Post-Impressionist Figurative Prints
POSTIMPRESSIONIST STYLE
In the revolutionary wake of Impressionism, artists like Vincent van Gogh, Georges Seurat, Paul Cézanne and Paul Gauguin advanced the style further while firmly rejecting its limitations. Although the artists now associated with Postimpressionist art did not work as part of a group, they collectively employed an approach to expressing moments in time that was even more abstract than that of the Impressionists, and they shared an interest in moving away from naturalistic depictions to more subjective uses of vivid colors and light in their paintings.
The eighth and final Impressionist exhibition was held in Paris in 1886, and Postimpressionism — also spelled Post-Impressionism — is usually dated between then and 1905. The term “Postimpressionism” was coined by British curator and art critic Roger Fry in 1910 at the “Manet and the Postimpressionists” exhibition in London that connected their practices to the pioneering modernist art of Édouard Manet. Many Postimpressionist artists — most of whom lived in France — utilized thickly applied, vibrant pigments that emphasized the brushstrokes on the canvas.
The Postimpressionist movement’s iconic works of art include van Gogh’s The Starry Night (1889) and Seurat’s A Sunday on La Grande Jatte (1884). Seurat’s approach reflected the experimental spirit of Postimpressionism, as he used Pointillist dots of color that were mixed by the eye of the viewer rather than the hand of the artist. Van Gogh, meanwhile, often based his paintings on observation, yet instilled them with an emotional and personal perspective in which colors and forms did not mirror reality. Alongside Mary Cassatt, Cézanne, Henri Matisse and Gauguin, the Dutch painter was a pupil of Camille Pissarro, the groundbreaking Impressionist artist who boldly organized the first independent painting exhibitions in late-19th-century Paris.
The boundary-expanding work of the Postimpressionist painters, which focused on real-life subject matter and featured a prioritization of geometric forms, would inspire the Nabis, German Expressionism, Cubism and other modern art movements to continue to explore abstraction and challenge expectations for art.
Find a collection of original Postimpressionist paintings, mixed media, prints and other art on 1stDibs.
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Style: Post-Impressionist
Reine de Joie - Litho After H. de Toulouse-Lautrec
Located in Roma, IT
Image dimensions: 28.3 x 20 cm.
Reine de Joie is a chromolithographed poster, signed on plate on the lower left margin by the French bohemian artist Hen...
Category
1950s Post-Impressionist Figurative Prints
Materials
Lithograph
Gauguin, Be in Love and You will be Happy, Gauguin (after)
By Paul Gauguin
Located in Southampton, NY
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
1940s Post-Impressionist Figurative Prints
Materials
Woodcut
$716 Sale Price
20% Off
Lady in Saloon - Original Lithograph by Luc-Albert Moreau - Early 20th Century
Located in Roma, IT
Lady in Saloon is an Original Lithograph on ivory-colored paper realized by Luc Albert Moreau.
The artwork is in good condition.
Hand-signed on the lower.
Luc-Albert Moreau (1882...
Category
Early 20th Century Post-Impressionist Figurative Prints
Materials
Lithograph
The War - Lithograph - 300ex
Located in Paris, IDF
Henri ROUSSEAU (called Le Douanier ROUSSEAU) (after)
The War
Stone lithograph after a painting
Printed signature in the plate
Numbered /300 copies
O...
Category
1970s Post-Impressionist Figurative Prints
Materials
Lithograph
Tribute to Renoir : Dancing at Moulin de la Galette - Lithograph, 1972
Located in Paris, IDF
Kees VAN DONGEN (after)
Montmartre : Dancing in Moulin de la Galette
Color lithograph after a painting
Printed signature in the plate
On Arches Vellum 50 x 65 cm (c. 20 x 26 inch)
...
Category
1970s Post-Impressionist Figurative Prints
Materials
Lithograph
Henri de Toulouse-Lautrec, Two Portraits of Women, Derriere le Miroir (after)
Located in Southampton, NY
This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Deux portraits de femmes, medaillons pour la decoration du salon du bordel de la rue d'Amboise, Paris (T...
Category
1960s Post-Impressionist Figurative Prints
Materials
Lithograph
$716 Sale Price
20% Off
Marquet, Composition, Présence de Marquet (after)
Located in Southampton, NY
Lithograph on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the volume, Présence de Marquet, 1962. Pu...
