Horizontal Landscape Prints

Artist: Peter Max (1937) Title: Sailboat with Pyramid Year: 1998 Edition: 300/300, plus proofs Medium: Lithograph on Coventry Smooth paper Size: 7 x 8 inches Condition: Excellent Ins...

Ray Smith's aptitude for the surreal is apparent in this portfolio of six drypoint prints, presented in a portfolio case. Each image depicts an intriguing, fantastic landscape populated with chimeric nudes. Each one is carefully printed to appear as if doodled on lined notebook paper with ballpoint pen: Japanese letter paper chine-colle on Kizuki Hosho paper. Translated as "Letters from Japan," Cartas de Japon plays on tropes of an exotic, faraway land. The series of prints perhaps pictures Japan in the imagination of westerners, who for centuries speculated that those from other continents had wildly different bodies and customs. The title may be a reference to iconic Mexican director Carlos Velo's 1973 film Letters from Japan. Cartas del Japon, 1988-89 Portfolio of 6 drypoint prints printed on Japanese letter paper mounted on Kizuki Hosho paper Plate 6 x 7.8 in. Paper 18 x 23.4 in. Ed. 30 with three artist proofs. Printed by Hideharu Mishio, Norimasa Mizutani, and Marie Okada at Woodblock Workshop. Published by AC&T CORPORATION, Tokyo, 1989. Per the Broad: "Ray Smith’s paintings incorporate surrealistic and animistic tendencies informed by his Latin heritage as well as deep study of the history of modern art. Smith was born near the Texas/Mexico border...

This is an original rare and extremely collectible first edition John James Audubon hand colored lithograph entitled "Long-billed Curlew", No. 71, Plate 355, from Audubon's "Birds of America. It was lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts a male and a female Long-billed Curlew standing on a grassy mound with water and the skyline of the city of Charleston...

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a view of travelers on the Tenryū River, circa 1850. Signed in Kanji center right, "Hiroshige Ga" for Utagawa (Ando)...

Thanksgiving by Colette Raker, French/American (1938) Date: circa 1980 Screenprint, signed and numbered in pencil Edition of 450 Image Size: 25.5 x 33 inches Size: 28 x 36.5 in. (71....

New Bridge and Bromielaw, Glasgow is a lithograph on paper realized by the artist W.H. Bartlett . Signed on the plate on the lower left. Titled on the lower center. The state of pr...

This exquisite silkscreen after Jean Cocteau (1889–1963), titled Sans titre (Untitled), from the album Nous croyons en lEurope, Etudes pour un projet de timbre (We Believe in Europe,...

Palazzo, Florence Etching, engraving, aquatint, soft ground and lift ground, printed in colors from three copper plates. 1954 Signed in pencil lower right (see photo) Edition 250 plis 10 on Rives wove paper, printed by the artist Published by The Print Club of Cleveland, No. 33 for 1955 REFERENCE: Geske #32 Condition: Mint Image size: 9 3/16 x 13 1/8 inches Impressions of this image can be found in the following museums: National Gallery of Art, Washington Toledo Museum of Art Oberlin, Allen Museum of Art Cornell Univeristy Cleveland Museum of Art Indianapolis Museum of Art Baltimore Museum of Art Georgetown University Indiana Univeristy, Eskenazi Museum of Art David Museum of Art at Wellesley College "Painter and printmaker Rudolph Otto "Rudy" Pozzatti was born in Telluride, Colorado, on January 14, 1925. Upon graduation from high school, he received a scholarship to attend the University of Colorado in Boulder where he enrolled as an art major. In 1943, his studies were interrupted by his induction into the U. S. Army. After his discharge in 1946, he re-enrolled in the University of Colorado where he studied under Wendell...

This artwork titled "Danzig" c.1920, is a color etching on paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the artist's estate at the lower center. The plate mark (image) size is 16 x 20 inches, framed size is 26.5 x 30 inches. Custom framed in a wooden silver frame, with light brown matting and dark brown fillets . It is in Excellent condition. About the artist. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand. Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...

