Horizontal Landscape Prints

"The Last War-Whoop!" is a lithograph by Currier & Ives. The framed size is 26 x 32.62 x 1.25 inches. Provenance: Private Collection

Venetian Dawn is a lithograph on paper with an image size of 3 x 3.75 inches, inititaled 'LK' lower right and annotated lower left, framed in a gold-tone classic 'reed and ribbon' mo...

Janick LEDERLE Women of Guatemala Original lithograph Handsigned in pencil Numbered on /275 copies On vellum 53 x 68 cm (c. 20.8 x 26.7 in) Excellent condition

Domino Books is a lithograph on paper with an image size of 2 x 4 inches, initialed 'FMB' lower right and annotated lower left, framed in a contemporary silver and dark gray frame. N...

Mediterranean Remo Farruggio, Italian/American (1904–1981) Date: Circa 1979 Lithograph, signed and numbered in pencil Edition of 300, AP 35 Image Size: 21 x 29 inches Size: 28 in. x ...

This exquisite lithograph by Alexander Calder (1898–1976), titled Sans titre (Untitled), from the folio Derriere le miroir, No. 156, originates from the 1966 edition published by Mae...

This is an original 1st edition John James Audubon hand-colored lithograph entitled "White-headed Sea Eagle or Bald Eagle", No. 3, Plate 14 from Audubon's "Birds of America, lithogra...

This artwork "Cityscape" 1964 is a original colors lithograph on Arches paper by noted French artist Jean Carzou, 1907-2000. It is hand signed, dated and numbered 143/150 in pencil b...

This is an exclusive handprinted limited edition cyanotype. "Caribbean Sandy Shore" is a cyanotype of a shoreline on a Caribbean beach. It is a beautiful image for tropical decor and...

Etching on thin cream laid paper with a partial "M" or "W" watermark, 5 x 5 15/16 inches (126 x 150 mm), thread margins. Inscribed in the plate in the upper-right: “Antoni Waterlo fe...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Homme couche et femme assise (Reclining Man and Seated Woman), from the folio Picasso, La flute double, ...

This exquisite lithograph after Andrew Wyeth (1917–2009), titled Quaker Ladies, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth. Published and printed by Art in America Company, Inc., New York, the edition exemplifies Wyeth’s deep reverence for nature and his mastery of tonal subtlety. Quaker Ladies captures the full flowering of spring—an intimate study of delicate wild blossoms rendered with Wyeth’s signature restraint and sensitivity to atmosphere, texture, and light. Executed on velin paper, this lithograph measures 17 x 13 inches (43.2 x 33 cm). As issued, it is unsigned and unnumbered, representing the folio’s authentic format. The Four Seasons series was conceived by the editors of Art in America in collaboration with Andrew and Betsy Wyeth, who selected drawings from the artist’s studio to express the cyclical beauty of nature’s transformations. Each image demonstrates Wyeth’s ability to translate fleeting seasonal impressions into works of quiet emotional resonance and painterly poetry. Artwork Details: Artist: After Andrew Wyeth (1917–2009) Title: Quaker Ladies, from The Four Seasons, Paintings and Drawings by Andrew Wyeth, 1962 Medium: Lithograph on velin paper Dimensions: 17 x 13 inches (43.2 x 33 cm) Inscription: Unsigned and unnumbered, as issued Date: 1962 Publisher: Art in America Company, Inc., New York Printer: Art in America Company, Inc., New York Condition: Well preserved, consistent with age and medium Provenance: From the 1962 folio The Four Seasons, Paintings and Drawings by Andrew Wyeth, published and printed by Art in America Company, Inc., New York Notes: Excerpted from the 1962 folio: "In 1962 the editors of Art in America proposed to Wyeth a portfolio of images of his recent dry-brush drawings. The artist and his wife suggested the theme, 'The Four Seasons,' because of the essential role played in his work by the cycle of the seasons. The drawings were selected by Andrew and Betsy Wyeth from works in the house and studio at Chadds Ford, supplemented by some owned by friends. With a few exceptions they had never been exhibited or reproduced. The plates were made directly from the originals. In these drawings Wyeth's loving concentration on the object is fully revealed. But as always in his work, this concern with the tangible is balanced by sensibility to mood, to the emotion arising from the actual. They are pervaded with a sense of the season—the exact time of year, the hour of the day, the quality of the light. To the truth and subtlety with which he captures these intangible factors, these drawings owe their poignant poetry." About the Artist: Andrew Wyeth (1917–2009) was an American visual artist and one of the best-known painters of the mid-20th century. Although he considered himself an abstractionist, Wyeth’s work is characterized by a meticulous realism imbued with psychological depth and atmosphere. He often painted the landscapes and people surrounding his homes in Chadds Ford, Pennsylvania, and Cushing, Maine, creating an intimate record of American rural life. The son of the celebrated illustrator N. C. Wyeth, Andrew trained under his father before developing his own deeply personal visual language inspired by Winslow Homer, Henry David Thoreau, and King Vidor. His wife, Betsy Wyeth, was both his muse and career manager, while his son Jamie Wyeth continued the family’s artistic legacy. Among Wyeth’s best-known works is Christina’s World (1948), housed in the Museum of Modern Art, New York—a quintessential image of 20th-century American art. His other notable series include The Helga Pictures and his window studies, each reflecting a profound meditation on solitude, memory, and perception. Wyeth was the first painter to receive both the Presidential Medal of Freedom and the Congressional Gold Medal, and was elected to the French Académie des Beaux-Arts in 1980. In 2022, Andrew Wyeth's painting Day Dream sold for USD 23.29 million at Christie’s New York, setting a world record for the artist. Andrew Wyeth lithograph...

