American Realist Figurative Prints

Signed Limited Edition Etching by Charles Bragg. Women in Golf Suite : FORE! 1988 Etching 13" x 14.5" inches Signed in pencil, titled and marked 94/300 Unframed Charles Bragg (1931 – 2017) was an American sculptor, painter, artist and author known best for his satirical artwork. Bragg has won many awards, including the Gold Medal for the National Society of Illustrators as well as the Award of Merit from the Art Directors Guild of New York. Step into the world of Charles Bragg, a master satirist whose exceptional talent shines through in his artwork. With "FORE!" a signed limited edition art...

Signed Limited Edition Etching by Charles Bragg. Women in Golf Suite : The Perfect Couple 1988 Etching 13" x 14.5" inches Signed in pencil, titled and marked 100/300 Unframed Ch...

This artwork titled "Sunrise Dahlia" c.1990 is an original colors mezzotint by noted German/American artist Gatja Helgart Rothe, 1935-2007. It is hand signed, titled and numbered 64/...

This artwork titled " The Purple Mountain's Majestic" 1973 is a color lithograph after artist Hall Drake Diteman, 1925-2009. It is hand signed at the l...

Original Mercedes-Benz Type 300-SL. Linen-backed, horizontal format, fine condition. This is an original small format Mercedes 300 SL sports car pri...

'Rocamadour' (French Church Series # 10), etching, 1927, edition 50, Fletcher 186. Signed, dated, and annotated 'First State' in pencil. Titled and dated 'Rocamadour 1926' in the plate, bottom right. A superb, finely detailed impression, in dark brown ink, on buff laid Japan paper, with full margins (1 to 1 7/8 inches), in excellent condition. Image size 13 3/4 x 10 inches (349 x 254 mm); sheet size 15 3/4 x 13 5/8 inches (400 x 346 mm). Matted to museum standards, unframed. Literature: illustrated in Dorothy Noyes Arms, 'Churches of France', The Macmillan Company, 1929. Impressions of this work are in the permanent collections of the Blanton Museum of Art, Chrysler Museum of Art, Cleveland Museum of Art, Davis Museum (Wellesley), McNay Art Museum, Metropolitan Museum of Art, Rhode Island School of Design Museum, and the Whitney Museum of Art. ABOUT THE SUBJECT Rocamadour is a small clifftop village in south-central France. It is known for the Cité Réligieuse complex of religious buildings, accessed via the Grand Escalier staircase. It includes the Chapelle Notre-Dame, with its Black Madonna statue, and the Romanesque-Gothic Basilica of St-Sauveur. ABOUT THE ARTIST “John Taylor Arms will live on and on and future generations centuries from now will marvel at his work... . As a friend and as a man, he fully matched his superb work.” —John Winkler, printmaker Born in Washington, D.C. in 1887, John Taylor Arms attended the Lawrenceville School and began the study of law at Princeton University. In 1907, he transferred to the Massachusetts Institute of Technology and took up the study of architecture. Arms evolved his unique drafting style, with its highly realistic, precise detail and exquisitely rendered effects of light, from his experience and practice as an architectural student. He graduated in 1911 and completed a master’s degree the following year. He then worked as a draftsman with the well-known Carrere and Hastings Company in New York. In 1913 Arms was given a hobbyist’s etching set, and he began to dabble with copperplate and acid. In 1915, after copying a handful of prints by Jongkind and other Etching Revivalists, Arms created his first original etching. His early experiments were picturesque views of European villages, reflecting the influence of Whistler. He inked and printed several of these plates in color in the manner of Charles Mielatz...

Herschel Levit 'Duet', lithograph, c. 1937. Signed in pencil. A fine, richly inked impression, on cream wove paper, with full margins (1 1/2 x 2 inches)...

Otto Kuhler, 'Bedrock', etching, 1928, edition 25, Kennedy 29. Signed and titled in pencil. A superb, richly-inked impression in brown/black ink, with skilfully wiped plate tone; on ...

Original WWII vintage poster: The United Nations Fight for Freedom. Featuring flags from around the world. Note that this poster was created earlier than the foundation of the U...

Armin Landeck, 'Studio Interior No. 1', 1935, drypoint, edition 100, Kraeft 56. Signed in pencil. Signed in the plate, lower right. A fine, richly-inked impression, on cream laid pap...

Artist: Norman Rockwell (1894-1978) Title: Snow Sculpture Snowman Year: 1985 Edition: 350/350, plus proofs. Medium: Offset lithograph on wove paper Size: 24.5 x 18.5 inches Condition...

Original Bern - Switzerland. Artist: Leutenegger. Year: 1941. Archival linen backed with some minor wear. B condition The name of this statue is also known as Gerechtigkeitsbrunnen. The blind scales of justice...

