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Post-Impressionist Figurative Prints

POSTIMPRESSIONIST STYLE

In the revolutionary wake of Impressionism, artists like Vincent van Gogh, Georges Seurat, Paul Cézanne and Paul Gauguin advanced the style further while firmly rejecting its limitations. Although the artists now associated with Postimpressionist art did not work as part of a group, they collectively employed an approach to expressing moments in time that was even more abstract than that of the Impressionists, and they shared an interest in moving away from naturalistic depictions to more subjective uses of vivid colors and light in their paintings.

The eighth and final Impressionist exhibition was held in Paris in 1886, and Postimpressionism — also spelled Post-Impressionism — is usually dated between then and 1905. The term “Postimpressionism” was coined by British curator and art critic Roger Fry in 1910 at the “Manet and the Postimpressionists” exhibition in London that connected their practices to the pioneering modernist art of Édouard Manet. Many Postimpressionist artists — most of whom lived in France — utilized thickly applied, vibrant pigments that emphasized the brushstrokes on the canvas.

The Postimpressionist movement’s iconic works of art include van Gogh’s The Starry Night (1889) and Seurat’s A Sunday on La Grande Jatte (1884). Seurat’s approach reflected the experimental spirit of Postimpressionism, as he used Pointillist dots of color that were mixed by the eye of the viewer rather than the hand of the artist. Van Gogh, meanwhile, often based his paintings on observation, yet instilled them with an emotional and personal perspective in which colors and forms did not mirror reality. Alongside Mary Cassatt, Cézanne, Henri Matisse and Gauguin, the Dutch painter was a pupil of Camille Pissarro, the groundbreaking Impressionist artist who boldly organized the first independent painting exhibitions in late-19th-century Paris.

The boundary-expanding work of the Postimpressionist painters, which focused on real-life subject matter and featured a prioritization of geometric forms, would inspire the Nabis, German Expressionism, Cubism and other modern art movements to continue to explore abstraction and challenge expectations for art.

Find a collection of original Postimpressionist paintings, mixed media, prints and other art on 1stDibs.

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Style: Post-Impressionist
Toulouse-Lautrec, Composition, Les Affiches De Toulouse-Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Filigrané a sa marque paper Year: 1950 Paper Size: 9.75 x 12.5 inches; image size: 8.27 x 10.63 inches Inscription: Signed in the plate and unnumber...
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph, Stencil

Signac, Pont des Arts, Signac Dessins (after)
Located in Fairfield, CT
Medium: Lithograph on vélin de Lana paper Year: 1950 Paper Size: 9.75 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the album, Signac Dessins, 1950. Publi...
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Henri de Toulouse-Lautrec, At the Circus (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper, hinged on archival backing paper, as issued Year: 1967 Paper Size: 17.32 x 14.17 inches (backing paper size) Inscription: Signed in the plate and u...
Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Gauguin, Spirit of the Dead (Manaò tupapaú), Gauguin (after)
Located in Southampton, NY
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category

1940s Post-Impressionist Figurative Prints

Materials

Woodcut

Itzchak Tarkay "Sweet Thoughts" 2001 Signed Serigraph, European Artist Proof
Located in Miami, FL
ITZCHAK TARKAY – "SWEET THOUGHTS" ⚜ Serigraph in Color on Wove Paper ⚜ Hand Signed and Annotated EA 10/80 ⚜ Gilt Wood Frame INTIMATE INTERIOR WITH FLORAL DETAIL Created in 2001, "Sw...
Category

Early 2000s Post-Impressionist Figurative Prints

Materials

Archival Paper, Screen

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Les Affiches De Toulouse-Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Filigrané a sa marque paper Year: 1950 Paper Size: 12.5 x 9.75 inches; image size: 8.27 x 6.69 inches Inscription: Unsigned and unnumbered, as issue...
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph

Mademoiselle Eglantine’s Troupe by H. de Toulouse-Lautrec - Mid-20th Century
Located in Roma, IT
Mademoiselle Eglantine’s Troupe is is a modern artwork realized in the mid-20th century. Mixed colored lithograph after H. de Toulouse-Lautrec. Original title: La Troupe de Mademoi...
Category

Mid-20th Century Post-Impressionist Figurative Prints

Materials

Paper, Lithograph

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph, Stencil

Bacchanale, Cubist Lithograph after Pablo Picasso
Located in Long Island City, NY
A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Bacchanale". The original painting was completed circa 1922. In the 1970's after Picasso's d...
Category

1980s Post-Impressionist Figurative Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Images de Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on vélin Polifilo paper Year: 1947 Paper Size: 13.78 x 10.24 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, I...
Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, TLautrec (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on vélin paper Year: 1946 Paper Size: 17 x 13 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, TLautrec, 1946. ...
Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Henri Matisse, Eskimo, from Portraits by Henri Matisse, 1954 (after)
Located in Southampton, NY
This exquisite heliogravure after Henri Matisse (1869–1954), titled Esquiman (Eskimo), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates from the 19...
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph

