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Orientation: Horizontal
Piazza Navona, Rome, Impressionist Lithograph by Wayne Ensrud
Located in Long Island City, NY
Wayne Ensrud, American (1934 - ) - Piazza Navona, Rome, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 45, Image Size: 24 x 29.5 inches, Size: 2...
Category

1980s Impressionist Landscape Prints

Materials

Lithograph

Keith Haring, Untitled, from Against All Odds, 1990
Located in Southampton, NY
This exquisite lithograph by Keith Haring (1958–1990), titled Untitled, from the album Against All Odds, 20 drawings - Oct. 3, 1989 (Against All Odds, 20 drawings - Oct. 3, 1989), or...
Category

1990s Pop Art Figurative Prints

Materials

Lithograph

The Meal of the Lion - Lithograph - 300ex
Located in Paris, IDF
Henri ROUSSEAU (called Le Douanier ROUSSEAU) (after) The meal of the Lion Stone lithograph after a painting Printed signature in the plate Numbered /300 copies On vellum 57 x 75 cm ...
Category

1970s Post-Impressionist Landscape Prints

Materials

Lithograph

The Water Lillies (C.M.)
Located in Fairfield, CT
Archival pigment print on Innova Etching Cotton Rag 315 gsm fine art paper
Category

2010s Landscape Prints

Materials

Rag Paper, Archival Pigment

Landscape - Lithograph by Carlo Cordua - 1980s
Located in Roma, IT
Lithograph realized in 1980s. Hand signed and numbered in pencil. Hand retouched. Not numbered.
Category

1980s Contemporary Figurative Prints

Materials

Lithograph

Original 100 Years of the Red Cross World Map vintage planisphere poster
Located in Spokane, WA
This is a vintage poster titled "Realisation de la Ligue de la Croix-Rouge, Geneva," commemorating one hundred years of the Red Cross from 1863 to 1963. Due to its folds, the poster ...
Category

1960s American Modern Landscape Prints

Materials

Lithograph

Wildflowers - Screen Print by L. Rossi Garzione - Late 20th century
Located in Roma, IT
Hand signed and numbered. Edition of 150 prints. Excellent condition.
Category

Late 20th Century Contemporary Figurative Prints

Materials

Screen

Dépt. De L’Ariège, Dépt. De la Vendée, from Atlas National de France Illustré
By Louis Francois Couche
Located in Middletown, NY
Two (2) historiated engraved maps, each 11 1/4 x 16 7/16 inches (285 x 418 mm) with handcoloring, on wove paper, the latter engraved by C. Smith after Couché fils, published by Combe...
Category

