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Orientation: Horizontal
Gardens of the Chateau Rueil, Paris, France, mid 17th century engraving
Located in Melbourne, Victoria
'Prosp. horti Auraicorum Pomorum a Ruel' Copper-line engraving by Matthaeus Merian. From 'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, gard...
Category

Mid-18th Century Rococo Landscape Prints

Materials

Engraving

Everything s Going to be Alright (Work No. 3531), Signed/N print in archival box
By Martin Creed
Located in New York, NY
Martin Creed Everything's Going to be Alright (Work No. 3531), 2022 Color giclee print; unframed and housed in a bespoke archival box from Hauser & Wirth 11 3/4 × 16 1/2 inches Pencil signed, titled and numbered 141/200 Makes a perfect gift! Provenance: Hauser & Wirth, at The Fife Arms (Beaemar Castle) A wonderful print with an affirmation worth seeing in any room in the house! Note: this work is pencil signed and numbered from the limited edition of 200, and it comes inside of a bespoke box, as it was first issued by Hauser Wirth. The number shown in the image here may not be the number you receive. In 2020, as part of the post-lockdown re-opening celebrations for Scotland's Fife Arms, Hauser Wirth's owners unveiled a specially commissioned temporary neon installation, ‘Work No. 3435: EVERYTHING IS GOING TO BE ALRIGHT’ by one of their favorite artists, Turner Prize-winner Martin Creed. This colorful installation was situated on the grounds of nearby Braemar Castle. The message resonates well beyond the pandemic. It makes a terrific gift. (Martin Creed, who grew up in Glasgow, is particularly known in Scotland for the much-loved Scotsman Steps in Edinburgh, a public staircase joining two streets made with more than a hundred different types of marble. A work in blue neon, ‘Work No. 975: EVERYTHING IS GOING TO BE ALRIGHT’, has been on view since 2012 on the facade of the National Gallery of Scotland in Edinburgh. The phrase ‘Everything is going to be alright’ has been used by the artist in a series of large-scale neon works since 1999 and draws on the comforting words Creed was offered by a friend. He explains, “If you are upset and someone speaks to you to try to help you, even if the words are empty because no one knows what is going to happen in the future, it can still feel like a comfort. No-one can really tell you everything is going to be alright, but despite that, many times in my life I have been very comforted by people saying something like that to me.”) And all this brings us back to the present work, a limited edition 2022 color giclee print, pencil signed and numbered by Martin Creed, which depicts Creed's pandemic-era temporary light installation with the neon words Everything is Going to Be Alright, against the backdrop of Braemar Castle at nightfall. This edition was originally sold by Hauser Wirth via the Fife Arms to raise funds to restore Braemar Castle - and it quickly sold out. It's a poignant message that continues to resonate, perhaps now more than ever - and it would look beautiful in any home or office. But the question remains: Should we really believe Martin Creed's message? The answer is a resounding Yes. Coming from some of the most successful and lucky people on earth (Martin Creed and Manuela and Iwan Wirth) and carrying the magical energy and history of Braemar Castle, the odds are looking pretty good that everything is indeed going to be alright with all that positivity! By the way, just for fun (because why not?) keep scrolling (right arrow to the right of the main image) to view a 2019 photograph of King Charles and Queen Camilla (then officially known as the Duke and Duchess of Rothesay when in Scotland) attending the opening of The Fife Arms, with Manuela and Iwan Wirth standing next to them on the left - all in Highland dress. More about Martin Creed: British sculptor and installation artist. He was born in Wakefield, grew up in Scotland, and studied at the *Slade School of Art. His works are generally sparse in their material form and are identified only by numbers so as not to impose associations. (For this reason his numbering system avoids the portentous No. 1.) He is best known for the work for which he was awarded the *Turner Prize in 2002, Work no. 227 (2000, MoMA, New York). An entire room is alternately lit and darkened by electric light. It is a way of making a work of art which has no material existence: the light and the darkness are not themselves the art, only the change between them. This is a work which has entered the mythology of ‘modern art’ stories: the river boat guide tells the tourists (quite incorrectly) as they pass *Tate Modern: about the empty room...
Category