This artwork titled "Gabriella" c.1980 is an original colors lithograph on Wove paper by noted American artist Sheldon C. Schoneberg, 1926-2012. It is hand signed and inscribed A.P. (Artist Proof) in pencil by the artist. The image size is 24 x 18.75 inches, sheet size is 26 x 20 inches. It is in excellent condition, has never been framed. About the artist: Born in Oak Park, Illinois; family moves to Beverly Hills; Attends El Rodeo, Beverly Hills High then Chouinard Art Institute, Los Angeles; University of Southern California, BFA cum laude. MFA, 1951; Academia di Belle Arti, Rome, 3rd Year Certificate; Universidad Michoacana, Morelia, Mexico, 1952, Graduate School - Fresco Printings. TEACHING: Santa Monica College, 1947; Hollywood Art Center School 1948; Pratt University, New York, 1950; Academic Rank of Full Professor of Art - University of New York, New Paltz, 1964 and University of Southern Maine 1967; Master Drawing Classes, Paris-American Academy of Art, Paris, France 1984-1985, Drawing, Painting and Contemporary Art History- University of New England, Biddeford, Maine 1993 - 2002. CYCLES OF WORKS IN ART: • Biblical, American Indian, Rome 1948-62, Oil Paintings • Drawings Wash and Ink, Wood and Ink, Sepia Conte and Ink, Pastels 1940-1968, California, New York, Maine • Archetypal Frescos 1948-55, Mexico, California, Israel • Goyescas, Satiric Ink and Wash Sketches, Spain and Greece 1954-1962 • Tapestries of the Zodiac 1961-1963, Spain • Para-Mandalas, Collages, Mixed-Media, Oil Paintings 1961-1967 • Flower-Children Series and Flag Series, Charcoal Pastel Drawings, California and Maine 1965-2008 • Bas-Relief polyester Resin Sculpture, Bronze Sculpture, 1966-1968 • The Centaurs Garden Suite, Centre Genevois de Grauvure Contemporaine, Geneva, Switzerland, lithographs on stone and etchings 1971 • Oil Paintings,Landscapes, Portraits, Nudes and Still Lifes, Mykonos, Greece, Spain, California, France, Mexico, Maine, British Columbia, Switzerland 1960-2008 • Barbary Coast Drawings, Full Color and Monochromatic 1967-1994 • The Apocalypse Series, Acrylic and Oil Paintings, Drawings 1973-1983 • Charcoal Pastel Drawings, California, Maine, France, Switzerland 1946-2008 • Metamorphous Series, Charcoal Pastel Collage Drawings on Museum Board 1987-2008 • Collage Series Drawings, San Francisco, Limington, New paltz, Los Angeles 1958-2008 • Poster Series, 90+ Charcoal Pastel Drawings on Museum Board 1985-2008 • Fayum Portrait Series, Charcoal-Pastel and Fauve Drawings 1992-2008 • Formal and Informal Portraits - Oil Paintings, Drawings, Models, Commissions, Compositions, Re-Creations 1942-2008 • Murals- Commissiond, Given and Inspired Oil paintings, Drawings, Acrylic Paintings, Collage Drawings 1936-2008 • Maquettes-100+ small original Charcoal Pastel Drawings for commissions 1970-2008 • The Great Masters of Art Series 1998-2008 • Flower Oil Paintings on Canvas ( Sunflowers, Hydrangas,etc) 2000-2008 EXHIBITIONS: INTERNATIONAL: COMBINED TOTAL OF 214, INCLUDING 82 ONE_MAN EXHIBITIONS. A SELECTION FOLLOWS. • Museum of Munich 1948 • Museum of Morelia, Michoacan, Mexico 1952 • Hellenic-American Union, Athens, Greece 1961 • Casa de Cultura, Malaga, Spain 1964 • Exposition Internationale d'Art de Mode, Val de Grace, Paris, France • 20th Anniversaire Paris American Academy 1985 • Gallery International Inc, St Maarten, Netherlands Antilles 1990-93 • National Museum of Mexico,D.F.1970-2008 Genesis Fresco 12'x35' • Galerie du Carlton, La Croisette, Cannes, France 1964-78 • Galerie des Champs-Elysees, Paris, France 1966-78 • Galeria "M" Copenhagan, Denmark 1967 • Galerie del Cisne, Madrid, Spain • Upper Grosvenor Galleries, London England 1966-68 • Kunsthandel Monet, Amsterdam Holland 1960-80 • Harrison Galleries, Vancouver BC Canada 1970-2008 • Guild Gallerie Calgary, Canada 1975-98 SELECTED EXHIBITIONS: USA • University of Southern California 1950 • Palos Verdes Community Galleries, CA 1955 • Cowie Galleries, Los Angeles, CA 1956 • Los Angeles Municipal Galleries, Barnsdall, CA " Art of the Mural" 1959 • Maxwell Galleries, San Francisco, CA 1962-63 • Raymond Burr Galleries Beverly Hills, CA 1961-64 • Gallery 235, Chicago,IL 1967 • Triton Museum of Art, Santa Clara CA (Retrospective 1969-2008) • Lars Laine Art Galleries, Palm Springs, CA 1969-84 • Two Squares Gallery, Denver, CA 1966-70 • Fisk University Art Museum, Nashville TN 1968 • Lewis Galleries, Omaha Nebraska 1973-2008 • Talberts Galleria Tacoma, WA 1978-2008 • Lyon Art Gallery San Francisco CA 1974-1980 • Owl 57 Galleries Woodmere NY 1979-2008 • Walt Kuhn Galleries, Cape Neddick...

