Interior Prints

EUGENE ABESHAUS Leningrad, Russia, (1939-2008) Hand-Colored, with watercolor painting, Etching hand signed in pencil in English and Hebrew Numbered 47/110 Framed 21.5 x 16. image 13.5 x 9 Eugene Abeshaus (also spelled Evgeny Abezgauz, Евгений Абезгауз in Russian; 1939–2008) was a Jewish artist who worked in Russia (then USSR) and Israel. Born in Leningrad to a typical intelligentsia family, Abeshaus was educated as an electrical engineer but soon abandoned this career and enrolled in the Mukhina School for Applied Art. By the time of his graduation from the famous “Mukha” (Fly in Russian), he had already developed a critical stance towards the official Soviet art dominated by the Communist ideology and began exhibiting at semi-underground exhibitions. This was culminated by his taking part in a famous 1975 exhibition at the Nevsky Palace of Culture. Abeshaus was fired from his job and censured by the official press – which however admitted his "artistic taste, a good sense of color and form". Soon afterwards, Abeshaus set up, together with several Jewish artists, the Alef Group and became its leader. The group’s first exhibition in November 1975 was held at Abeshauses’ small apartment. According to the Alef Manifesto written by Alek Rapoport, “We are trying to conquer the influence of small-town Jewish art and find sources for our work in deeper, wiser, and more spiritual European culture, and from it build a bridge to today and tomorrow". He was part of a generation of Russian, mostly Jewish artist's that included Oskar Rabin, Evgeny Rukhin...

This is a classic New-Deal image: claustrophobic sweatshop with a row of hunched tailors. The windows and lamps offer light at least. But there is a major difference between this and...

Part of Richard Heeps 'Ordinary Places' Series, it captures Britain on the brink of change. It was Richard's first colour series and it achieved much success with an exhibition at th...

From Richard Heeps Dream in Color series a cinematic scene, a doorway in a motel in Nevada on an American road trip. Warm evening sunlight glows casting shadows across the picture. ...

Philip Guston at David McKee Gallery (pencil signed by Philip Guston), 1974 Lithograph and offset lithograph poster Signed in graphite pencil under the image 24 1/2 × 20 inches Unframed, unnumbered Rare vintage lithographic poster of 1974 Guston exhibition at David McKee Gallery Signed under the image in graphite pencil by Philip Guston Another hand signed edition is in the permanent collection of Vassar College; otherwise we haven't seen another besides the present work; a true collectors item when hand signed by the artist. Philip Guston Biography Philip Guston (1913 – 1980) is one of the great luminaries of twentieth-century art. His commitment to producing work from genuine emotion and lived experience ensures its enduring impact. Guston’s legendary career spanned a half century, from 1930 to 1980. His paintings—particularly the liberated and instinctual forms of his late work—continue to exert a powerful influence on younger generations of contemporary painters. Born in Montreal, Canada, in 1913 to poor Russian Jewish émigrés, Guston moved with his family to California in 1919. Briefly attending the Otis Art Institute in Los Angeles in 1930, he was otherwise completely self-taught. Guston’s first precocious work, Mother and Child, was completed when he was only seventeen years of age. Influenced by the social and political landscape of the 1930s, his earliest works evoked the stylized forms of Giorgio de Chirico and Pablo Picasso, social realist motifs of the Mexican muralists, and classical properties of Italian Renaissance frescoes of Piero della Francesca and Masaccio that he had seen only in reproduction. Painted in Mexico with another young artist, the huge fresco The Struggle Against War and Fascism drew national attention in the US. Guston’s success continued in the WPA, a Depression-era government program that commissioned American artists to create murals in public buildings. While not widely known today, the young artist’s early experiences as a mural painter allowed a development of narrative and scale that he would draw upon in his late figurative work. In the early 1940s, as the WPA program was ending, Guston found work teaching at universities in the Midwestern United States. In his studio, he was working in oils on easel paintings that were more personal and smaller in scale, focusing on portraits and allegories, like Martial Memory and If This Be Not I. His first solo exhibition in Iowa was well received and, within a few years, he was offered his first solo show in New York City. Guston was awarded a Prix de Rome, allowing him to leave teaching and spend a year in Italy, studying firsthand the Italian masters he loved. By the time he had finished The Tormentors, Guston’s move to abstraction was all but complete. On his return from Italy, he continued dividing his time between the artists’ colony of Woodstock in Upstate New York and New York City, which was then emerging as the center of the postwar art world. He rented a studio on 10th Street, where abstract expressionists Jackson Pollock, Willem de Kooning and Mark Rothko also worked. For Guston, success was never what mattered most. He was already impatient with the language of pure abstraction and experimenting with larger forms, using a limited palette of grays, pinks and blacks. As his forms became still more reduced, he stopped painting altogether and embarked on a series of simplified abstract “pure drawings” in brush or charcoal. At this juncture, Guston removed himself from the art scene in New York, living and working in Woodstock for the remainder of his life. Guston’s move ­was hardly a withdrawal. Freed from the distractions and formal constraints of the art world and the opinions of critics, he was able to experiment with new forms and to engage more deeply with the issues that mattered to him. The 1960s was a period of great social upheaval in the United States, characterized by assassinations and violence, civil rights and anti-war protests. “When the 1960s came along I was feeling split, schizophrenic,” Guston later said. “The war, what was happening to America, the brutality of the world. What kind of man am I, sitting at home, reading magazines...