2010s Contemporary Landscape Prints

Materials

Mixed Media, Giclée

Caught on a Breeze #1 – Green
Located in Deddington, GB
Caught on a Breeze #1 – Green by Charlie Davies [2021] limited_edition Soft ground etching Edition number 100 Image size: H:22 cm x W:30 cm Complete Size of Unframed Work: H:36 cm x...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Paper, Etching

"Interieur d Ecurie a Samois" original etching
Located in Henderson, NV
Medium: original etching. This impression on laid paper was printed in London in 1880 for P. G. Hamerton's "Etching and Etchers". Plate size: 6 1/4 x 8 3/4 inches. Signed in the plate.
Category

1880s Landscape Prints

Materials

Etching

The Royal Exchange of London
Located in Middletown, NY
London: A. Churchill & J. Knapton, 1754 Engraving on fibrous laid paper with a "C" watermark, 9 3/4 x 11 3/4 inches (246 x 297 mm), full margins. Significant edge wear including mul...
Category

Mid-18th Century French School Landscape Prints

Materials

Handmade Paper, Engraving, Laid Paper

All Souls (View from Queen s College, Oxford) John Piper 1972 lithograph
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. after John Piper (1903 - 1992) View from the Upper Common Room, The Queen's College - Oxford Almanac 1972 (cropped) Lithograph 17 x 26 cm A lithograph featuring Oxford's skyline, including the towers of All Souls...
Category

1970s Landscape Prints

Materials

Lithograph

Early 20th Century Santo Domingo Landscape Etching Proof
Located in Soquel, CA
Prize winning 1923 Dry Point Etching of Santo Domingo by George "Pop" Hart. Wonderful early 20th century modern etching of the Santo Domingo, capital of Dominican Republic by Georg...
Category

1920s Contemporary Landscape Prints

Materials

Laid Paper, Drypoint, Etching

Red-throated Diver Bird: Original First Edition Audubon Hand-colored Lithograph
Located in Alamo, CA
This is an original rare and extremely collectible first octavo edition John James Audubon hand colored royal octavo lithograph entitled "Red-throated Diver", No. 96, Plate 478, from...
Category

Mid-19th Century Naturalistic Animal Prints

Materials

Lithograph

Stokesay Castle
Located in Middletown, NY
The Minature Print Society of Kansas City, Mo. , 1942. Etching on cream colored Japon wove paper, 2 1/4 x 2 15/16 inches (58 x 75 mm), full margins. Signed, dated and inscribed "II"...
Category

Mid-20th Century American Modern Landscape Prints

Materials

Handmade Paper, Etching

Davis F. Schwartz "Historic First Theater, Monterey County" PRINT c.1950
Located in San Francisco, CA
Davis Francis Schwartz "Historic First Theater, Monterey County" Original PRINT C.1950 PRINT dimensions 20" wide x 16" high The distressed per...
Category

Mid-20th Century Impressionist Landscape Prints

Materials

Watercolor

The Church of St. Francis and the Natizone; Cividale
Located in Middletown, NY
1931. Etching on antique laid Japon paper, 10 x 14 13/16 inches (254 x 377 mm), full margins. Signed in pencil and inscribed "Ed. 100" (from a total edition of 128). Third state (of ...
Category

Mid-20th Century American Modern Landscape Prints

Materials

Handmade Paper, Laid Paper, Etching

The Kirekin in Shropshire, sepia aquatint, Charles Dibdin, 1801
Located in Melbourne, Victoria
From Dibdin's 'Observations on a tour'. Charles Dibdin the elder was a famed singer, songwriter, and actor who spent a significant amount of time touring the countryside. During this...
Category

Early 19th Century Naturalistic Landscape Prints

Materials

Aquatint

Gresham College
Located in Middletown, NY
Etching with engraving on cream laid paper with a Garden of Holland or Maid of Dort Pro Patria watermark, 11 x 14 1/4 inches (278 x 361 mm), thread margins. Lettered with the title in a cartouche at the top-center sheet, continuing "a Latere Occidentali Prospeus AD MDCCXXXIX," with numbers over the image at right that correspond to a key 1 to 29, and with publication details: "Georgius Vertue Londini delineavit et Sculpsit anno MDCCXXXIX". Multiple expert repairs, notably a Y-shaped, expert paper tape repair on the verso. Handling creases, toning. All issues are consistent with age. An impression of this work may be viewed in the permanent collection of the British Museum, registration No. 1880,1113.3963. A bird's eye view of the college in Broad Street, London, showing the courtyard, adjoining stable yard to the right, and the buildings at the back. This work was included in Frederick Crace...
Category