John McNulty, Irish/American (1949 - ) - River Bank, Year: 1982, Medium: Etching with Aquatint, signed and titled in pencil, Edition: 175, Size: 22 x ...

Screen print realized in 1980s. Hand signed and numbered in pencil. Edition of 100. Very good condition.

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Dix Reproductions, 1933. Published by Editions ...

Beautifully executed original hand colored lithograph using gouache and watercolor. Scene in Surrey, England. Signedxwith monogram in plate lower left, Myles Birket Foster. Published by M. H. Long. Condition is very good. In original 2 inch wide birdseye maple antique frame with thick museum mat with gold innner edge. Overall 22 by 26 inches. Biography Myles Birket Foster (4 February 1825 – 27 March 1899) was a popular English illustrator, watercolour artist and engraver in the Victorian period. His name is also to be found as Myles Birkett Foster. Life and work Foster was born in North Shields, England of a primarily Quaker family, but his family moved south to London in 1830, where his father founded M. B. Foster & sons — a successful beer-bottling company. He was schooled at Hitchin, Hertfordshire and on leaving initially went into his father's business. However, noticing his talent for art, his father secured an apprenticeship with the notable wood engraver, Ebenezer Landells, where he worked on illustrations for Punch magazine and the Illustrated London News. On leaving Landells' employ, he continued to produce work for the Illustrated London News and the Illustrated London Almanack. He also found work as a book illustrator and, during the 1850s, trained himself to paint in watercolours. His illustrations of Longfellow’s Evangeline and books of poetry by other contemporaries were a great success, and he quickly became a successful artist in watercolours. Birket Foster became an Associate of the "Old" Watercolour Society (Later the Royal Watercolour Society) in 1860 and exhibited some 400 of his paintings at the Royal Academy over more than 2 decades. Birket Foster travelled widely, painting the countryside around Scotland, the Rhine Valley, the Swiss lakes and in Italy, especially Venice. In 1863 he moved to Witley, near Godalming in Surrey where he had a house ("The Hill") built. Being friendly with Edward Burne-Jones and William Morris, he had the house decorated and furnished in contemporary style, with tiles and paintings by Burne-Jones and Morris' firm, Morris and Company. The same year he published a volume of "English Landscapes," with text by Tom Taylor...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...

This exquisite etching by Marc Chagall (1887–1985), titled Collision en chemin (Collision on the Road), originates from the celebrated folio Nicolas Gogol, Les Ames mortes, Eaux-fort...

This mythological woodland hints at the enigma and emotions of nature with a masterful use of chiaroscuro. Robert Longo, Forest of Doxa Contemporary, 21st Century, Pigment Print, Li...

Flight Path By Rob Barnes The inspiration for this came from looking across a poppy field and seeing pheasants taking flight. Where I live we are surrounded by fields full of wildlife and have pheasants visiting the back garden. I love the time of year when there are swathes of poppies to be seen. They make such a bright red statement...

Medium: Lithograph on vélin Hamilton Kilmory paper Year: 1947 Paper Size: 9.5 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Rembrandt, Drawings...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Kay Ameche, American (1904 - 2005) - Spring Fever, Year: 1981, Medium: Screenprint, signed and numbered in pencil, Edition: 200, AP 40, Size: 22 in. x 26 in. (55.88 cm x 66.04 cm...

Barges, Dordrecht Etching, c. 1886 Signed in the plate with the butterfly Edition: One of 10 known impressions of this image. VERY RARE Provenance: Frederick Keppel & Co. with their ...

Medium: Lithograph on grand vélin Filigrané a sa marque paper Year: 1950 Paper Size: 9.75 x 12.5 inches; image size: 8.27 x 10.63 inches Inscription: Signed in the plate and unnumber...

