Horizontal Landscape Prints

Currier & Ives (Publishers) "Good times on the Old Plantation" 1872 Handcolored Lithograph Size Height 10 in.; Width 13.9 in. Framed Size: approx 16 x 19.5

The Queen's Staircase is an original modern artwork realized in 1836 by the French artist François Alexandre Pernot (1793-1865). Original Lithograph on paper. The sheet is glued on ...

A simplified, illustration-style landscape by American artist Milton Glaser. This print is signed and numbered in pencil by the artist. View near Greve Milton Glaser, American (1929...

Lithograph on grand vélin d'Arches spécial paper. Unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the folio, Les Côtes Normandes 1961. Publ...

Dance called the Candiotta is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the governme...

Polymer gravure type etching on Velin Arches Blanc 250 gsm. Signed and numbered by the artist Paper size: 24 x 29.5 cm Edition of 100

Mary Faulconer, American (1912 - 2011) - Beach at Brighton, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: AP 18/30, Image Size: 15.5 x 20 inches, ...

Interno della Basilica della Fortuna Prenestina Image dimensions: 40x53 cm. From the collection “Le antichità de’ contorni di Roma (...)”, published in Rome, 1826 an artist's proof w...

Morris Cox (1903-1998) Crash! An Experiment in Blockmaking and Printing, AP 1 of 8 colour prints in varied techniques, Gogmagog Press 1963 Image: 16.5 x 23.0 cm Frame: 32.0 x 38.0 c...

Ted Jeremenko, Yugoslavian/American (1938 - ) - Orient Point. Year: circa 1985, Medium: Screenprint, signed and numbered in pencil, Edition: 175, Image Size: 21 x 34 inches, Size: 30...

This artwork titled "Aftermath" 1981 is a color serigraph on Wove paper by noted American artist Roy Ahlgren, 1927-2011 It is hand signed, titled, dated and numbered 2/150in pencil b...

Henriette Wyeth-Hurd Hand signed, Collotype, Limited Edition of 490 Image Size: 20" x 26" framed 28.5 X 34.5 Provenance: printed at Triton Press and has their certificate of authenticity verso. Henriette Wyeth Hurd (1907 – 1997) was an American artist noted for her portraits and still life paintings. The eldest daughter of illustrator N.C. Wyeth, she studied painting with her father and brother Andrew Wyeth at their home and studio in Chadds Ford, Pennsylvania. Henrietta Wyeth was born in Wilmington, Delaware, into an artistic family. Wyeth was the eldest of the five children of noted illustrator N.C. Wyeth and his wife Carolyn Bockius. Her siblings Carolyn and Andrew also became artists, and all three studied with their father. Andrew Wyeth became the most well-known artist of this family. Henriette contracted polio at age 3, which altered her health and use of her right hand. As a result, she learned to draw with her left hand and paint with her right. She grew up on the family farm in Chadds Ford, Pennsylvania, and attended local Quaker schools. She and her siblings were eventually homeschooled because their father distrusted the public school system. She began formal art lessons with her father at age 11, making charcoal studies and geometric shapes. A child prodigy, at age 13 Wyeth was enrolled in the Normal Arts School in Boston, Massachusetts. The next year, in 1921, she entered the Boston Museum of Art Academy. Two years later she moved to Philadelphia to study painting at the Pennsylvania Academy of Fine Arts. By age 16, she was well known as a portraitist and received commissions for paintings of Wilmington residents. Deeply influenced by her father's unique realistic style, she rejected early 20th-century painting styles such as Impressionism and Cubism. She was also socially and politically conservative. As a result, later in life she rejected the progressive movements of the 1960s and 1970s, including the women's movement. She often criticized television and modern culture. At age 21, in 1929 Wyeth married artist Peter Hurd, a fellow student at the Pennsylvania Academy and her father's apprentice. The couple had three children together: Peter Jr., Carolyn, and Michael Hurd...

Ancient View of Damascus is an original modern artwork realizedin the first half of the 19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower margin: Damas...

Braun G., Hogenberg F., "Vienna", from the collection "Civitates Orbis Terrarum", Cologne, T. Graminaeus, 1572-1617. Image Dim: cm 15 x 47, Dim: cm 20 x 53. Wonderful B/W Aquatint r...

Jack Hofflander, American (1920 - 2003) - HM Lewis Building, Year: 1979, Medium: Screenprint, signed in pencil, Edition: AP 30, Image Size: 22 x 30 inches, Size: 26 in. x 33 in....