Origiinal WW1 poster: AT THE FRONT! Every fit Briton should join our brave men at the front. Enlist NOW. . Artist: Lionel Edwards. Original, Mint, Linen-backed original World War 1 rare stone lithographic poster. At the front! Every fit Briton should join our brave men at the front. Enlist now / printed by E.S. & A. Robinson Ltd., Bristol. London: Parliamentary Recruiting Committee, [1915]. Poster showing cavalry in battle, with horses reacting to an explosion in the foreground. Until March 2, 1916, when the Military Service Act introduced conscription, Great Britain’s World War I army was comprised entirely of volunteers. Many of the most famous wartime posters...

This artwork titled "When Predators Meet" 1988 is an offset lithograph by renown Western artist Gary Carter, born 1938. It is hand signed and numbered 817/...

Original WWII poster: Protect his Fugtures buy and Keep War Bonds The color poster shows a young, smiling boy being lifted in the air, holding on to a man's hands. The boy has blond...

Original poster: FIESTAS DE PRIMAVERA MURCIA. Ani 1953. Linen-backed, very good condition. Lithograph. The Spring Festivals are celebrated in Murcia the week after Easter. Thes...

Original WWII poster: YOU CAN LICK RUNAWAY PRICES ORIGINAL VINTAGE WWII POSTER BY JAMES MONTGOMERY FLAGG Distributed originally by OWI for the Office of Economic Stabilization. 1. Buy and hold War Bonds. 2. Pay willingly our share of taxes. 3. Provide adequate life insurance and savings for our future. 4. Reduce our debts as much as possible. 5. Buy only what we need and make what we have last longer. 6. Follow ration rules and price ceilings. 7. Cooperate with our Government's wage stabilization program. Publisher: [S. l.]: Distributed by O.W.I. for the Office of Economic Stabilization. Linen backed fine condition. Restored original Government fold marks (on all World War 2 American vintage posters) James Montgomery Flagg is best known for depicting Uncle Sam in recruitment and public service announcement posters of both World War I and II. You Can Lick Runaway Prices? Features a new painting created by Flagg in c.1942. The poster emphasizes seven steps that the average American could take to prevent inflation. Among these points include significant themes of buying war bonds, conservation, and food rationing. The seven steps correspond to the seven letters that spell Victory. The imagery references Flagg's iconic I Want You poster...

Original Ford of Germany, The All New Taunus 12M Super vintage German antique poster. Archivally linen-backed om excellent condition and ready to frame. We have not be able to locate any other document copy of this poster. The Taunus 12M, presented in 1952, was the first new German Ford...

Martin Lewis (1881-1962), Little Penthouse, drypoint, 1931, signed in pencil lower right [signed in the plate in a rectangle lower left]. Reference: McCarron 91, only state. Printed ...

Original vintage poster: Make your own Declaration of War, Buy War Bonds. Size 22" x 28:. Original 1942 World War II (WWII) American military vintage poster. Archival linen backed with the original U. S. Government poster...

This artwork titled "Cornucopia" 1987 is an original color lithograph on Aches paper by American artist Helen Rundell, b. 1935. It is hand signed and numbered 103/295 in pencil by th...

Allan Mardon, Canadian (1931 - ) - Dribble, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 28 x 21 inches, Size: 28 in. x ...

Original WW1 poster: "Be Patriotic sign your country's pledge to save the food." U. S. Food Administration. Miss Liberty calls with outstretch...

Artist: Alex Katz, American (1927 - ) Title: Night: William Dunas Dance II Year: 1983 Medium: Lithograph, signed and numbered in pencil Edition: 106/125 and there were also 17 artist...

"Learn to Make and Test the Big Guns" original vintage poster: linen backed. Grade A condition. Ordnance recruiting poster No. 2. Better yourself – Enlist and learn a Trade in the Ordnance Department U.S.A. Linen-backed, horizontal, fine condition. A rare original poster. Aberdeen Proving Ground …. Daily peacetime firing. Publisher: Washington, D.C.: Engineer Reproduction Plant, U.S. Army, 1919. OCLC: 51040606 The recruiting and training of artillery units were crucial to American victory in World War I. For the Saint-Mihiel offensive, General Pershing...

Original Windsor See Britain by Train vintage railroad poster. Linen backed in very fine condition, ready to frame. No restoration to t...

sheet vintage movie poster for the film Escape from Fort Bravo. Directed by John Sturges. With William Holden, Eleanor Parker, John Forsythe, and William Demarest. Very good condition. A western film set during the American Civil War. Original theater-issued fold marks touched up and restored during linen backing. Very fine condition with no tears, no fading, and no damage to this 70-year plus vintage poster. This is an original One Sheet Poster. It was distributed by the film studio for marketing purposes and was not available for sale. The archival linen backed protects the old movie posters...

Original “Drafted Men” W. S.S. 5 Dollars vintage poster. World War 1. Linen backed and restored. This poster is rare and doesn’t appear in the Library of ...

Le Levrier original French antique poster. Creme pour chaussures. Artist may be: E. Ambelin Printer: Baudry. Original French antique small format adve...

