe siecle Unumbered as issued

Jean Bazaine - Original Lithograph 1976 Dimensions: 32 x 25 cm Revue XXe Siècle Edition: Cahiers d'art published under the direction of G. di San Lazzaro. ean Bazaine is born in P...

after Sonia Delaunay Full-page, colour pochoir after costume designs by Sonia Delaunay Edition 331/500 copies on Velin Aussedat Dimensions: 28.5 x 19.5 cm. From 27 Living Paintings. [Milano, Edizioni del Naviglio, 1969]. Jacques Damase. Robes Poèmes, Introduction. Text by Guillaume Apollinaire and Blaise Cendrars. Sonia Delaunay was known for her vivid use of color and her bold, abstract patterns, breaking down traditional distinctions between the fine and applied arts as an artist, designer and printmaker. Born Sarah Stern on November 14, 1885 in Gradizhsk, Ukraine, she was adopted in 1890 by her maternal uncle, Henri Terk, a lawyer in St. Petersburg, where she grew up, exposed to music and art, and learning several foreign languages. In 1903, she moved to Germany to study drawing with Ludwig Schmidt-Reutler (1863–1909) at the Karlsruhe academy of fine arts; Arnold Schoenberg (1874–1951), composer-to-be, was among her classmates there. In 1905, she traveled to Paris where she attended art classes at the Académie de la Palette, learned printmaking from Rudolf Grossman (1889–1941), and met Amédée Ozenfant (1886–1966), André Dunoyer de Segonzac (1884–1974), and Jean-Louis Boussingault (1883–1943). Sonia spent much of her time at exhibitions and galleries in Paris, which showed works by Paul Cézanne, Vincent Van Gogh, Pierre Bonnard, and Edouard Vuillard, as well as Les Fauves, Henri Matisse and André Derain. She did, however, maintain contact with Germany, exhibiting at the Galerie Der Sturm, Berlin, in 1913, 1920 and 1921. During her first year in Paris, Sonia met the German collector and art-dealer, Wilhelm Uhde (1874–1947), whom she married on December 5, 1908, and whose Montparnasse gallery, the Galerie Notre-Dame des Champs, showed her first solo exhibition. Through Uhde, Sonia encountered many painters, including Pablo Picasso, Georges Braque, Maurice de Vlaminck, and Robert Delaunay (1885–1941). In 1910, Sonia divorced Uhde by mutual agreement, married Delaunay that same year, and gave birth to their son, Charles, in January 1911. Together Sonia and Robert Delaunay pursued the study of color, influenced by theories of Michel-Eugène Chevreul (1786–1889). Sonia’s interest in simultaneous contrast, as evidenced in her early collages, book bindings, small painted boxes...

Fracture. 1984, linocut, print size 47x58 cm; total 60x68 cm War theme. Tanks Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction publications...

July 7, 1918. from cycle "Story about Latvian Riflemen". 1972, linocut, print size 48x50 cm; total 60x58 cm Dainis Rozkalns (1928 - 2018) Artist, graphic arti...

The snow was blowing. 1973, Paper, linocut, print size 45x50 cm; total 60x58 cm artworks from the cycle "Story about Latvian rifleman" Dainis Rozkalns (1928 - 2018) Artist, graphic...

Fatigue. 1977, Paper, linocut, print size 55x50 cm; total 70x65 cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction publications. The main ...

Wings. 1975., Woodcut, 70x50 cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction publications. The main directions of Rožkalns' professiona...

Knots in Green: Monotype on archival paper Size: 20 x 20 by South American/Venezuelan artist Luisa Duarte is an example of geometric abstract art . Luisa Duarte works out of her studio in Houston, Texas. Price is unframed. Price for frame can be quoted and turn around from wholesale frame is approximately 3 weeks or less. Luisa Duarte’s works has a strong connection with her Latin American roots, with special focus in the geometrical abstract movement, a movement adopted by Latin America during the late 50’s. It was very prominent in Venezuela. Probably the most prominent collection of geometric abstract art was given to MOMA by Patricia Phelps de Cisneros who now resides in the USA. Her works are focused on explorations of shapes, lines , color and also on memories of her childhood in a promising country. Those memories are transformed into dynamic works invoking good energies to bring back what we have lost. In these complex geometrical systems, objects intersect, merge and collide, producing negative spaces that call the viewer to attention. In some cases, the almost imperceptibly off-kilter placement of geometrical elements within a composition speaks to her emphasis on relationships - the objects always exist in relationship to each other. There is a constant interest in constructing and deconstructing, and the consideration of endless juxtapositions. There are other works by Luisa Duarte available on 1stdibs and can be found by searching her name. Bio: Luisa Duarte Venezuelan-American visual artist, based in Houston, Texas Selected solo show 2020 Inseparable Ties, TC Energy Building Atrium, curated by Kinzelman Art Consulting and presented by M-M Properties, Houston, Texas Mi casa ya no es, Solo show, MACZUL, Museo de Arte of Contemporaneo del Zulia, Maracaibo, Venezuela 2019 Artist of the Month, MADI Museum, Dallas, Texas 2018 The New Border, Site Specific Installation, Art League Houston, Houston, Texas 2017 Personal Scapes; Recent Prints, Galveston Arts Center, Galveston, Texas Museum Shows 2021 Withstand: Latinx Art...

Valerio Adami - Original Lithograph 1976 Dimensions: 32 x 25 cm Revue XXe Siècle Edition: Cahiers d'art published under the direction of G. di San Lazzaro. Valerio ADAMI was born ...

A woman picks at herself in the mirror, searching for a wound and finding only a scar. She feels like a scar — like a numb, deafened stump. Not long ago, she had lost her father, and...