Surrealist Figurative Prints

Gala's Castle – signed ‘Dalí’ lower right and numbered A 11/195 lower left, from the edition of 462 (there were also 35 'A' Roman, 195 'F' Arabic, and 35 'F' Roman, plus 2 additional suites on japon). Framed in an ornate gold-tone moulding. Cataloging: Micheler-Löpsinger 675; Field 74-8 Plate K Dalí’s series of colored etchings After Fifty Years of Surrealism reflects on the artist’s long...

Basilisk is a contemporary artwork realized by the artist Fifo Stricker in 1981. Mixed colored aquatint and etching. 

Rare print handsigned by surrealist artist Leonor Fini, inscreasingly esteemed with the movement of rediscovering art by women. This rare original lithograph is an artist proof in ve...

Ezra Teaches the People is an artwork realized by March Chagall, 1960s. Lithograph on brown-toned paper, no signature. Lithograph on both sheets. Edition of 6500 unsigned lithogra...

Birth of Samuel is an artwork realized by March Chagall, 1960s. Lithograph on brown-toned paper, no signature. Lithograph on both sheets. Edition of 6500 unsigned lithographs. Pri...

Esther Accuses Haman is an artwork realized by March Chagall, 1960s. Lithograph on brown-toned paper, no signature. Lithograph on both sheets. Edition of 6500 unsigned lithographs...

Sichem Removed Dina  is an artwork realized by March Chagall, 1960s. Lithograph on brown-toned paper, no signature. Lithograph on both sheets. Edition of 6500 unsigned lithographs...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the volume, Derrière le miroir, N° 203, 1973. Publi...

And You Child, the Prophet of the Most High is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani be...

Asperges me hyssopo et mundabor is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 a...

Nummularii de templo eiecti is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1...

Marc Chagall Original Lithograph 1963 Dimensions: 32 x 24 cm Reference: Chagall Lithographe 1957-1962. VOLUME II. Unsigned edition of over 5,000 Condition : Excellent Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish...

The Angry Ones is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri.  Not signed, as issued.  Good conditions. ...

Des Accordeons De Chair Et Le Eire silkscreen limited edition 144/150, pencil signed Size: 42x29.5 framed 50.5x37.x1.5 Theo Tobiasse was born in Israel in 1927 to Lithuanian parents...

Salvador Dali - John Kennedy - Original Handsigned Etching Dimensions: 38 x 28 cm 1968 Signed in pencil EA in Sanguine Jean Schneider, Basel References : ...

Salvador Dali - Cut Cucumber - Original Etching Dimensions: 38 x 28 cm Edition: 390 1967 On Rives Vellum References : Field 67-4 (p. 32-33) / Michler & Lopsinger 174 to 187.

Danse Pantomime 1982 pencil signed, limited edition silkscreen 112/150 Theo Tobiasse was born in Israel in 1927 to Lithuanian parents. Due to financial ...

Salvador Dali - The Drawers - Original Etching Dimensions: 38 x 28 cm Edition: 235 1967 Embossed signature On Arches Vellum References : Field 67-10 (p. 34-35)

Max Ernst - Elektra Lithograph 1939 Dimensions: 32 x 24 cm Signed in the plate From XXe siècle Unsigned and unumbered as issued

This original lithograph is hand signed in white crayon by the artist "R.Tamayo" at the lower right image. It is also hand numbered in white crayon from the edition of 250, at the lo...

Planctus David in mortem Saul (" David's Mourning at the death of Saul ") is an artwork realized in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediola...

Leo quasi Bos comedens paleas ( The Lion eating straw like the Ox ) is an artwork realized in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani betwe...

Martin Barooshian, American (1929 - 2022) - Mother Goose, Year: circa 1979, Medium: Etching and Aquatint, signed and numbered in pencil, Edition: Trial Printers Proof, Image Siz...

Martin Barooshian, American (1929 - 2022) - La Danse (Yellow), Year: circa 1979, Medium: Etching and Aquatint on Arches, initialed in the plate and signed in pencil, Image Size: ...

Rare print handsigned by surrealist artist Leonor Fini, inscreasingly esteemed with the movement of rediscovering art by women. This rare original lithograph is an artist proof in ve...

The Limbos - Hell Plate -11 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. ...

Charon, Hell, Plate-3 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Not signed, as issued. Good condi...

Falsifiers - Hell, Tav- 28, is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Not signed, as issued. Good...

Vaisseau Fantome is an artwork realized in 1969. Drypoint etching. Rives laid paper, signed and numbered. Edition 160/200. Dimension. 40x26.5cm, Sheet. 69x52cm. Ref. Michler/ Löp...

Saint Peter is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Not signed, as issued. Plate n.27 (as repor...

Angels is an etching realized by Nicholas Cochin in 1755. Good conditions. The etching was realized for the anatomy study “JOMBERT, Charles-Antoine (1712-1784) - Méthode pour apprendre le dessein, ou l'on donne les regles générales de ce grand Art.. enrichie de cent planches representant differentes parties du Corps Humain.. et quelques etudes d`Animaux & de Paysage. Paris: C.A. Jombert, 1755” The plates of this important study were mainly dedicated to anatomical studies, physiognomy and proportions, many taken from works by famous artists such as Raphael, Guido Reni and Titian, as well as classical works including the Farnese Hercules and the Medici Venus.