Four hand colored etchings and aquatints depicting interiors within English royal residences, including "The Blue Velvet Room at Carlton House", "The Queen's Library at Frogmore", "T...

'Russian - Russe - Russisch' Late 19th century interior design chromolithograph, from Racinet’s ‘L’Ornement Polychrome’, 1887. Published in Paris. Albert Racinet's 'L' Ornement Pol...

Kumasaka Chōhan to Ushiwakamaru is a Japanese Ukiyo-e print created between 1848 and 1854 by artist Utagawa Kunisada (Japanese, 1786-1864). The print is a Diptych, and is part of the...

RANDOM SELECTION 2 is an original hand drawn limited edition lithograph by the British artist, Michael Hasted printed using hand lithography on archival Somerset paper, 100% acid fre...

Original UK Lobby Card of Terence Young´s movie "James Bond 007 - From Russia with love", UK 1963. Actors: Sean Connery Keywords: James Bond, 007, action, Thriller, Great Britain, a...

Vintage American modernist interior scene by Will Barnet. Titled "Interlude". Signed and numbered limited edition from 1982.

"Coffee" the Perfect Meal - Menu - Beverages - Intaglio by Raymond Perez The artwork "Second Course Fish" by Raymond Perez, created one of a group show at San Francisco State Univer...

Victor Vasarely (1906-1997) - Tecoma Lithograph from 1971. Dimensions of work: 48 x 40 cm. Reference: Catalogue Raisonné Vol I par Pedro Benavides n°186. The work is in Excellent...

Part of Richard Heeps 'Ordinary Places' Series, it captures Britain on the brink of change. It was Richard's first colour series and it achieved much success with an exhibition at th...

This vintage lobby card features an iconic moment from Woody Allen’s A Midsummer Night’s Sex Comedy (1982). The close-up shot shows Woody Allen in one of his signature roles, with hi...

'Arabian - Arabe - Arabisch' Late 19th century interior design chromolithograph, from Racinet’s ‘L’Ornement Polychrome’, 1887. Published in Paris. Albert Racinet's 'L' Ornement Pol...

THE DOOR OF JUSTICE is an original, hand drawn, limited edition lithograph by the highly acclaimed African-American woman artist Elizabeth Catlett, master printmaker and sculptor bes...

Shepard Fairey Lotus Angel Screenprint Handsigned in pencil by the artist Unnumbered proof Size 91 x 61 cm (c. 36 x 24 in) Excellent condition

GERTRUDE by the African American woman artist Samella Lewis, is an original hand drawn lithograph printed using hand lithography techniqu...

Artist: Andre Minaux, French (1923 - 1986) Title: Nude in Artist's Studio Year: circa 1970 Medium: Lithograph, signed and numbered in pencil Edition: EA 40 Image Size: 22.5 x 16.5 i...