Category
1960s Post-Impressionist Figurative Prints
Materials
Lithograph
$716 Sale Price
44% Off
Vuillard, La Vague, Douze pastels (after)
Located in Southampton, NY
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category
1960s Post-Impressionist Figurative Prints
Materials
Lithograph, Stencil
$1,996 Sale Price
20% Off
Vuillard, Une Galerie au Gymnase, L
œuvre gravé de Vuillard (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage paper
Year: 1948
Paper Size: 12.375 x 9.5 inches; image size: 11.81 x 9.05 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From...
Category
1940s Post-Impressionist Figurative Prints
Materials
Lithograph
$716 Sale Price
20% Off
The Teacher - Original Lithograph by Pierre Bonnard - 1930
Located in Roma, IT
Monogram of the artist on plate.
This lithograph is from the collection "The Life of Saint Monique", published by Vollard in 1930.
Passepartout included : 53 x 37 cm
This artwork is...
Category
1930s Post-Impressionist Figurative Prints
Materials
Lithograph
Le Sommeil
Located in Columbia, MO
HENRI DE TOULOUSE-LAUTREC
Le Sommeil
1948
Lithograph on paper
Ed. 166/740
20.5 x 14 inches
Category
19th Century Post-Impressionist Figurative Prints
Materials
Lithograph
Marinot, Intérieur, Fauves, Collection Pierre Lévy (after)
Located in Fairfield, CT
Medium: Lithograph on vélin d'Arches paper
Year: 1972
Paper Size: 26 x 20 inches
Inscription: Signed in the plate and unnumbered, as issued
Notes: From the folio, Fauves, VII, Collec...
Category
1970s Post-Impressionist Figurative Prints
Materials
Lithograph
$1,036 Sale Price
20% Off
A La Maniere de Gauguin - Post Impressionist Lithograph by David Stein
Located in Long Island City, NY
Infamous art forger David Stein was implicated multiple times for selling faked works of art by renowned artists. In his later years, in order to avoid further lawsuits, he began tit...
Category
1970s Post-Impressionist Figurative Prints
Materials
Lithograph
La Revue Blanche - Lithograph After P. Bonnard - 1951
Located in Roma, IT
Image dimensions: 28 x 21.5 cm.
La Revue Blanche is a wonderful chromolithograph, signed in pencil on the lower right margin by Pierre Bonnard.
Sign...
Category
1950s Post-Impressionist Figurative Prints
Materials
Lithograph
Gauguin, The Creation of the Universe (L
Univers est créé), Gauguin (after)
By Paul Gauguin
Located in Southampton, NY
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
1940s Post-Impressionist Figurative Prints
Materials
Woodcut
$716 Sale Price
20% Off
"Some Town without a Name" - Signed Screen Print
Located in Soquel, CA
"Some Town without a Name" - Signed Screen Print Exhibition Poster
Screen Print titled "Some Town without a Name" by Masuo Ikeda (Japanese, 1934-1997). A black headshot is seen with blue ink by the mouth and enclosed in a blue rectangle. "Masuo Ikeda" can be seen printed up top, with a list of Ten Lithographs under.
Signed in pencil "Masuo Ikeda" lower right and numbered "XXXlll" middle
Presented in a white mat.
Mat: 36"H x 28"W
Paper: 26"H x 21"W
Image: 25 1/2"H x 19 1/2"W
Masuo Ikeda (Japanese, 1934 - 1997) was born in 1934. Masuo Ikeda is well known a Japanese painter, printmaker, illustrator, sculptor, ceramist, novelist, and film director. He started winning prize after prize in the 1960s: the Governor of Tokyo's Prize (1962), the Tokyo Museum of Modern Art Prize (1964). In 1961 he had established himself as a printmaker by winning the Grand Prize for Printmaking at the Tokyo International Biennale of Art, but it was in foreign parts that he achieved his greatest triumphs: in 1961 the Prix d'Excellence at the Young Artists' International Biennale in Paris; in 1965 the Grand Prix at the International Print-making Biennale in Ljubljana; in 1966, the First Prize at the International Engraving Biennale in Cracow, and first prizes at the Biennales of Vienna and Venice, where he was only the second Japanese to win in this category, after Munakata Shiko in 1956. He was the first Japanese to have a one-man show at the New York Museum of Modern Art (1965). He was always on the move and spent two years in New York (1965-66), then settled for a year in Berlin (1967). Ikeda was producing prints in his studio in New York from 1969, he returned to Japan in 1980 and was based there from then on, and extended his brilliant talent beyond printmaking. In 1977, he won the 77th Akutagawa Prize (the most prestigious literary award in Japan) for his novel, Offering in the Aegean, and directed the film adaptation of the same title in 1979. His vigorous artistic activity even extended to the production of ceramic works from around 1983 onward. The Ikeda Masuo...
