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Medium: Etching
Dan Flavin, Untitled (Triptych): 3 Aquatint Prints, Abstract Art, Minimalism
By Dan Flavin
Located in Hamburg, DE
Dan Flavin (American, 1933-1996)
Untitled (Triptych), 1996-98
Medium: Set of three aquatints on handmade rag paper
Dimensions: each 50 x 40 cm (19.75 x 15.75 in)
Edition of 60: Each ...
Category
Late 20th Century Abstract Etching Interior Prints
Materials
Aquatint
Mr. B. Masthead- or, enjoying the fresh air for the 304th time
Located in Middletown, NY
From, The Progress of a Midshipman, Exemplified in the Career of Master Blockhead 1860 (plate 4)
London: Thomas Mclean, 1835. Etching with handcoloring in watercolor on cream wove p...
Category
Mid-19th Century Victorian Etching Interior Prints
Materials
Watercolor, Etching
ICE CREAM DESSERTS
Located in Aventura, FL
Hand initialed and numbered by the artist. Etching and aquatint in colors, on handmade paper. Image size: 13.5 X 21.25 in. Sheet size: 22.5 x 31.25 in. Framed. Edition of 50. Artwor...
Category
1970s Pop Art Etching Interior Prints
Materials
Handmade Paper, Etching, Aquatint
$2,962 Sale Price
25% Off
Jonas Wood, Bball Studio - Etching incl. Book and Bag, 2019, Signed Print
By Jonas Wood
Located in Hamburg, DE
Jonas Wood, Bball Studio from 2019 depicts the studio that Wood rented from Ed Ruscha from 2007-2017. This limited edition encompasses an etching in a cardboard case, a hardback edit...
Category
21st Century and Contemporary Contemporary Etching Interior Prints
Materials
Etching
"Le café de la Nouvelle Athènes" French Impressionist Etching
Located in Soquel, CA
"Le café de la Nouvelle Athènes" French Impressionist Etching
Etching of the bustling Café de la Nouvelle Athènes by Jean-Louis Forain (French b. 1852 d. 1931.) A row of men in top...
Category
1870s Impressionist Etching Interior Prints
Materials
Paper, Ink, Etching
La diligence de Beaucaire
Located in Middletown, NY
Paris: Lemerre, 1880.
Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream laid paper with a deckle edge, 6 3/4 x 4 1/2 inches (170 x 112 mm), full margins. Third state (of 3). An illustration from Alphonse Daudet's, Lettres de mon moulin, Paris, 1880. In very good condition with some light uniform toning and two areas of paper tape at the top right and left corners on the verso (from a former mount). With the 1921 J.H. de Bois circular ink stamp in green ink in the lower right margin on the recto (Lugt L.733).
[Bourcard 110].
A note regarding the provenance:
J. H. de Bois was a well known late-19th century modern art...
Category
1880s French School Etching Interior Prints
Materials
Laid Paper, Drypoint, Etching, Aquatint
Allen Jones, Catwalk Fragment - 1998, Etching, British Pop Art, Signed Print
By Allen Jones
Located in Hamburg, DE
Allen Jones (English, b. 1937)
Catwalk Fragment, 1998
Medium: Etching on paper
Dimensions: 53.5 × 38 cm (21 1/10 × 15 in)
Edition of 150: Hand-signed and numbered
Condition: Excellent
Category
Late 20th Century Pop Art Etching Interior Prints
Materials
Etching
Interiors VII: The Train from Munich
By Peter Milton
Located in Middletown, NY
Interiors VII: The Train from Munich
Robert E. Townsend, 1991.
Resist ground etching and engraving with hand refinement in charcoal, pencil, stabilo, and eraser on BFK Rives white wove paper, 20 x 36 inches (507 x 914 mm), full margins. Signed, titled, dated and numbered 51/175 by the artist in pencil, lower margin. A brilliant, inky impression with luminous light and gradient tones. In excellent condition with one extremely minor and superficial spot of light tan adhesive residue on the verso, unobtrusive and not visible on the recto, with no other visible defects. With the blind stamp of the printer, Robert E. Townsend in the lower left margin. An especially fine impression in superb condition. [Milton 113].