Flying Cloud with Montgolfier Balloon 1998 Lithograph on Rives BFK Mould-Made Paper (Edition of 60) 37.75 x 47 inches $6,500 This work is offered by Cl...

This Limited Edition giclee landscape print by Molly Doe Wensberg is an edition size of 195. It features a vibrant green and blue palette and captures a scene of a field with lush fo...

Medium: Lithograph on grand vélin Renage paper Year: 1948 Paper Size: 12.5 x 19.25 inches; image size: 11.42 x 16.54 inches, with centerfold, as issued Inscription: Unsigned and unnu...

MOUNTAIN LIFT is a hand drawn, limited edition lithograph by the American surrealist artist Fanny Brennan created using traditional hand lithography techniques printed on archival A...

Jack Hofflander, American (1920 - 2003) - S. Bennington Building, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: AP 23/30, Image Size: 22 x 30.5 inches, ...

La Sablière is a drawing in etching technique on paper glued on ivory-colored cardboard, realized after Jean-Baptiste Camille Corot (1796-1875) and Gustave-Marie Greux, a sculptor an...

This exquisite lithograph after Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Tapis De Tarragona (Tarragona Tapestry), illustrations, Joan Miro, 1972, originate...

This is a framed 16th century map and city view of Canterbury, England entitled "Cantuarbury" by Braun & Hogenburg, from their famous landmark atlas of city views 'Civitates Orbis Terrarum' (Atlas of the Cities of the World), which was first published in Cologne, Germany in 1572. The map of Canterbury was first published in 1588. It depicts a detailed birdseye view of the completely walled and fortified city of Canterbury, with its cathedral the most prominent feature. The coat of arms of England, Canterbury, and the Archbishop of Canterbury are included. This beautifully hand-colored map is presented in a gold-colored wood frame with a beaded inner trim and a paprika-colored mat that highlights details in the map. The frame measures 18.75" high by 22.25" wide by 0.875" deep. There is a central vertical fold, as issued. The map is in excellent condition. Braun and Hogenberg's 'The Civitates Orbis Terrarum' was the second atlas of maps ever published and the first atlas of cities and towns of the world. It is one of the most important books published in the 16th century. Most of the maps in the atlas were engraved by Franz Hogenberg and the text, with its descriptions of the history and additional factual information of the cities, was written by a team of writers and edited by Georg Braun. The work contained 546 bird-eye views and map views of cities and towns from all over the world. It gave graphic representation of the main features of the illustrated cities and towns, including the buildings and streets. Although the ordinary buildings are stylized, the principal buildings are reproduced from actual drawings created on location. The principal landmarks and streets can still be recognized today. In addition, the maps often include the heraldic arms of the city, the nature of the surrounding countryside, the important rivers, streams and harbors, even depicting stone bridges, wooden pontoons, flat-bottomed ferries, ships and working boats, wharves and jetties, as well as land-based activities, including horsemen, pedestrians, wagons, coaches, and palanquins. Small vignettes are often included which illustrate the trade, occupations and habits of the local inhabitants, such as agriculture, paper-making and textiles, as well as local forms of punishment, such as gibbets, wheels, floggings etc. Large figures dressed in their local costume are often presented out of proportion in the foreground. The aim of the authors was to give as much information as possible in a pleasing visual form. They succeeded in creating maps that were both informative and decorative works of art. The atlas is a wonderful glimpse of life in medieval Europe. Georg Braun (1541-1622) was German Catholic...

Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, tête edition, Consacré à Jean-P...

Wayne Ensrud, American (1934 - ) - Upwind, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 45, Image Size: 19 X 26.5 inches, Size: 22 in. x 30 in...

James Penney was widely known for his New Yorker covers as well as his paintings and prints. This lithograph of male laborers, Street Pavers, remi...