Mid-19th Century French School Landscape Prints

Materials

Watercolor, Handmade Paper, Engraving

Joan Miro, Untitled, from Miro and Artigas Ceramics, 1974
Located in Southampton, NY
This exquisite lithograph by Joan Miro (1893–1983), titled Sans Titre (Untitled), originates from the 1974 album ceramiques de miro et artigas (Miro and Artigas Ceramics). Published by Maeght Editeur, Paris, and printed by Arte, Adrien Maeght, Paris, this work reflects Miros lyrical fusion of abstraction, gesture, and ceramic-inspired form. In Sans Titre (Untitled), Miro channels the vivid spontaneity and symbolic richness that define his mature graphic language. Executed as a lithograph on velin paper, this work measures 11.024 x 22.28 inches, with stitch perforations and centerfold as issued. Signed in the plate and unnumbered as issued. Printed by Arte, Adrien Maeght, Paris, one of the foremost ateliers of the 20th century. Artwork Details: Artist: Joan Miro (1893–1983) Title: Sans Titre (Untitled), from the album ceramiques de miro et artigas (Miro and Artigas Ceramics), 1974 Medium: Lithograph on velin paper Dimensions: 11.024 x 22.28 inches (28 x 56.57 cm), with stitch perforations and centerfold as issued Inscription: Signed in the plate and unnumbered as issued Date: 1974 Publisher: Maeght Editeur, Paris Printer: Arte, Adrien Maeght, Paris Catalogue raisonne reference: Mourlot, Fernand, and Joan Miro. Catalogue des Lithographies de Miro. Vol. V. Andre Sauret, 1984, illustrations 926–927. Cramer, Patrick. Joan Miro: The Illustrated Books: Catalogue Raisonne. Patrick Cramer, 1989, illustration 183. Condition: Well preserved, consistent with age and medium Provenance: From the 1974 album ceramiques de miro et artigas (Miro and Artigas Ceramics), published by Maeght Editeur, Paris; printed by Arte, Adrien Maeght, Paris Notes: Excerpted from the album (translated from French), The original lithographs were drawn in the ateliers Arte, Adrien Maeght, Paris. Completed printing on April 30, 1974. About the Publication: Ceramiques de miro et artigas (Miro and Artigas Ceramics) is a landmark 1974 album published by Maeght Editeur that documents and celebrates the long, fertile collaboration between Joan Miro and the master ceramicist Josep Llorens Artigas. The album serves as both an artistic tribute and an archival record of their shared exploration into the expressive possibilities of fire, clay, pigment, and surface. Maeght Editeur—renowned for its exceptional production standards and its close relationships with leading modern artists—commissioned original lithographs specifically for the album, each reflecting the tactile, gestural, and symbolic vocabulary that Miro developed through decades of experimentation in ceramics. Printed by Arte, Adrien Maeght in Paris, the production exemplifies the publisher’s commitment to uniting fine art printing with rigorous documentation. The album honors one of the most important artist–artisan partnerships of the 20th century, capturing the profound synergy between Miro’s visionary abstraction and Artigas’s mastery of traditional and experimental ceramic processes. As with all major Maeght publications, the album was conceived not merely as a catalogue but as a complete work of art, synthesizing text, image, and craftsmanship into an enduring contribution to the history of modernist printmaking and book arts. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola dArt in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miros inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miros work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for 23561250 GBP (approximately 37 million USD) at Sothebys, London, on June 19, 2012. Joan Miro Sans Titre 1974, Miro ceramiques...
Category

1970s Surrealist Abstract Prints

Materials

Lithograph

Amor, Tod und Jenseits - Etching by M. Klinger - 1881
Located in Roma, IT
Amor, Tod und Jenseits, (Cupid, death and afterlife) is an original etching and aquatint on paper Chine collé, realized by Max Klinger in 1881, plate XII from “Intermezzi” Opus IV,...
Category

1880s Symbolist Figurative Prints

Materials

Etching, Aquatint

"Magic Carpet Sail, " Framed Limited Edition Giclee Print, 48" x 80"
Located in Westport, CT
This realistic nautical limited edition print by Michel Brosseau captures the folded and tied white sails of a boat. The subject is rendered realistically with a flat, light, raw-lin...
Category

2010s Realist Landscape Prints

Materials

Digital, Giclée

Botanical Triptych Cyanotype Print of Shady Majesty Palm Leaves Garden in Blue
Located in Barcelona, ES
This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...
Category

2010s Academic Landscape Prints

Materials

Lithograph, Monotype, Paper

Riviera : Terrace in Santorini - Original Lithograph, HANDSIGNED Ltd /390
Located in Paris, IDF
Andre SAVY (1938-) Riviera : Terrace in Santorini, 1982 Original Lithograph Handsigned in pencil Numbered / 390 (the number you can see can be different) On Vellum 56 x 76 cm (c. 22...
Category

1980s Modern Landscape Prints

Materials

Lithograph

19th century etching black and white seascape print boats water buildings signed
Located in Milwaukee, WI
This black and white etching by American painter and print maker of the Hudson River School in New York: Thomas Moran, is a rare Klackner #53 of the catalogue raisonné, depicting "The Harbor of Vera...
Category

1880s Hudson River School Landscape Prints

Materials

Parchment Paper, Etching

Garden - Etching by Edolo Masci - 1980s
Located in Roma, IT
Etching and aquatint realized by Edolo Masci. Hand signed and numbered in pencil. Edition of 90. Excellent condition.
Category

