Lithograph Interior Prints

Conversation is an original lithograph artwork realized by Adolphe Albert (1855-1938). Signed on the plate, The state of preservation is very good. The artwork represents a convers...

The Rain - Eight Scenic Spots in Kanazawa is a modern artwork realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by the great Japanese artist Utagaw...

Edition of 120 pieces and many Artist's proofs. Published in the Portafoglio "Tunisiaca 1995: d'aprés Auguste Lumière". Signed, numbered in the bottom with pen with dedication "To Giuseppe Marino".

DRESS REHEARSAL by the woman artist Robin Morris, is an original hand drawn limited edition lithograph(not a photo reproduction or digital print) printed in 13 colors using hand lithography techniques on archival Arches paper, 100% acid free. DRESS REHEARSAL depicts a group of blonde female dancers rehearsing in the dance studio wearing bold black striped color leotards. Dramatic purple arched windows against a pink wall and bold black and white checkered floor...

THE DOORWAY by the American painter and printmaker Will Barnet (born May 25, 1911 - died Nov. 13, 2012) is an original, hand drawn lithograph, printed in 12 colors using hand lithogr...

STANDING SEAMSTRESS is an original hand drawn (not digitally or photo reproduced) limited edition lithograph by the artist Raphael Soyer - Russian/American Social Realism Painter, 18...

SEATED WOMAN NEAR A BED is an original hand drawn (not digitally or photo reproduced) limited edition lithograph by the artist Raphael Soyer - Russian/American Social Realism Painter...

THE DANCE is a handmade limited edition lithograph created by the renowned Polish artist Andre de Krayewski printed using hand lithography printmaking techniques on archival Arches paper 100% acid free. THE DANCE is a richly colored modern Art Deco interior scene portraying a dancing couple printed in shades of neon blue, magenta, orange, red, green, lavender, peach, and dark steel blue gray. THE DANCE is a dramatic graphic composition featuring airbrushed blends of vibrant color defining the light purple pedestal-style vases filled with green spiked leaves; two dancing figures are positioned in the center - one of a woman wearing a backless, form fitting yellow-gray dress, the second figure is a well groomed male dressed in a dark blue gray sharkskin suit...

Artist: Alexander Calder Title: Plate 3 Portfolio: Derriere le Miroir #173 Medium: Lithograph Date: 1968 Edition: Unnumbered Frame Size: 21 1/4" x 17 1/4" Sheet Size: 15" x 11" Image...

AFTER THE BATH is an original hand drawn (not digitally or photo reproduced) limited edition lithograph by the artist Raphael Soyer - Russian/American Social Realism Painter, 1899-19...

Burial is an original lithograph artwork realized by an anonymous engraver of the 19th Century. Belongs to the series "France Pittoresque", as indicate at the top center. Titled in...

The Dormitory is an original lithograph, realized by C. Laplante. Signed on the plate on the lower right. Titled on the lower center, with the scripts on the rear. In good conditi...

Jim McCormick was born in Chicago in 1936. He attended the University of Tulsa where he received a bachelor’s degree in art in 1958, then a M.A. in paint...

QUIET AFTERNOON is an original hand drawn lithograph by the American woman artist Susan Sahall, printed in the early 1980's, using hand lithography techniques on archival Arches printmaking paper, 100% acid free. QUIET AFTERNOON portrays a very sensitive female portrait drawing of a seated young woman wearing a black pleated bell sleeve dress posed holding her hands clasped near her cheek, elbows resting on a table; a bouquet of pastel color flowers fill a carafe vase in front of her. She appears to be in quiet thought...

Lithograph after a drawing by Jean Cocteau Title: Spanish Party 1971 signed in the stone/printed signature Dimensions: 38 x 28 cm Lithograph made for the portfolio "Gitans et Corrida...

The Great War no.5 by French artist Paul Renouard shows the interior of a church with pigeons flying and roosting in the abandoned interior. A powerful...