Medium: Lithograph on vélin d'Arches paper Year: 1966 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Soutine, I, Collect...

Altra veduta della Chiesa di S. Ignatio de Papa della Compa di Giesu nel Rione della Pigna is an etching realized in the Late 17th Century by Giovan Battista Falda. Good condition e...

Jack Hofflander, American (1920 - 2003) - Country Balloon Fair, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 250, AP 30, Image Size: 22 x 30 inches, S...

Hidden Pond Lithograph, 1958 Signed in pencil lower right of image Annotated: Ed/40 in pencil by the artist lower left Edition: 40 Provenance: Baldwin-Wallace College, Berea, OH (acc...

‎Echo et Narcisse is an artwok realized in 1911, by the French Artist Auguste Roubille (1872-1955). Three Lithographs print on paper, cm 20x15 cad. Signed in plate. The artwork is p...

Kay Ameche, American (1904 - 2005) - Ft. Point, San Francisco, CA, Year: 1981, Medium: Screenprint, signed and numbered in pencil, Edition: 200, AP 40, Image Size: 12 x 25 in, Si...

Thomas Pradzynski 1951–2007 Internationally renowned Modern Realist, Thomas Pradzynski painted street scenes of cities throughout the world, but was inspired and captured the mood, t...

Over the course of his career, John Grillo showed in 85 one-man and over 100 group exhibitions. One of the most influential of the San Francisco school...

This is from his New York series consisting of 10 original lithographs signed & numbered. Limited edition of 150 numbered and 30 AP.. It is number 58 in the catalogue of lithographs. The size is the registered paper size plus the frame. Vol.1 Bernard Buffet lithographs...

Maurice Vlaminck Le Cafe de Paris, Pl. X, from Visage des Maisons, c. 1927 (Walterskirchen 132) Etching on Van Gelder laid paper, signed in pencil, trial proof with the blindstamp o...

Artist: Millard Owen Sheets, American (1907 - 1989) Title: Summer Gold Medium: Lithograph, signed and numbered in pencil Edition: 250, 5 HC Image S...

Golden State I by Frank Schott a photography study of a rare desert botanical phenomenon, California's "superbloom", a rare desert botanical phenomenon in which an unusually high proportion of wildflowers whose seeds have lain dormant in desert soil germinate and blossom at roughly the same time, exploding into endless fields of golden yellow poppy flowers 48 x 72 inches / 122cm x 183m edition of 7 signed 27 x 40 inches / 68cm x 102cm edition of 25 signed archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity ________________________ Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence. Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels. Influenced by a number of photographic peers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Michael Wolf, Gregory Crewdson, William Eggleston and Joel Sternfeld, Schott's images successfully blend technical, conceptual and formal rigor with a decisive sense of composition and color. Schott's images have an iconic sensibility and give us a bird's eye view onto humanity and its constructs. The specific is edged towards the abstract, often revealing the compelling and disjunctive moment where nature meets man. Frank Schott was born in Cologne, Germany in 1962. He currently lives and works in San Francisco...

