Document Figurative Prints

Alphonse Mucha worked mainly as a poster artist and became an influential figure of Art Nouveau in late 1890s, when poster illustrations were emerging as popular art form and new pri...

Kees Van Dongen - Brigitte Bardot - Vintage Exhibition Poster Vintage Brigitte Bardot, exhibition poster for "Les Peintres Témoins de leur Temps" at G...

Original Mudd Club poster, New York 1979: A must have for any true Jean Michel Basquiat, Keith Haring collector - this piece is featured in the 2017 Jean-Michel Basquiat documentary, 'Boom For Real.' Promotional poster. 1979. Dimensions: 18x24 inches. Very good overall vintage condition condition; some minor fading consistent with age. Provenance: Obtained directly from the original art designer. The Mudd Club was founded by filmmaker Steve Mass, art curator Diego Cortez, and downtown punk scene figure Anya Phillips in 1978. Mudd Club featured an art gallery curated by Keith Haring on the upper floor. Live performances by New York No Wave bands such as, DNA, the Contortions, Talking Heads & Basquiat's band Gray. On the dance floor, DJs, Anita Sarko and Johnny Dynell played an eclectic mix of punk, funk and curiosities. From the start it functioned as an antidote to the uptown disco glitz of Studio 54. Six months after it opened, the Mudd Club was mentioned in People: "New York's fly-by-night crowd of punks, posers and the ultra-hip has discovered new turf on which to flaunt its manic chic. It is the Mudd Club ... . For sheer kinkiness, there has been nothing like it since the cabaret scene in 1920s Berlin". After its first few years, Studio 54 celebrities like Andy Warhol, Grace Jones and David Bowie began to show up. In 1981, the Mudd Club's Steve Mass began showing up at the more informal Club 57 on St. Mark's Place, and began hiring Club 57 regulars including Keith Haring to help attract the downtown art & music scene. The Mudd Club was frequented by many of Manhattan's emerging emerging cultural figures, such as, Lou Reed, Johnny Thunders, David Byrne, Debbie Harry, Arto Lindsay, John Lurie, Nico with Jim Tisdall, Lydia Lunch, X, the Cramps...

Henri de Toulouse-Lautrec La Passagère du 54 - Promenade en Yacht (The Passenger of 54 – Yacht Ride), 1896 is captivating work featuring a woman lounging unaffectedly in a striped ch...

Alphonse Mucha worked mainly as a poster artist and became an influential figure of Art Nouveau in late 1890s, when poster illustrations were emerging as popular art form and new pri...

IIIII Will Always Love You By The Connor Brother The Connor Brothers are a British artistic duo, originally known for presenting themselves as fictional American twins raised in a ...

Alphonse Mucha (Czech, 1860-1939) Lorenzaccio Theatre De La Renaissance. Printed: 1896 Printed By: F. Champenois, Paris Signed in plate; Mucha, F. Champenois, Paris Lithograph paper ...

Amy Wilson received her BFA from the School of Visual Arts, New York, in 1995 and her MFA from Yale University in 1997. Her drawings explore the tensions between her inner life and t...

Chas Laborde (1886-1941), Tendres Stocks: The Complete Etchings, c. 1924, etching, engraving, colored etching proofs before publication of the book. A suite of 13 impressions in black and white, and 13 in color; 26 in all; impressions printed before the book edition of Tendres Stocks by Paul Morand...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino poster...

Alphonse MUCHA (after) Exhibition "Grand Palais" in Paris, 1980 Vintage Exhibition Poster Hi-Quality offset print On nice paper 60 x 40 cm (c. 24 x 16in) Very good condition, light...

Alphonse Mucha (Czech, 1860-1939) Lorenzaccio Printed: 1896 Printed By: F. Champenois, Paris Hand signed in lower left. Signed in plate; Mucha, F. Champenois, Paris Lithograph paper ...

Full Moon Night (from "In the Floating World" series) Fuji Xerox copy print Signed, dated, and numbered 11/50 in pencil. Image: 29.5 x 41.5 cm. Sheet: 29.5 x 41.5 cm. BSS No. : E-199...

Composition - Vintage Poster is an original artwork realized for Exhibition at Maurice Garnier Gallery by Bernard Buffet in 1942. Offset and Lithogra...

Pojdziesz Ponad Sadem - Vintage Poster is a vintage poster realized by Unknown Artist, in 1974s. Mixed colored offset print. The artwork represented a Polish film poster. Director...

Raymond Pettibon Black Flag 1984: Rare early 1980's Black Flag promotional poster illustrated by Raymond Pettibon for the seminal Black Flag record: My War. A striking, historic 1980s Raymond Pettibon Black Flag poster sure to standout in any setting. Offset printed punk poster...

