Drawing Figurative Prints

L'incommunicabilité is an original litograph realized after Aubrey Beardsley (1970). The drawing is part of a 1970 "Eyes Open" edition, published in 499 specimens. Specimen on Japo...

Rafael Paneca (Cuba, 1949) 'Untitled (from Porfolio Grabados Cubanos)', 1978 silkscreen on paper Canson 320 g. 23.6 x 17.6 in. (59.8 x 44.6 cm.) Edition of 200 ID: PAN-301 Hand-signe...

WOMAN LONG DARK HAIR is an original hand drawn (not digitally or photo reproduced) limited edition lithograph by the artist Raphael Soyer - Russian/American Social Realism...

Leonor Fini - Pregnant - Original Handsigned Lithograph Circa 1982 On colored paper Handsigned and Numbered Edition: 275 Dimensions: 69 x 52.5 cm Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery. Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau. A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...

Black and white iithograph realized by Franco Marzilli. Hand signed in pencil. Edition of 100. Not numbered.

Still Life from the series "Antiquities of Herculaneum", is an etching on paper realized by Various artists in the 18th Century. Signed on the plate. Good conditions except for som...

Leonel Maciel (Mexico, 1939) 'Kapamu', 2005 silkscreen on paper Velin Arches 300 g. 15.4 x 21.3 in. (39 x 54 cm.) ID: MAC-301 Unframed

Helen Greene Blumenschein was born in Brooklyn into a parents who were already professional artists. The family moved to Taos when Blumenschein was ten and they became part of the a...

L'Académie de Paris (The Academy in Paris). Etching on Arches wove paper (watermark), 1971. Signed and numbered 184/250 A. Plate 42.5 cm x 59.5 cm. Sheet approx. 56.5 cm x 75.5 c...

A set of 8 erotic early 20th Century wood engravings on arches paper, a limited edition, number 241 of 1000, by Andre Rouveyre. Produced by Kauffmann on...

Raul Anguiano (Mexican, 1915-2006) 'Desnudo doble', 2005 Etching, aquatint and sugarlift 103 x 73 cm. (40.6 x 28.7 in.) Edition of 50 Unframed Pristine condition Hand-signed in penc...

Alexis Kcho Leiva (Cuba, 1970) 'La Jungla 1', 2003 aquatint on paper Guarro Biblos 250g. 24.1 x 29.2 in. (61 x 74 cm.) Edition of 50 Unframed ID: KCH-102 Hand-signed by author

Caroline Durieux's image captures a lone figure in her garden in this southern plantation in Louisiana. "Plantation Garden" is a lithograph created by Durieux in 1946 in an edition of 20. It is signed in pencil. Durieux shared her feeling about this piece with these reflections. “The spectrum analysis of satire runs from the red of invective at one end to the violet of the most delicate irony at the other.” David Worcester 16, "The Art of Satire". The feeling expressed in Plantation Garden is that of a dirge with ironic overtones; it is sad, nostalgic yet satirical. The bent figure of the old lady, the ancient trees, the static moss, all seem to belong to the past; even the lady is old. For contrast, a ray of late afternoon sun lights up the only young note in the picture: perennials in the foreground. When “we are satirical and we are friendly at the same time, the consciousness of the friendship gives a regretful and tender touch to the satire, and the sting of the satire makes the friendship a trifle humble and sad.” George Santayna 255, "The Sense of Beauty". This concept of satire mixed with friendship comes closer to humor because there is less censure involved. In "Plantation Garden", the satire is tempered by a feeling of empathy. Caroline Durieux (American, 1896 – 1989) Printmaker, painter, satirist, innovator, social activist, Caroline Durieux was born in New Orleans and was already making sketches by the age of four. Her formal art training was at Newcomb College (1912-1917) and the Pennsylvania Academy of Fine Arts (1918-1920). Carl Zigrosser of the Philadelphia Museum of Art encouraged Durieux to try lithography. While living in Mexico, she learned lithography from Emilio Amero...

Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....

Roberto Fabelo (Cuba, 1950) 'S II', 2002 silkscreen on paper Guarro Biblos 250g. 44.1 x 30 in. (112 x 76 cm.) Edition of 100

This exquisite lithograph by Fernand Leger (1881–1955), titled La Partie de Campagne (The Country Outing), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 27–28, originates...

This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 74 (Plate 74), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...

Windisch & Cole 2145 The edition of 250 was published by Associated American Artists, and this impression is signed, titled, and numbered, in pencil. Francisco Toledo (1940-2019), a ...

Albert Einstein portrait, "A L E", a color collotype print, watercolor by Lilya Vorobey (American, 20th C). Unsigned. From a collection of her works. On mat board. Image, 9.75"H x 7....

Still Life is a vintage lithograph realized after Raoul Dufy in 1920. Good conditions. Edition of 110. Not signed and not numbered, as issued. The artwork is depicted through conf...

Marc Chagall (1887-1985) - Blue and Black Bouquet Original Lithograph from 1957. Dimensions of work: 23 x 20 cm. Publisher: Maeght Éditeur, Paris. The work is in Excellent condit...