When asked about this work in particular, Milton expressed that his favorite images were his darkest images, in theme, mood, and in ink. Milton, who has said that his work is infused with a postmodern awareness of the past, has focused here in a deeply personal way on a segment of history that continues to haunt us all. The work, published in 1991, evokes one of the darkest periods of European history, the eroding and erasing of European culture under fascism, and the eventual total loss of humanity. The Train from Munich is an especially relevant and emotional work for Milton, who created the piece for his wife, Edith, who escaped Munich in 1939 as a child on the fabled Kinderstransport. The Kinderstransport was a desperate rescue effort on the part of the British government to save as many Jewish children as possible by railway before borders closed on the precipice of the Second World War. Children left their parents behind, and boarded the trains alone, leaving the impending doom of Nazi Germany, they arrived in Great Britain as refugees. More than 10,000 children escaped the holocaust via the Kinderstransport. In Train from Munich, the image itself holds an almost immeasurable amount of symbolism; each inch of the matrix is a successful effort to confront this history in a way that is poignant through a series of motifs. We see the Café disappearing into a ghostlike memory of the past, an allegory to the disintegration of culture, while through the windows we can see a rampant, snarling dog; a portrait of Hitler's shepherd, Blondi. Blondi isn't the only notable figure in the composition. Milton has pointed out that the fading figure of the doorman at the Hotel Metropole is modeled after the artist and intellectual Marcel Duchamp, and the face of the young girl peering...
Category
1990s American Modern Etching Interior Prints
Materials
Charcoal, ABS, Engraving, Etching
Interior of the Church of Saint Francis in Bolzano-Etching by Paola Grott-1990s
Located in Roma, IT
Etching realized in 1990s.
Hand signed, numbered and titled.
Edition of 30.
Very good condition.
Category
1990s Contemporary Etching Interior Prints
Materials
Etching
New York Map of Days, Illustration New York Map, Blue Art, NYC, Geography print
Located in Deddington, GB
New York Map of Days is a limited edition etching by Mychael Barratt. The illustrative style of this piece brings New York, it’s landmarks and endless stor...
Category
2010s Contemporary Etching Interior Prints
Materials
Paper, Etching
Scott
s Antiques
Located in San Francisco, CA
This artwork titled "Scotts Antiques" c. 1985 is an original sepia etching by American artist Scott Fitzgerald. It is hand signed, titled and numbered...
Category
Late 20th Century American Realist Etching Interior Prints
Materials
Etching
Monstrosities of 1824; Plate 7
Located in Middletown, NY
London: Thomas McLean, 1835. Third Edition. Etching with hand coloring in watercolor on cream wove paper, 1818 (published August 1st, 1835) 9 1/2 x 13 3/4 inches (240 x 348 mm), full...
Category
Mid-19th Century Victorian Etching Interior Prints
Materials
Watercolor, Etching
Four French Louis XIV period chimney-piece design engravings by Jean Dolivar
Located in Melbourne, Victoria
'Luire de Cheminees a la Moderne nouvellement Invente et Grave par Jean Dolivar.'
Collection of 4 engravings with designs for chimney-pieces. Published in Paris, circa 1670.
210mm ...
Category
Mid-17th Century Baroque Etching Interior Prints
Materials
Engraving, Etching
Points of Departure: Mary
s Turn, by Peter Milton
By Peter Milton
Located in Palm Springs, CA
Peter Milton’s Mary’s Turn reimagines a scene where Mary Cassatt and Edgar Degas engage in a game of billiards, reflecting their real-life friendship and rivalry. Cassatt leans forwa...
Category
1990s Contemporary Etching Interior Prints
Materials
Engraving, Etching
Politics
Located in Plano, TX
Politics (Tonnere de Brest). 1926. Drypoint. Appleby 108. 7 x 9 (sheet 10 1/2 x 15 1/2). A rich impression printed on cream wove paper with full margins. Illustrated: Salaman, Modern...
Category
Early 20th Century Modern Etching Interior Prints
Materials
Drypoint, Etching
$1,250 Sale Price
28% Off
Anglo Parisian Salutations, or Practice par Excellence!
Located in Middletown, NY
A beautiful image of fellowship and esprit de corp with bright handcoloring in watercolor.
