Surrealist Figurative Prints

Etching and drypoint with roulette on Japanese paper from the Series "Faust" (Walpurgis Night). Image dimension 32x24 cm. Hand signed in pencil Artist proof. Blindstamp "Dali", ou...

Etching and drypoint realized by Salvador Dalì to illustrate Pierre Ronsard's "Les Amours de Cassandre". Published by Argillet, Paris, in 1968. Edition of 299 pieces. One of 165 sp...

This exquisite lithograph by Victor Brauner (1903–1966), titled L'oiseau au poisson (The Bird with the Fish), from the album XXe Siecle, Nouvelle serie, XXVe Annee N°22, Noel 1963, o...

Francisco de Goya, Spanish (1746 - 1828) - The Custody is as Barbarous as The Crime, Year: circa 1810, Medium: Etching and burin on cream laid paper, Image Size: 3.75 x 3 inches, Si...

Léopold Survage, 'Le Cheval' (The Horse), color etching, edition 60, 1953. Signed and numbered '46/60' in pencil. Initialed in the plate, lower right. A superb, richly-inked impressi...

Artist: Erté Title: Boudoir Medium: Embossed serigraph Year: 1991 Edition: 290/300 Sheet Size: 41 3/4" x 29 1/4" Image Size: 35 1/4" x 23 1/4" Signature: Stamped signature

Poseidon is one of 16 works in a suite by the artist called "The Mythology". The suite included works depicting other Greek/Roman gods such as Hypnos, Jupiter, and Athena, as well as lesser figures and concepts like the gorgon Medusa...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1956 publication Joan Miro. Published by Maeght Editeur, Paris, and printed by M...

Created by Surrealist Fanny Brennan from 1992-96, Skyshade is a lithograph in colors on wove paper. Hand-monogrammed in pencil and numbered from the edition of 250, the artwork measu...

Jorge Castillo - COMPOSICIÓN ERÓTICA (Erotic Composition) Date of creation: 1977 Medium: Etching on paper Edition: 75 + 20 E.A. Size: 50 x 65,5 cm Condition: In perfect conditions an...

This exquisite lithograph by Joan Miro (1893–1983), titled Graphismes (Graphisms), originates from the April 1961 folio Derriere le Miroir, No. 125-126, published by Maeght Editeur, ...

Obsession of the Heart Salvador Dali, Spanish (1904–1989) Portfolio: Visions Surrealiste Date: 1976 Lithograph, signed and numbered in pencil Edition of 150 Size: 29 x 21 in. (73.66 ...

After Marc CHAGALL Circus Offset vintage poster, 1982 On heavy paper 66 x 46 cm / 26 x 18" INFORMATION : Vintage poster for the exhibition "25 livres illustres" at Patrick Cramer Ga...

Eduardo Naranjo (Spain, 1944) 'La creación IV', 1984 etching, aquatint on paper Guarro Super Alpha 250g. 15 x 20.9 in. (38 x 53 cm.) Edition of 225 Unf...

Original Etching from the series ‘The Song of the Songs of King Solomon’ in colours with stencil on Arches wove paper. signed and numbered by the artist 57.1 x 38 cm - sheet size 66...

ARTIST: Salvador Dali TITLE: Dali's Inferno MEDIUM: Lithograph SIGNED: Hand Signed PUBLISHER: Levine & Levine for DALART EDITION NUMBER: 249/250 MEASUREMENTS: 21.5" x 30" YEA...

Artist: Salvador Dali Title: The Pagoda Portfolio: The Hippies Medium: Color etching on Japon paper Date: 1969 Edition: XV/C Frame Size: 31" x 26 1/2" Sheet Size: 26" x 20" Image Siz...

Andrés Barajas (Spain, 1941) 'Untitled from Portfolio "Los Deseos"', ca.1990-1999 mixed media on paper 20.9 x 15 in. (53 x 38 cm.) Edition of 200 ID: BAR1017-022-200 Hand-signed by a...

Hand-colored drypoint etching on extremely fine Japanese paper, edited in 1975. Limited edition, numbered in lower left corner as HC (horse commerce). Signed in pencil by artist in l...

Pierre-Yves Tremois A loving couple Original etching, 1970 Handsigned by the artist Numbered / XXIV copies (total edition of 90 + XXIV) Size 57 x 45 cm ...

This exquisite lithograph by Rene Magritte (1898–1967), titled Les Bijoux indiscrets (The Indiscreet Jewels), from the album XXe Siecle, Nouvelle serie, XXVe Annee N°22, Noel 1963, o...