1980s Contemporary Landscape Prints

Materials

Etching

Ellsworth Kelly, Black and White, from Derriere le Miroir, 1958
Located in Southampton, NY
This exquisite lithograph by Ellsworth Kelly (1923–2015), titled Noir et blanc (Black and White), originates from the historic 1958 folio Derriere le Miroir, No. 110. Published by Ma...
Category

1950s Hard-Edge Abstract Prints

Materials

Lithograph

1971 L Académie de Paris, Pencil Signed EA Colorful Etching
Located in New York, NY
Salvador Dali 1971 L'Académie de Paris Etching 19x25 inches Image 27x33 inches with frame overall good condition Pencil Signed lower right Pencil Edition Size EA This Large piece ...
Category

1970s Surrealist Landscape Prints

Materials

Lithograph

Meissen, Germany : A Large Framed 18th Century Map by Petrus Schenk
Located in Alamo, CA
This is a hand-colored 18th century map of the Meissen region of Germany, entitled "Geographischer Entwurff Derer Aemmter Meissen als Creys-Procuratur-Schul-und Stiffts-Ammt benebst ...
Category

Mid-18th Century Old Masters Landscape Prints

Materials

Engraving

Paris : Street in Montmartre - Lithograph
Located in Paris, IDF
Maurice UTRILLO (1883 - 1955) Street of Montmartre Lithograph Printed signature in the plate On vellum Arches This edition is autentified by the blind stamp S.P.A.D.E.M and the blin...
Category

Late 20th Century Modern Landscape Prints

Materials

Lithograph

Frankfort, Germany: A 16th Century Hand-colored Map by Braun Hogenberg
Located in Alamo, CA
This is a 16th century original hand-colored copperplate engraved map of Frankfort, Germany entitled "Francenbergum, vel ut alij Francoburgum Hassiae Opp" by Georg Braun & Franz Hogenberg, from their famous city atlas "Civitates Orbis Terrarum", published in Cologne, Germany in 1595. This is an English translation of an excerpt from the original text in the atlas: "Frankenberg or, according to others, Francoburgum, a town in Hesse. Charlemagne vested the town of Frankenberg with many freedoms and privileges, which it still enjoys to this day, and on account of its valiant and victorious soldiers awarded a signet, upon which there formerly appeared a golden castle with a tower, together with the letter F and a golden crown. Frankenberg, seen here from the northeast, lies on a hill above the River Eder. The hillside is covered with fields neatly separated by bushes and fences. Soaring above the town is the massive Liebfrauenkirche, which was modelled on St Elizabeth's church in Marburg. The New Town was founded in 1335 at the foot of the hill (right) and merged with the Old Town as late as 1556. Frankenberg was founded by Conrad of Thuringia in 1233/34 to prevent the archbishops of Mainz from expanding their sphere of influence...
Category

16th Century Old Masters Landscape Prints

Materials

Engraving

"Scotland 0041 BW" Landscape Photography 36" x 44" Edition of 12 by Ben Cope
Located in Culver City, CA
"Scotland 0041 BW" Landscape Photography 36" x 44" Edition of 12 by Ben Cope Unframed - ships rolled in a tube Ben Cope is a Los Angeles based portrait artist with a BFA in ceram...
Category

21st Century and Contemporary Contemporary Landscape Photography

Materials

Archival Pigment

Bayfront Park, Miami, Florida
Located in San Francisco, CA
Artist: David Rosenthal (American 1876-1949) Title: Bayfront Park, Miami Florida Year: c.1940 Medium: Color Etching with aquatint Image (Plate mark) size: 9 x 11 inches Sheet size: 10 x 12.25 inches Signature: Hand signed, titled and numbered 6/150 in pencil by the artist Condition: Very good, margin slightly toned by age About the artist. David Rosenthal (1876-1949) was a Cincinnati artist...
Category

Early 20th Century American Impressionist Landscape Prints

Materials

Etching, Aquatint

"Birmingham Meeting House"
Located in Lambertville, NJ
Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope Sc...
Category