This artwork titled "The Sporting Good Store" c. 1985 is an original sepia etching by American artist Scott Fitzgerald. It is hand signed, titled and ...

Original linen-backed World War 1 YMCA poster. "Workers Lend Your Strength the Red Triangle, YMCA, Help the "Y" help the fighters fight, United War Work C...

This artwork titled "St Paul De Vence" c.1980 is an original lithograph on Wove paper by noted American artist Sheldon C. Schoneberg, 1926-2012. It is hand signed, titled and inscribed Artist Proof G.S. in pencil by the artist. The image size is 11.25 x 17.75 inches, sheet size is 22 x 30 inches. It is in excellent condition, has never been framed. About the artist: Born in Oak Park, Illinois; family moves to Beverly Hills; Attends El Rodeo, Beverly Hills High then Chouinard Art Institute, Los Angeles; University of Southern California, BFA cum laude. MFA, 1951; Academia di Belle Arti, Rome, 3rd Year Certificate; Universidad Michoacana, Morelia, Mexico, 1952, Graduate School - Fresco Printings. TEACHING: Santa Monica College, 1947; Hollywood Art Center School 1948; Pratt University, New York, 1950; Academic Rank of Full Professor of Art - University of New York, New Paltz, 1964 and University of Southern Maine 1967; Master Drawing Classes, Paris-American Academy of Art, Paris, France 1984-1985, Drawing, Painting and Contemporary Art History- University of New England, Biddeford, Maine 1993 - 2002. CYCLES OF WORKS IN ART: • Biblical, American Indian, Rome 1948-62, Oil Paintings • Drawings Wash and Ink, Wood and Ink, Sepia Conte and Ink, Pastels 1940-1968, California, New York, Maine • Archetypal Frescos 1948-55, Mexico, California, Israel • Goyescas, Satiric Ink and Wash Sketches, Spain and Greece 1954-1962 • Tapestries of the Zodiac 1961-1963, Spain • Para-Mandalas, Collages, Mixed-Media, Oil Paintings 1961-1967 • Flower-Children Series and Flag Series, Charcoal Pastel Drawings, California and Maine 1965-2008 • Bas-Relief polyester Resin Sculpture, Bronze Sculpture, 1966-1968 • The Centaurs Garden Suite, Centre Genevois de Grauvure Contemporaine, Geneva, Switzerland, lithographs on stone and etchings 1971 • Oil Paintings,Landscapes, Portraits, Nudes and Still Lifes, Mykonos, Greece, Spain, California, France, Mexico, Maine, British Columbia, Switzerland 1960-2008 • Barbary Coast Drawings, Full Color and Monochromatic 1967-1994 • The Apocalypse Series, Acrylic and Oil Paintings, Drawings 1973-1983 • Charcoal Pastel Drawings, California, Maine, France, Switzerland 1946-2008 • Metamorphous Series, Charcoal Pastel Collage Drawings on Museum Board 1987-2008 • Collage Series Drawings, San Francisco, Limington, New paltz, Los Angeles 1958-2008 • Poster Series, 90+ Charcoal Pastel Drawings on Museum Board 1985-2008 • Fayum Portrait Series, Charcoal-Pastel and Fauve Drawings 1992-2008 • Formal and Informal Portraits - Oil Paintings, Drawings, Models, Commissions, Compositions, Re-Creations 1942-2008 • Murals- Commissiond, Given and Inspired Oil paintings, Drawings, Acrylic Paintings, Collage Drawings 1936-2008 • Maquettes-100+ small original Charcoal Pastel Drawings for commissions 1970-2008 • The Great Masters of Art Series 1998-2008 • Flower Oil Paintings on Canvas ( Sunflowers, Hydrangas,etc) 2000-2008 EXHIBITIONS: INTERNATIONAL: COMBINED TOTAL OF 214, INCLUDING 82 ONE_MAN EXHIBITIONS. A SELECTION FOLLOWS. • Museum of Munich 1948 • Museum of Morelia, Michoacan, Mexico 1952 • Hellenic-American Union, Athens, Greece 1961 • Casa de Cultura, Malaga, Spain 1964 • Exposition Internationale d'Art de Mode, Val de Grace, Paris, France • 20th Anniversaire Paris American Academy 1985 • Gallery International Inc, St Maarten, Netherlands Antilles 1990-93 • National Museum of Mexico,D.F.1970-2008 Genesis Fresco 12'x35' • Galerie du Carlton, La Croisette, Cannes, France 1964-78 • Galerie des Champs-Elysees, Paris, France 1966-78 • Galeria "M" Copenhagan, Denmark 1967 • Galerie del Cisne, Madrid, Spain • Upper Grosvenor Galleries, London England 1966-68 • Kunsthandel Monet, Amsterdam Holland 1960-80 • Harrison Galleries, Vancouver BC Canada 1970-2008 • Guild Gallerie Calgary, Canada 1975-98 SELECTED EXHIBITIONS: USA • University of Southern California 1950 • Palos Verdes Community Galleries, CA 1955 • Cowie Galleries, Los Angeles, CA 1956 • Los Angeles Municipal Galleries, Barnsdall, CA " Art of the Mural" 1959 • Maxwell Galleries, San Francisco, CA 1962-63 • Raymond Burr Galleries Beverly Hills, CA 1961-64 • Gallery 235, Chicago,IL 1967 • Triton Museum of Art, Santa Clara CA (Retrospective 1969-2008) • Lars Laine Art Galleries, Palm Springs, CA 1969-84 • Two Squares Gallery, Denver, CA 1966-70 • Fisk University Art Museum, Nashville TN 1968 • Lewis Galleries, Omaha Nebraska 1973-2008 • Talberts Galleria Tacoma, WA 1978-2008 • Lyon Art Gallery San Francisco CA 1974-1980 • Owl 57 Galleries Woodmere NY 1979-2008 • Walt Kuhn Galleries, Cape Neddick...