London: Thomas Mclean, August 1st, 1835. Second Edition. Etching with handcoloring in water...
Category
Early 19th Century Victorian Etching Interior Prints
Materials
Watercolor, Etching
Les Belles et la Bête: Before the Hunt
By Peter Milton
Located in Middletown, NY
Resist ground etching and engraving on cream wove paper, 22 x 39 inches (558 x 990 mm), full margins. Signed, titled, dated, and numbered 27/160 in pencil, lower margin. With the blindstamp of the printer, Robert E. Townsend, in the lower left margin. A beautiful, richly inked impression of this highly detailed, large image. In very good condition with minor mat tone, extremely minor scattered light surface soiling, and one pin-point sized dot of brown discoloration on the lower left margin, recto, well outside of image area.
[Milton 99].
Milton states that there is a metaphorical evolution at the root of his body of graphic work, and with Les Belles et la Bête, Before the Hunt, he found himself at a crossroads that he viewed as a sort of artistic adolescence, which he felt demanded a natural examination of mysteries of sexual awakening. The image is brimming with fantastical images and metaphors for the confrontation of sexual exploration; a Freudian analyst appears in the left of the image, scattered tableaus of paired figures...
Category
1970s American Modern Etching Interior Prints
Materials
Archival Paper, Engraving, Etching
Rococo design for a gate, German mid 18th century etching
Located in Melbourne, Victoria
Rococo design for a gate, etching, by Joseph Baumann (active 1740-1760), circa 1750.
Published by Martin Engelbrecht (1684–1756).
Similar works ar...
Category
Mid-18th Century Rococo Etching Interior Prints
Materials
Engraving, Etching
Those... Plants Howard Hodgkin red orange green etching watercolour gouache
Located in New York, NY
Around each corner of the print, a brilliant stripe of green outlines the image field, as if the viewer were looking through an eye, or peering through a frame. The back of a figure’...
Category
Late 20th Century Abstract Etching Interior Prints
Materials
Watercolor, Gouache, Etching
Backlighting
Located in New Orleans, LA
"Backlighting" was issued in an edition of 50.
Paolo Ciampini was born in Montopoli in Val d'Arno in 1941. After graduating from the Art Institute of Cascina (Pisa) in 1962, he com...
Category
1990s Contemporary Etching Interior Prints
Materials
Etching
Monstrosities of 1822; Plate 5
Located in Middletown, NY
London: Thomas McLean, 1835. Third Edition. Etching with hand coloring in watercolor on cream wove paper, 9 1/2 x 13 3/4 inches (240 x 348 mm), full margins. With light, fresh color....
Category
Early 19th Century Victorian Etching Interior Prints
Materials
Watercolor, Etching
William Hogarth
s "Analysis of Beauty": A Set of Two Framed 18th C. Engravings
Located in Alamo, CA
The two plates in this set were created utilizing both engraving and etching techniques by William Hogarth in 1753, originally as illustrations of his book on aesthetics, entitled "Analysis of Beauty". Due to their popularity, these plates were later published separately. The publication line in the lower right reads: "Designed, Engraved, and Publish'd by Wm. Hogarth, March 5th 1753, according to Act of Parliament." Hogarth's original copper plates were refurbished where needed by James Heath and engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's copper plates were used for printing. Most were melted during World War I for the construction of bombs.
These large folio sized "Analysis of Beauty" engravings are presented in antiqued gold-colored frames with double mats; the outer silk mats are light brown-colored and the inner mats are dark brown. Each frame measures 27.38" x 31.25" x 1.13". There is one tiny spot in the right margin of plate 1 and another in the lower margin; the latter could be from the printing process. The prints are otherwise in excellent condition.
The "Analysis of Beauty" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Fine Arts Museums of San Francisco.
The first engraving (Plate 1) depicts a courtyard of statues which is filled with some of the most famous works of classical sculpture. The most important sculptures are surrounded by less impressive works. The Medicean Venus (#13) is in the center with a statue of Julius Caesar (#19) to the right, elevated on a pulley with a short, overdressed Brutus stands over the falling Caesar. The Apollo Belvedere (#12) is next. A judge stands to the right with his foot on a cherub (#16). Another crying cherub holds a gallows and wipes his tears with the judge's robe.