1930s American Impressionist Landscape Prints

Materials

Etching

Eduardo Chillida, Homage to Georges Braque, from Derriere le Miroir, 1964
Located in Southampton, NY
This exquisite lithograph by Eduardo Chillida (1924–2002), titled Sans titre (Untitled), originates from the 1964 folio Derriere le Miroir, Nos. 144–145–146, L’Hommage a Georges Braque (Tribute to Georges Braque). Published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris, this composition exemplifies Chillida’s mastery of spatial balance and sculptural abstraction. In Sans titre, Chillida translates his distinctive exploration of mass and void into two dimensions, creating an interplay of dense form and open space that mirrors the structural poetry of his sculpture and a heartfelt tribute to Braque, “Learning to fly down here — to Braque, master, friend, inventor of birds.” The composition conveys a sense of weight and stillness, embodying the meditative precision for which Chillida is renowned. Executed on velin paper, this lithograph measures 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued. Signed in the plate and unnumbered, as issued. The edition captures Chillida’s unique sensitivity to form and rhythm within a printed medium, reflecting the same architectural strength that defines his sculptural practice. Artwork Details: Artist: Eduardo Chillida (1924–2002) Title: Sans titre (Untitled), from Derriere le Miroir, Nos. 144–145–146, L’Hommage a Georges Braque (Tribute to Georges Braque), 1964 Medium: Lithograph on velin paper Dimensions: 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued Inscription: Signed in the plate and unnumbered, as issued Date: 1964 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1964 folio Derriere le Miroir, Nos. 144–145–146, published by Maeght Editeur, Paris Notes: Excerpted from the folio (translated from French): Taken from this special issue of “Behind the Mirror,” CCCL examples on velin de Rives were numbered, constituting the original edition of L’Hommage a Georges Braque. These deluxe examples also included an etching based on Trois oiseaux sur fond violet. The lithographs for this issue were printed in the ateliers of Maeght Editeur, Levallois. The text was printed by Fequet et Baudier, typographers. Finished printing May 13, 1964. About the Publication: Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists' stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Paul Rebeyrolle, Claude Garache, Antoni Tapies, Bram van Velde, Pierre Alechinsky, Pol Bury, Shusaku Arakawa, and Gerard Titus-Carmel. Printed in the ateliers of Mourlot, Arte, and Imprimerie Moderne du Lion, the periodical set new standards for quality in color lithography, combining fine art printing with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroir's enduring place in the history of modern art and fine art publishing. About the Artist: Eduardo Chillida (1924–2002) was a Spanish Basque sculptor and printmaker internationally celebrated for his monumental abstract works that explore the interplay between form, space, and material. Renowned for his mastery of iron, steel, stone, and concrete, Chillida created sculptural compositions that evoke both architectural strength and poetic balance, reflecting his lifelong dialogue between the physical and the spiritual. Emerging in postwar Europe, his art stands alongside that of the great modern masters—Pablo Picasso, Henri Matisse, Alexander Calder, Marc Chagall, Salvador Dali, Joan Miro, Georges Braque, Wassily Kandinsky, Marcel Duchamp, and Man Ray—whose revolutionary approaches to form and perception shaped 20th-century art. Chillida’s work embodies a profound sense of harmony, rooted in the landscapes and philosophies of his native Basque Country, while maintaining a universal resonance. Exhibited internationally and collected by major institutions including MoMA, the Guggenheim, the Tate, and the Centre Pompidou, his sculptures and works on paper continue to command global acclaim. The highest price ever paid for an Eduardo Chillida artwork is approximately $4.1 million USD, achieved in 2022 at Christie’s Paris for Buscando la Luz IV (2001). Eduardo Chillida Sans titre, Chillida Derriere le Miroir, Chillida Maeght...
Category

1960s Modern Abstract Prints

Materials

Lithograph

Night Heron Birds: A 19th C. Folio-sized Hand-colored Lithograph by John Gould
Located in Alamo, CA
This is a hand-colored folio-sized lithograph entitled "Nycticorax Griseus" (Night-Heron) by John Gould from his monograph "The Birds of Great Britain...
Category

Mid-19th Century Naturalistic Animal Prints

Materials

Lithograph

Gaza, Palestine, Holy Land. David Roberts lithograph, 1843.
Located in Melbourne, Victoria
'Gaza', tinted lithograph by Louis Haghe (1806-1885) after David Roberts RA. David Roberts (1796-1864) traveled throughout Egypt and the Holy Land in the late 1830s producing waterc...
Category