Original WW1 poster: Keep this Hand of Mercy at its work. War Fund Week. One hundred Million Dollars. Original WW1 lithograph, archival line...

This artwork titled "Sea Garden" is a color offset lithograph on thick glossy paper by American artist Leonard Bencken, 1933-2010. It is hand signed and num...

Allan Mardon, Canadian (1931 - ) - NBA (Sonics), Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 950, Size: 26 x 23 in. (66.04 x 58.42 cm)

Harry Schaare, American (1922 - 2008) - Track, Year: circa 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 300, AP 50, Image Size: 19 x 27 inches, Size: 26 in...

Original David Copperfield vintage movie poster. One half sheet. Metro – Goldwyn –Mayer. DAVID COPPERFIELD 1962 Original U.S. Half Sheet horizontal Movie Poster. NSS: R-62/207. Fine condition. The first release of this movie David Copperfield was in 1935. Starring: W. C. Fields, Lionel Barrymore...

JOHN STOCKTON DE MARTELLY (American 1903 - 1980) THE EVANGELIST, 1941 (Zink 19) Lithograph, signed, dated and numbered 80/100 in pencil below image. Signature and date in lighter pencil. Image. Very Good Condition. image, 13 1/2 x 9 3/4". Full sheet with deckle edges, 16 x 11 3/4". The Evangelist apparently represents de Martelly's New Hampshire neighbor Lizzy Osgood. De Martelly worked in an American Regionalist Style, often depicting his New Hampshire neighbors. He was associated with Thomas Hart Benton at the Kansas City Art Institute. Most of de Martelly's regionalist prints were published by Associated American Artists in editions of 250. This lithograph is scarcer in an edition of only 100. He became an art professor at Michigan State University. After the 1940's de Martelly abandoned his Regionalist style for abstraction. Roger Genser...

Holiday in Camp -- Soldiers Playing "Foot-Ball" Wood engraving, 1865 After Winslow Homer Unsigned (Signed in text in title caption, see photo) Published in Harper's Weekly July 15, 1...

Original vintage poster: Help the Greatest Mother in the World, The War Chest. Archivally linen backed. Very clean. Artist: Alonzo Earl Foringer. Lithograph, circa 1917-1918. Excellent condition. Note that this image was printed also with a red cross on it as a variation. Loosely based on Michelangelo's "Pieta," the image in this poster depicts a monumental Red Cross nurse...

Artist: Norman Rockwell (1894-1978) Title: Four Ages of Love: Autumn Year: circa 1985 Medium: Offset lithograph on wove paper Edition: A.P. aside from the edition of 350, plus proofs...

This artwork "Still Life with Silver Vase" 1991 is a large original color serigraph by artist Audean Johnson. It is hand signed and numbered 195/275 in ...

John Sloan (1871-1951), Subway Stairs, etching, 1926, signed, titled and inscribed “working proof 1;” also with the notation “JS imp” in pencil bottom margin [with the name and date ...

This artwork "The Couple" 1981 is an original color etching with aquatint on Wove paper by noted American artist Alan Feltus, b.1943. It is hand signed and numbered 40/60 in pencil by the artist. With the blind stamp of the publisher, Editions Press, San Francisco. The image size is 17 x 23 inches, sheet size is 20.5 x 26 inches. It is in excellent condition, has never been framed. it has a small light skinned area on the back due to a sticker removal, absolutely not visible from the front. About the artist: Alan Feltus was born in Washington, D.C. in 1943 and grew up in Manhattan. He studied for one year at the Tyler School of Fine Arts in Philadelphia, and then Cooper Union in New York (B.F.A. 1966), and Yale University (M.F.A. 1968). He has received many awards for his work that include the Rome Prize Fellowship, a National Endowment for the Arts Individual Grant in Painting, a Louis Comfort Tiffany Foundation Grant in Painting, two Pollock Krasner Foundation Grants in Painting, the Augustus Saint-Gaudens Award from Cooper Union, and the Raymond P...