Hans Thoma (1839 Bernau - 1924 Karlsruhe), S. Anton Patenkirchen, 1895. Algraph on strong wove paper, published by Breitkopf und Härtel in Leipzig as ‘Zeitgenössisches Kunstblatt Nr....

This exquisite lithograph by Pablo Picasso (1881–1973), titled Les Banderilles (The Banners), from the album A Los Toros Avec Picasso (To the Bulls with Picasso), originates from the...

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a view of the workers looking out over the river from the scaffolding of Yoshida Temple, circa 1850. Signed in Kanji...

This realistic limited edition print captures highly detailed, close up view of river water running over small, colorful rocks. Above the shapes, textures, and earthy colors of the r...

The WEBB imagery is of the most important imagery every taken. The finest museum quality WEBB images available. Printed on archival paper using archival inks. 30x50 Edition of 150 ...

This contemporary abstract landscape limited edition print by Ken Elliott features multi-colored tree trunks and foliage extend from the bottom of the canvas up to the top, with a ra...

This limited edition seascape print by John Harris captures a highly detailed view of rolling ocean waves crashing near a shoreline under a clear blue sky. It features a mix of cool ...

This large 17th century copper plate hand-colored engraved map entitled "Gouvernement D'Orleans et la Generalite divisee en ses Elections Par...

Lithograph on grand vélin d'Arches spécial paper. Unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the folio, Les Côtes Normandes 1961. Publ...

This abstract landscape limited edition print by Elwood Howell features a vibrant blue palette. Light green and violet accents contrast with the bright blue landscape, which creates ...

Artist: Peter Max (1937) Title: Sage, Sailboat, and Vase II Year: 2000 Edition: 500/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 7.375 x 8.25 inches Condition: Ex...

This contemporary abstract landscape limited edition giclee print by Ken Elliott features abstracted trees in a cool-toned palette. The energetic blue and violet brush strokes that m...

Arrest of the Palateros is one of Frank Romero’s most compelling social-commentary images, depicting the arrest of palateros—ice-cream vendors—in Echo Park for operating without perm...

Printed in Italy by Roberto Hoesch-Milano. Measures 14.75 x 18.75 inches and is Unframed. Good Condition.

A simplified, illustration-style landscape by American artist Milton Glaser. This print is signed and numbered in pencil by the artist. View near Radda Milton Glaser, American (1929...

Linda Plotkin, American (1938 - ) - Yellow Field, Year: circa 1965, Medium: Lithograph, signed, titled and numbered in pencil, Edition: 6/125, Image Size: 9 x 20 inches, Size: 1...

This abstract landscape limited edition print by Elwood Howell features a high horizon line, separating a pale, nearly grey foreground and a blue gradient sky. Along the horizon line...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Paysage (Landscape), from the folio Eaux-de-vie, Esprit de la fleur et du fruit (Spirits, Essence of the Flower and the...

French Landscape is an original artwork realized by Eugène Corneau during the 1930s. Etching and drypoint on paper. Very good conditions except for some small folds on the left mar...

Uses and Customs - Temple of Neptune Pesto is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History...

Hans Kaumann (German, 20th Century) Hamburg Harbor, c. 1920 Etching 12 x 16 in. This historic print depicting Hamburg Harbor offers a look into the past, presenting a c. 1920s view ...

Veduta di Tivoli mista d'Antico, e moderno (...) From the collection: “Le antichità de' contorni di Roma ossia le più famose città del Lazio. Tivoli, Albano...

This abstract landscape limited edition print by Elwood Howell features a high horizon line, separating a pale, nearly grey foreground and a blue gradient sky. Along the horizon line...

We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...

Max Epstein, Canadian (1932 - 2002) - Fishing Hole, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 295, Image Size: 19 x 28 inches, Size: 23 in. x 35 i...

This exquisite lithograph and pochoir by Jean Lurcat (1892–1966), titled Le Belier (The Aries), from the folio Les Signes du Zodiaque (The Signs of the Zodiac), originates from the 1...