Original Vintage Poster, issued 1987 by the ETH in Zurich on the occasion of its exhibition on Le Corbusier's famous – and revolutionary – Villa Savoye, c...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...

Show Me An Ex and I'll Show You A Why By The Connor Brothers The Connor Brothers are a contemporary British art duo known for blending fiction with reality, often creating works th...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...

Harper's May (Plate 115) is an 1898 lithograph of Edward Penfield's poster, printed at Imprimerie Chaix by Jules Chéret and included in the famed collection of Belle Époque posters 'Les Maîtres de l'Affiche.' From the deluxe edition of 100 printed on japon - total edition size unknown. Framed in an ornate, gold-tone frame. Designed by Edward Penfield for a May edition...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino poster...

Porozmawiajmy o kobietach (Carnal Knowledge) is a vintage poster realized by Mucha Ihnatowicz, in 1974s. Mixed colored offset print. The artwork represented a Polish film poster. ...

Zodiac Signs - The Ram is original Black and white woodcut print, realized by Italian artist Piero C. Antinori. Excellent condition. Written on the lower left; Original woodcut by ...

Zodiac Signs - Virgo is original Black and white woodcut, realized by Italian artist Piero C. Antinori. Excellent condition. Written on the lower left; Original xilography of Piero...

Raymond Pettibon 1986-2001 poster/announcement cards: A curated set of 4 vintage Raymond Pettibon illustrated announcement cards plus a copy of Picturebook, a 1993 art publication (with a Raymond Pettibon original poster inside). Medium: 4 offset printed announcement cards, 1 fold-out poster. Dimensions ranging from: 4.25x6 inches to 11x17 inches. Condition: Each in good to very good overall vintage condition with some minor signs of handling. Each unsigned from an edition of unknown. Included in the collection: - Raymond Pettibon, Feature gallery, New York, NY, February 18-March 18, 1989. - Raymond Pettibon, A&P Gallery Closing Announcement, New York, NY, October 3, 1986. - Raymond Pettibon Poster...

Alphonse Mucha (Czech, 1860-1939) Sarah Bernhardt "Gismonda", 1895 Original Lithograph IMPRIMERIES LEMERCIER, PARIS Paris, France color lithograph signed "Mucha" within the plate (lo...

Poster of Sarah Bernhart Playing Hamlet. Paris. Mint condition. Linen-backed. Sarah Bernhardt's groundbreaking portrayal of Hamlet, performed in French, is masterfully captured in Alphonse Mucha's poster. Mucha emphasizes the play's themes of vengeance and mortality, depicting the ghost of Hamlet's murdered father haunting the ramparts of Elsinore in the background, while the tragic drowned Ophelia, adorned with flowers, rests in a coffin-like panel at Hamlet’s feet. This powerful image marks Mucha's final poster commission that depicts the celebrated French actress. The vintage poster is linen-backed and is in excellent condition. Bernhardt famously played Hamlet in 1899, becoming the first woman to embody the role on stage and later in a film adaptation. Her bold interpretation challenged conventional gender roles and pushed the boundaries of performance, establishing her as a pioneer in both theater and early cinema...

7 volumes, complete. Six 8vo volumes (292 x 190 mm), and one 4to (Huitieme année, 1919, 310 x 245 mm). Publisher's pictorial paper board portfolios, patterned endpapers, housing loos...

Eduardo Recife Death to self, 2018 Archival Pigment Print Unframed 56 x 40 inches Edition of 5

Le Cento Immagini di Andy Warhol By Andy Warhol Andy Warhol, a leading figure in the Pop Art movement, revolutionized the art world with his iconic works that celebrated consumer c...

"Fashionable Boulevard Montmartre" is an original lithograph poster by Pierre Laurent Brenot. This piece depicts four figures in fashionable costumes in a variety of dynamic poses. T...

Red Grooms Grand Central Terminal (signed and inscribed to renowned attorney), 1993 Offset lithograph poster (signed and inscribed in marker to Herbert Nass) Signed, inscribed to Her...

Jonas Wood 24 Tennis Court Drawings book (hand signed, inscribed to Kevin and dated by the artist) Hardback monograph (signed, inscribed and dated 2003) 13 1/2 × 9 1/4 × 2/5 inches M...

Raymond Pettibon, 'Black Flag Live ‘85 Loose Nut': Folding double-sided merchandise flyer illustrated by Raymond Pettibon for SST Records advertising...

A lithographic poster created for an exhibition of the work of Marc Chagall hosted at the Musée d’Art Moderne of Ceret, France, in 1968. It was reproduced by Mourlot Master Printer ...