Category
1960s Post-Impressionist Figurative Prints
Materials
Screen, Laid Paper
Jean-Edouard Vuillard, Intimacy, from Derriere le Miroir, 1966 (after)
Located in Southampton, NY
This exquisite lithograph after Jean-Edouard Vuillard (1868–1940), titled Intimite (Intimacy), originates from the 1966 folio Derriere le Miroir, No. 158–159, published by Maeght Edi...
Category
1960s Post-Impressionist Figurative Prints
Materials
Lithograph
$716 Sale Price
20% Off
Gauguin, The Long Night (Te Po), Gauguin (after)
By Paul Gauguin
Located in Southampton, NY
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
1940s Post-Impressionist Figurative Prints
Materials
Woodcut
$716 Sale Price
20% Off
Marcelle - Lithograph after H. de Toulouse-Lautrec - Mid 20th Century
Located in Roma, IT
Marcelle is a modern artwork realized in the mid-20th century.
Mixed colored lithograph after H. de Toulouse-Lautrec.
The artwork is a reproduction of the original painting realize...
Category
Mid-20th Century Post-Impressionist Figurative Prints
Materials
Paper, Lithograph
Toulouse-Lautrec, Composition, Femmes De Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on vélin paper
Year: 1954
Paper Size: 13.5 x 9.5 inches
Inscription: Signed in the plate and unnumbered, as issued
Notes: From the folio, Femmes de Lau...
Category
1950s Post-Impressionist Figurative Prints
Materials
Lithograph
$716 Sale Price
20% Off
Sa Majesté la Famine - Original Lithograph by Maximilien Luce - 1898
Located in Roma, IT
Sa Majesté la famine is a beautiful black and white lithograph realized in 1898 by the French artist, Maximilien Luce.
Signed and dated on plate on lower right margin "Luce 1898". T...
Category
1890s Post-Impressionist Figurative Prints
Materials
Lithograph
Vuillard, Les Sapins, Douze pastels (after)
Located in Southampton, NY
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category
1960s Post-Impressionist Figurative Prints
Materials
Lithograph, Stencil
$1,996 Sale Price
20% Off
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Figurative Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Figurative Prints
Materials
Woodcut
"King Pin" Pointillist Lithograph in Ink on Paper
Located in Soquel, CA
"King Pin" Pointillist Lithograph in Ink on Paper
Detailed lithograph of a king on a bench by E.B. Rothewell (American, 1926-2011). A stylized portrait of a king, seated on a large bench. He is looking upwards, with a somewhat dejected expression, hands near his mouth. This piece is completely made from small dots (stippling) giving the subject the feel of a fantasy illustration...
Category
Late 20th Century Post-Impressionist Figurative Prints
Materials
Paper, Ink, Lithograph
Toulouse-Lautrec, Composition, TLautrec (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on vélin paper
Year: 1946
Paper Size: 17 x 13 inches
Inscription: Signed in the plate and unnumbered, as issued
Notes: From the folio, TLautrec, 1946. ...
Category
1940s Post-Impressionist Figurative Prints
Materials
Lithograph
$716 Sale Price
20% Off
Signac, L
Hôtel du Nord, Signac Dessins (after)
By Paul Signac
Located in Fairfield, CT
Medium: Lithograph on vélin de Lana paper
Year: 1950
Paper Size: 9.75 x 12.5 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From the album, Signac Dessins, 1950. Publi...
Category
1950s Post-Impressionist Figurative Prints
Materials
Lithograph
$716 Sale Price
20% Off
Vuillard, Sur le Pont de l´Europe, L
œuvre gravé de Vuillard (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage paper
Year: 1948
Paper Size: 9.5 x 12.375 inches; image size: 9.05 x 11.81 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From...
Category
1940s Post-Impressionist Figurative Prints
Materials
Lithograph
$716 Sale Price
20% Off
Toulouse-Lautrec, Composition, Femmes De Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on vélin paper
Year: 1954
Paper Size: 13.5 x 9.5 inches
Inscription: Signed in the plate and unnumbered, as issued
Notes: From the folio, Femmes de Lau...
