Horizontal Interior Prints

The always fashionable Bernard sanders draws a mysterious spaces with well-dressed gentlemen. Signed in pencil.

Personnes Attablées au Café is a black and white artwork realized by the French artist Étienne Bouchaud around the mid-20th century. Etching and drypoint representing some people in...

"Night Moves" - Abstract Etching in Ink on Paper (Artist's Proof) Textural abstract print by Doris Ann Warner (American, 1925-2010). This piece is composed of overlapping fabric patt...

In a tavern. engraver Jan De Visscher (1933-1692) Paper, engraving, 21x25 cm

A Special Place by Ronald Julius Christensen, American (1923–1999) Date: 1980 Lithograph, signed and numbered in pencil Edition of 300 Size: 28 x 36 in. (71.12 x 91.44 cm) Ronald Ju...

Uses and Customs - Interior of the Cathedral of Milan is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe...

Uses and Customs -  a Palace in Lucca is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of t...

“Margaritas” is a lithograph created by Emilio Sanchez in 1997. This impression is signed, titled, and inscribed "12/50" - the 12 print from an edition of 50 impressions. The printed image size is 12.50 x 14.25 inches (31.3 x 35.7 cm) and the paper size is 18 x 20.13 inches - all four paper edges are decked adding a nice option when framed. This print came to us directly from the Emilio Sanchez Estate (circular estate stamp is on verso). Stamped on verso "Estate of Emilio Sanchez." “Best known for his architectural paintings and lithographs, Emilio Sanchez (1921-1999) explored the effects of light and shadow to emphasize the abstract geometry of his subjects. His artwork encompasses his Cuban heritage...

The Bird Cage, No.14, 1947 lithograph 30 x 40 in 76.2 x 101.6 cm signed in the plate From a 1947 gouache and chalk original (53.3 x 48.2 cm), the motif also worked into 'Boy and Birdcage', 1947-48, an oil painting. Scott was teaching at Corsham Court with Clifford and Rosemary Ellis, who had been chosen. The birdcage was originally explored in his 1946 painting 'Robert with Birdcage'. Produced for the first series of Lyons prints, by sixteen artists, it was the most avant-garde image chosen for the standardised sizes 'This was distinguishable as from the other lithographs because it was rendered in a bold artistic style of simple shapes and blocks of flat colour.' 'Tea and a Slice of Art', Charlie Batchelor, Towner Art Gallery, 2007. The lithographs were bought early on by institutions including the V&A, National Galleries of Scotland and British Council, as well as being available in New York with Rudolf...

Moody depiction of a press by Doris Ann Warner (American, 1925-2010). This piece is dark and saturated, giving the impression that the press is located in a dark room. The press is d...

EARTH FLOWERS is an original hand drawn lithograph by the renowned American Pop artist, Peter Max, printed in 1979 in an edition of 165, using traditional hand lithography techniques...

Theo Tobiasse, After, French/Israeli (1927 - 2012) - Coronation, Year: circa 1980, Medium: Poster, Image Size: 20.25 x 26.5 inches, Size: 24.75 x 30.5 in. (62.87 x 77.47 cm), Print...

Tavern is a black and white etching on paper, realized in 1952 by Marcel Gromaire (1892-1971). Monogrammed on plate on the lower left corner. Good conditions except for some foxing...