Mid-19th Century Victorian Landscape Prints

Materials

Lithograph

Fifth Avenue Critics.
Located in Storrs, CT
Fifth Avenue Critics. 1909. Etching. Morse 128.x/xi. 6 x 8 (sheet 9 3/4 x 12 1/4). Edition 100 in this state (few proofs in earlier states, and a large unsigned edition printed for t...
Category

Early 1900s American Modern Figurative Prints

Materials

Etching

View of Saint Peter s Square - Etching by Giuseppe Malandrino - 1970s
Located in Roma, IT
Etching realized by Giuseppe Malandrino in the early 1970s. Hand-signed by the artist in pencil on the lower right corner. Edition of 199 Excellent condition.  This artwork repre...
Category

1970s Modern Figurative Prints

Materials

Etching

Poem 6 from 9 Poems from Nature, 1959
Located in Bournemouth, Dorset
Morris Cox (1903-1998) Poem 6 from 9 Poems from Nature, 1959 Linocut inked with watercolours Image: 19.0 x 27.0 cm Frame: 34.0 x 41.0 cm Provenance: Morris Cox Archive Morris ...
Category

1950s Landscape Prints

Materials

Watercolor, Lithograph

Lalibela - Etching by Lino Bianchi Barriviera - 1939
Located in Roma, IT
Lalibela is an original etching on paper realized by Lino Bianchi Barriviera in 1939. Hand-signed in pencil. Image Dimensions: 35 x 47.5 cm. Num...
Category

1930s Modern Landscape Prints

Materials

Etching

Waiting For My Train(track crossings that create Chicago EL / Merchandise Mart)
Located in New Orleans, LA
Waiting for my Train is #55 from edition of 100. "Waiting for my train" is the stop right before the tracks cross, and create Chicago's famous "Loop", on the above ground EL. The M...
Category

1980s American Modern Landscape Prints

Materials

Etching, Aquatint

Pablo Picasso, Reclining Nude Woman and Flute Player, 1967 (after)
Located in Southampton, NY
This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Femme nue couchee et joueur de flute (Reclining Nude Woman and Flute Player), from the folio Picasso, La...
Category

1960s Cubist Figurative Prints

Materials

Lithograph, Stencil

Two Square Composition, Larry Zox
Located in Fairfield, CT
Artist: Larry Zox (1937-2006) Title: Two Square Composition Year: 1970 Edition: 13/20, plus proofs Medium: Silkscreen on japon paper Size: 18 3/4 x 26 inches Condition: Good Inscript...
Category

1970s Pop Art Landscape Prints

Materials

Screen

ABSTRACT ARCTIC LANDSCAPE Original Hand Drawn Lithograph Blue, Green, Tan, Black
Located in Union City, NJ
OLD STONE BRIDGE II is an original, hand drawn stone lithograph printed using hand lithography techniques on archival Arches paper 100% acid free paper, by the artist Ido Ben-Porat. ...
Category

1970s Realist Landscape Prints

Materials

Lithograph

Picasso, Composition (Cramer 88), Dans l Atelier de Picasso (after)
Located in Southampton, NY
Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...
Category

1950s Modern Landscape Prints

Materials

Lithograph

"Nativity" Modernist Landscape Screen Print in Ink on Paper -
Located in Soquel, CA
"Nativity" Modernist Landscape Screenprint in Ink on Paper Whimsical modern landscape silkscreen print of the nativity scene by San Francisco, C...
Category

1970s Modern Figurative Prints

Materials

Paper, Printer s Ink, Screen

Berweg (Abstract, Modern, Landscape, Black White, Relief Printmaking)
Located in Kansas City, MO
Burkhart Beyerle Berweg Linoleum Cut on light Paper 1990s 17.32 x 24.01 inches (44 x 61 cm) Edition: 14 Signed, numbered and titled by hand COA provided Burkhart Beyerle is a German...
Category