GUSTAVE BAUMANN (1881 – 1971) THE PRINT SHOP 1910 (Chamberlain 27) Color woodcut signed in pencil. Unnumbed from an edition 100 as published in the Hills o’ Brown Portfolio, (plate 11 of 12). Image 9 x 13 1/8, sheet 10 ¼ x 13 7/8 with deckle edge at the bottom. The print portrays the Brown County...

ABOUT THIS PIECE: Ludwig continues his exploration of his favorite city, Paris with a new series featuring stunning Parisian pools. These public and private spaces display the beauti...

"Winch" British Linocut Grosvenor School Machine Age 1930 Woman Artist Print "The Winch" 1930. 7 3/4 x 11 (sight) inches. Linocut in colors on tissue...

ABOUT THIS ARTIST: Ana Popescu is a French visual artist born in Romania. Her work has a modern charm, celebrating interior and exterior spaces with color ...

CRUSADERS FOR JUSTICE is a rare commemorative fine art poster designed by the renown woman artist, Elizabeth Catlett featuring a portrait of the iconic 20th century civil rights advo...

Starlie Sokol-Hohne (American, b. 1958) was born in Santa Monica, California and completed her studies at UCLA in 1980. Combining images of antiquity with contemporary mixed media pr...

Artist: John Grillo, American (1917 - 2014) Title: Kaleidoscope V Year: 1980 Medium: Screenprint, Signed and Numbered in Pencil Edition: 200, AP 30 Image Size: 22 x 29.5 inches...

Stamped verso with certification of authenticity for Jane Voitle Mellin (American, born 1952). and created circa 1975. An atmospheric, sugar-lift aquatint showing a young woman, nud...

Bernard Schardt worked on the the WPA in NYC during the Depression. (During this period, off and on, he lived with friend and colleague Jackson Pollock...

Artist: Victor Vasarely, Hungarian (1908 - 1997) Title: Ter-Ur Year: circa 1980 Medium: Screenprint, signed and numbered in pencil Edition: From the edition of 250 Image Size: 24.5...

Chromolithograph, 1878. The gold colour is actually metallic and shiny. From Frederick William Hulme's 'Suggestions in Floral Design', a late Victorian pattern book for interior des...

ABOUT THIS ARTIST: Ana Popescu is a French visual artist born in Romania. Her work has a modern charm, celebrating interior and exterior spaces with color ...

Richard Heeps series A Short History of Milan began as a special project for the 2018 Affordable Art Fair Milan. It was well received and the artwork has become popular with art buye...

EARTH FLOWERS is an original hand drawn lithograph by the renowned American Pop artist, Peter Max, printed in 1979 in an edition of 165, using traditional hand lithography techniques...

This print featuring Jersey City Apartment (2019) was produced in 2019, in conjunction with the exhibition Jonas Wood at Gagosian, 555 West 24th Street, New York. The exhibition incl...

Taken in Ho Chi Minh City this luxurious mid-century private movie theatre has a stunning colour palette. The symmetry, style and interior design give it that 'accidentally Wes Ande...

Ladies, photograph by Richard Heeps, from his Jersey Shore series. Taken in Wildwood, the historic Doo-Wop Town of New Jersey, this kitsch signage is perfect Pop Art and is typical o...

Original black-and-white lobby card for the film "The Hunchback of Notre Dame" (1939) featuring Charles Laughton and Maureen O'Hara. This vintage cinema memorabilia piece captures a ...

Angel Heart, USA 1987, Director: Alan Parker, Cast: Robert de Niro, Mickey Rourke, The lobby cards would have been displayed inside the cinemas at the time of the film's release. An...

This is a mid 18th century engraved portrait of Abel François Poisson de Vandières, Marquis de Marigny by Jean Georges Wille after a painting by Louis Tocque...

Giacomo da Prato Reggia di Caserta, Italy, 2022 40 x 40 inches edition of 10 Archival Pigment Print Mounted and Framed Certificate of Authenticity

'Telephone II' from Richard Heeps 'Dream in Colour' Series, this cool interiors picture combines bold colours of yellow, black and white, and has a dreamy nostalgic aesthetic. This...

This is a historical photograph of Piazza della Signoria in Florence, Italy, taken in the 1950s. The image captures a lively city scene with numerous vintage cars parked around the s...