Jan Balet, German (1913 - 2009) - Adam & Eve, Medium: Offset Lithograph, stamp-signed and numbered in pencil, Edition: 509/1000, Image Size: 24 x 18 inches, Size: 31.25 x 25 in. ...

Jack Zajac, American, born 1929 1964 Etching and aquatint hand printed on Fabriano paper, pencil signed and editioned. Edition Roman Numeral III Image: 12 9/16 x 8 5/8 in. (31.9 x 2...

Federico Castellon, 'Body and Soul', 1938, lithograph, edition 30, Freundlich 3. Signed in pencil. Signed in the stone, lower left. A fine, richly-inked, atmospheric impression on cr...

Etching on Montval wove paper, realized by Marc Chagall in 1931-39 and published by Tériade in 1956. Edition of 275+30 out of commerce copies. Not signed nor numbered, as issued. ...

Proelium Magnum in Caelo is a Color lithograph on heavy rag paper realized in 1964 by Salvador Dalì, It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani betw...

ARTIST: Salvador Dali TITLE: Triumph of The Sea MEDIUM: Lithograph SIGNED: Hand Signed PUBLISHER: Sidney Lucas, New York EDITION NUMBER: 12...

Hand Signed. From the Portfolio "Petit Traité de Morale", Paris, Editions Georges Visat, 1968. Copy on Japon Nacré from the additional suite. Includes passepartout. Hans Bellmer wa...

This exquisite lithograph by Joan Miro (1893–1983), titled Oiseau devant le solei (Bird Before the Sun), originates from the April 1961 folio Derriere le Miroir, No. 125-126, published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Imprimerie Arte, Paris, 1961. The composition exemplifies Miro’s poetic use of symbolic imagery, where the bird and sun function as elemental forces within his visual language. Through gestural line, saturated color, and spatial freedom, the work reflects Miro’s fusion of cosmic imagery, instinctive mark making, and lyrical abstraction. Executed on velin paper, this lithograph measures 33 x 15 inches (83.82 x 38.1 cm), with bifold, as issued. Unsigned and unnumbered as issued. The edition reflects the refined technical standards and craftsmanship of Imprimerie Arte, Paris. Artwork Details: Artist: Joan Miro (1893–1983) Title: Oiseau devant le solei (Bird Before the Sun), from Derriere le Miroir, No. 125-126, April 1961 Medium: Lithograph on velin paper Dimensions: 33 x 15 inches (83.82 x 38.1 cm), with bifold, as issued Inscription: Unsigned and unnumbered as issued Date: 1961 Publisher: Maeght Editeur, Paris Printer: Imprimerie Arte, Paris Catalogue raisonne reference: Miro, Joan, et al. Joan Miro Lithographe. Maeght, 1972–1992, illustration 1722 Condition: Well preserved, consistent with age and medium Provenance: From the April 1961 folio Derriere le Miroir, No. 125-126, published by Maeght Editeur, Paris About the Publication: Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the twentieth century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and an autonomous work of art, featuring original lithographs printed directly from the artists stones or plates alongside essays, poems, and critical texts. Over more than three decades, Derriere le Miroir produced over 250 issues and presented an extraordinary range of artists including Henri Matisse, Marc Chagall, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Antoni Tapies, Pierre Alechinsky, Pol Bury, Bram van Velde, and many others. Printed by master ateliers such as Mourlot and Arte, the series established new standards of excellence in modern lithography and graphic design. Closely linked to exhibitions at Galerie Maeght, each issue served as a lasting document of postwar modernism, uniting image, text, and philosophy into a uniquely influential publication that remains among the most important and collectible achievements in twentieth century art publishing. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the twentieth century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola d'Art in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miro's inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miro's work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for approximately 37 million USD at Sothebys, London, on June 19, 2012. Joan Miro Oiseau...

Untitled is a modern artwork realized by Wifredo Lam in 1970s. Mixed colored lithograph, realized after one of the Artist's paintings. Hand monogrammed in the right lower margin wi...

This original lithograph is hand signed in pencil by the artist "Dalí" at the lower right margin. It is also hand numbered in pencil 17 from the edition of 250, at the lower left mar...

The Soldiers' Ballad is a contemporary artwork realized by Max Ernst in 1972. Mixed colored lithograph on Arches Paper Edited by Manus Presse, Stuttgart 1972. Not signed and not n...

The Poker Game by Israel Rubinstein, Israeli (1944) Date: 1980 Screenprint, signed and numbered in pencil Edition of 250 Image Size: 27 x 38 inches S...

This wonderful original etching with drypoint  was realized by Marc Chagall  in 1924. Hand-signed in pencil by the artist "Marc Chagall" at the lower right corner. It's an artist pro...