Original World War Two, U. S. Military poster: ME TRAVEL? … NOT THIS SUMMER, VACATION AT HOME. Artist Albert Dorne. This is the large format printing (26" x 37") of this poster...

Filix Lochard. Kinalys -Aperatif -Ideal Les Fiils Severac - Bordeaux (monopole). Ca 1930. Color lithograph. On Linen. Advertisement for a Bordeaux Aperatif.

This double-sided lithograph by Paolo Garretto features a Vanity Fair cover "The Face Off" on the front and a Camel Cigarette ad on the back. It was pu...

Original 1995 Absolut “Mardi Gras, West Hollywood” Linen-Backed Poster — 19 x 28" An iconic piece of 1990s design culture, this original Absolut Vodka poster—“Mardi Gras...

Jean-Emile Laboureur (1877-1943), Le Souper des Dockers, engraving, 1919-1920, signed in pencil lower left, titled lower left, and numbered (27/35) lower right. Reference: Laboureur ...

"Dolly" is an original color lithograph poster by The Clérice Frères (The Clérice Brothers), signed within the composition on the lower left edge, just ...

Palais Des Papes, Tete De Femme By Pablo Picasso 1978 Medium: Lithograph Paper Size: 29.75 x 20 inches ( 76 x 51 cm ) Image Size: 20.5 x 15.5 inches ( 52 x 39 cm ) Edition Size...

"Sixieme Biennale de Peinture" is an vintage Picasso exhibition poster printed in 1966 by Mourlot. It depicts a Picasso painting from 1965 and advertises a Biennial exhibition of pai...

The illustrated title page to The English Dance of Death, designed and etched by Thomas Rowlandson, one of the most celebrated British caricaturists and satirical artists of the late...

A lithograph by Icelandic Pop artist Erro. Like many other noteworthy Pop artists, Erro drew inspiration for his style and subjects from popular media, focusing mostly on comic books...

Floating Books is a lithograph on paper with an image size of 3.5 x 2.5 inches, initialed 'FMB' lower right and annotated lower left, framed in a contemporary silver and dark gray fr...

“Mozart en France” – Original French Exhibition 1956 Poster, Linen-Backed. Grade A- condition, ready to frame. Fold marks restored. A striking, authentic mid-century poster creat...

Mid-century French transatlantic liner menu with printed illustration by French artist Jean Adrien Mercier. Signed in the print, top left and dated 1956 inside centre. This highly c...

Le Cenacle is an 1897 chromolithograph of Victor Mignot's poster, printed at Imprimerie Chaix under the direction Ernest Maindron and G. Boudet for the lauded poster collection 'Les ...

This exquisite lithograph and pochoir after Marc Chagall (1887–1985), titled Les amants de la Tour Eiffel (The Lovers of the Eiffel Tower), from the folio Couleur amour, 13 Aquarelle...

The original World War II propaganda poster "Belgium Fights On" is a powerful, dramatic example of wartime rallying art, created circa 1942 and published by the Belgian Information C...

Epinal Print Battalle De Fleur US is a Hand-colored lithograph probably realized by Francis Pellerin of the 19th century. It depicts the Battle of Fleurus, a significant engagement ...

This exquisite lithograph by Marc Chagall (1887–1985), titled L’Offrande (The Offering), from the album The Lithographs of Chagall, Volume I, originates from the 1960 edition publish...

Andy Warhol Retrospective 1990 Vintage Pop Art Poster By Andy Warhol Andy Warhol, a leading figure in the Pop Art movement, revolutionized th...

Dakar By Pablo Picasso 1972 Medium: Lithograph Paper Size: 30 x 21 inches ( 76 x 53 cm ) Image Size: 22.25 x 17 inches ( 57 x 43 cm ) Edition Size: 800

Artist: PUNK Title: Sweet Tooth Medium: Signed Numbered Limited Edition Giclée on Paper Edition Size: 10 Image Size: 34” x 54” Framed Size (Approx.): 41” x 61” Colorful, nostal...

Original North Coast Wine Country California vintage vineyard travel poster. The artist Earl Thollander. Size 24.25” x 30”. Archival linen backed in good condition. Grade A- A repaired tear along the bottom was restored during linen backing and is inconspicuous. Celebrate Your Passion for Wine: Show off your love for wine culture while honoring California's North Coast’s rich history as one of the world’s premier wine regions. This poster represents the artistry and heritage behind each glass of wine you enjoy. Capture the Essence of California Wine Culture in 1975 Transport yourself to the golden era of wine-making with this authentic vintage 1975 North Coast Wine Country poster, a must-have for those who love wine, history, and timeless art. Featuring a design that exudes classic California vineyard...