Epinal Print Battalle De Fleur US is a Hand-colored lithograph probably realized by Francis Pellerin of the 19th century. It depicts the Battle of Fleurus, a significant engagement ...

Lithograph hand colored realized by Rosanna Cattaneo. Edition of 190. Original title "Quando il Porto è Silenzio". Hand signed and numbered. Excellent condition.

An original rare and extremely collectible first edition John James Audubon hand colored royal octavo lithograph entitled "Black-throated Diver", No. 96, Plate 477, from Audubon's "Birds of America". It was lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts three Black-throated Divers; an adult male (1), an adult female (2) and a young Diver (3). The male sits on the bank, while the young Diver floats in the water and the female watches...

Lithograph, c. 1840s. Signed in the plate. Image dimension: 17x27.5 cm. A finely detailed lithograph by Auguste Raffet, representing a bustling encampment in Wallachia. In the cen...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans Titre (Untitled), originates from the 1974 album ceramiques de miro et artigas (Miro and Artigas Ceramics). Published by Maeght Editeur, Paris, and printed by Arte, Adrien Maeght, Paris, this work reflects Miros lyrical fusion of abstraction, gesture, and ceramic-inspired form. In Sans Titre (Untitled), Miro channels the vivid spontaneity and symbolic richness that define his mature graphic language. Executed as a lithograph on velin paper, this work measures 11.024 x 22.28 inches, with stitch perforations and centerfold as issued. Signed in the plate and unnumbered as issued. Printed by Arte, Adrien Maeght, Paris, one of the foremost ateliers of the 20th century. Artwork Details: Artist: Joan Miro (1893–1983) Title: Sans Titre (Untitled), from the album ceramiques de miro et artigas (Miro and Artigas Ceramics), 1974 Medium: Lithograph on velin paper Dimensions: 11.024 x 22.28 inches (28 x 56.57 cm), with stitch perforations and centerfold as issued Inscription: Signed in the plate and unnumbered as issued Date: 1974 Publisher: Maeght Editeur, Paris Printer: Arte, Adrien Maeght, Paris Catalogue raisonne reference: Mourlot, Fernand, and Joan Miro. Catalogue des Lithographies de Miro. Vol. V. Andre Sauret, 1984, illustrations 926–927. Cramer, Patrick. Joan Miro: The Illustrated Books: Catalogue Raisonne. Patrick Cramer, 1989, illustration 183. Condition: Well preserved, consistent with age and medium Provenance: From the 1974 album ceramiques de miro et artigas (Miro and Artigas Ceramics), published by Maeght Editeur, Paris; printed by Arte, Adrien Maeght, Paris Notes: Excerpted from the album (translated from French), The original lithographs were drawn in the ateliers Arte, Adrien Maeght, Paris. Completed printing on April 30, 1974. About the Publication: Ceramiques de miro et artigas (Miro and Artigas Ceramics) is a landmark 1974 album published by Maeght Editeur that documents and celebrates the long, fertile collaboration between Joan Miro and the master ceramicist Josep Llorens Artigas. The album serves as both an artistic tribute and an archival record of their shared exploration into the expressive possibilities of fire, clay, pigment, and surface. Maeght Editeur—renowned for its exceptional production standards and its close relationships with leading modern artists—commissioned original lithographs specifically for the album, each reflecting the tactile, gestural, and symbolic vocabulary that Miro developed through