Early 18th Century English School Landscape Prints

Materials

Handmade Paper, Engraving, Etching

Twickenham Church
Located in Middletown, NY
A luminous first state impression, Hamerton's "Portfolio" edition. Etching and drypoint on cream wove paper, 7 3/16 x 9 15/16 inches (135 x 213 mm), wide margins. First state (of 5)...
Category

Mid-19th Century Realist Landscape Prints

Materials

Drypoint, Etching

Pheasant Pigeon Birds: 19th C. Folio-sized Hand-colored Lithograph by John Gould
Located in Alamo, CA
This is a hand-colored folio-sized lithograph entitled "Otidiphaps Nobilis" (Pheasant Pigeon) by John Gould from his monograph "The Birds of Asia", published in London in 1862-1879. The print, which was drawn by Gould and H. C. Richter and lithographed by Walter, depicts two Pheasant Pigeon birds...
Category

Mid-19th Century Naturalistic Animal Prints

Materials

Lithograph

North View of St. Paul s Cathedral, London / English School
Located in Middletown, NY
London: Tallis & Co., 1851. Lithograph on cream wove paper, 11 3/4 x 15 3/4 inches (297 x 398 mm), with vaulted margins at the top sheet edge. Significant toning, and some edge wear...
Category

Mid-19th Century English School Landscape Prints

Materials

Handmade Paper, Lithograph

The Pavilion de Mademoiselle and Part of the Louvre
Located in Middletown, NY
A fine and early state impression from an almost unparralled 19th century Parisian collection curated by Loys Delteil. Etching, drypoint, and roulette on buff laid Japon paper, 5 7/16 x 9 13/16 inches (137 × 249 mm) full margins. In very good condition with light and unobtrusive scattered foxing. Some pencil inscriptions in the margins, recto, as well as the Alfred Beurdeley collection stamp (Lugt 421) in black ink in the lower left margin on the recto. There are some light scattered inscriptions in pencil on the verso, as well as a numerical stamp in blue ink, which we believe is the lot number from part III of a well-known series of sales of Beurdeley's collection organized by Loys Delteil. This portion of the sale of Beurdeley's massive collection focused on Modern Prints, and took place on May 19 – 20, 1920, in Paris. In regard to the content of the sale, Fritz Lugt states "Meryon's work included all the beautiful pieces about Paris." A rich and tonal impression. [Delteil & Wright 9; Schneiderman 12]. A note on the provenance: Alfred Beurdeley (1847-1919) was the son of one of the first antique dealers in Paris...
Category