Henri Matisse, Series C, Var. 5, Drawings, Themes and Variations, 1943 (after)
Located in Southampton, NY
This exquisite lithograph after Henri Matisse (1869–1954), titled Serie C, var. 5 (Series C, Variation 5), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...
Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Henri de Toulouse-Lautrec, At the Circus (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper, hinged on archival backing paper, as issued Year: 1967 Paper Size: 17.32 x 14.17 inches (backing paper size) Inscription: Signed in the plate and u...
Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Vuillard, La Cuisiniere, L œuvre gravé de Vuillard (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage paper Year: 1948 Paper Size: 12.375 x 9.5 inches; image size: 11.81 x 9.05 inches Inscription: Unsigned and unnumbered, as issued Notes: From...
Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Henri de Toulouse-Lautrec, At the Circus (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper, hinged on archival backing paper, as issued Year: 1967 Paper Size: 17.32 x 14.17 inches (backing paper size) Inscription: Signed in the plate and u...
Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-Lautrec, 1950. Published by Librairie Au Pont des Arts, Paris; rendered by Daniel Jacomet; and, printed by Ateliers Daniel Jacomet et Cie, Paris, Monday, October 30, 1950. Excerpted from the folio (translated from French), This album, including all the prints dedicated by Toulouse-Lautrec to Yvette Guilbert, was printed for the Librairie Au Pont des Arts, by D. Jacomet. The color state of the Colombine plate in Pierrot and the twenty-seven plates of the French and English series were executed according to the original lithographs (before the letter for the French suite) from the Toulouse-Lautrec workshop and kept in the Cabinet des Stampes of the National Library. The collection includes three plates in color and twenty-eight plates in black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization from the Musée d'Albi, on the original stone of Toulouse-Lautrec, by Lucien Détruit. It was taken from this album: A non-trade and nominative example; L examples on a large vélin of Rives including: III proofs of the lithography Colombine à Pierrot printed...
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Femmes De Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on vélin paper Year: 1954 Paper Size: 13.5 x 9.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Femmes de Lautrec, 21 Pl...
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Les Affiches De Toulouse-Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Filigrané a sa marque paper Year: 1950 Paper Size: 12.5 x 9.75 inches; image size: 10.63 x 7.87 inches Inscription: Signed in the plate and unnumber...
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph

Chocolat Dancing in the Achille Bar afte H. de Toulouse-Lautrec
Located in Roma, IT
Chocolat Dancing in the Achille Bar is a modern artwork realized in the mid-20th century. Mixed colored lithograph after H. de Toulouse-Lautrec. Original title: Chocolat dansant da...
Category

Mid-20th Century Post-Impressionist Figurative Prints

Materials

Paper, Lithograph

Toulouse-Lautrec, Composition, Femmes De Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on vélin paper Year: 1954 Paper Size: 13.5 x 9.5 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Femmes de Lau...
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph

Vuillard, Le Parasol Orange, Douze pastels (after)
Located in Southampton, NY
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category

1960s Post-Impressionist Figurative Prints

Materials

Lithograph, Stencil

Vuillard, A travers champs, L œuvre gravé de Vuillard (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage paper Year: 1948 Paper Size: 9.5 x 12.375 inches; image size: 9.84 x 11.81 inches Inscription: Unsigned and unnumbered, as issued Notes: From...
Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Seurat, Saltimbanques: la danseuse et le caissier, Seurat (after)
Located in Fairfield, CT
Medium: Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper Year: 1948 Paper Size: 12.5 x 9.75 inches Inscription: Unsigned and unnumbered, as issued Notes: From th...
Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Gauguin, Delightful Land (Nave nave fenua), Gauguin (after)
Located in Southampton, NY
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category

1940s Post-Impressionist Figurative Prints

Materials

Woodcut

Maurice Denis, Mrs. Adrien Mithouard, from Derriere le Miroir, 1966 (after)
Located in Southampton, NY
This exquisite lithograph after Maurice Denis (1870–1943), titled Madame Adrien Mithouard et son fils Jacques (Mrs. Adrien Mithouard and Her Son Jacques), originates from the 1966 fo...
Category