This artwork "Three Dancers" 1980 is an original color lithograph on Arches paper by noted American artist Alan Feltus, b.1943. It is hand signed and numbered 32/60 in pencil by the artist. With the blind stamp of the publisher, Editions Press, San Francisco. The image size is 18.5 x 24.5 inches, sheet size is 22.5 x 30 inches, framed size is 33.5 x 39.75 inches. Custom framed in a wooden silver frame, with off white matting and silver color spacer. It is in excellent condition About the artist: Alan Feltus was born in Washington, D.C. in 1943 and grew up in Manhattan. He studied for one year at the Tyler School of Fine Arts in Philadelphia, and then Cooper Union in New York (B.F.A. 1966), and Yale University (M.F.A. 1968). He has received many awards for his work that include the Rome Prize Fellowship, a National Endowment for the Arts Individual Grant in Painting, a Louis Comfort Tiffany Foundation Grant in Painting, two Pollock Krasner Foundation Grants in Painting, the Augustus Saint-Gaudens Award from Cooper Union, and the Raymond P...

The British Evacuate Boston - 1932 Etching on Paper by Allen Lewis. From the portfolio "The Bicentennial Pageant of George Washington." In this piece George Washington is front and ...

Artist: Alan Feltus– American (1943- ) Title: Dancer at Rest Year: 1981 Medium: Color Lithograph Sight size: 30 x 22 inches. Sheet size: 30 x 22 inches Framed size: 37 x 29 inches Publisher: Editions Press. Blindstamp lower right Printer: Editions Press. Printed on Arches paper Signature: Signed lower right Edition: 30 plus proofs. This one numbered 7/30 Condition: Good This contemporary realist lithograph is by Alan Evan Feltus (1943-). The lithograph was printed and published in 1981 by Editions press in an edition of 30. It is printed on Arches paper. It is signed and dated in the lower right and numbered 7/30 in the lower left, both in pencil. It is in a very nice modern wood frame, fully floating on a linen mat and covered with and Plexiglas. The print and mat are in good condition. The frame is in fair to good condition with normal wear. The Plexiglas has some faint scratches. About the artist: Alan Feltus was born in Washington, D.C. in 1943 and grew up in Manhattan. He studied for one year at the Tyler School of Fine Arts in Philadelphia, and then Cooper Union in New York (B.F.A. 1966), and Yale University (M.F.A. 1968). He has received many awards for his work that include the Rome Prize Fellowship, a National Endowment for the Arts Individual Grant in Painting, a Louis Comfort Tiffany Foundation Grant in Painting, two Pollock Krasner Foundation Grants in Painting, the Augustus Saint-Gaudens Award from Cooper Union, and the Raymond P...

This artwork titled "Dockside" 1950, is an original lithograph on paper by noted naval American artist Gordon Hope Grant, 1875-1962. It is hand signed in pencil by the artist. The a...

This artwork titled "The Horsemen" 1935, is an original lithograph on paper by noted American artist William Gropper, 1897-1977. It is hand signed in pencil by the artist. The artwork (image) size is 9.5 x 12.75 inches, framed size is 17.5 x 20.40 inches. Published by Associated American Artists, New York, printed by George Miller. Referenced and pictured in the artist catalogue raisonne by Steinberg, page 246 and Windisch and Cole, plate #602. Custom framed in a black metal frame, with off white matting. It is in excellent condition, the frame have very minor scratches. An example of this particular artwork is held at the Metropolitan Museum of Art, New York. and at the Portland Museum, Portland. About the artist: William Gropper was born in New York City's Lower East Side in 1897. He was the first of six children to parents who earned small wages working in sweatshops. At the age of fourteen, Gropper left school to help support his family. While carrying bolts of cloth for his deliveries, Gropper began to draw on scraps of paper, sidewalks, and walls. A passerby saw some of these drawings and invited Gropper to attend a life-drawing class at the Ferrer School. He studied there for three years from 1912 to 1915, attending classes taught by Robert Henri and George Bellows. From 1915 to 1918 Gropper attended the New York School of Fine and Applied Art part-time on scholarship. Gropper also won a scholarship to the National Academy of Design, but remained as a student for only a short time; the rigid and systematic institution conflicted with Gropper's belief in the personal nature of art. At the New York School of Fine and Applied Art, Gropper earned several prizes. One of these prizes was for his cartoons, which led him to be hired by the New York Tribune in 1917 to sketch for their features. A few years later through freelance work, his cartoons and drawings appeared in other newspapers and magazines, such as The Liberator, The New Masses, The New York Post, The New Yorker and Vanity Fair. By the late 1920s Gropper was an established cartoonist and draughtsman. He sympathized with the labor movement and was a champion of peace and personal liberty. Gropper began to paint seriously, but privately, on these themes in 1921. Gropper's first exhibition of monotypes was held in 1921 at the Washington Square Book Shop in New York. At this time, he also began to do illustrations for books. Gropper took his first sketching trip in 1924 to the West with Morris Pass. By 1930 Gropper began to receive recognition as a fine artist. In 1934, he received two mural commissions from the Schenley Corporation in New York City. In 1935, he was commissioned to paint a mural for the Hotel Taft in New York City. In 1936, Gropper received several public mural commissions: one was for the Freeport, Long Island Post Office, which was completed in 1938 and followed by another mural for the Northwestern Postal Station, Detroit, Michigan. In his first gallery exhibition in 1936 at ACA Galleries, Gropper's work was so well received by critics, collectors, and artists that the following year he had two one-man exhibitions at ACA Galleries. In 1937, Gropper traveled west on a Guggenheim Fellowship and visited the Dust Bowl and the Hoover and Grand Coulee Dams, sketching studies for a series of paintings and a mural he painted for the Department of the Interior in Washington, DC. That same year he had paintings purchased by both the Metropolitan Museum of Art and the Museum of Modern Art. Gropper exhibited at the 1939 New York World's Fair, Whitney Museum of American Art (1924-55), Art Institute of Chicago (1935-49), Carnegie International (1937-50), Pennsylvania Academy of the Fine Arts (1939-48), and National Academy of Design (1945-48). He was a founder of the Artists Equity Association and member of the National Institute of Arts and Letters. From 1940 to 1945 William Gropper was preoccupied with anti-Nazi cartoons...