1990s Modern Abstract Prints

Materials

Linocut

Chartres in Miniature
Located in Middletown, NY
Etching on fine, laid antique Head & Co. paper with a partial watermark. 1/2 x 13/16 (13 x 21 mm), full margins. Signed, dated, and inscribed "II" in pencil, lower margin. A trial pr...
Category

Mid-20th Century American Modern Landscape Prints

Materials

Laid Paper, Etching

LITTLEWOODS Signed Lithograph, Historic Stone Farmhouse, Bucks County Landscape
Located in Union City, NJ
LITTLEWOODS is an original hand drawn, limited edition lithograph by Peter Sculthorpe (b.1948 Ontario, Canada) printed using hand lithography techniques on archival Arches paper, 100...
Category

1980s Realist Landscape Prints

Materials

Lithograph

AURORA S GARLAND Signed Serigraph, Architectural Landscape, Moon, Lamp Post
Located in Union City, NJ
AURORA'S GARLAND is an imaginary architectural landscape that combines the real and the surreal. Created in 1995 by the Iowa born artist Jim Buckels (b.1948) known for his dream-like images, rendered in a meticulous, modern airbrush technique. This limited edition screenprint was printed using hand silk screen printing techniques on heavyweight archival printmaking paper, very fine details superb quality craftsmanship. AURORA'S GARLAND presents the viewer with a dreamlike metaphysical landscape luxuriant with shades of cool blues, dark greens, grays, beige, pink lavender, magenta pink, yellow, off white and black. A peaceful moonlit garden scene accented by two winged cherub statues in the foreground holding onto a glowing lamp post. An elegant and fanciful, rose tinted French maison rendered in a Chiâteauesque architectural style, sets the scene as it stands glowing with light beside a mirror-still pool of water, surrounded by a textural stone wall, precisely trimmed hedges, lush leafy trees, and flowering shrubbery. AURORA'S GARLAND creates a fairytale ambience reminiscent of the magical works of the renowned 1920's illustrator Maxfield Parrish. 11 " x 11.5" print size, unframed, excellent condition, signed in gold ink pen...
Category

1990s Contemporary Landscape Prints

Materials

Screen

La Bella Venezia
Located in Middletown, NY
(New York: John Taylor Arms, 1930) Etching on antique cream laid paper with a fancy "G" watermark, 7 1/8 x 16 1/2 inches (182 x 442 mm), full margins. Signed, dated and inscribed "Ed. 70" in pencil, lower margin. From a total edirion of 81 plus 5 trial proofs. Printed by Henry E. Carling. Number 18 from the Italian Series. A superb impression of this scarce print, with all of the subtleties and details of the reflections in the water printing clearly. [Fletcher 232] [Illustrated: Page 192, Arms, Dorothy Noyes, "Hilltowns and Cities of Northern Italy"]. Along with his constant companion and wife, Dorothy Noyes, Arms spent decades exploring and documenting gothic structures throughout Europe. Noyes, an accomplished travel writer, had gifted Arms an etching set...
Category

1930s American Modern Landscape Prints

Materials

Etching

Anemones by Suzanne Duchamp
By (after) Marcel Duchamp
Located in Belgrade, MT
Color lithograph, hand signed and numbered. Dada Paris Printed Guilde de la Gravure stamp
Category