A POINT OF HONOR is an original hand drawn limited edition lithograph(not a photo reproduction or digital print) by the British artist, Michael Hasted printed using hand lithography on archival Somerset paper, 100% acid free. A POINT OF HONOR is a surrealist composition portraying a curious interior scene featuring a full green leafy tree positioned behind a floating concrete sphere...

NURSING MOTHER SEATED is an original hand drawn (not digitally or photo reproduced) limited edition lithograph by the artist Raphael Soyer - Russian/Ame...

Artist: Hans Bellmer, German (1902 - 1975) Title: Souterrain No. 13 Year: circa 1965 Medium: Lithograph on BFK Rives, signed and numbered in pencil Edition: 100 Paper Size: 19.5 x 26...

Original J. Delaitre Early Television Poster “who is ahead of progress" – A Rare Vintage Gem. Archival linen backed in A- condition, ready to frame. There was a center horizont...

Artist: Christo Title: The Wrapped Vestibule, Art Gallery of New South Wales, Sydney Medium: Offset lithograph Date: 1990 Edition: Unnumbered Sheet Size: 29 7/8" x 23" Signature: Han...

“Card Players” is an original, hand-signed mid-century lithograph by renowned American artist Kenneth Miller Adams (1897–1966). Created circa 1959 and numbered 16/100, this expressive figurative print captures an intimate moment: a group of men gathered around a card game, their gestures and body language conveying the intensity of the scene. Adams’ strong draftsmanship and sense of composition shine through, making this a compelling example of American Regionalism and mid-century social realism. Professionally framed in a sleek black archival frame, the artwork remains in excellent, clean vintage condition. Framed Dimensions: 25 ⅝ x 31 ¼ x 1 ⅛ inches Image (Sight) Size: 18 ½ x 24 ¼ inches Edition: 16 of 100 Provenance: Private Collection, Denver, Colorado A detailed condition report is available upon request. Expedited and international shipping available. About the Artist: Kenneth Miller Adams (1897–1966) Born in Kansas, Kenneth Adams began his art training in Topeka and continued at the Art Institute of Chicago and Art Students League of New York. After World War I, he studied in Europe before settling in Taos, New Mexico in 1924—becoming the youngest and final member of the Taos Society...

Pencil signed and dated, Russian Soviet Judaica Lithograph. Anatoli Lwowitch Kaplan was a Russian painter, sculptor and printmaker, whose works often reflect his Jewish origins. His...

Artist: George Deem Title: Sienna Vermeer Year: 1978 Medium: Lithograph, signed and numbered in pencil Edition: 300, AP 40 Image Size: 19 x 21 inches Paper Size: 22 in. x 30 in. (55...

Andre Minaux, French (1923–1986) Date: circa 1975 Lithograph, signed and numbered in pencil Edition of EA Image Size: 22.5 x 16.5 inches Frame Size: 34 x 27 in...

The Clan of Macauley (Tartan) Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886. 365mm by 265mm (sheet). Accompanied by a sheet of descri...

Pencil signed and dated, Judaica Lithograph. Anatoli Lwowitch Kaplan was a Russian painter, sculptor and printmaker, whose works often reflect his Jewish origins. His father was a b...

Artist: Marc Chagall Title: Ahasuerus Sends Vashti Away Portfolio: Drawings for the Bible Medium: Lithograph Year: 1960 Frame Size: 20 3/4" x 17" Sheet Size: 14 3/8" x 10 1/4" Image ...