A sphinx (#21) and the drunken Silenus (#107) are below the Venus. Michaelangelo's torso (#54) and a statue of Antonius (#6) are seen in the foreground. The Farnese Hercules (#3) and a bust of another Hercules (#4) under two statuettes of Isis are also included in the scene.
The key to these objects is included in the form of a serpentine line winding around a cone (#26), Hogarth's "Line of Beauty". For Hogarth the winding line is an essential element of beauty in art. Hogarth's theory of beauty is communicated in this plate.
Plate 2 is thought to represent the Wanstead Assembly, with the Earl of Tynley and his household. It is an adaptation of a scene in the Happy Marriage series, which complements Hogarth's Marriage à la Mode...
Category
Mid-18th Century Old Masters Etching Interior Prints
Materials
Engraving, Etching
Mr. B. on the Middle Watch- "cold blows the wind
the rain
s coming on."
Located in Middletown, NY
From, The Progress of a Midshipman, Exemplified in the Career of Master Blockhead 1860 (plate 3)
London: Thomas McLean, 1835. Etching with handcoloring in watercolor on cream wove pa...
Category
Mid-19th Century Victorian Etching Interior Prints
Materials
Watercolor, Etching
Le Curé de Cucignan
Located in Middletown, NY
A lovely, dark impression with excellent provenance.
Paris: Lemerre, 1880.
Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream laid paper with a deckle edge, 6 3/4 x 4 1/2 inches (170 x 112 mm), full margins. Third state (of 4). An illustration from Alphonse Daudet's, Lettres de mon moulin, Paris, 1880. In very good condition with some light uniform toning and two areas of paper tape at the top right and left corners on the verso (from a former mount). With the 1921 J.H. de Bois circular ink stamp in green ink in the lower right margin on the recto (Lugt L.733).
[Bourcard 112]
A note regarding the provenance:
J. H. de Bois was a well known late-19th century modern art...
Category
1880s French School Etching Interior Prints
Materials
Drypoint, Etching, Aquatint, Laid Paper
Daylilies, by Peter Milton
By Peter Milton
Located in Palm Springs, CA
Peter Milton’s Daylilies is a haunting meditation on memory, mortality, and the layered complexity of personal and cultural history. Like much of Milton’s work, the print operates le...
Category
1990s Contemporary Etching Interior Prints
Materials
Engraving, Etching
Drury Lane Theatre, London, colour aquatint, 1808, after Rowlandson and Pugin
Located in Melbourne, Victoria
Colour aquatint by Bluck after Thomas Rowlandson and Auguste Pugin.
From the series 'Microcosm of London', published by Rudolf Ackermann, the great Regency publisher of fine colour...
Category
Early 19th Century Naturalistic Etching Interior Prints
Materials
Aquatint
Les Vieux (The Elders)
Located in Middletown, NY
A lovely, dark impression with excellent provenance.
Paris: Lemerre, 1880.
Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream laid paper with a deckle edge, 6 3/4 x 4 1/2 inches (170 x 112 mm), full margins. Fourth state (of 5). An illustration from Alphonse Daudet's, Lettres de mon moulin, Paris, 1880. In very good condition with some light uniform toning and two areas of paper tape at the top right and left corners on the verso (from a former mount). With the 1921 J.H. de Bois circular ink stamp in green ink in the lower right margin on the recto (Lugt L.733).
[Bourcard 113].
A note regarding the provenance:
J. H. de Bois was a well known late-19th century modern art...
Category
1880s French School Etching Interior Prints
Materials
Etching, Drypoint, Aquatint
Electric Donjon, Surrealist Etching from Brodsky and Utkin: Projects 1981 - 1990
Located in Long Island City, NY
Artist: Alexander Brodsky and Ilya Utkin, Russian (1955 - )
Title: Electric Donjon from Brodsky and Utkin: Projects 1981 - 1990
Year: 1990
Medium: Etching on German Rag paper, signed...