Monochromatic #02 is part of a series of photographs entitled Monochromatic by Cristian Stefanescu. This black and white abstract geometry series is presenting a dialogue with the elements of perceptions and space. Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs. I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. Cristian Stefanescu, artist, is available for sale online and in our art gallery at Wychwood Art. Oxford based artist Cristian Stefanescu was born in 1968 in Bucharest. He obtained an MSc degree in 1992 at the Technical University of Construction Bucharest, specialisation in Water and Wastewater Treatment followed by the second MSc in 1994 obtained at University of Liège, specialisation in Groundwater Engineering. After having spent more than a decade of his life teaching at the Technical University of Construction Bucharest, Cristian moved from academia to photography working in fashion industry. The passion for photography developed in the early years of college and became a constant element of his life. After long and constant collaborations with fashion brands in Romania, in 2018 Stefanescu moved to London to open his own studio. Photography was born black and white and he chose to continue this tradition, while working on evolving the visual aesthetics of this raw art form rendering his believes. Cristian Stefanescu’s distinctive monochrome photographs are an exploration into the psychological and metaphysical. He captures nature or buildings in specific moments in time – through highly visual heartbreakingly dark images often overlapped with low-contrast minimal landscapes – to create works that stretch the idea of a hypothetical time. His photo installations exist in dialogue with the elements and perceptions of space and time. “Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs.” he has said. “I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. This is perhaps why I love photography, because it is simply a visual capture of something already created in the world and is always changing through our interpretation, it is more like a reflexion of our thoughts.” Always preferring to focus on the space rather than its subjects Stefanescu is obsessive about the contrast of his photography, in order to channel the intensity of light and texture of the storied buildings or nature elements. He documents concrete buildings, using the subject as representative for its physical referents, while considering metaphorically the world as the concrete representation of our emotions. Concrete thinking requires facts and representation about everyday life, palpable objects in a tree dimensional world. Stefanescu uses his photographs to deconstruct and alter reality in order to obtain abstract images, since by definition the abstract thinking involves a mental process and an abstract object does not exist in time or space, but rather exists as a thought, as an idea. “I use art in a reversed process of creation. I believe thought forms what our eyes can see, so I take what was already created by the thought of another and I try to place it back into what is known forever in the mind” he has said. Cristian Stefanescu believes in the energy of every being, of each object or nature element. He upholds that photography renders the ineffable combination of the object’s energy and the photographer’s one while taking a picture. And what is the energy of a photograph? Is it the energy of the space that is framed in the viewfinder, is it the energy of the photographer? I think it is an ineffable combination of the photographer’s energy when he pressed the shutter button and everything that forms the energy of the photographed space...

Clean, balanced etching of cloth hanging over poles by an unknown artist "Jeanetta (e)" (20th Century). Several pieces of cloth or clothing are hanging o...

NV18 is an original minimalist print by Jonathan Moss.The N.V series of unique, one-off, relief prints find their origin in my videos of flas...

Dramatic imagery from Tom Bennett’s series of black and white monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett ...

Confidences is an original artwork realized by Alfred Boulot in the first years of the XX Century. Original Etching on paper. Passepartout included (cm 35 x 50). Signed on plate ...

Etching with extensive hand coloring (making it a unique original work of art) Ira Moskowitz (1912-2001), descendant of a long rabbinical line, was born in Galicia Poland and went w...

"Jerry" - Caricature Portrait Etching A dual portrait in an illustrative, cartoon style by Michael Pauker (American, b. 1957). Two men are portraye...

Veduta di un Tempio Antico, o Ninfeo, alle sponde del Lago di Castel Gandolfo (...) Image Dimensions: 45.5 x 57.5 cm From the collection “Le antichità de’ contorni di Roma”(..), Rome, 1826 by L. Rossini, an artist's proof with sharp details, representing some an Antique Temple, near the lake in Castel Gandolfo. Signed on plate “Rossini dis. e inc.” lower-left corner, with indication of date and place “Roma, 1826”. In very good conditions with some light marks. Luigi Rossini (1790 – 1857) Like Giovanni Battista Piranesi, Luigi Rossini was an architect and his etchings have the same tendency to emphasize the massive constructions of the Ancient Rome. He became famous thanks to his etchings representing Roman landscapes and antique monuments...

23/100, 1974. Paper, lithograph, 43x65 cm

Edition of 120 pieces and many Artist's proofs. Published in the Portafoglio "Tunisiaca 1995: d'aprés Auguste Lumière". Signed, numbered in the bottom with pen with dedication "To Giuseppe Marino".

A wonderful small-scale etching of an artist in the studio by Michael Pauker (American, b. 1957). The artist uses fine line work to highlight this finely detailed interior figural sc...

Interior Meeting is an original etching realized by Cornelis Meyssens ( 1640-1573). Good conditions, except for some foldings. Included a Passepartout: 34 x 49 cm The artwork repres...