Mid-19th Century French School Landscape Prints

Materials

Handmade Paper, Laid Paper, Etching

Taos - Relic of the Insurrection of 1845 — Southwest Regionalism
Located in Myrtle Beach, SC
Ira Moskowitz, 'Relic of the Insurrection of 1845' also 'Taos Pueblo with Ruin)', lithograph, 1944, edition 30, Czestochowski 121. Signed and titled in pencil. Signed and dated in the stone, lower right. A fine, richly-inked impression, on cream wove paper, with full margins (1 3/8 to 1 15/16 inches). Very pale light toning within a previous mat opening, otherwise in excellent condition. Matted to museum standards, unframed. Image size 11 5/8 x 15 1/2 inches (296 x 394 mm); sheet size 15 1/8 x 19 inches (384 x 483 mm). ABOUT THE IMAGE The Taos Revolt was a populist insurrection in January 1847 by Hispano and Pueblo allies against the United States occupation of present-day northern New Mexico during the Mexican–American War. The rebels killed provisional governor Charles Bent and several other Americans. In two short campaigns, United States troops and militia crushed the rebellion of the Hispano and Pueblo people. The New Mexicans, seeking better representation, regrouped and fought three more engagements, but after being defeated, they abandoned open warfare. The hatred of New Mexicans for the occupying American army, combined with the rebelliousness of Taos residents against imposed outside authority, were causes of the revolt. In the uprising's aftermath, the Americans executed at least 28 rebels. The Treaty of Guadalupe Hidalgo in 1850 guaranteed the property rights of New Mexico's Hispanic and American Indian residents. ABOUT THE ARTIST Ira Moskowitz was born in Galicia, Poland, in 1912, emigrating with his family to New York in 1927. He enrolled at the Art Student's League and studied there from 1928-31. In 1935, Moskowitz traveled to Paris and then lived until 1937 in what is now Israel. He returned to the United States in 1938 to marry artist Anna Barry in New York. The couple soon visited Taos and Santa Fe in New Mexico, returning for extended periods until 1944, when they moved there permanently, staying until 1949. During this especially productive New Mexico period, Moskowitz received a Guggenheim fellowship. His work was inspired by the New Mexico landscape and the state’s three cultures (American Southwest, Native American, and Mexican). He focused on Pueblo and Navajo life, producing an extensive oeuvre of authentic American Indian imagery. He and Anna also visited and sketched across the border in Old Mexico. While in the Southwest, Moskowitz flourished as a printmaker while continuing to produce oils and watercolors. Over 100 of Moskowitz’s works depicting Native American ceremonies were used to illustrate the book American Indian Ceremonial Dances by John Collier, Crown Publishers, New York, 1972. After leaving the Southwest, printmaking remained an essential medium for the artist while his focus changed to subject matter celebrating Judaic religious life and customs. These works were well received early on, and Moskowitz was content to stay with them the rest of his life. From 1963 until 1966, Moskowitz lived in Paris, returning to New York City in 1967, where he made his permanent home until he died in 2001. Shortly before his death, Zaplin-Lampert Gallery of Santa Fe staged an exhibition of the artist's works, December 2000 - January 2001. Other one-person shows included the 8th Street Playhouse, New York, 1934; Houston Museum, 1941; and the San Antonio Museum, 1941. The artist’s work was included in exhibitions at the Art Students League, Art Institute of Chicago, Philadelphia Print Club, College Art Association (promotes excellence in scholarship and teaching), and the International Exhibition of Graphic Arts (shown at MOMA, 1955). Moskowitz’s lithographs of American Indian...
Category

1940s American Modern Landscape Prints

Materials

Lithograph

Le Val Clemence; Clémence Valley
Located in Middletown, NY
Etching on watermarked Aqua-Fortistes cream laid paper, 7 x 12 7/8 inches (177 x 327 mm), full margins. Condition issues include minor uniform toning (worse at the sheet edges), hand...
Category

Mid-19th Century French School Landscape Prints

Materials

Laid Paper, Etching

Environs de Rix (Ain)
Located in Middletown, NY
Paris: Cadart, 1865. Etching on buff wove paper, 3 1/2 x 7 inches (88 x 177 mm), full margins. In good condition with some light toning and several minor spots of light discoloratio...
Category

Mid-19th Century French School Landscape Prints

Materials

Etching

French Sailboats, Modern Lithograph by Peter Edwards
Located in Long Island City, NY
French Sailboats by Peter Edwards, British (1934–2017) Date: circa 1975 Lithograph, Signed and Numbered in Pencil Edition of 11/275 Image Size: 15.5 x 21 inches Frame Size: 24 x 30 i...
Category

Mid-20th Century Modern Landscape Prints

Materials

Lithograph

Temple of Fortuna Virilis
Located in Middletown, NY
London: J. Taylor, 1820. Etching and aquatint with engraving on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), full margins. Small spots of adhesive residue from a former mount at each edge on the recto. Light ghost impression in the area of the sky. Scattered minor areas of light brown discoloration, with a 3 3/4 inch horizontal edge loss along the lower left sheet edge, outside of the platemark. Colors remain fresh. Plate No. 3 from Wonders: Images of the Ancient World. Likely printed 1828. A view of the Temple of Hercules Victor...
Category

Early 19th Century English School Landscape Prints

Materials

Handmade Paper, Engraving, Etching, Aquatint

Mountains, Large Pencil Signed Modernist Silkscreen Belgian Illustrator
Located in Surfside, FL
Jean-Michel Folon was born in Brussels. He began to study architecture but abandoned it in favor of drawing, which allowed more expressive studies. His drawings have appeared in nume...
Category