To see our other original vintage travel posters including pre-war London Transport posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Hans Schleger 'Zero' (1898-1976) London Transport Bus Stop Poster Original Vintage Lithographic poster Printed for London Transport Working with Edward Johnson's special typeface created for London Transport, Hans Schleger - or Zero as he signed himself - adopted the famous roundel used by London Underground for use at Bus Stops. Born in Germany, Schleger was an influential graphic designer. After serving during the First World War, he studied at the Berlin Kunstgewerbeschule, being taught by Emil Orlik. The same year Walter Gropius founded the Bauhaus at Weimar and Schleger learned the same principles of breaking down the barriers between architecture, design, fine art and craft. A firm believer in the Bauhaus principles of simplicity in design and reduction to essentials, these may be seen in the clean lines of the roundel. In 1924 he moved to New York, applying Modernism to American advertising, and then returned to Berlin in 1929 working for the British advertising agency Crawfords, where he met Edward McKnight Kauffer who introduced him to Jack Beddington the head of advertising at Shell Mex...

On deckle edged watermarked Arches French paper. hand signed in pencil, dated and numbered. the edition size is 175. there are three states of the same image image each with increasing detail and color. This is just for the one in the photo. Josef Alan Levi (1938) is an American artist whose works range over a number of different styles, but which are unified by certain themes consistently present among them. Josef Levi began his artistic career in the 1960s and early '70s, producing highly abstract and very modernist pieces: these employing exotic materials such as light fixtures and metallic parts. By 1975, Levy had transitioned to painting and drawing still lifes. At first these were, traditionally, of mundane subjects. Later, he would depict images from art history, including figures originally created by the Old Masters. Around 1980, he made another important shift, this time toward creating highly precise, though subtly altered reproductions of pairs of female faces which were originally produced by other artists. It is perhaps this work for which he is most well known. Since around 2000, Josef Levi has changed the style of his work yet again: now he works entirely with computers, using digital techniques to abstract greatly from art history, and also from other sources. Levi's works of art in the collections of the Museum of Modern Art, NYC, the National Gallery of Art, and the Albright-Knox Museum, among many others. Levi's art has been featured on the cover of Harper's Magazine twice, once in June 1987, and once in May 1997. Josef Levi received a Bachelor of Arts degree in 1959 from the University of Connecticut, where he majored in fine arts and minored in literature. From 1959 to 1960, he served to a first lieutenant in the U.S. Army, and from 1960 through 1967 he was in the U.S. Army Reserves. In 1966, he received the Purchase Award from the University of Illinois in 1966, and he was featured in New Talent U.S.A. by Art in America. He was an artist in residence at Appalachian State University in 1969, taught at Farleigh Dickenson University in 1971 and was a visiting professor of art at Pennsylvania State University in 1977. From 1975 to 2007, Levi resided in New York City. He now lives in an apartment in Rome, where he is able to paint with natural light as he was unable in New York. From 1959 to 1960, Josef took some courses of Howard McParlin Davis and Meyer Schapiro at Columbia University which initiated him into the techniques of reproducing the works of the Old Masters. His first works, created in the 1960s, were wood and stone sculptures of women. His first mature works were abstract pieces, constructed of electric lights and steel. In 1970, Levi's materials included fluorescent light bulbs, Rust-Oleum and perforated metal in addition to paint and canvas. By 1980, Josef Levi's art had transformed into a very specific form: a combination of reproductions of female faces which were originally depicted by other artists. The faces which he reproduces may be derived from either portraits or from small portions of much larger works; they are taken from paintings of the Old Masters, Japanese ukiyo-e, and 20th-century art. Artists from whom he has borrowed include: Vermeer, Rembrandt, Piero della Francesca, Botero, Matisse, Utamaro, Correggio, Da Vinci, Picasso, Chuck Close, Max Beckmann, Pisanello, Lichtenstein. The creation of these works is informed by Levi's knowledge and study of art history. Josef Levi's paintings from this period are drawn, then painted on fine linen canvas on wooden stretchers. The canvas is coated with twenty-five layers of gesso in order to produce a smooth surface on which to work. The drawing phase takes at least one month. Levi seals the drawing with acrylic varnish, and then he may apply layers of transparent acrylic in order to approximate the look of old paintings. After the last paint is applied, another layer of acrylic varnish is sprayed on to protect the work. Most of the figures in his contemporary pieces are not paired with any others. SELECTED COLLECTIONS MUSEUM OF MODERN ART, NEW YORK, NY ALBRIGHT- KNOX GALLERY, BUFFALO, NY ALDRICH MUSEUM OF CONTEMPORARY ART, RIDGEFIELD, CT NATIONAL GALLERY OF ART, WASHINGTON, DC BROOKLYN MUSEUM OF ART, BROOKLYN, NY SMITHSONIAN NATIONAL MUSEUM OF AMERICAN HISTORY, WASHINGTON, DC CORCORAN GALLERY, WASHINGTON, DC UNIVERSITY OF NOTRE DAME ART...