“INTERIORS IV : HOTEL PARADISE” Contemporary artist Peter Milton created this etching and engraving in 1987. The printed Image size is 24 x 35.50 inches and the paper size is 30.75 x 41.75 inches. This impression is signed, dated, and titled in pencil, and inscribed “84/175” – the 84th impression of an edition of 175 pieces. “I do love to draw. I feel that I am being granted membership in the Brotherhood of Merlin, conjuring forth some apparition. As a drawing develops, I sense a vague presence coming more and more into focus, something in a white fog emerging and becoming increasingly palpable.” – P. Milton, “The primacy of touch. The Drawings of Peter Milton” “Working in layers, Milton begins with drawings based on people and places, with nods to Western art history and culture. He is a master of the appropriated image, a term that may conjure Andy Warhol and his Pop Art comrades. But Milton steps further back in history, avoiding the Pop sense of cool advertising and popular culture references. Instead, a broader cultural past is tapped through historical photographs of key players, architecture, and locales, which he reinvents by hand. He adds content drawn from his life as an avid reader – always with multiple possible interpretations – thus incorporating deeper meaning in his cinematic worlds. Elements of Greek mythology, classical music, art history, and history coalesce in his images, which embrace the messiness, sorrow, and elation that is life. One is hard-pressed to imagine a more erudite, skilled, passionate, and cheeky soul.” – T. L. Johnson and A. Shafer Peter Milton was born in Pennsylvania in 1930. He studied for two years at the Virginia Military Institute...

New York Map of Days is a limited edition etching by Mychael Barratt. The illustrative style of this piece brings New York, it’s landmarks and endless stor...

The Pope is an original Hand-colored etching artwork realized after Italian artist Bartolomeo Pinelli in 1850. With the description of artwork on the lower i...

Abstracted print by Doris Ann Warner (American, 1925-2010). Nine panes are arranged in a three by three grid, each with a small abstracted scene. There are objects that look like flo...

Still life etching with jars by Doris Ann Warner (American, 1925-2010). Four jars sit on a countertop. Overlapping fabric patterns like cheesecloth are used to create shadows and tex...

Rospigliosi Palace is an original artwork realized by an anonymous artist.. Original print in etching technique. good condition except for some small cutaways on margins. This art...

Woman is an original lithograph realized by Yves Faucheur in the mid-20th Century. The artwork is in good condition. Hand-signed. E.A. (Artist's Proof). The artwork is depicted t...

Chinese Lantern Flowers with Pears is a superbly executed hand drawn, stone lithograph printed using traditional hand printmaking techniques on archival paper 100% acid free. Chinese Lantern Flowers with Pears is a Modern style still life featuring bold orange-red Chinese lantern...

A characterful etching with plate tone by the notable British printmaker, Graham Clarke. The naive scene depicts the heart of the home- the hearth- roaring on a cold winter's evening. A couple can be seen sitting comfortably in his and her chairs...

Provincetown Players is a beautiful black and white lithograph on "C. M. Fabriano" watermarked paper, made by the Swedish illustrator and reporter Adolf Reinhold Hallman in 1959. The state of preservation is excellent. On the back the blue ink stamp "Made in Italy by Adolf Hallman, 54 Via Margutta Roma". at the center of the sheet. Including a white cardboard passepartout, cm 34 x 49. On the lower margin and on the right margin there are black ink hand-written notes, inside the image, the date and the signature “Hallmann”. The inscription that gives the title to the artwork refers to the American theatrical organization began performing in 1915 in Provincetown founded by a nontheatre group of writers and artists whose common aim was the production of new and experimental poetry. In 1916 the group produced in New York City Eugene O’Neill’s Bound East for Cardiff and Thirst, thus launching the career of one of America's distinguished playwrights. So Provincetown Players took up residence in New York City’s Greenwich Village, as Hallman reports on lower margin, and for years thereafter discovered and developed the work of such noted writers, designers, and actors as Donald Oenslager, Kenneth Macgowan, Jasper Deeter, and Paul Green...

Still life with (thomas) Sully and (Andy) Warhol, (French actress Sarah Bernhardt (1844-1923)) Hand signed in pencil, dated 1994 bears gallery label from OK Harris Gallery in New Yor...

Paper Size: 23 x 28.75 inches Edition Size Unknown Near Mint, very light signs of handling Original Serigraph poster designed for an in-store advertising campaign printed in 1982. ...

Image dimensions: 20 x 15 cm. Men in Room is an original etching on paper, realized by an Anonymous artist in the Early 19th Century, following the so-called "Historic Romanticism"....