20th Century Landscape Prints

Materials

Screen

Shusaku Arakawa, Outside blank, from Derriere le Miroir, 1982
Located in Southampton, NY
This exquisite lithograph by Shusaku Arakawa (1936–2010), titled Outside Blank, originates from the historic 1982 folio Derriere le Miroir, No. 250, Hommage a Aime et Marguerite Maeg...
Category

1980s Modern Abstract Prints

Materials

Lithograph

Close Up - large format photograph of conceptual billboard sign in landscape
Located in San Francisco, CA
large scale photograph of billboard sign with conceptual message in iconic landscape of the American West. a series of images capturing the unique infi...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

Archival Paper, Photographic Paper, Archival Pigment, Giclée

Westminster School, London, signed etching by Mabel Oliver Rae, circa 1920
Located in Melbourne, Victoria
'Westminster School' Signed and titled by the artist in pencil lower edge. Monogrammed inside the plate lower left corner. Mabel Oliver Rae was an ea...
Category

Early 20th Century Naturalistic Landscape Prints

Materials

Etching

Side By Side 6/8 - bright, colourful, political, flag, Canada, USA, giclée print
Located in Bloomfield, ON
Originally created in 1981, this edition was one of the finest in his flag series. This limited series glicée print on paper of Canadian and American flags dancing on solid turquoise...
Category

Early 2000s Contemporary Landscape Prints

Materials

Giclée

Fine Pigs, Modern Screenprint by Linda Plotkin
Located in Long Island City, NY
Linda Plotkin, American (1938 - ) - Fine Pigs, Year: circa 1965, Medium: Screenprint, signed, titled and numbered in pencil, Edition: 6/75, Image Size: 7.75 x 10.25 inches, Size:...
Category

1960s Modern Landscape Prints

Materials

Screen

Maria Helena Vieira da Silva, Woodland, from Painters of Today, 1960 (after)
Located in Southampton, NY
This exquisite heliogravure after Maria Helena Vieira da Silva (1908–1992), titled Sylvestre (Woodland), from the folio Vieira da Silva, Peintres d'auj...
Category

1960s Modern Abstract Prints

Materials

Lithograph

Aspen Trail- Fall, color etching, John Hogan, yellows, gold, landscape forest
Located in Santa Fe, NM
Aspen Trail- Fall, color etching,John Hogan, yellows, gold, landscape forest hand pulled limited edition color etching 22 x 30 paper size 18 x 24 image size unframed edition signed ...
Category

1990s Contemporary Landscape Prints

Materials

Etching

Introduction for a Blues Queen (Gelburd/Rosenberg 70-77), Jazz Series
Located in Fairfield, CT
Artist: Romare Bearden (1911-1988) Title: Introduction for a Blues Queen (Gelburd/Rosenberg 70-77) Year: 1979 Medium: Lithograph on vélin d’Arches paper Edition: 47/175, plus proofs ...
Category

1970s Expressionist Figurative Prints

Materials

Lithograph

Tree Study IV - large format b/w photograph of lone ancient tree in landscape
Located in San Francisco, CA
From a series of large scale black & white photographs capturing the ancient flora and dramatic arboretum of California's vast Sierra Nevada mountain landscapes, an homage to photogr...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Paper, Photographic Paper, Giclée, Archival Pigment, Archival Ink

Raoul Dufy, The Prince of Joinville, 1965 (after)
Located in Southampton, NY
This exquisite lithograph after Raoul Dufy (1877–1953), titled Le Prince de Joinville (The Prince of Joinville), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter ...
Category

1960s Fauvist Figurative Prints

Materials

Lithograph

Loneliness 2 - Handmade Linocut and Monotype Techniq, Limited Edition 1/5
Located in Salzburg, AT
The artwork will be sent unframed Linocut and Monotype print „Loneliness 2 ” 2021 Limited edition, print unique number 1/5 Paper Fabriano Rosaspina 220 g Paper size 15,75x19,69 inch...
Category