Category
1950s Post-Impressionist Figurative Prints
Materials
Lithograph
$716 Sale Price
20% Off
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Figurative Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Figurative Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Figurative Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Figurative Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Figurative Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Figurative Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Figurative Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Figurative Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Figurative Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Figurative Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Figurative Prints
Materials
Woodcut
Othon Friesz, Paysage à La Ciotat, Fauves, Collection Pierre Lévy (after)
Located in Fairfield, CT
Medium: Lithograph on vélin d'Arches paper
Year: 1972
Paper Size: 20 x 26 inches
Inscription: Signed in the plate and unnumbered, as issued
Notes: From the folio, Fauves, VII, Collec...
Category
1970s Post-Impressionist Figurative Prints
Materials
Lithograph
$1,036 Sale Price
20% Off
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Figurative Prints
Materials
Woodcut
Vuillard, La Partie de dames, L
œuvre gravé de Vuillard (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage paper
Year: 1948
Paper Size: 12.375 x 9.5 inches; image size: 11.81 x 9.05 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From...
Category
1940s Post-Impressionist Figurative Prints
Materials
Lithograph
$716 Sale Price
20% Off
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Figurative Prints
Materials
Woodcut
Henri de Toulouse-Lautrec, Anna Held and All Those Ladies at the Theatre (after)
Located in Southampton, NY
This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Anna Held en Toutes ces Dames au Theatre (Anna Held and All Those Ladies at the Theatre), originates fro...
Category
1960s Post-Impressionist Figurative Prints
Materials
Lithograph
$716 Sale Price
20% Off
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Figurative Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Figurative Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Figurative Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Figurative Prints
Materials
Woodcut
Gauguin, Here We Make Love (Te Faruru), Gauguin (after)
By Paul Gauguin
Located in Southampton, NY
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-19...
Category
1940s Post-Impressionist Figurative Prints
Materials
Woodcut
$716 Sale Price
20% Off
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Figurative Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Figurative Prints
Materials
Woodcut
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Figurative Prints
Materials
Woodcut
Toulouse-Lautrec, Composition, TLautrec (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on vélin paper
Year: 1946
Paper Size: 17 x 13 inches
Inscription: Signed in the plate and unnumbered, as issued
Notes: From the folio, TLautrec, 1946. ...
Category
1940s Post-Impressionist Figurative Prints
Materials
Lithograph
$716 Sale Price
20% Off
"Les Fausses Confidences" Large original color lithograph
Located in San Francisco, CA
This art work titled "Les Fausses Confidences" 1988 is an original color lithograph on wove paper by French artist, Jean Pierre Cassigneul, born 1935. It is hand signed and inscribe...
Category
Late 20th Century Post-Impressionist Figurative Prints
Materials
Lithograph
Toulouse-Lautrec, Composition, Les Affiches De Toulouse-Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Filigrané a sa marque paper
Year: 1950
Paper Size: 12.5 x 9.75 inches; image size: 9.05 x 6.3 inches
Inscription: Signed in the plate and unnumbered...
Category
1950s Post-Impressionist Figurative Prints
Materials
Lithograph
$716 Sale Price
20% Off
Toulouse-Lautrec, Composition, Les Affiches De Toulouse-Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Filigrané a sa marque paper
Year: 1950
Paper Size: 12.5 x 9.75 inches; image size: 9.05 x 6.3 inches
Inscription: Signed in the plate and unnumbered...
Category
1950s Post-Impressionist Figurative Prints
Materials
Lithograph
$716 Sale Price
20% Off
Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category
1920s Post-Impressionist Figurative Prints
Materials
Woodcut
Gauguin, Change of Residence (Changement de résidence), Gauguin (after)
By Paul Gauguin
Located in Southampton, NY
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
1940s Post-Impressionist Figurative Prints
Materials
Woodcut
$716 Sale Price
20% Off
Toulouse-Lautrec, Composition, Les Affiches De Toulouse-Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Filigrané a sa marque paper
Year: 1950
Paper Size: 12.5 x 9.75 inches; image size: 10.24 x 7.48 inches
Inscription: Unsigned and unnumbered, as issu...
Category
1950s Post-Impressionist Figurative Prints
Materials
Lithograph
$716 Sale Price
20% Off
Post-impressionist figurative prints for sale on 1stDibs.
Find a wide variety of authentic Post-Impressionist figurative prints available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add figurative prints created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue, green and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Luc-Albert Moreau, Pierre Bonnard, (after) Henri Matisse, and Henri Matisse. Frequently made by artists working with Lithograph, and Etching and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Post-Impressionist figurative prints, so small editions measuring 3.94 inches across are also available. Prices for figurative prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $99 and tops out at $250,000, while the average work sells for $891.
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