The Muses is an etching realized by Nicholas Cochin in 1755. Good conditions. Signed in the plate. The etching was realized for the anatomy study “JOMBERT, Charles-Antoine (1712-1784) - Méthode pour apprendre le dessein, ou l'on donne les regles générales de ce grand Art.. enrichie de cent planches representant differentes parties du Corps Humain.. et quelques etudes d`Animaux & de Paysage. Paris: C.A. Jombert, 1755” The plates of this important study were mainly dedicated to anatomical studies, physiognomy and proportions, many taken from works by famous artists such as Raphael, Guido Reni and Titian, as well as classical works including the Farnese Hercules and the Medici Venus.

Logician Devil is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Not signed, as issued. Plate n.34 (as re...

Souls of Contumacy is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Not signed, as issued. Plate n.3 (as...

Confession is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Not signed, as issued. Plate n.32 (as report...

Angel of Mercy - The Divine Comedy is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Not signed, as issued....

Forest of suicides - The Divine Comedy is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Not signed, as iss...

The Forth Terrace- The Divine Comedy is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Not signed, as issue...

Beatrice and the Triumph of the Saints - The Divine Comedy is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri....

Angel of seventh heaven - The Divine Comedy is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Not signed, a...

Full Moon is a Contemporary Artwork realized by the Italian Artist Guelfo Bianchini (Ancona, 1937) in 1978. Original colored Etching on paper. Hand-signed in pencil on the lower...

In a Dream is a Contemporary Artwork realized in Italy by Guelfo Bianchini (Ancona, 1937) in 1995 . Original colored Etching on paper. Hand-signed and dated in pencil on the low...

Max Ernst - Birds - Original Lithograph Birds, 1964 Dimensions: 32 x 24 cm From the art review XXe siècle Unsigned and unumbered as issued

The Heretics - from the Series "The Divine Comedy"- Song 9- Hell is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Ali...

The Guardians - from the Series "The Divine Comedy" - Song 8 - Purgatory is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by ...

On the Edge of the Seventh Circle - Song 4 - from the Series "The Divine Comedy" - Hell is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divin...

"Ballet" Black White Photography 16" x 16" in Ed. 1/24 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. ...

The Falsifiers from the Series "The Divine Comedy" is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Not sig...

Mysterious Interior is a colored lithograph realized by the artist Roger Chapelain-Midy in 1973. Hand-signed by the artist on the lower right. Numbered on the lower left. Edition 80...

“Emergence 2” (FRAMED) Photography 24" x 36" inch Edition 1/7 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag American Dreams - From "Park Drive" series The...

Hand signed and numbered by the artist. Etching and aquatint on lana paper. Image size 19.3 x 14.9 in. Frame size approx 29 x 25 in. Edition of 95. Certificate of authenticity includ...

The Growing Feet is an original black and white etching on paper, realized by the artist Antoine Mayo , art name of Malliarakis (1905-1990) in 1977. Signed in pencil on lower right...

"Music is Eternal" Black White Photography 24x24 in Ed 2/15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tu...

'Mad Dash' is a print that exemplifies the work of Joseph Rozman during the 1970s, moving beyond the playful pictographs of the previous decade and morphing into an increasingly surr...

Aquellos Armarios Tinosos is a contemporary artwork realized in 1977. Drypoint and collotype print. Hand signed by the artist and numbered on the lower margin. Edition of 21/200. The artwork belongs to the Series "Les Caprices de Goya...

Salvador Dali - The Grand Inquisitor Expels the Savior Handsigned in pencil and Numbered Edition: F195/195 - Printer: Atelier Rigal. - Paper: Ri...

Personnage sans Tête is an original black and white etching on paper, realized by the artist Antoine Mayo , art name of Malliarakis (1905-1990) in 1977. Hand-Signed in pencil on the lower right margin, artist's proof, as the pencil inscription reports on the lower left margin "E.A. In good condition Antoine Mayo (Port Said, Egypt 1905 - Seine Port1990) Greek painter naturalized French citizen, active from 1924 in France, was a Surrealist artist and a polyhedric artist: painter, decorator, costume, designer, illustrator and much more. His father was Greek and his mother French, friend of Prévert and Desnos, he is also known for his work as a decorator and costume designer of masterpieces such as Les Enfants du Paradis, Golden helmet or Hiroshima my love.

The Growing Feet is an original black and white etching on paper, realized by the artist Antoine Mayo , art name of Malliarakis (1905-1990) in 1977. Signed in pencil on lower right...

Personnage sans Tête is an original black and white etching on paper, realized by the artist Antoine Mayo , art name of Malliarakis (1905-1990) in 1977. Hand-Signed in pencil on the lower right margin, artist's proof, as the pencil inscription reports on the lower left margin "E.A, 2/5 edition. In good condition Antoine Mayo (Port Said, Egypt 1905 - Seine Port1990) Greek painter naturalized French citizen, active from 1924 in France, was a Surrealist artist and a polyhedric artist: painter, decorator, costume, designer, illustrator and much more. His father was Greek and his mother French, friend of Prévert and Desnos, he is also known for his work as a decorator and costume designer of masterpieces such as Les Enfants du Paradis, Golden helmet or Hiroshima my love.

The Divine Back of Gala – 15.75 x 12" image size, signed ‘Dalí’ lower right and annotated lower left. Framed in an ornate gold-tone moulding. M...