Mid-20th Century Dada Landscape Prints

Materials

Lithograph

Henri de Toulouse-Lautrec, Clowness and Horse, from The Circus, 1952 (after)
Located in Southampton, NY
This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Clownesse et cheval (Clowness and Horse), originates from the 1952 album The Circus of Toulouse-Lautrec. Published by Paris Book Center, Inc., New York, under the direction and supervision of Andre Sauret, and printed by Mourlot Freres, Paris, this work reflects Toulouse-Lautrec’s incisive observational skill, capturing the theatricality, elegance, and rhythmic grace associated with the spectacle of the circus ballet. In Clownesse et cheval (Clowness and Horse), Lautrec conveys poise and expressive movement through his signature economy of line, expressive contour, and psychological nuance. Executed as a lithograph on velin paper, this work measures 9.25 x 12.125 inches (23.49 x 30.8 cm). Signed in the plate and unnumbered as issued. Printed by Mourlot Freres, Paris, one of the foremost ateliers of the 20th century. Artwork Details: Artist: After Henri de Toulouse-Lautrec (1864–1901) Title: Clownesse et cheval (Clowness and Horse), from The Circus of Toulouse-Lautrec, 1952 Medium: Lithograph on velin paper Dimensions: 9.25 x 12.125 inches (23.49 x 30.8 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1952 Publisher: Paris Book Center, Inc., New York; under the direction and supervision of Andre Sauret Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1952 album The Circus of Toulouse-Lautrec, published by Paris Book Center, Inc., New York Notes: Excerpted from the album, This edition of The Circus of Toulouse-Lautrec has been realized and published for Paris Book Center Inc. of New York, under the direction and supervision of Andre Sauretat the presses of Fernand Mourlot in Paris. There has been published of this english edition of The Circus of Toulouse-Lautrec, MD examples, numbered from I to MD. In addition there has been printed, XX examples on Imperial Japon Paper numbered from I to XX, L examples on Special Velin numbered XXI to LXX. About the Publication: The Circus of Toulouse-Lautrec, published in 1952 by Paris Book Center, Inc., under the direction and supervision of Andre Sauret and printed by Mourlot Freres, is one of the most historically significant postwar fine art albums devoted to the artist’s graphic work. The album presents lithographic renderings based on Lautrec’s original drawings and studies, executed with exceptional fidelity to the artist’s gestural clarity, compositional dynamism, and psychological insight. Conceived as a deluxe fine art album, the edition brought together Lautrec’s dynamic portrayals of acrobats, riders, clowns, animal trainers, dancers, and circus performers, offering a vivid window into the spectacle, discipline, and theatricality of the late nineteenth-century circus tradition. Printed at the prestigious atelier Mourlot—renowned for its collaborations with leading modernists—the album reflects a postwar commitment to reviving and preserving the lithographic legacy of master artists. Today, The Circus of Toulouse-Lautrec stands as a landmark in fine art publishing, prized by collectors for its craftsmanship, historical importance, and the rare opportunity it offers to experience Lautrec’s circus imagery in an elegant, carefully supervised edition. About the Artist: Henri de Toulouse-Lautrec (1864–1901) was a French painter, printmaker, draughtsman, and illustrator celebrated for his vivid and empathetic depictions of Parisian nightlife during the Belle Epoque. A master observer of character and movement, Toulouse-Lautrec chronicled the bohemian world of Montmartre—its cabarets, performers, dancers, and cafes—with a revolutionary use of color, composition, and line that redefined both fine art and commercial design. His iconic posters for the Moulin Rouge and other venues not only captured the exuberant energy of modern urban life but also elevated lithography to the level of high art. Despite his physical frailty due to a congenital condition, his creative output was prolific and profoundly influential, shaping the evolution of modern visual culture. Inspired by the expressive realism of Honore Daumier, Edgar Degas, and Edouard Manet, as well as the vivid color and composition of Japanese ukiyo-e woodblock prints, Toulouse-Lautrec absorbed and transformed these influences into a bold, modern visual language uniquely his own. He worked and exhibited among many of the most important artists of his time, including Vincent van Gogh, Edgar Degas, Paul Gauguin, Pierre Bonnard, Edouard Vuillard, and Paul Signac, and his work stands in lasting dialogue with the great modern masters who followed—Pablo Picasso, Henri Matisse, Alexander Calder, Georges Braque, Marc Chagall, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kantinsky, Marcel Duchamp, and Man Ray—each of whom shared his drive to reinvent art for the modern age. His paintings, drawings, and lithographs are represented in major museums worldwide, including the Musee dOrsay, the National Gallery, the Tate, and MoMA, where they continue to captivate audiences for their psychological depth and timeless vitality. The highest price ever paid for a Henri de Toulouse-Lautrec artwork is approximately 22.4 million USD, achieved in 2005 at Christies London for La Blanchisseuse (1886–87). Henri de Toulouse-Lautrec lithograph, Lautrec Clownesse et cheval, Toulouse-Lautrec The Circus, Lautrec Sauret edition, Lautrec Mourlot Freres, 1952 Circus album, Lautrec clown lithograph...
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1950s Post-Impressionist Figurative Prints