A L'Ombre (In Shadow) Etching & drypoint, 1905 Signed with the red stamp of the publisher Pellet (see photo) Edition: 50 on velin paper, signed and numbered Publisher: Gustav Pellet, Paris (his red stamp lower right, recto; Lugt 1193) Condition: Excellent Image/Plate size: 5-7/8 x 8-5/8" (14.8 x 21.8 cm.) Sheet size: 11 5/8 x 17 1/8" Reference: IFF 119 Exteens 229 Arwas 256 v/V Louis Auguste Mathieu Legrand (29 September 1863 – 1951) was a French artist, known especially for his aquatint engravings, which were sometimes erotic. He was awarded the Légion d'honneur for his work in 1906. Life Legrand was born in the city of Dijon in the east of France. He worked as a bank clerk before deciding to study art part-time at Dijon's Ecole des Beaux-Arts. He won the Devosge prize at the school in 1883.[2] In 1884 Legrand studied engraving under the Belgian printmaker Félicien Rops. Legrand's artworks include etchings, graphic art and paintings. His paintings featured Parisian social life. Many were of prostitutes, dancers and bar scenes, which featured a sense of eroticism. According to the Hope Gallery, "Louis Legrand is simply one of France's finest early twentieth century masters of etching." His black and white etchings especially provide a sense of decadence; they have been compared to those of Henri de Toulouse-Lautrec, though his drawings of the Moulin Rouge, the can-can dance and the young women of Montmartre preceded Toulouse-Lautrec's paintings of similar scenes. He made over three hundred prints of the night life of Paris. They demonstrate "his remarkable powers of observation and are executed with great skill, delicacy, and an ironic sense of humor that pervades them all." Two of his satirical artworks caused him to be tried for obscenity. The first, "Prostitution" was a symbolic drawing which depicted a naked girl being grasped by a dark monster which had the face of an old woman and claws on its hands; the second, "Naturalism", showed the French novelist Émile Zola minutely studying the thighs of a woman with a magnifying glass. Defended by his friend the lawyer Eugène Rodrigues-Henriques (1853–1928), he was found not guilty in the lower court, but was convicted in the appeal court and then given a short prison sentence for refusing to pay his fine. Legrand was made famous by his colour illustrations for Gil Blas magazine's coverage of the can-can, with text by Rodrigues (who wrote under the pseudonym Erastene Ramiro). It was a tremendous success, with the exceptional quantity of 60,000 copies of the magazine being printed and instantly sold out in 1891. In 1892, at the instigation of the publishing house Dentu, Legrand made a set of etchings of his Gil Blas illustrations. The etchings were published in a book, Le Cours de Danse Fin de Siecle (The End of the Century Dance Classes). Legrand took a holiday in Brittany, which inspired him to engrave a set of fourteen lithographs of simple country life called Au Cap de la Chevre (On Goat Promontory). It was published by Gustave Pellet who became a close friend of Legrand's. Pellet eventually published a total of 300 etchings by Legrand, who was his first artist; he also published Toulouse-Lautrec and Félicien Rops among others. He did not only work in graphics; he exhibited paintings at the Paris salon of the Société Nationale des Beaux-Arts starting in 1902. In 1906 he was made a chevalier of the Légion d'honneur. Legrand died in obscurity in 1951. A retrospective exhibition was held at the Félicien Rops museum in Namur, Belgium in 2006 to celebrate his graphic art. The art collector Victor Arwas published a catalogue raisonné for the occasion. Books illustrated de Maupassant, Guy: Cinq Contes Parisiens, 1905. Poe, Edgar Alan: Quinze Histoires d'Edgar Poe...

Ancient View of Brescia is an original modern artwork realized in Italy in the half of the 19th Century. Original lithograph on Ivory Paper. Inscripted on the lower margin. Pass...

Clare Halifax Pink House and Palm La Palme Limited Edition 11 colour screen print Edition of 100 Sheet Size: H 17cm x W 23cm x 0.1cm Sold Unframed Hand printed by the artist onto som...

Keiji Shinohara was born and raised in Osaka, Japan. After 10 years as an apprentice to the renowned Keiichiro Uesugi in Kyoto, he became a Master Printmaker and moved to the United ...

Fountain is an original etching realized in the late 16th century. The State of preservation is very good. Hand-watercolored. The artwork represents t...

Beautiful Artist’s Proof, representing the myth of Narcissius and the nymph Eco, draw by "the Metamorphosis" by Publio Ovidio Nasone. This aquatint, by Ludovico Caracciolo (engraver...

Medium: Lithograph on grand vélin Renage filigrané paper. Year: 1952 Paper Size: 9.5 x 25 inches, with centerfold, as issued Inscription: Unsigned and unnumbered, as issued Notes: Fr...

AFFIRMATION is a hand drawn limited edition lithograph from the Sacred Garden Series of works by the British artist David Leverett(1938-2020), printed using hand lithography techniqu...

Ancient View of Verona is an original modern artwork realized in Italy in the half of the 19th Century. Original Lithograph on Ivory Paper. Inscripted on the lower central margin...

Corfu is an original modern artwork realized in the mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower margin in Capital Letters: Corfu. Drawn by T...

Fall Der Engel is a black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, as is remembered Franz Von Bayros (Agram, 1866 – Vienna, 1924). From Mappe, ...

Ryohei, Tanaka (Japanese, 1933-2019). GROVE #2. Etching in color, 1966. Edition of 50. Numbered 23/50, signed, and dated in pencil.11 5/8 x 14 1/2 inches (plate), plus full margins. ...

La Promenade Bordée is a modern artwork realized by Raould Dufy in 1930s Original Lithograph. Raoul Dufy (1877-1953) He was a French artist and designer. The artist painted, in th...

Albert MARQUET Normandy : La Frette sur Seine Original lithograph Signed with the artist stamp Numbered / 200 On Arches vellum 45 x 57 cm (c. 18 x 23 in) Excellent condition

Image dimensions: 21 x 27 cm. Liber Veritatis - Plate 176 is a beautiful black and white etching and aquatint on paper realized by the Italian artist ...