Category
1990s Conceptual Etching Interior Prints
Materials
Etching
Concerto
By Henry Moore
Located in London, GB
Etching and aquatint in black on Auvergne paper
Image Size: 13 x 10 cm
Sheet Size: 32 x 25 cm
Framed 48.7 x 41 cm
Edition of 50
hand-signed and numbered by the artist.
Category
1960s Modern Etching Interior Prints
Materials
Etching, Aquatint
Mr. B- “seeking the Bubble reputation"
Located in Middletown, NY
from The Sailor’s Progress, Plate 5
London: Thomas McLean, 1835. Second Edition. Etching with hand coloring in watercolor on cream wove paper, 1835. 8 1/4 x 11 1/2 inches (250 x 354 mm), full margins. With the quote from The Corsair, A Tale, Canto I...
Category
Early 19th Century Victorian Etching Interior Prints
Materials
Watercolor, Etching
The Sun - Etching and Aquatint by Franco Gentilini - 1970s
Located in Roma, IT
The Sun is an etching and aquatint realized by Franco Gentilini (Italian Painter, 1909-1981) in the 1970s.
From the serie "The Tarots" Dry stamp by Il Cigno Stamperia d’Arte.
Hand...
Category
1970s Contemporary Etching Interior Prints
Materials
Etching, Aquatint
The Peasant Settling His Debt
Located in Middletown, NY
Etching on thin, cream laid paper 4 x 3 5/8 inches (100 x 90 mm), with narrow margins, trimmed inside the platemark. Adhesive residue at the top right and left corners, and archival ...
Category
17th Century Old Masters Etching Interior Prints
Materials
Etching
Farmers enjoying a barn dance with a violinist and a bagpiper.
Located in Middletown, NY
Etching on cream laid paper mounted to a cream laid paper support, 9 x 12 7/8 inches (230 x 327 mm), thread margins. Three small areas of light skinning with one extremely small hole...
Category
Mid-17th Century Old Masters Etching Interior Prints
Materials
Etching, Laid Paper
Interior View Dogs Running By Table Abstract Modernist Etching, Robert Birmelin
Located in Surfside, FL
Born in Newark, New Jersey, Robert Birmelin became a professor of fine arts at Queens College in New York, and is known for paintings that magnify through texture the realism of natu...
Category
20th Century American Realist Etching Interior Prints
Materials
Lithograph, Etching
Interiors I: Family Reunion — A penetrating scene with a hidden homage to Eadwea
By Peter Milton
Located in Middletown, NY
Interiors I: Family Reunion
1984
Resist ground etching and engraving on BFK Rives wove paper, 20 x 36 inches (501 x 913 mm), full margins. Signed, titled, dated and numbered 49/175 in pencil, lower margin. In excellent condition with minor mat tone. A luminous, rich, and well-inked impression of this haunting image, with astonishing detail and depth. Framed handsomely under museum grade glass with archival materials in a solid wood frame with silver finish. [Milton 107]
Intended to be a stand alone image in its inception, Family Reunion ended up spawning seven additional images, and became a sort of Primo Pensiero in the sprawling, masterpiece suite now known as Interiors. The suite took eight years to complete, and consists of works of varying format, psychological intensity, and subject matter. The thematic darkness in the eight images waxes and wanes, and Milton intentionally included several interlude works to lighten the tension he felt while composing several of the darker images. The first two in the series, Family Reunion, and Hotel Paradise Café, were meant to be companion pieces. The equilibrium of each composition is anchored on a central brooding figure; a man (perhaps based on a Thomas Eakins portrait of the American anthropologist Frank Hamilton...
Category
1980s American Modern Etching Interior Prints
Materials
Engraving, Etching
Intérieur à Pressy, by Erik Desmazieres
Located in Palm Springs, CA
Medium: Etching, aquatint & roulette
Year: 1991
Image Size: 24.63 X 39.63 inches
Edition Size: 90
Signed and numbered in pencil by the artist
Image of a Paris apartment, showing the...
Category
1990s Contemporary Etching Interior Prints
Materials
Etching, Aquatint
$1,420 Sale Price
43% Off
Howard Hodgkin Late Afternoon in the Museum of Modern Art abstract black white
Located in New York, NY
Abstract black, white and tan print of interior scene with dots, lines, shadow and painted brushstroke texture. Ideal for display in minimalist, modern and contemporary spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, expressionist, and abstract.