Etching on paper.
 Hand-signed and numbered by the artist.
 Paper size: 52 x 44 cm
 Framed 57.3 x 48.5 cm Edition of 65 Henry Moore’s Mother and Child...

Cantedeskia - Linocut Black and White XXI century, Linocut, Flower, Figurative Art 5/50 Signed, numbered MARTA BOZYK (1973). A graduate of the Graphic Department of the Academy of...

Cathedral II is an original black and white etching by the German artist Fritz Baumgartner. In very good conditions, except for some small diffused foxing ner the margin that doesn't affect the image. The artwork represents a cathedral through strong and confident strokes in a well-balanced composition with perfect hatchings. Fritz Baumgartner (Aurolzmümnster 1929 / Austria - Munich 2006). Austrian painter and graphic artist, naturalized German, Fritz Baumgartner, is an incredible interpreter of neo cubism...

Ian Fleming Title: Symbol 2 - Eternal Woman Medium: Etching and Aquatint on paper Year: 1977 Size: 19 x 22 inches (48.26 x 55.88 cm) Edition: 50 Signed, numbered, dated and inscribed by hand COA provided Framed in a simple silver metal frame Ref.: Peacock Archive, 1988. Aberdeen Archives, Gallery & Museum, Scotland Ref.: 924802-861 ----------------------- Ian Fleming (1906, Glasgow - 1994, Aberdeen, Scotland) Fleming was born in Glasgow and studied at the Glasgow School of Art. He began printmaking at art school, and Glasgow Art Gallery bought two of his prints while he was still a student. In 1928, Fleming made his first engraving while working with Charles Murray, and he soon became a highly-skilled engraver. While lecturing at the Art School from 1931, Fleming met William Wilson, the Edinburgh-based printmaker and stained glass artist. They became friends, and their work was mutually influential. He also taught Robert Colquhoun...

Francesco Bartolozzi (1728 Florence - 1815 Lisbon), Putti in an allegorical love game, around 1764. Crayon engraving on laid paper after a drawing by Guercino, 21 cm x 29 cm (plate s...

This exquisite lithograph after Marc Chagall (1887–1985), titled Carmen, from the album Le plafond de l’Opera de Paris par Marc Chagall (The Ceilin...

Lithograph on vélin papier pur chiffon paper. Paper Size: 10 x 7.375 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Les chants de Maldoror, illustrat...

Yves BRAYER Rape of the Sabine Women Original etching Printed signature in the plate On Arches vellum 30 x 25 cm (c. 12 x 10 inch) Printed in Haase...

Lithograph realized in 1970s, after the original work by Toulouse-Lautrec of 1896. Limited edition of 1000. Excellent condition.

Shore Break by Rod Nelson [2021] limited_edition and hand signed by the artist Woodcut Print on on Somerset Satin 300gsm acid free paper Edition number of ...

Ex Libris - The Mermaid is an Artwork realized in Mid 20th Century.                                                                  Woodcut print on ivory paper. Good conditions. ...

This exquisite etching by Marie Laurencin (1883–1956), titled Trois jeunes filles jouant a l'arc (Three Young Girls Playing with a Bow), from the album Dix filles dans un pre. Ballet imaginaire. Avec quatre gravures a l'eau-forte de Marie Laurencin (Ten Girls in a Meadow. Imaginary Ballet. With Four Original Etchings by Marie Laurencin), originates from the 1926 edition published by Au Sans Pareil, Paris, and printed by Lacouriere, Paris, 1926. Trois jeunes filles jouant a l'arc reflects Laurencin's poetic vision and her lyrical treatment of form and femininity, embodying the grace and delicacy that defined her distinctive style during the height of the Parisian avant-garde. Executed as an etching on velin d'Annonay, des freres Montgolfier paper, this work measures 7.5 x 5.5 inches. Unsigned and unnumbered as issued. The edition exemplifies the fine craftsmanship of Lacouriere, Paris. Artwork Details: Artist: Marie Laurencin (1883–1956) Title: Trois jeunes filles jouant a l'arc (Three Young Girls Playing with a Bow), from the album Dix filles dans un pre. Ballet imaginaire. Avec quatre gravures a l'eau-forte de Marie Laurencin (Ten Girls in a Meadow. Imaginary Ballet. With Four Original Etchings by Marie Laurencin) Medium: Etching on velin d'Annonay, des freres Montgolfier paper Dimensions: 7.5 x 5.5 inches (19 x 14 cm) Inscription: Unsigned and unnumbered as issued Date: 1926 Publisher: Au Sans Pareil, Paris Printer: Lacouriere, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album Dix filles dans un pre. Ballet imaginaire. Avec quatre gravures a l'eau-forte de Marie Laurencin (Ten Girls in a Meadow. Imaginary Ballet. With Four Original Etchings by Marie Laurencin), published by Au Sans Pareil, Paris; printed by Lacouriere, Paris, 1926 Notes: Excerpted from the album (translated from French), XX examples on tank velin, with a double sequence of engravings, including one in the first state. These examples, reserved for Friends of the publisher and printed in their name, are numbered from I to XX; XXXV examples; LX examples on Holland Van...