decades of experimentation in ceramics. Printed by Arte, Adrien Maeght in Paris, the production exemplifies the publisher’s commitment to uniting fine art printing with rigorous documentation. The album honors one of the most important artist–artisan partnerships of the 20th century, capturing the profound synergy between Miro’s visionary abstraction and Artigas’s mastery of traditional and experimental ceramic processes. As with all major Maeght publications, the album was conceived not merely as a catalogue but as a complete work of art, synthesizing text, image, and craftsmanship into an enduring contribution to the history of modernist printmaking and book arts. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola dArt in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miros inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miros work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for 23561250 GBP (approximately 37 million USD) at Sothebys, London, on June 19, 2012. Joan Miro Sans Titre 1974, Miro ceramiques...

This exquisite silkscreen by Stuart Davis (1892–1964), titled Untitled, originates from the landmark 1964 folio X + X (Ten Works by Ten Painters). Published by the Wadsworth Atheneum...

This is an original 19th century duotone lithograph entitled "The Entrance to the Citadel of Cairo" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, pub...

This artwork titled "Vegetation I" 1962, is an original drypoint etching by noted American artist Peter Winslow Milton, b.1930. It is hand signed, dated and numbered 8/40 in pencil b...

Etching, aquatint and engraving in colours, 1980, on mould-made Lana paper, signed and dated in pencil, numbered from edition of 32 (there were also 12 artist's proofs), published by Tyler Graphics, Ltd., New York,with their blindstamp, 53 x 54.1 cm. (20 x 21 1/4 in.) Catalogue Raisonne: Corlett 170; Tyler, 1987, cat no. 354:RL22 ‘Night Scene’ is one of six intaglio prints Roy Lichtenstein...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Ballets, fantaisie (Ballets, Fantasy), originates from the 1952 album The Circus of Toulouse-Lautrec. Pu...

After David Roberts R.A. 1796 - 1864 Approach of the Simoon - Desert of Geezah First Edition lithograph Full plate: 240 Presented in a acid free mount An original 19th Century l...

TOM BLACHFORD Mid Century Modern Palm Springs Architecture. Steve McQueen. Classic Vintage 356 Porsche, Midnight Modern Series Architecture Palm Springs. Archival Inkjet Print on C...

Jean-Baptiste VALADIE White Light of Santorini Original lithograph Handsigned in pencil Limited / 199 copies On vellum 56 x 76 cm (c. 22 x 30 in) Excellent condition

This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 84-85 (Plates 84-85), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originate...

Rolf RAFFLEWSKI Paris : Louvre Museum Original lithograph Handsigned in pencil Limited /275 copies On vellum 56 x 76 cm (c. 22 x 30 in) Excellent condition

Michel DUBRE (1942 - ) Paris Opera in the Wheat Field Original lithograph Handsigned in pencil Limited /275 copies On vellum 56 x 76 cm (c. 22 x 30 in) Excellent condition

This exquisite lithograph after Raoul Dufy (1877–1953), titled Reception d'un amiral anglais sur un bateau francais (Reception of an English Admiral on a French Ship), from the folio...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Chataigneraie a Chatou, Avec Personnages (Chestnut Grove at Chatou, With Figures), from the folio Fauves, VII ...