Artist: George Deem, American (1932 - 2008) Title: George Washington, George Washington Year: 1978 Medium: Lithograph, signed and numbered in pencil Edition: 300; AP 30 Image Size: ...

Ture Bengtz "Family Scene" Original Pencil Signed Lithograph C.1940 Lithograph dimensions 15.25" wide x 10.5" high Frame dimensions 21.5" wide x 17" high Pencil signed in the lowe...

Artist: Horst Antes, German (1936 - ) Title: Figure with Ladder Medium: Lithograph, signed and numbered in pencil Edition: 199/200 Image: 24 x 18.5 inches Size: 25.5 x 19.5 in. (64....

Artist: George Deem, American (1932 - 2008) Title: Vermeer's Lacemaker Year: Circa 1979 Medium: Lithograph, signed and numbered in pencil Edition: AP 40 Image Size: 22 x 18 inches Si...

'Middle Ages - Moyen-Age - Mittel Alter' Late 19th century interior design chromolithograph, from Racinet’s ‘L’Ornement Polychrome’, 1887. Published in Paris. Albert Racinet's 'L' ...

'Byzantine - Byzantin - Byzantinisch' Late 19th century interior design chromolithograph, from Racinet’s ‘L’Ornement Polychrome’, 1887. Published in Paris. Albert Racinet's 'L' Orn...

Stamped on the Verso of the print and in Mint Condition. From the David Kordansky Gallery show in 2017. Very rare poster that has been stored flat since purchase. One of his most ...

Benton Murdoch Spruance (American, 1904-1967), "Ecclesiastes Essay V - Return to the Earth", Lithograph, 1945, signed in pencil and dated lower right, numbered edition "3 / 35", titl...

Six Episodes Ellen Lanyon, American (1926–2013) Date: 1979 Lithograph, signed and numbered in pencil Edition of 13/35 Image Size: 18 x 21.5 inches Size: 22 in. x 25.5 in. (55.88 cm x...

Chromolithograph, 1878. The gold colour is actually metallic and shiny. From Frederick William Hulme's 'Suggestions in Floral Design', a late Victorian pattern...

Chromolithograph, 1878. The gold colour is actually metallic and shiny. From Frederick William Hulme's 'Suggestions in Floral Design', a late Victorian pattern book for interior des...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Duncan Grant (1885 - 1978) Interior (1973) Lithograph 36 x 30 cm (paper size 77 x 57 cm) Signed 'Grant' and numbered 9/90 in pencil; part of the Penwith Portfolio. Published by Penwith Galleries, St Ives in 1973 with works by Barbara Hepworth, Henry Moore, Peter Lanyon, Alan Davie, Merlyn Evans, John Piper, Ben Nicholson, Robert Adams, Bernard Leach, Michael Rothenstein, and F E McWilliam...

Daniel Richter (German, born in 1962) Propaganda II, 2001 Medium: Lithograph in colours, on paper Dimensions: 42 × 59 cm (16 1/2 × 23 1/5 in) Signature: Hand-signed und dated “DR01“ ...

Original British Railways vintage poster: York (England). Professionally linen-backed in excellent condition, ready to frame. Printer: Jordison & CO. LTD, London. Printed in Great Britain. Published by British Railways. Size is 25" x 40". Shown is the Grand Hallway in the Treasurer’s House. This vintage York - Treasurer's House British Railways poster...