Gabriel BELOT Illusion : Boy, Cat and Soap Bubbles, 1922 Original woodcut Handsigned in pencil Numbered /154 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of the ed...

Newspapers on the Table - Still Life Etching on Heavy Paper, #20/150 Black and white etching by Darien Payne (American, b. 1951). This piece is a meticulously detailed depiction of ...

(After) Wassily KANDINSKY Composition Lithograph in colors, 1965 Signed and dated in the plate Frame size : 62 x 50 cm (c. 24,4 x 19.6 inch) Subject size : 48 x 36 cm (c. 19 x 14 in...

Part of Richard Heeps 'Ordinary Places' Series, it captures Britain on the brink of change. It was Richard's first colour series and it achieved much success with an exhibition at th...

THE DOOR OF JUSTICE is a rare poster edition lithograph printed in seven colors using traditional hand lithography techniques (not a photo reproduction or digital print) on heavyweig...

Salvador Dali (1904-1989) - Le cheval de triomphe Lithograph from 1970. Edition of 187/254. Dimensions of work: 68 x 50 cm On B.F.K Rives paper as stated in the Field catalogue. ...

JAMES ABBOTT McNEILL WHISTLER (1834-1903) THE RAG GATHERERS 1858 (Glasgow 29 v/v, - K.23) Etching on laid paper, signed and dated in the plate, image 5 7/8” x 3 ½”, full sheet 8 x...

'Middle Ages - Moyen-Age - Mittel Alter' Late 19th century interior design chromolithograph, from Racinet’s ‘L’Ornement Polychrome’, 1887. Published in Paris. Albert Racinet's 'L' ...

Chromolithograph, 1878. The gold colour is actually metallic and shiny. From Frederick William Hulme's 'Suggestions in Floral Design', a late Victorian pattern book for interior des...

FLOWER BLOSSOMS, LIGHT BLUE VASE is an original hand drawn lithograph by the renowned Chinese born artist Walasse Ting (DING XIONGQUAN, Chinese, 1929-2010) printed on archival Somers...

Original American Lobby Card of Walt Disney’s Movie „ALICE in WONDERLAND“, USA 1951. Alice with the running White Rabbit. Keywords: Animation, Adventure, Family, Fantasy, Musical, C...

Walter Rudolph His photographs are reminiscent of the jet-set photographer Slim Aarons. Walter Rudolph discovered the world as a photographer on the idea, travel was his passion, hi...

Chromolithograph, 1878. From Frederick William Hulme's 'Suggestions in Floral Design', a late Victorian pattern book for interior designers with st...

This artwork titled "Peaches" 1996 is a color off set lithograph by British/American artist Pati Bannister, 1929-2013. It is hand signed, titled and numbered 548/950 in pencil by the artist. Published by Masters Publishing INC, New York. The image size is 17.5 x 21 inches, sheet size is 23.5 x 26 inches. It is in excellent condition. About the artist: Pati Bannister was born in Highgate, England, overlooking London in 1929. Growing up, both of her parents were artists. Her mother painted watercolor landscapes, while her father painted portraits. To help further her natural talents, she took art lessons as a young girl and ultimately went to work for J. Arthur Rank, the movie maker, as an animator.​ At 22 years old, she came to the United States as a governess for a family in Connecticut. Later she became a flight attendant in Florida where she met her future husband, Glynn. Little did she know, he would become the strongest influence in her life as he inspired her to pursue and share her artistic abilities with the public. ​In 1958, Pati and Glynn moved to New Orleans and she started painting portraits in Jackson Square. Eventually, she opened two art galleries located in the French Quarter. In the late 1960's, they moved to the Mississippi Gulf Coast...

"The Doorway of Baalbec" is a 19th century full folio sized duotone lithograph, representing plate 81 in the Egypt and Nubia volumes of David Roberts’ large folio edition, published ...

Together with "Bouteilles" one of the largest and most sought after lithographs by Le Corbusier, printed by Mourlot on Arches after a collage by LC....

Chromolithograph, 1878. The gold colour is actually metallic and shiny. From Frederick William Hulme's 'Suggestions in Floral Design', a late Victorian pattern book for interior des...