1960s Post-Impressionist Figurative Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Images de Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on vélin Polifilo paper Year: 1947 Paper Size: 13.78 x 10.24 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, I...
Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Maurice Utrillo, The Sacred Heart, 1956 (after)
Located in Southampton, NY
This exquisite lithograph after Maurice Utrillo (1883–1955), titled Le Sacre-coeur (The Sacred Heart), from the album Eloge de Maurice Utrillo (In Praise of Maurice Utrillo), originates from the 1956 edition published by Editions d'Art Manuel Bruker, Paris, and printed by Mourlot Freres, Paris, June 5, 1956. The work embodies Utrillos mastery of atmospheric mood, architectural clarity, and emotional restraint, distilling the quiet poetry and introspective spirit that define his modernist vision. Executed as a lithograph on papier velin Vidalon blanc, fabrique au Moulin de Vidalon, Canson paper, this work measures 13.18 x 21.1 inches (33.5 x 53.6 cm), with centerfold as issued. Unsigned and unnumbered, as issued. The edition exemplifies the refined craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: After Maurice Utrillo (1883–1955) Title: Le Sacre-coeur (The Sacred Heart), from the album Eloge de Maurice Utrillo (In Praise of Maurice Utrillo) Medium: Lithograph on papier velin Vidalon blanc, fabrique au Moulin de Vidalon, Canson paper Dimensions: 13.18 x 21.1 inches (33.5 x 53.6 cm), with centerfold as issued Inscription: Unsigned and unnumbered, as issued Date: June 5, 1956 Publisher: Editions d'Art Manuel Bruker, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album Eloge de Maurice Utrillo (In Praise of Maurice Utrillo), published by Editions d'Art Manuel Bruker, Paris; printed by Mourlot Freres, Paris, June 5, 1956 Notes: Excerpted from the album (translated from French), This album was completed and printed on June 5, 1956 on the presses of madame Jean-Gabriel Daragnes for typography and by the Mourlot Freres for lithographs. It was shot on Vidalon blanc. Two hundred numbered examples from I to CC, including the first XX with a suite on velin paper of the Marais. It has been attached to each example a simulated fac of the Sonnet d'Utrillo: "Lyric art...
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph

Fete Champetre
Located in San Francisco, CA
This artwork titled "Fete Champetre" c.1950 is an original colors lithograph by renown artist Jean Dufy, 1888-1964. It is hand signed and numbered 80/220 in pencil by the artist. The...
Category

Mid-20th Century Post-Impressionist Figurative Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph, Stencil

Henri Matisse, Francoise Rabelais, from Portraits by Henri Matisse, 1954 (after)
Located in Southampton, NY
This exquisite heliogravure after Henri Matisse (1869–1954), titled Francoise Rabelais (Francois Rabelais), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), o...
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph

Maurice Utrillo, Church of Amiens, 1956 (after)
Located in Southampton, NY
This exquisite lithograph after Maurice Utrillo (1883–1955), titled Eglise d Amiens (Church of Amiens), from the album Eloge de Maurice Utrillo (In Praise of Maurice Utrillo), originates from the 1956 edition published by Editions d'Art Manuel Bruker, Paris, and printed by Mourlot Freres, Paris, June 5, 1956. The work embodies Utrillo's mastery of atmospheric nuance, architectural harmony, and poetic stillness, distilling the emotional resonance and delicate tonal balance that define his vision of the French landscape. Executed as a lithograph on papier velin Vidalon blanc, fabrique au Moulin de Vidalon, Canson paper, this work measures 13.18 x 10.55 inches (33.5 x 26.8 cm). Unsigned and unnumbered, as issued. The edition exemplifies the refined craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: After Maurice Utrillo (1883–1955) Title: Eglise d Amiens (Church of Amiens), from the album Eloge de Maurice Utrillo (In Praise of Maurice Utrillo) Medium: Lithograph on papier velin Vidalon blanc, fabrique au Moulin de Vidalon, Canson paper Dimensions: 13.18 x 10.55 inches (33.5 x 26.8 cm) Inscription: Unsigned and unnumbered, as issued Date: June 5, 1956 Publisher: Editions d'Art Manuel Bruker, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album Eloge de Maurice Utrillo (In Praise of Maurice Utrillo), published by Editions d'Art Manuel Bruker, Paris; printed by Mourlot Freres, Paris, June 5, 1956 Notes: Excerpted from the album (translated from French), This album was completed and printed on June 5, 1956 on the presses of madame Jean-Gabriel Daragnes for typography and by the Mourlot Freres for lithographs. It was shot on Vidalon blanc. Two hundred numbered examples from I to CC, including the first XX with a suite on velin paper of the Marais. It has been attached to each example a simulated fac of the Sonnet d'Utrillo: "Lyric art...
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph

May Milton - Litho After H. de Toulouse-Lautrec
Located in Roma, IT
Image dimensions: 29 x 20 cm. May Milton is a beautiful chromolithographed Art Nouveau poster, monogrammed and dated on plate on the lower left margin by the French artist Henri de Toulouse-Lautrec. A wonderful reduction of the famous Moulin Rouge poster...
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Les Affiches De Toulouse-Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph on grand vélin Filigrané a sa marque paper Year: 1950 Paper Size: 12.5 x 9.75 inches; image size: 9.05 x 6.69 inches Inscription: Unsigned and unnumbered, as issue...
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph

Seurat, Le Moissonneur, Seurat (after)
Located in Fairfield, CT
Medium: Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper Year: 1948 Paper Size: 12.5 x 9.75 inches Inscription: Unsigned and unnumbered, as issued Notes: From th...
Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Henri Matisse, The Lagoon, from Jazz, Special Edition for MoMA, 1983 (after)
Located in Southampton, NY
This exquisite heliogravure after Henri Matisse (1869–1954), titled Le Lagon (The Lagoon), from Henri Matisse, Jazz, originates from the 1983 second edition published by George Brazi...
Category

1980s Post-Impressionist Figurative Prints

Materials

Lithograph

Henri Matisse, The Circus, from Jazz, Special Edition for MoMA, 1983 (after)
Located in Southampton, NY
This exquisite heliogravure after Henri Matisse (1869–1954), titled Le Cirque (The Circus), from Henri Matisse, Jazz, originates from the 1983 second edition published by George Braz...
Category

1980s Post-Impressionist Figurative Prints

Materials

Lithograph

Henri Matisse, The Clown, from Jazz, Special Edition for MoMA, 1983 (after)
Located in Southampton, NY
This exquisite heliogravure after Henri Matisse (1869–1954), titled Le Clown (The Clown), from Henri Matisse, Jazz, originates from the 1983 second edition published by George Brazil...
Category

1980s Post-Impressionist Figurative Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph, Stencil

van Dongen, La Matchiche, Fauves, Collection Pierre Lévy (after)
Located in Fairfield, CT
Medium: Lithograph on vélin d'Arches paper Year: 1972 Paper Size: 26 x 20 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Fauves, VII, Collec...
Category

1970s Post-Impressionist Figurative Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, TLautrec (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on vélin paper Year: 1946 Paper Size: 13 x 17 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, TLautrec, 1946. ...
Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Images de Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on vélin Polifilo paper Year: 1947 Paper Size: 13.78 x 10.24 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, I...
Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Images de Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on vélin Polifilo paper Year: 1947 Paper Size: 13.78 x 10.24 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, I...
Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Images de Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on vélin Polifilo paper Year: 1947 Paper Size: 13.78 x 10.24 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, I...
Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, TLautrec (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on vélin paper Year: 1946 Paper Size: 17 x 13 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, TLautrec, 1946. ...
Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Physiology of Boxing - Original Lithograph by Luc-Albert Moreau - 19th Century
Located in Roma, IT
Physiology of Boxing is an Original Litograph realized by Luc Albert Moreau (1882-1948). The artwork is in good condition included a cream colored cardboard passpartout (49x32 cm). No signature. In the 1920s, French painter Luc-Albert Moreau created a suite of 60 lithographs of the many aspects of boxing, which he considered a noble sport. Physiologie de la Boxe featured paintings and drawings of boxing winners and losers, as well as spectators and managers. Moreau was a painter with the Cubists up to 1912, but soon reverted to a more traditional style. He also produced lithographs of Parisian bars...
Category

19th Century Post-Impressionist Figurative Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Images de Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on vélin Polifilo paper Year: 1947 Paper Size: 13.78 x 10.24 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, I...
Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph, Stencil

Soutine, Nature morte à la pipe, Soutine, Collection Pierre Lévy (after)
Located in Fairfield, CT
Medium: Lithograph on vélin d'Arches paper Year: 1966 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Soutine, I, Collect...
Category

1960s Post-Impressionist Figurative Prints

Materials

Lithograph

Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category

1920s Post-Impressionist Figurative Prints

Materials

Woodcut

Composition (Morane, N° 100), Les Petites Fleurs de St. Françoise, Émile Bernard
Located in Southampton, NY
Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...
Category

1920s Post-Impressionist Figurative Prints

Materials

Woodcut

Toulouse-Lautrec, Composition, Images de Lautrec (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on vélin Polifilo paper Year: 1947 Paper Size: 13.78 x 10.24 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, I...
Category

1940s Post-Impressionist Figurative Prints

Materials

Lithograph

Post-impressionist figurative prints for sale on 1stDibs.

Find a wide variety of authentic Post-Impressionist figurative prints available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add figurative prints created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue, green and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Luc-Albert Moreau, Pierre Bonnard, (after) Henri Matisse, and Henri Matisse. Frequently made by artists working with Lithograph, and Etching and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Post-Impressionist figurative prints, so small editions measuring 3.94 inches across are also available. Prices for figurative prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $99 and tops out at $250,000, while the average work sells for $891.

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