This artwork titled "Scotts Antiques" c. 1985 is an original sepia etching by American artist Scott Fitzgerald. It is hand signed, titled and numbered...

This artwork "Still Life #2" 1989 is an original color lithograph by American artist Audean Johnson. It is hand signed and numbered 207/275 in pencil by...

This artwork titled "String of Pearls" 1988 is an original color serigraph by noted American artist Robert (Bob) Peak, 1927-1992. It is hand signed an...

Brush and black and gray inks and wash on cream wove paper. Signed by the artist in pencil, lower center. Titled in pencil, lower right. Inscribed with the artist's name and addre...

This artwork titled "Liberated Village" c. 1940, is an original lithograph on paper by noted American artist William Gropper, 1897-1977. It is hans signed and titled in pencil by the artist. The artwork (image) size is 12 x 16.5 inches, framed size is 20.25 x 24.25 inches. Custom framed in a black metal frame, with off white matting. It is in excellent condition. An example of this particular artwork is held at the Metropolitan Museum of Art, New York. About the artist: William Gropper was born in New York City's Lower East Side in 1897. He was the first of six children to parents who earned small wages working in sweatshops. At the age of fourteen, Gropper left school to help support his family. While carrying bolts of cloth for his deliveries, Gropper began to draw on scraps of paper, sidewalks, and walls. A passerby saw some of these drawings and invited Gropper to attend a life-drawing class at the Ferrer School. He studied there for three years from 1912 to 1915, attending classes taught by Robert Henri and George Bellows. From 1915 to 1918 Gropper attended the New York School of Fine and Applied Art part-time on scholarship. Gropper also won a scholarship to the National Academy of Design, but remained as a student for only a short time; the rigid and systematic institution conflicted with Gropper's belief in the personal nature of art. At the New York School of Fine and Applied Art, Gropper earned several prizes. One of these prizes was for his cartoons, which led him to be hired by the New York Tribune in 1917 to sketch for their features. A few years later through freelance work, his cartoons and drawings appeared in other newspapers and magazines, such as The Liberator, The New Masses...

This artwork titled "Soaking Up" c.1970 is an original lithograph on Wove paper by noted western artist Tom (Thomas) Ryan, 1922-2011. It is hand signed, titled and numbered 68/100 in pencil by the artist. The artwork (image) size is 12.25 x 17.35 inches, sheet size is 17.5 x 21.65 inches. It is in excellent condition About the artist: Tom Ryan was born Jan. 12, 1922, in Springfield, Ill., to William Martin Ryan — whose family immigrated to Illinois from Ireland in the 1880s — and Sarah Helen Behrens, whose ancestry predates the Revolutionary War. They had nine children — six boys and three girls. He began drawing before he went to school. "I was 4 years old and drawing airplanes, and an older brother was helping me," Ryan told the Reporter-Telegram in a 2002 interview at the Haley Library's going away party held in his honor. "Those were my first art lessons." He did not decide to be an artist until after his service in World War II. While in the U.S. Navy during the war, he "made quite a bit of money" drawing portraits of his shipmates and other servicemen. After being discharged in 1945, he picked up a Life magazine that carried an article about N.C. Wyeth. "I read the article, and I liked what I read, and I loved the pictures reproduced from his paintings in the article," Ryan said in 2002. "I decided then and there to be an artist." Following his graduation from the American Academy of Art, an education made possible through the GI Bill, he returned to Springfield where he married Jacqueline "Jacquie" Harvey, daughter of a local doctor. She died in 1998. The Ryans moved to New York City where he continued his studies at the Art Students League. During his second year at the Art Students League, he won a contest. His winning painting became the cover for Western writer Ernest Haycox's novel The Outlaw. "Every month after that I also received an assignment from this publisher, and they would be Western novels," Ryan said in 2002. "So that's what I did for the next six or seven years. Then I started exhibiting at the Latendorf Gallery on Madison Avenue. What I sold mainly were the book covers. They would be published and I would get paid by the publisher, and I'd take them to the gallery, and I'd get paid again." Ryan began making trips west in the late 1950s. He would stay three or four months painting, sketching and photographing scenes he'd need later. At that time, his works centered around historical events and places. "I particularly liked to do some of the trail drive things that I did, like the old longhorns," Ryan said in 2002. In the early 1960s, a work by Norman Rockwell and one by Ryan appeared in the same catalog. Rockwell, who was doing the Boy Scouts calendars for Brown and Bigelow, the premiere calendar publishing company in the United States, told the calendar company about Ryan. "The art director gave me a call and asked if I'd like to do a contemporary cowboy...