Salvador Dali - The Golden Age - Original Lithograph Joseph FORET, Paris, 1957 PRINTER : Ballon. SIGNATURE : plate signed by Dali. LIMITED : 197 copies. EDITION : Number 136 SIZE ...

Leonora Carrington (British-Mexican 1917 - 2011) was a painter, writer, and key figure in Surrealism whose work explored the sacred, the mystical, and the magical in everyday life. B...

Losias Sepultus in Mausoleo Patrum ( Josiah buried in the Mausoleum of his Father ) is a colored lithograph from the original gouache on heavy rag paper from Salvador Dali’...

Eduardo Naranjo (Spain, 1944) 'La creación III', 1984 etching, aquatint on paper Guarro Super Alpha 250g. 20.9 x 15 in. (53 x 38 cm.) Edition of 225 I...

Artist: John Hultberg Title: Fragments of a Dream Year: 1977 Medium: Serigraph, Signed and numbered in pencil Edition: 200, AP 30 Image Size: 24 x 32.5 inches Paper Size: 26 in. x 3...

Artist: Nile Jade Title: Guitar, Year: 1998 Lithograph on Arches Archival Paper Paper Size 28.5" x 38.5" inches Signed in pencil and marked 192/299 Printed by Mourlot Paris Nile Ja...

Salvador Dali (1904-1989) Purgatory 15 - The Envy From the "Divine Comedy", 1960/63 Wood engraving from "Divine Comedy" with the signature printed in the plate On BFK Rives vellum ...

ARTIST: Salvador Dali TITLE: Alice in Wonderland MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Transworld Art EDITION NUMBER: A IX/XL PAPER: Japon Paper MEASUREMENTS: 29.75"...

Lithograph on Guarro vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: Published by Galerie Börjeson, Malmö; printed by La Polígrafa, Barcelona, 19...

Artist: Roger Chapelain Midy (French, 1904-1992) Title: Untitled 3 Year : Circa 1975 Medium: Color lithograph Edition: Unknown Paper: Silk paper Image size: 18 x 25.25 inche...

Medium: original lithograph. Catalogue reference Spies/Leppien 202. Published in 1971 by XXe Siecle. Sheet size: 12 1/4 x 9 3/8 inches (310 x 238 mm). Not signed.

Eduardo Naranjo (Spain, 1944) 'El poeta llega… (Federico en Nueva York)', 2005 silkscreen on paper Image size: 23.8 x 19.9 in. (60.50 x 50.50 cm.) Surface size: 30.8 x 24.9 in. (78 x...

Artist: Salvador Dali (Spanish surrealist, 1904-1989) Title: Les Songes Drolatiques De Pantagruel Year: 1973 Medium: Lithograph Edition: Inscribed E.A (Epreuve d' Artiste) i...

ARTIST: Salvador Dali TITLE: Le Cirque Chinois MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 166/175 MEASUREMENTS: 26.25" x 21" YEAR: 1965 FRAMED: No CONDITION: Excel...

ARTIST: Salvador Dali TITLE: Don Quixote & Sancho Panza Sancho Panza MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: EA MEASUREMENTS: 29 9/10" x 22" YEAR: 1971 FRAMED: No...

ARTIST: Salvador Dali TITLE: Visions Surrealiste Coronation of Gala MEDIUM: Lithograph SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: EA MEASUREMENTS: 21.37" x 29.75" YEA...

The Web Engraving and soft ground, 1950 Signed, titled, dated and numbered by the artist Edition: 35 (26/35) Printed by Master Printer, Jon Clemens, 2000 Provenance: Estate of the ar...

Giclee limited edition print by worldwidely established Polish artist Rafal Olbinski. Figurative surrealistic print presentic an intricate scene on a lake with swans, pegasuses, ball...

Collotype from frottage on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Max Ernst, Histoire Naturelle, 1972. Published and printed by Verla...