Late Afternoon in the Museum of Modern Art by Howard Hodgkin. Soft-ground etching on buff BFK Rives mould-made paper. Edition 100: this impression 36/100. Signed by the artist, numbered 36/100, and dated 79 lower center in red crayon. Printed from the same plate as Early Evening in the Museum of Modern Art. Published by Petersburg Press.
This print depicts an abstracted scene, perhaps a sculpture in front of a window in the Museum of Modern Art, Oxford, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Hodgkin used his hand as a mark-making tool, combining these textures with loose and urgent brushwork.
Howard Hodgkin was introduced to the etching technique used in Late Afternoon in the Museum of Modern Art at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s.
Part of a series of four prints reflecting on a visit to the Museum...
Category
Late 20th Century Abstract Etching Interior Prints
Materials
Etching
From the Ponte Vecchio
Located in Plano, TX
From the Ponte Vecchio, Florence. 1925. Etching and aquatint. Fletcher catalog 159. state ii. Image: 11 1/8 x 15 1/4 (sheet 13 3/8 x 18 1/4). Edition 160 in this state (total edition...
Category
1930s American Modern Etching Interior Prints
Materials
Etching, Aquatint
$1,600 Sale Price
20% Off
Rococo design for a gate, German mid 18th century etching
Located in Melbourne, Victoria
Rococo design for a gate, etching, by Joseph Baumann (active 1740-1760), circa 1750.
Published by Martin Engelbrecht (1684–1756).
Similar works ar...
Category
Mid-18th Century Rococo Etching Interior Prints
Materials
Engraving, Etching
Sadlers Wells Theatre, London, colour aquatint, 1809, after Rowlandson and Pugin
Located in Melbourne, Victoria
Colour aquatint by Bluck after Thomas Rowlandson and Auguste Pugin.
From the series 'Microcosm of London', published by Rudolf Ackermann, the great Regency publisher of fine colour...
Category
Early 19th Century Naturalistic Etching Interior Prints
Materials
Aquatint
At the Cafe : Sharing a Drink - Original Etching
Located in Paris, IDF
Marcel GROMAIRE (1892-1971)
At the Cafe : Sharing a Drink
Original etching
Printed signature in the plate
On vellum, 28.5 x 38 cm (c. 11 x 15 in)
INFORMATION: This etching is authe...
Category
Late 20th Century Cubist Etching Interior Prints
Materials
Etching
The Root of King’s Evil, NB To cure the Constitution of this evil, the axe ...
Located in Middletown, NY
A beautiful image of fellowship and esprit de corp with bright handcoloring in watercolor.
London: Thomas Mclean, August 1st, 1835. Second Edition. Etching with handcoloring in water...
Category
Early 19th Century Victorian Etching Interior Prints
Materials
Watercolor, Etching
The German Chapel in St. James Palace, A 19th Century Hand Colored Engraving
By Charles Wild
Located in Alamo, CA
A hand-colored engraving of the interior The German Chapel, St. James Palace in London, England from 'The History of the Royal Residences of Windsor Castle, St. James Palace, Carlton House, Kensington Palace, Hampton Court, Buckingham House, and Frogmore', commissioned by the British Royal Family. The work is one of the finest depictions of interiors ever published. The engraving was created by Daniel Havel (1786-1826) after a painting by Charles Wild (1781-1835) and published by William Henry Pyne (1770–1843) in 1819.
The print is presented in a gold-colored wood museum style frame and an elaborate light grey French mat with highlighted gold and royal blue bands. A certificate of authenticity from Trowbridge Gallery...
Category
Early 19th Century Victorian Etching Interior Prints
Materials
Aquatint
After Dinner Scene, Flemish Etching by F Schweitzer
Located in Long Island City, NY
After Dinner Scene
F. Schweitzer
Etching on laid paper, signed in pencil
Image Size: 9.25 x 7.5 inches
Size: 17.5 x 12.75 in. (44.45 x 32.39 cm)
Category
Late 18th Century Flemish School Etching Interior Prints
Materials
Etching
Desirable Garden, by Yuji Hiratsuka
Located in Palm Springs, CA
Signed, titled, and numbered by the artist. Extravagant multi-colored blossoms fill the image in this etching by Yuju Hiratsuka. While Hiratsuka's images have some resemblance to tr...