Chromolithograph, 1868. From Owen Jones' 'Grammar of Ornament', 1868. Welshman Owen Jones first published his monument to design, the Grammar of Ornament, in instalments for subscri...

23/100, 1974. Paper, lithograph, 43x65 cm

"Soiree Chez Maxine" is an original color lithograph by Francois Batet. The artist signed the piece in the lower right and wrote the edition number (94/200) in the lower left. This piece depicts fashionable people in a party interior space. 19" x 24" image 22" x 30" paper 32" x 35 3/4" frame Francois Batet was born in 1921 in Barcelona, Spain. He studied painting at the School of San Jordi (Beaux Arts) and also at Tarrega Academy. When he lived in Madrid he studied the masters like Goya and Valasquez. He then moved to Paris and studied famous French impressionistic painters. He has lived and worked in France since 1950. Batet's classic School of Paris style recalls the spirit of Paris in the 1920's and 1930's. In addition to being a master print maker, he has illustrated over 100 books...

Artist: Andre Minaux, French (1923 - 1986) Title: Linge from the Helene Portfolio Year: 1974 Medium: Lithograph, signed and numbered in pencil Edition: 15...

Pencil signed and dated, Judaica Lithograph. Anatoli Lwowitch Kaplan was a Russian painter, sculptor and printmaker, whose works often reflect his Jewish origins. His father was a b...

Niagara Ellen Lanyon, American (1926–2013) Date: 1989 Lithograph, signed and numbered in pencil Edition 38/50 Size: 31.5 x 47 in. (80.01 x 119.38 cm)

Hand lithography on BFK Rives French hand moulded paper Style: German New Objectivity (Neue Sachlichkeit) According to the frontis these were produced by Hand Lithography. According...

Hellenistic Figure Peter Saari, American (1951) Date: circa 1979 Lithograph, signed and numbered in pencil Edition of AP 30 Image Size: 17 x 13 inches Size: 27 in. x 21 in. (68.58 cm...

Artist: Susan Sahall, American ( - 2012) Title: Veranda Medium: Lithograph, signed and numbered in marker Edition: 92/300 Image Size: 29 x 29 inches Frame Size: 39.5 x 39.5 inches

Artist: George Deem Title: A Dutch Portrait in Vermeer's Easel Year: 1979 Medium: Lithograph, signed and numbered in pencil Edition: 300, AP 40 Image Size: 20.5 x 18 inches Paper Si...

Artist: George Deem, American (1932 - 2008) Title: Mondrian with Vemeer Year: 1978 Medium: Lithograph with Screenprint, signed and numbered in pencil Edition: 300, AP 40 Image Size: ...

Artist: George Deem, American (1932 - 2008) Title: Bruna Sevini and Whistler's Mother Year: 1979 Medium: Lithograph, signed and numbered in pencil Edition: 300, AP 40 Image Size: 2...

Hand lithography on BFK Rives French hand moulded paper Style: German New Objectivity (Neue Sachlichkeit) According to the frontis these were produced by Hand Lithography. According...

23/100, 1974. Paper, lithograph, 43x65 cm

(after) Diego Rivera "Chapel, Agriculture School, Chapingo" 1933 from the portfolio "Frescoes of Diego Rivera" Published by the Museum of Modern Art, NY Approx. 18.5 x 13.5 with Matting Hand-Signed by the Artist Diego Rivera was born on December 13, 1886 in the mountain town of Guanajuato in Mexico. His mother was an ardent Catholic and his father was a rich and aristocratic revolutionary fighter and an atheist. Little Diego decided in favor of atheism. He swore his family had to leave Guanajuato when he was six because of his diatribes against the Church. When he was eleven he attended the San Carlos Academy of Fine Arts; his real teacher was Jose Posada...