Ian Hugo, 'Early Marshes', from the portfolio 'Ten Engravings'. engraving, 1943, edition 50. Signed, dated, titled, and numbered '37/50' in pencil. A fine impression, with delicate overall plate tone, on cream wove paper, the full sheet with margins (2 5/8 to 7 inches), in excellent condition. With the blind stamp 'madeleine-claude jobrack EDITIONS', in the bottom right margin. Matted to museum standards, unframed. Image size 5 x 5 7/8 inches (127 x 149 mm); sheet size 15 x 11 inches (381 x 279 mm). Ian Hugo originally created "Ten Engravings" in 1945 and the portfolio included a foreword by his partner and collaborator, Anais Nin. In 1978, Hugo republished the portfolio with Madeleine-Claude Jobrack, an American master printmaker who studied under Stanley William Hayter at Atelier 17, Paris, and with Johnny Friedlaender. When Jobrack returned to the States she managed the Robert Blackburn Printmaking Studio in New York before opening her own printing studio, Madeleine-Claude Jobrak Editions. “The sign of the true artist is one who creates a complete universe, invents new plants, new animals, new figures to transfer to us a new vision of the universe in which dream and reality fuse. Ian Hugo's plants have eyes, the birds have the delicacy of dragonflies, their feathers have the shape of fans. Humor is apparent in every gesture. He uses a fine spider web to give a feeling of flight, speed, lightness. The body of a woman reveals the structure of a leaf, a plant. Wings are moving in a world unified by mythological themes. This is an animated world, humorous and levitating, elusive and decorative, which by its unique forms and shapes gives us the sensation of a rebirth, a liberation from the usual, the familiar, a visit to a new planet.” —Anais Nin, from the forward to the portfolio ‘Ten Engravings’ ABOUT THE ARTIST Ian Hugo was born Hugh Parker Guiler in Boston, Massachusetts, on February 15, 1898. His childhood was spent in Puerto Rico—a "tropical paradise," the memory of which stayed with him and surfaced in both his engravings and his films. He attended school in Scotland and graduated from Columbia University where he studied economics and literature. Hugo was working with the National City Bank when he met and married author Anais Nin in 1923. The couple moved to Paris the following year, where Nin's diary and Guiler's artistic aspirations flowered. Guiler feared his business associates would not understand his interests in art and music, let alone those of his wife, so he began a second, creative life as Ian Hugo. Ian and Anais moved to New York in 1939. The following year he took up engraving and etching, working at Stanley William Hayter’s experimental printmaking workshop Atelier 17, established at the New School for Social Research. Hugo began producing surreal images often used to illustrate Nin's books. For Nin, his unwavering love and financial support were indispensable—Hugo was the "fixed center, core... my home, my refuge" (Sept. 16, 1937, Nearer the Moon, The Unexpurgated Diary of Anais Nin, 1937-!939). Fictionalized portraits of Higo and Nin appear in Philip Kaufman's 1990 film drama of a literary love triangle, Henry & June. Inspired by comments that viewers saw motion in his engravings, Hugo took up filmmaking. He asked the avant-garde filmmaker Sasha Hammid for instruction but was told, "Use the camera yourself, make your own mistakes, make your own style." Hugo embarked on an exploration of the film medium as a vehicle to delve into his dreams, his unconscious, and his memories. Without a specific plan, He would collect resonant images, then reorder or superimpose them, seeking a sense of self-connection through the poetic juxtapositions he created. These intuitive explorations resembled the mystical evocations of his engravings, which he described in 1946 as "hieroglyphs of a language in which our unconscious is trying to convey important, urgent messages." In the underwater world of his film ‘Bells of Atlantis,’ the light originates from the world above the surface; it is otherworldly, out of place, yet essential. In ‘Jazz of Lights,’ the street lights of Times Square become in Nin's words, "an ephemeral flow of sensations." This flow that she also calls "phantasmagorical" had a crucial impact on Stan Brakhage, who said that without Jazz of Lights (1954), "there would have been no Anticipation of the Night" his autobiographical film which ushered in a new era of experimental modernist filmmaking. Hugo lived the last two decades of his life in a New York apartment high above street level. In the evenings, surrounded by an electrically illuminated man...

Apocalypse of John the Evangelist is an original black and white etching realized by Giorgio De Chirico in 1941. Hand signed on the lower right margin. Numbered on the lower left. ...

Salvador Dali: 1904-1989. One of the most famous artist of the 20th century. A master surrealist, whose auction prices are well into the millions. This image of a nude on a rhinocero...

Giclee limited edition print by worldwidely established Polish artist Rafal Olbinski. Figurative surrealistic print with man and a woman standing on the road. The road is transformin...

André Masson, French (1896 -1987) - Nude Figures in Garden, Medium: Etching on wove paper, signed and numbered in pencil, Edition: Epreuve d'Artiste, Image Size: 13 x 10 inches, S...

TIE Fighter Beatles by B A T I K Pop art work featuring the Fab Four Paul McCartney , George Harrison, Ringo Starr and John Lennon running away from Star Wars TIE fighters chasing...

ARTIST: Salvador Dali TITLE: Alchimie des Philosophes L'Immortalite MEDIUM: Etching on Parchment Paper SIGNED: Hand Signed PUBLISHER: Ar...