2010s Contemporary Landscape Prints

Materials

Paper, Linocut, Monotype

Original 100 Years of the Red Cross World Map vintage planisphere poster
Located in Spokane, WA
This is a vintage poster titled "Realisation de la Ligue de la Croix-Rouge, Geneva," commemorating one hundred years of the Red Cross from 1863 to 1963. Due to its folds, the poster ...
Category

1960s American Modern Landscape Prints

Materials

Lithograph

The Little Putney
Located in New York, NY
James Whistler, The Little Putney, 1879, etching and drypoint, signed with the large butterfly lower right (also with the butterfly in the plate). Glasgow 187, third state (of 3). 12...
Category

Late 19th Century Impressionist Landscape Prints

Materials

Drypoint, Etching

Andre Lanskoy, Poetic Rupture, from Painters of Today, 1960 (after)
Located in Southampton, NY
This exquisite heliogravure after Andre Lanskoy (1902–1976), titled Rupture poetique (Poetic Rupture), from the folio Andre Lanskoy, Peintres d'aujourd'hui (Andre Lanskoy, Painters o...
Category

1960s Modern Abstract Prints

Materials

Lithograph

Delacroix, Composition, Trente et un Dessins et Aquarelles du Maroc (after)
Located in Southampton, NY
Lithograph on fine vélin paper, mounted on archival mat-board, as issued. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Eugène De...
Category

1920s Romantic Landscape Prints

Materials

Lithograph

Delacroix, Composition, Trente et un Dessins et Aquarelles du Maroc (after)
Located in Southampton, NY
Lithograph on fine vélin paper, mounted on archival mat-board, as issued. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Eugène De...
Category

1920s Romantic Landscape Prints

Materials

Lithograph

10 State Parks
Located in New York, NY
ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California. His pictures of California's iconic architecture and beaches carry the same romantic feel of a...
Category

2010s Landscape Prints

Materials

Photographic Paper

Raoul Dufy, The Music Room, from Letter to My Painter Raoul Dufy, 1965 (after)
Located in Southampton, NY
This exquisite lithograph after Raoul Dufy (1877–1953), titled Le Salon de Musique (The Music Room), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy),...
Category

1960s Fauvist Figurative Prints

Materials

Lithograph

Train Silkscreen Hand Signed Belgian Modernist Folon
Located in Surfside, FL
Jean-Michel Folon (1934- ) Jean-Michel Folon was born in Brussels. He began to study architecture but abandoned it in favor of drawing, which allowed more expressive studies. His dra...
Category

20th Century Landscape Prints

Materials

Screen

Wrapped Walk Ways, Loose Park, Kansas City (large-scale, site-specific install)
Located in Kansas City, MO
Christo and Jeanne-Claude Wrapped Walk Ways, Loose Park, Kansas City, Missouri, 1977-78 Photo: Jeanne-Claude, 1978 Year: 1991 Publisher: Poligrafa Size: 25.47 x 37.3 inches Unsigned ...
Category

1990s Modern Landscape Prints

Materials

Offset

St Margarets, Isleworth, English Regency country house colour aquatint, 1818
Located in Melbourne, Victoria
'St Margarets (Entrance Front) Seat of the Earl of Cassillis'. St Margarets was a Regency house in Isleworth, Middlesex. Published by Rudolf Ackermann ...
Category

Early 19th Century Victorian Landscape Prints

Materials

Engraving, Etching, Aquatint

Marie Laurencin, Untitled, from Les Biches, 1924
Located in Southampton, NY
This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...
Category

1920s Modern Landscape Prints

Materials

Lithograph, Stencil

Maurice Esteve, Friselune, from Painters of Today, 1961 (after)
Located in Southampton, NY
This exquisite heliogravure after Maurice Esteve (1904–2001), titled Friselune (Friselune), from the folio Maurice Esteve, Peintres d'aujourd'hui (Maurice Esteve, Painters of Today),...
Category

1960s Modern Abstract Prints

Materials

Lithograph

The Entrance to the Citadel of Cairo
Located in London, GB
David Roberts RA The Entrance to the Citadel of Cairo 1796 - 1864 Subscription & first edition lithographs in stock Full plate: 228 Presented in an acid free mount The viewpoint is ...
Category