Category
2010s Contemporary Etching Interior Prints
Materials
Etching, Aquatint
Les Belles et La Bête I: The Rehearsal
By Peter Milton
Located in Middletown, NY
Resist ground etching and engraving on Rives heavyweight buff paper, 20 x 36 inches (508 x 914 mm), full margins. Signed, titled, dated and numbered 103/160 in pencil, lower margin. Minor mat tone. A rich and finely printed impression of this complex and iconic work by Milton. Framed handsomely under Plexiglas with archival materials in a solid wood frame with silver finish.
[Milton 98].
Milton states that in the evolution of his body of graphic work he found himself at point that necessitated the exertion of nerve in his subject matter. He found it imperative for growth to explore whether his compositions had previously been too polite, and through this process he experienced a great burst of artistic and psychic liberation. Milton refers to this awakening as a sort of adolescence, which he felt demanded a natural examination of mysteries of sexual awakening. Les Belles et La Bête...
Category
1970s American Modern Etching Interior Prints
Materials
Archival Paper, Engraving, Etching
Un Sculpteur de Paris
Located in Middletown, NY
Etching and drypoint on cream laid Van Gelder Zonen watermarked paper, 8 7/8 x 6 1/2 inches (220 x 164 mm), full margins. Signed, titled, and inscribed "ed. 100" in pencil, lower mar...
Category
Early 20th Century Modern Etching Interior Prints
Materials
Laid Paper, Drypoint, Etching
"Westminster Abbey, " complete portfolio of 13 etchings by John Sloan
By John Sloan
Located in Milwaukee, WI
John Sloan's Westminster Abbey portfolio is among the most rare of his printmaking output, and a complete set like this is even more unusual. Etched in dark brown ink in on a sturdy ...
Category
1890s Ashcan School Etching Interior Prints
Materials
Paper, Etching
Enchanted Doorway, Venezia (La Porta della Carta, Venezia
29)
Located in Plano, TX
Enchanted Doorway, Venezia (La Porta della Carta, Venezia '29). 1930. Etching. Fletcher catalog 227 state ii. 12 3/8 x 6 9/16 (sheet 15 13/16 x 9 15/16). Edition 148 in this state (...
Category
1920s American Modern Etching Interior Prints
Materials
Etching
$1,200 Sale Price
20% Off
Synagogue Duke
s Palace Houndsditch by Th. Sunderland after Pugin
Rowlandson
Located in Middletown, NY
A faithful architectural rendering of the earliest Ashkenazi synagogue constructed in London; built about 1690, and subsequently destroyed in the Blitz, 1941.
London: Rudolph Ackerm...
Category
Early 19th Century English School Etching Interior Prints
Materials
Handmade Paper, Engraving, Aquatint
General Washington Saying Farewell to His Officers in Fraunces Tavern, New York
Located in Soquel, CA
General Washington Saying Farewell to His Officers in Fraunces Tavern, New York
This etching, 'General Washington Saying Farewell to His Officers in Fraunces Tavern, New York', was ...
Category
1930s American Impressionist Etching Interior Prints
Materials
Laid Paper, Etching
London Dandies-or- Monstrosities of 1816, Scene, Hyde Park, from Monstrosities
Located in Middletown, NY
London: Thomas McLean, 1818. Third Edition. Etching with hand coloring in watercolor on cream wove paper (published August 1st, 1835), 9 7/8 x 14 inches ...
Category
Early 19th Century Victorian Etching Interior Prints
Materials
Watercolor, Etching
Radical Parliament; "Plan to Assassinate Her Magestie
s Ministers."
Located in Middletown, NY
An image of the last major insurrection in Great Britain, known as Guy Fawkes's Cato Street Conspiracy.
London: Thomas Mclean, 1835. Etching with hand colo...