DRESS REHEARSAL by the woman artist Robin Morris, is an original hand drawn limited edition lithograph(not a photo reproduction or digital print) printed in 13 colors using hand lithography techniques on archival Arches paper, 100% acid free. DRESS REHEARSAL depicts a group of blonde female dancers rehearsing in the dance studio wearing bold black striped color leotards. Dramatic purple arched windows against a pink wall and bold black and white checkered floor...

Title: Grand Lobby, United Palace Theatre, New York City I was raised as a first-generation Greek-American, a son of immigrants. These two distinct and fascinating cultures forged m...

Artist: Hans Bellmer, German (1902 - 1975) Title: Souterrain No. 13 Year: circa 1965 Medium: Lithograph on BFK Rives, signed and numbered in pencil Edition: 100 Paper Size: 19.5 x 26...

Hand signed. Signed and titled on plate. Very good conditions. This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 50 years ago by an a...

Ture Bengtz "Family Scene" Original Pencil Signed Lithograph C.1940 Lithograph dimensions 15.25" wide x 10.5" high Frame dimensions 21.5" wide x 17" high Pencil signed in the lowe...

Interior of Grocery Store is an original Pencil drawing realized by a French artist of the mid 20th Century. The drawing is in good conditions. On a brown paper where on the back t...

Bernard Palissy is an artwork realized by Charles Courtry in 1897. Original etching. Titled and Signed by Charles Courtry and A. Salmon on the lower margin. Place and date on pl...

SAGE AT WINDOW is an original hand drawn lithograph by the renowned American Pop artist, Peter Max, printed in 1980 in an edition of 165, using traditional hand lithography techniques on archival Somerset paper, 100% acid free. SAGE AT WINDOW is a dreamy, abstract black line drawing of a Pop Art interior scene depicting a monk dressed in a rose colored robe peering out a window. His body leans toward the left as he bends to view the reflected mountain landscape visible through the window frame. Freely drawn multi color cattail flowers gracefully arch over a colorful floral sofa...

Cathedral is an original etching artwork realized by the Italian artist Riccardo Tommasi Ferroni (1934-2000). From the edition of 125 copies. Image Dimensions: 34.5 x 49 cm The sta...

"Interior of a House" is an original pencil, china ink and pastels drawing on ivory paper by Anonymous Artist of XIX Century. In very good condit...

"Il Café" 1896s is a splendid lithograph, engraved by the artist André Lynen (1852-1938). The state of preservation of the artwork is excellent. The sign...

"Familar Scene" is an original print in etching technique on ivory-colored cardboard , by Maurice Asselin (1882-1947). In very good conditions. Sheet dimension: 18 x 27.5 cm Image...

Primrose Hill - London by John Duffin is a limited edition print. The scene depicts a stunning panoramic view of Londons greatest sights. John Duffin is a painter and printmaker whos...

Rebecca Skinner’s “Exhausted” is a 24 x 36 inch metal print and is part of her “Transient” series. The color photograph is of an abandoned room with a worn twin bed covered by a fade...

Hand Signed. Artist's Proof. Good conditions.

Cottage Sunrise is a color photograph that captures the sun rising across the lake on a summer day. The scene is framed by the double window of the cottage bedroom. Having one of the...

Idylle is an original artwork realized by Frédérique Jacque in 1892. Original Lithograph on Japan paper. Passepartout is included (50 x 64 cm). Proof N°9 on Japan paper. Signed on...

Image dimensions: 5.6x9.6 cm. Hommage à A. Ardail is a beautiful black and white etching on paper, realized by the French artist Charles Courtry (1846-1897). Of little dimensions b...

Rebecca Skinner’s “The Piano” was photographed in an abandoned train repair yard. The 16 x 24 inch color metal print is of a piano in a state of decay in an industrial landscape with...

Hand signed. Artist's proof. Litograph in 4 colors. This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 70 years ago by an artist who h...

Signed lower right, 'Garcia Fons' for Pierre Garcia-Fons (French, 1928-2016), and inscribed lower left with edition number and limitation, '80/80'; also inscribed, lower left, 'Garci...

Rebecca Skinner’s “Silk Mill” was photographed at an abandoned mill and is part of a series documenting the loss of industry in America. The 20 x 30 inch acid-free, archival, color p...