1840s Realist Landscape Prints

Materials

Laid Paper, Lithograph

Rowboats, Print on Canvas, Framed
Located in Granada Hills, CA
Artist: Vahe Yeremyan Work: Print on Canvas Subject: Rowboats, Framed Size: 14" x 17" x 1.5''inch, 36x43x4cm Ready to Hang All works are copyrighted and all rights are reserved by ...
Category

2010s Impressionist Landscape Prints

Materials

Canvas, Color

Hans Hartung, P. 1960-165, from Painters of Today, 1962 (after)
Located in Southampton, NY
This exquisite heliogravure after Hans Hartung (1904–1989), titled P. 1960-165, from the folio Hans Hartung, Peintres d'aujourd'hui (Hans Hartung, Painters of Today), originates from...
Category

1960s Modern Abstract Prints

Materials

Lithograph

French Riviera : Provençal Market - Original Lithograph, HANDSIGNED Ltd /250
Located in Paris, IDF
Jean-Claude PICOT (1933-) French Riviera : The Provençal Market, 1982 Original Lithograph Handsigned in pencil Numbered / 250 (the number you can see can be different) On Coated pap...
Category

1980s Modern Landscape Prints

Materials

Lithograph

TODAY - large format photograph of conceptual motivational billboard at night
Located in San Francisco, CA
large scale original photograph of a billboard signage against ultramarine blue night sky from a series of conceptual motivational messages on iconic Americana signs...
Category

21st Century and Contemporary Conceptual Color Photography

Materials

Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée

Hand colored Etching - Souk a’ Gabes Tunisia
Located in San Francisco, CA
This exceptional hand colored etching and aquatint is by the noted Parisian artist William Adolphe Lambrecht (1876-1940). The print depicts the Souk, or market in Gabes, Tunisia. It ...
Category

1920s Romantic Landscape Prints

Materials

Etching, Aquatint

Scilla, Landscape - Country and Coast - Etching and Watercolor by G. Omiccioli
Located in Roma, IT
Country and coast: Scilla, Calabria, Italy. Etching and Watercolour (hand coloured) Very good conditions.
Category

1970s Contemporary Landscape Prints

Materials

Watercolor, Etching

Oxford, original vintage map by Kerry Lee
Located in London, GB
To see our other original vintage travel posters, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find th...
Category

1960s Realist Landscape Prints

Materials

Lithograph

TREE ROOTS II Signed Lithograph, Surreal Landscape, Jungle Forest Trees
Located in Union City, NJ
TREE ROOTS II is an original hand drawn, limited edition lithograph printed using traditional hand lithography techniques on archival Arches paper 100% acid free. TREE ROOTS II is a ...
Category

1980s Surrealist Landscape Prints

Materials

Lithograph

Veillot s Crested Fireback Birds: 19th C. Hand-colored Lithograph by John Gould
Located in Alamo, CA
This is a remarkable hand-colored folio sized lithograph entitled "Euplocomus Vielloti" (Viellot's Crested Fireback) by John Gould from his monograph "The Birds of Great Asia", publi...
Category

Mid-19th Century Naturalistic Animal Prints

Materials

Lithograph

Shipping on the IJ, Amsterdam in the Background.
Located in Middletown, NY
A busy 18th century river scene along Amsterdam's waterfront. One etching from the series of 10 lively nautical scenes entitled Seascapes. This image depicts six vessels, from left ...
Category

Early 18th Century Landscape Prints

Materials

Laid Paper, Etching

Venice, St. Mark s square - Lithograph by Giuseppe Kier - 19th Century
Located in Roma, IT
Venice, St. Mark's square is an original artwork realized in the mid 19th century by Giuseppe Kier. Mixed colored lithograph. Framed. Good conditions except for some stains. A be...
Category

19th Century Modern Figurative Prints

Materials

Lithograph

Signac, St-Tropez, Signac Dessins (after)
Located in Fairfield, CT
Medium: Lithograph on vélin de Lana paper Year: 1950 Paper Size: 9.75 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the album, Signac Dessins, 1950. Publi...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph

Alexander Kachinsky, Uptown, NYC
Located in New York, NY
Russian-born and European-educated Alexander Kachinsky was a designer of stage sets (for the Ballet Russe), furniture, and commercial interiors. His prints are in the collection of t...
Category

Mid-20th Century Ashcan School Landscape Prints

Materials

Etching

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