Untitled (Nr. 0006) Photography 18" x 24" Edition of 20 by Ben Cope Signed and numbered by the artist. Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off t...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Nu couche (Reclining Nude), from the folio Raoul Dufy, IV (Raoul Dufy, IV), Collection Pierre Levy, 1969, originates fr...

Etching on antique cream laid paper with a deckle edge and an unidentified round watermark with an arm holding a torch, 3 1/2 x 5 5/8 inches (89 x 144 mm); sheet 5 3/4 x 8 3/8 inches...

A fine hand coloured 18th Century engraving after the original by Piranesi (Rome 1743), published by Danisy, Paris. Presented in period gold leaf frame, under glass. Piranesi was born in Venice, in the parish of S. Moisè where he was baptised. His father was a stonemason. His brother Andrea introduced him to Latin literature and ancient Greco-Roman civilization, and later he was apprenticed under his uncle, Matteo Lucchesi, who was a leading architect in Magistrato delle Acque, the state organization responsible for engineering and restoring historical buildings. From 1740, he had an opportunity to work in Rome as a draughtsman for Marco Foscarini, the Venetian ambassador of the new Pope Benedict XIV. He resided in the Palazzo Venezia and studied under Giuseppe Vasi, who introduced him to the art of etching and engraving of the city and its monuments. Giuseppe Vasi found Piranesi's talent was much greater than that of a mere engraver. According to Legrand, Vasi told Piranesi that "you are too much of a painter, my friend, to be an engraver." After his studies with Vasi, he collaborated with pupils of the French Academy in Rome to produce a series of vedute (views) of the city; his first work was Prima parte di Architettura e Prospettive (1743), followed in 1745 by Varie Vedute di Roma Antica e Moderna. From 1743 to 1747, he was mainly in Venice where, according to some sources, he often visited Giovanni Battista Tiepolo, a leading artist in Venice. It was Tiepolo who expanded the restrictive conventions of reproductive, topographical and antiquarian engravings. He then returned to Rome, where he opened a workshop in Via del Corso. In 1748–1774, he created an important series of vedute of the city which established his fame. In the meantime Piranesi devoted himself to the measurement of many of the ancient buildings: this led to the publication of Le Antichità Romane de' tempo della prima Repubblica e dei primi imperatori ("Roman Antiquities of the Time of the First Republic...

Talavie, Hopi desert landscape, village scene, blues, reds, by Dan Namingha hand pulled limited edition lithograph signed and numbered by the artist

Cliché-verre. Magnificent proof of ancient edition, numbered in red pencil on verso, and whose subject wasn’t included in the later reprints by Bouasse-Lebel and Le Garrec. Signed on...

3rd State Watermark: Gekrontes Wappen. Similar to: Paschal Lamb on Shield, Ash & Fletcher no 29 B’a, dating this sheet to about 1651.

A single oak tree in a meadow with the grass aglow in early morning. These are the foggy woods in the hills of Oakland, across the bay from San Francisco. This is a photograph printe...

"Rovina della gran Basilica di S. Paolo fueri le mura accaduta" (View of the Ruins of the Great Triumphal Arch of S. Paolo Fuori le Mura) from "Le Antichita Romane" (Ancient Rome), published in Rome in 1823. It depicts the destruction of the Basilica of St. Paul after the fire of 1823. People stand in the road and on the right observing the damage amid debris, which includes many fragments of columns. The etching is presented in a silver-color wood frame with an off-white double mat with a black inner mat. There are a few small spots, but it is otherwise in very good condition. See item # LU117324669722 for another Rossini etching...

This is an original 19th century 1st octavo edition John James Audubon hand-colored lithograph entitled "Least Bittern, 1. Male, 2. Female, 3. Young", No. 74, Plate 366, from Audubon...