On deckle edged watermarked Arches French paper with publishers embossed blindstamp. hand signed in pencil, dated and numbered. the edition size is 175. there are three states of the same image image each with increasing detail and color. This auction is just for the one shown in the photos. Josef Alan Levi (1938) is an American artist whose works range over a number of different styles, but which are unified by certain themes consistently present among them. Josef Levi began his artistic career in the 1960s and early '70s, producing highly abstract and very modernist pieces: these employing exotic materials such as light fixtures and metallic parts. By 1975, Levy had transitioned to painting and drawing still lifes. At first these were, traditionally, of mundane subjects. Later, he would depict images from art history, including figures originally created by the Old Masters. Around 1980, he made another important shift, this time toward creating highly precise, though subtly altered reproductions of pairs of female faces which were originally produced by other artists. It is perhaps this work for which he is most well known. Since around 2000, Josef Levi has changed the style of his work yet again: now he works entirely with computers, using digital techniques to abstract greatly from art history, and also from other sources. Levi's works of art in the collections of the Museum of Modern Art, NYC, the National Gallery of Art, and the Albright-Knox Museum, among many others. Levi's art has been featured on the cover of Harper's Magazine twice, once in June 1987, and once in May 1997. Josef Levi received a Bachelor of Arts degree in 1959 from the University of Connecticut, where he majored in fine arts and minored in literature. From 1959 to 1960, he served to a first lieutenant in the U.S. Army, and from 1960 through 1967 he was in the U.S. Army Reserves. In 1966, he received the Purchase Award from the University of Illinois in 1966, and he was featured in New Talent U.S.A. by Art in America. He was an artist in residence at Appalachian State University in 1969, taught at Farleigh Dickenson University in 1971 and was a visiting professor of art at Pennsylvania State University in 1977. From 1975 to 2007, Levi resided in New York City. He now lives in an apartment in Rome, where he is able to paint with natural light as he was unable in New York. From 1959 to 1960, Josef took some courses of Howard McParlin Davis and Meyer Schapiro at Columbia University which initiated him into the techniques of reproducing the works of the Old Masters. His first works, created in the 1960s, were wood and stone sculptures of women. His first mature works were abstract pieces, constructed of electric lights and steel. In 1970, Levi's materials included fluorescent light bulbs, Rust-Oleum and perforated metal in addition to paint and canvas. By 1980, Josef Levi's art had transformed into a very specific form: a combination of reproductions of female faces which were originally depicted by other artists. The faces which he reproduces may be derived from either portraits or from small portions of much larger works; they are taken from paintings of the Old Masters, Japanese ukiyo-e, and 20th-century art. Artists from whom he has borrowed include: Vermeer, Rembrandt, Piero della Francesca, Botero, Matisse, Utamaro, Correggio, Da Vinci, Picasso, Chuck Close, Max Beckmann, Pisanello, Lichtenstein. The creation of these works is informed by Levi's knowledge and study of art history. Josef Levi's paintings from this period are drawn, then painted on fine linen canvas on wooden stretchers. The canvas is coated with twenty-five layers of gesso in order to produce a smooth surface on which to work. The drawing phase takes at least one month. Levi seals the drawing with acrylic varnish, and then he may apply layers of transparent acrylic in order to approximate the look of old paintings. After the last paint is applied, another layer of acrylic varnish is sprayed on to protect the work. Most of the figures in his contemporary pieces are not paired with any others. SELECTED COLLECTIONS MUSEUM OF MODERN ART, NEW YORK, NY ALBRIGHT- KNOX GALLERY, BUFFALO, NY ALDRICH MUSEUM OF CONTEMPORARY ART, RIDGEFIELD, CT NATIONAL GALLERY OF ART, WASHINGTON, DC BROOKLYN MUSEUM OF ART, BROOKLYN, NY SMITHSONIAN NATIONAL MUSEUM OF AMERICAN HISTORY, WASHINGTON, DC CORCORAN GALLERY, WASHINGTON, DC UNIVERSITY OF NOTRE DAME ART...