Category
Mid-19th Century Victorian Etching Interior Prints
Materials
Watercolor, Etching
The Silent Pie
By John Sloan
Located in Middletown, NY
Etching on cream wove paper, 5 3/8 x 4 1/4 inches (135 x 107 mm), signed in the plate, lower right. Third state (of 3), from the novel The Flower Girl, vol. 2. by Paul de Kock. In go...
Category
Early 20th Century American Modern Etching Interior Prints
Materials
Handmade Paper, Etching
Scene Galante au XVIII eme Siecle #2
Located in San Francisco, CA
This artwork titled "Scene Galante au XVIII eme Siecle" c.1930 in an aquatint on paper by French artist Antoine Calbet, 1860-1944. It is hand signed in pencil at the lower right corner. The plate mark (image) size is 9.60 x 12.25 inches, framed size is 16.5 x 19.5 inches. Framed in a wooden gold and black frame, with fabric matting. The artwork is in very good condition, frame and matting are in good condition, frame have some minor dents, matting have a small point of discoloration at upper left.
About the artist.
Antoine Calbet is the son of Marie Singlande and Jean-Baptiste Calbet, landowner at a place called Gaubert.
Trained at the School of Fine Arts in Montpellier by Édouard - Antoine Marsal (1845-1929) where he learned drawing, this illustrator and illustrator, a painter of nudes and gallant scenes, was very popular during his lifetime.
Antoine Calbet is then admitted to the School of Fine Arts in Paris in the studio of Alexandre Cabanel (1823-1889). He was a member of the admission jury of the Beaux-Arts from 1913 to 1930. He began to exhibit in 1880 and became a member of the Society of French Artists . He was the friend of his compatriot of Lot-et-Garonne, the President of the Republic Armand Fallières , for which he drew the menus of his meals, which made him known in Parisian salons.He illustrated works by Jean Lorrain , Henri de Regnier , Pierre Loues 3 and for periodicals like L'Illustration .
Selected museums and collections
Dallas , Dallas Museum of Art : Back woman...
Category
Mid-20th Century Realist Etching Interior Prints
Materials
Aquatint
Dove - Etching by Paola Grott - 1990s
Located in Roma, IT
Etching realized by Paola Grott in 1990s.
Hand signed and numbered.
Edition of 30.
Very good condition.
Category
1990s Contemporary Etching Interior Prints
Materials
Etching
Master B. Finding things are not exactly what he expected-
Located in Middletown, NY
From, The Progress of a Midshipman, Exemplified in the Career of Master Blockhead 1860 (plate 2)
Etching with handcoloring in watercolor on cream wove paper, 1835. 210 x 290 mm; 8 3/...
Category
Mid-19th Century Victorian Etching Interior Prints
Materials
Watercolor, Etching
Rococo interior design and furniture, German mid 18th century etching
By Franz Xaver Habermann
Located in Melbourne, Victoria
Rococo interior design and furniture, etching, by Franz Xaver Habermann (1721-1796), circa 1750.
Lettered 'F. X. Haberman, inv. et del. loh. Georg Hertel, excud : Aug. Vind., number...
Category
Mid-18th Century Rococo Etching Interior Prints
Materials
Engraving, Etching
The Artist in Fine Art Academy - Etching - Mid-20th Century
Located in Roma, IT
The Artist in Fine Art Academy is an original etching realized by Albert Decaris in the mid-20th Century.
In good conditions with some foxing.
The artwork is presented through def...
Category
Early 20th Century Modern Etching Interior Prints
Materials
Etching
Surreal Boudoir
, San Francisco Bay Area Modernist, Atelier 63 Woman Artist
Located in Santa Cruz, CA
Created circa 1975 and stamped, verso, with certification of authenticity for Jane Voitle Mellin (American, born 1952).
Paper dimensions: 17.25 x 12 inches
An atmospheric, sugar-lift aquatint showing a young woman seated at a claw foot table...
Category
1970s Etching Interior Prints
Materials
Paper, Aquatint
Etching interior prints for sale on 1stDibs.
Find a wide variety of authentic Etching interior prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add interior prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Robert A. Birmelin, George Cruikshank, Peter Milton, and Franco Gentilini. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Etching interior prints, so small editions measuring 0.1 inches across are also available Prices for interior prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1 and tops out at $250,000, while the average work can sell for $788.