Gerhard Andrées Two Opposing Views Meet (Zwei entgegengesetzte Betrachtungen begegnen sich) Lithograph Paper size: 25" x 19" (64 x 48 cm) Numbered 23/...

Luis Miguel Valdes (Cuba, 1949) 'Homenaje a Dominguin II', 2006 etching, aquatint, sugarlift on paper 21.3 x 27.4 in. (54 x 69.5 cm.) Edition of 20 Unframed ID: VAL-130 Hand-signed b...

Etching, realized by Sergio Barletta in 1960s. Hand-signed in the lower right. Edition of 50. Excellent condition. Sergio Barletta (1934) is an Italian cartoonist and illustrator...

Auguste Rodin, French (1840 - 1917) - Victor Hugo, de Face (State 6), Year: 1885, Medium: Etching, signed in the plate, Image Size: 9 x 6.25 inches, Size: 17.25 x 11.75 in. (43.82 ...

Construction d’un temple – Plate n. 11  is a b/w original etching and dry-point  realized in 1973 (as stated on plate on the lower right margin) by Paul Delvaux. From the collection...

Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Voyages fantastiques aux États et empires de la l...

Signed and dated on the plate. Utrillo was an important exponent of the Post-Impressionism. Perfect conditions. Passepartout included : 49 x 34 cm Image Dimensions : 12 x 9 cm This ...

Angel Ramírez (Cuba, 1954) 'El rey', 2001 silkscreen on paper Fabriano 300 g. 25.4 x 34.1 in. (64.5 x 86.5 cm.) Edition of 20 ID: RAM-101 Unframed

Uses and Customs - Rovine della Minerva Medica is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " His...

Benares, India Artist: M.Sherlock (1897-1973) Medium: Etching Date: c 1920 Size Mounted: 53 x 37 cm Size Plate: 34.7 x 22 cm Marjorie Sherlock was part of a group of women artists ...

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Féerie et Le Royaume, Lithographies Originales de Marc Chagall, 1972...

Carlos Rene Aguilera (Cuba, 1965) 'Alistando la expedición', 2001 etching, aquatint on paper 30 x 22.1 in. (76 x 56 cm.) Edition of 30 ID: AGC-101 Unframed

Hurst 166. 6 7/8 x 11 3/4 (sheet 9 x 13 1/2). Edition 75, #73. A rich impression with dramatic plate tone, printed on cream laid paper with a foolscap watermark. Signed and numbered ...

Plate #8 from Gustav Klimt's 1907 "Dialogues of the Courtesans" portfolio, consisting of 15 collotypes on cream japon paper. The drawings in this folio are said to be studies for Kli...

"Nelson Dominguez (Cuba, 1947) 'Madre (gris/victor guadalajara detras)', 2005 mixed media on paper Velin Arches 300 g. 19.7 x 19.7 in. (50 x 50 cm.) Prueba de Estado (P.E) ID: DOM-211"

The Horse that Wanted Revenge on the Stag is an artwork realized bySalvador Dalì, 1974. Etching and drypoint with stencil. Printed by Atelier Rigal. Edition XIV/CXX on Auvergne pa...

Marc Chagall (1887-1958) Bible : David ascending the hill of olives (David montant la colline des oliviers), 1939 Original etching Printed signature in the plate On Montval vellum, ...

Ancient Roman Fresco from the series "Antiquities of Herculaneum", is an etching on paper realized by Giovanni Morghen in the 18th Century. Signed on the plate. Good conditions w...

Thomas Parr, who died at the age of 152 years. "The old very old man or Thomas Parr, son of John Parr of Winnington in the Parish of Alberbury who was born in the year 1483 in the ...

Clean & Pristine Death on Horse Archival Pigment Print on Heavy Paper 2021 16.5 x 11.75 inches Signed by hand, Stamped COA provided

Etching hand colored realized by Christoph Suhr in 1808. Belogs to the Series "Der Ausruf in Hamburg vorgestellt in ein hundert und zwanzig colorirten Blättern". Beautiful engravin...

Covarrubias, Miguel. LINDY HOP. Lithograph, 1936. AAG edition (usually about 200), with their label preserved and attached to the back of the mat. Unsigned a...

Artist: Ben Shahn, American (1898 - 1969) Title: Beside the Dying from the Rilke Portfolio Year: 1968 Medium: Lithograph, signed in the plate Edition: 750 Size: 22.5 x 17.75 in. (57...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

Medium: Lithograph on vélin Hamilton Kilmory paper Year: 1947 Paper Size: 9.5 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Rembrandt, Drawings...

Medium: Lithograph on vélin paper, hinged on archival backing paper, as issued Year: 1967 Paper Size: 17.32 x 14.17 inches (backing paper size) Inscription: Unsigned and unnumbered, ...

The Loop II was created in a small edition of 15. The Loop is a vibrant area featuring eclectic eateries, shops, theaters and parks. Comprised mostly of high-rises, it’s also home to the 108-story Willis Tower. The iconic “Cloud Gate...