This artwork titled "Ride Em Vaquero" c.1980 is an original color lithograph on wove paper by American artist Vic Herman, 1919-1999. It is hand signed and numbered 73/300 in pencil by the artist. The image size is 8.5 x 22 inches, sheet size is 21.5 x 28 inches. It is in excellent condition, has never been framed. About the artist: Vic Herman was born in Fall River, Massachusetts. When Herman was one-year-old his father, who played in the famous Paul Whiteman band, moved the family to Los Angeles where they settled in the Mexican district of the city where young Vic grew up. He attended classes, through junior high school, in all Mexican-American schools, learned to speak Spanish, and grew to love his Mexican-American neighbors and their culture. Says Herman, "If the many peoples of Mexico, when seeing my exhibitions, accept my paintings as authentic in telling the story of their daily lives, and if the peoples of the United States understand the dignity, culture and arts of the Mexican peoples, They refer to him affectionately as "Papa Victorio. Having chosen his subject, Herman next proceeds to capture his or her likeness with a careful pencil drawing-with or without the subject's knowledge. brought home in this manner. A remarkable feature of Herman's method is his interpretation of mixed media. For Herman this means combining any number of different media such as oil, watercolor, casein, acrylic, tempera, pencil, pastel or India ink; once he used as many as eight. In 1969, during the bicentennial celebration of the founding of San Diego, Herman was awarded a Medallion of Honor for his part in furthering good relations between Mexico and the United States. Recently, he has been proposed as a candidate for the Order of the Aztec Eagle, the highest honor Mexico can grant to a foreigner for promoting better cultural relations between Mexico and his country, Mexico SELECTED ONE-MAN EXHIBITIONS California Museum of Science and Industry, Los Angeles Lincoln Center Gallery of Fine Arts, New York United States Embassy Gallery, Mexico City Westchester County Art Center, New York David E. Field Gallery, New York Palace of Fine Arts, Mexico City Galeria of Contemporary Arts, Beverly Hills Spanish Monastery Gallery, Miami World's Fair Spanish Pavilion Gallery, St. Louis Chicago Press Club Gallery, 1973 & 1976 Civic Center Gallery, San Diego Mexican Consulate General Gallery, Phoenix Gimbels Department Store Gallery James Aldrich Gallery, Houston, Texas Thackery Gallery, San Diego Foreign Correspondent Gallery, Mexico City 1965 & 1967 La Jolla Art Association Gallery, La Jolla, California Municipal Gallery, Veracruz, Mexico Lawrence W. Hellman Gallery, Indianapolis, Indiana Galeria Misrachi, Mexico City San Diego Art Institute Gallery, San Diego Galeria Instituto de ARtes, Guadalajara, Jalisco, Mexico Bullocks Department Store Gallery, Sherman Oaks, California Municipal Gallery, Monterrey, Mexico Municipal Gallery, Zacatecas, Mexico Famous Baar Gallery, St. Louis United States Consulate General Gallery, Tijuana, Mexico May Company Department Store Galleries Art Students League, New York California Expo. Gallery, Del Mar, California Galeria Instituto Morelia, Michoacan, Mexico United States Information Service Gallery, Hermosillo, Sonora, Mexico University of Sonora Gallery, Hermosillo, Sonora, Mexico Mexican Consul General Gallery, Boston Mexican Consul General Gallery, Los Angeles Mexican Consul General Gallery, New York Theodore Greene Gallery, New Rochelle, New York Miami City Convention Center Gallery, Miami, Florida Cheremoya Arts Council Gallery, Hollywood, California Arizona State University Gallery, Tempe, Arizona Balboa Fine Arts Gallery, San Diego, California SELECTED IMPORTANT COLLECTIONS 'The Vic Herman Collection' '-Syracuse University, Syracuse, New York Franklin Delano Roosevelt Memorial Library, Hyde Park, New York General & Mrs. Omar Bradley-Beverly Hills, California The Estate of the late Rube Goldberg-New York City Senator & Mrs. George Murphy-Beverly Hills, California Mr. & Mrs. Fred Waring-Shawnee-on-Delaware, Pennsylvania Dr. & Mrs. Eugenio V. Pesqueira (Mexican Consul General-NYC) The Estate of the late Mayor of New York, Fiorello LaGuardia...

This artwork "Racoon" c.1990 is an offset lithograph by noted animals wildlife artist Jacquie Marie Vaux. It is hand signed and numbered 230/750 in ...

Mel Hunter, American (1927 - 2004) - US Open Golf Tournament, Year: 1977, Medium: Lithograph, signed and numbered in pencil, Edition: 600, Size: 19 x 22 in. (48.26 x 55.88 cm)

This artwork titled "Iris at Dusk" 1980 is an original color woodblock print with embossing by American artist Daniel Joshua Goldstein, b.1950....