Two (2) historiated engraved maps, each 11 1/4 x 16 7/16 inches (285 x 418 mm) with handcoloring, on wove paper, the latter engraved by C. Smith after Couché fils, published by Combe...

Image Size: 16" x 20" Limited Edition of 10 Giclée on Canvas Hand Signed by Andre Philibert

Medium: Lithograph on vélin d'Arches paper Year: 1966 Paper Size: 20 x 26 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Soutine, I, Collection Pierre ...

This exquisite lithograph by Pablo Palazuelo (1916–2007), titled Sans titre (Untitled), from the folio Derriere le miroir, Tendance, No. 50, originates from the 1952 edition publishe...

The Thames and the Tower of London. 1924. Etching and drypoint. 6 3/8 x 14 3/4 (sheet 10 1/4 x 17 1/4). Mat line; otherwise fine condition. A rich impr...

This artwork "Horse Ride, Hawaii" c.1985, is an original color lithograph on paper by noted French artist Guy Buffet, 1943-2023. It is hand signed and numbered 065/300 in pencil by t...

Lithograph on wove paper. Signed and dated in the plate. Image dimension: 16x27 cm. This finely executed lithograph by Auguste Raffet, one of the foremost French lithographers of ...

Frederick Kiesler "Frederick Kiesler: An Exhibition of Architecture and Sculpture (Endless House, Model)" Yale University School of Art and Architecture, New Haven, c. 1967 Exhibitio...

This artwork titled "Summer Landscape III" 1962, is an original drypoint etching by noted American artist Peter Winslow Milton, b.1930. It is hand signed, dated, titled and numbered ...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. William Nicholson (1872-1949) Christ Church Library, Oxford Signed and numbered 34, published by Stafford Gallery with blind stamp Lithograph 26 x 34.5cm Probably best known through his graphic works, as a book designer and illustrator, Nicholson was greatly encouraged in his landscapes by Whistler from about 1900. In 1902-03 he produced a series of watercolour, chalk and pen drawings of Oxford which were published in 1905 by the Stafford Gallery as two portfolios of lithographs, with descriptions by Arthur Waugh – father of Evelyn Waugh...

Tilmann Krieg Morning at St. Malo from folio "Bretagnemappe Finis Terrae" Color Etching Image Size: 4.72 x 7.08 inches (12 x 18 cm) Sheet Size: 10.43 x 15.55 (26.5 x 39.5 cm) Signed...

This is an 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Tempio detto della Tosse su la Via Tiburtina, un miglio vicino a Tivoli" (View of the so-called Tem...

Andrew Dasburg, 'Trees in Ranchitos I', lithograph, 1975, edition 20. Signed 'A. D.' in pencil. Annotated 'Trial Proof' in pencil, verso. A superb impression in warm black ink, on he...

This exquisite lithograph after Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1967 folio Derriere le miroir, L'oiseau solaire, l'oiseau lunaire, etin-celle...

“My eyes were made to erase all that is ugly”. -Raoul Dufy Raoul Dufy’s depictions for an instant charmer of a "medical book" illustrates the myriad benefits of wine, while being sp...

This exquisite heliogravure after Nicolas de Stael (1914–1955), titled Sans titre (Untitled), from the folio Nicolas de Stael, Peintres d'aujourd'hui (Nicolas de Stael, Painters of T...

Sepia mezzotint by Richard Earlom (1743-1822) After Claude Gellee ('Claude Lorrain') (1600-82). From 'Liber Veritatis; or A Collection of Prints after ...

HIGH TIDE, LOW TIDE is a hand drawn, limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on arch...

Pejac, So Far, So Close, 2022 So Far, So Close, 2022, by acclaimed urban-contemporary artist Pejac is a limited-edition fine art print (edition of 60) that masterfully blends techni...

Original linen backed 1949 International Jumping Steeple Chase Van Gent poster. The events were held at the Royal Cercle Equestre Gent; at the Feestpaleis The Royal Cercle Eque...