Medium: Lithograph and stencil on vélin Polifilo paper Year: 1947 Paper Size: 10.24 x 13.78 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, I...

COUPS DE TÊTE is a hand drawn, stone lithograph by the French artist Chrisitian Zeimert printed in Paris France c.1974 using hand lithography techniques on archival Rives BFK printmaking paper, 100% acid free. COUPS DE TÊTE presents a surreal, close-up portrait of a two male elk head-butting with a group of books between their opposing heads. Visible on the books spines are the names of members belonging to the 1960s Panic Movement group. Print size - 13 x 15.25 in., unframed, very good condition, pencil signed printers proof, inscribed H.C. with personal dedication to the master printer "Joseph", edition size unknown Image size - 8.25 x 10.5 in. Year - c. 1974 Christian Zeimer (1934 - 2020) was a French painter, the son of an upholsterer and designer who also worked as a salesman and Le Bon Marché. After he left the École Boulle, he learned how to engrave on jewelry. He then studied at the École nationale supérieure des arts décoratifs, where he studied under the painter Marcel Gromaire. A libertarian and anarchist, he worked alongside Fernando Arrabal, Alejandro Jodorowsky, Olivier O. Olivier, and Roland Topor and participated in the Panic Movement in the 1960s. He contributed to the newspaper Le Fou Parle and the magazine Hara-Kiri. Alongside Henri Cueco, Jacques Jouet, Hervé Le...

Etching on laid paper Sheet size: approx. 65 × 50 cm Signed in plate lower left: F. Bracquemond Published by Cadart Luquet, Éditeurs, 79 Rue Richelieu, Paris With the blinds...

Artist: Charles Magistro Title: Valley Hose Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 300 Paper Size: 30 x 35 inches

Wheat Field is an original lithography print on paper, realized by Raoul Dufy in 1933. Edition of 1000 prints. Dry Stamp of "J.B" on the lower left, editor, Paris, Jeanne Boucher. ...

Hans-Georg Rauch, German (1939 - 1993) - Untitled (Landscape B), Year: circa 1978, Medium: Aquatint Etching, signed and numbered in pencil, Edition: 100, Size: 20 in. x 27 in. (5...

Hans-Georg Rauch, German (1939 - 1993) - Nieve, Year: circa 1978, Medium: Aquatint Etching, signed and numbered in pencil, Edition: 100, Size: 20 in. x 25 in. (50.8 cm x 63.5 cm)

Hans-Georg Rauch, German (1939 - 1993) - Landscape (2), Year: circa 1977, Medium: Etching, signed and numbered in pencil, Edition: XLII/L, Image Size: 10 x 12 inches, Size: 20.5...

Biagio Civale, Italian/American (1936 - ) - Du Alberi (two masts) Poster, Medium: Poster, Signed in Pen, Size: 17.5 x 23 in. (44.45 x 58.42 cm)

Hans-Georg Rauch, German (1939 - 1993) - Untitled - Madonna Shrine, Year: circa 1978, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: 100, Size: 20 in. x 2...

Biagio Civale, Italian/American (1936 - ) - Under the Snow, Year: 1989, Medium: Screenprint, signed in pencil, Size: 13 x 15 in. (33.02 x 38.1 cm)

Biagio Civale, Italian/American (1936 - ) - Two Masts, Year: 1984, Medium: Screenprint, Signed and Numbered in Pencil, Edition: 121/250, Size: 20 x 26 in. (50.8 x 66.04 cm)

Biagio Civale, Italian/American (1936 - ) - Fruits, Year: 1991, Medium: Woodcut on thin tissue paper, Signed, numbered, and dated in pencil, Edition: A/P, Image Size: 11.5 x 15.5...

Chiesa e Monastero delle Vergini is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good condition...

This exquisite heliogravure after Andre Lanskoy (1902–1976), titled A propos d'une calomnie (About a Slander), from the folio Andre Lanskoy, Peintres d'aujourd'hui (Andre Lanskoy, Pa...

GLADIOLUS HARVEST is a hand drawn, limited edition lithograph by the South Carolina artist JONATHAN GREEN printed using hand lithography techniques on archival Arches paper, 100% aci...

Jean CARZOU Paris: Boulevard des Invalide, 1958 Original lithograph in color Handsigned in pencil Dated 1958 in pencil Numbered / 100 On Japan paper 29 x 40 cm (c. 11.4 x 15.7 inch...

Palazzi di Campidoglio is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions and aged margins with so...