Materials

Lithograph

Distant Salute (Venice)
Located in Storrs, CT
1925. Etching. Hardie/Carter 250. 7 x 15 (sheet 11 3/8 x 18 1/8). Edition 80, #28. Signed and numbered in ink. A fine impression with plate tone, printed on antique cream-colored wo...
Category

Early 20th Century Modern Landscape Prints

Materials

Etching

Henri de Toulouse-Lautrec, Ballets, Fantasy, from The Circus, 1952 (after)
Located in Southampton, NY
This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Ballets, fantaisie (Ballets, Fantasy), originates from the 1952 album The Circus of Toulouse-Lautrec. Pu...
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph

Picasso, Composition (Cramer 88), Dans l Atelier de Picasso (after)
Located in Southampton, NY
Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...
Category

1950s Modern Landscape Prints

Materials

Lithograph

"Windy Hill" Lawrence Beall Smith, Mid-Century Realist Scene, American Life
Located in New York, NY
Lawrence Beall Smith Windy Hill, 1948 Signed in pencil lower right margin Lithograph on wove paper Image 10 3/8 x 13 1/16 inches Sheet 11 15/16 x 16 inches From the edition of 250 ...
Category

1940s American Realist Figurative Prints

Materials

Paper, Lithograph

Textured Print of Couple Walking in Park with Sun Shining through Trees, England
Located in Preston, GB
Textured Print of Couple Walking in Park with Sun Shining through Trees, England, by 20th Century British Artist, Christopher Osborne. Art measure...
Category

Late 20th Century Contemporary Landscape Prints

Materials

Board, Digital, Giclée

Galaxy Profile, Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937) Title: Galaxy Profile Year: 2015 Medium: Watercolor and silkscreen on Fabriano paper Size: 11 x 15 inches Inscription: Signed in ink Notes: Published, printe...
Category

2010s Pop Art Mixed Media

Materials

Mixed Media, Watercolor, Screen

Henri de Toulouse-Lautrec, A Small Cob, from The Circus, 1952 (after)
Located in Southampton, NY
This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Un Petit Cob (A Small Cob), originates from the 1952 album The Circus of Toulouse-Lautrec. Published by ...
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph

Henri de Toulouse-Lautrec, Trick Riding, from The Circus, 1952 (after)
Located in Southampton, NY
This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Voltige (Trick Riding), originates from the 1952 album The Circus of Toulouse-Lautrec. Published by Pari...
Category

1950s Post-Impressionist Figurative Prints

Materials

Lithograph

"Into the Light, " Framed Limited Edition Giclee Print, 30" x 45"
Located in Westport, CT
This Limited Edition print, "Into the Light," by Daniel Pollera is a contemporary realist seascape that depicts a Bay House in Long Island. The Bay House ca...
Category

2010s Realist Landscape Prints

Materials

Digital, Giclée

Rothenberg
Located in Middletown, NY
Etching with aquatint on cream wove paper, 6 11/16 x 9 15/16 inches (170 x 252 mm), full margins. Signed in pencil in the lower right margin. With significant toning and moderate mat...
Category

Early 20th Century Naturalistic Landscape Prints

Materials

Handmade Paper, Etching, Aquatint

Marfa ( Texas ) - large format photograph of dramatic clouds over endless field
Located in San Francisco, CA
Landscape view from rural county road outside of town, from a series of impressions captured in Marfa, Texas, longtime residence of minimalist artist Donald Judd Marfa ( Texas ) by ...
Category

21st Century and Contemporary Contemporary Landscape Photography

Materials

Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment

Hollywood Fruit-Metrecal
Located in Miami, FL
TECHNICAL INFORMATION: Ed Ruscha Hollywood Fruit-Metrecal 1971 Silkscreen with grape and apricot jam and Metrecal 15 x 42 in. Artist’s Proof (one of 18 artist’s proofs, apart from t...
Category

1970s Pop Art Landscape Prints

Materials

Mixed Media, Screen

The Birth of Christ - With the Praying Shepherds
Located in Chicago, IL
A fine impression. With the address of P. Giffart. Mauperche produced over fifty engravings.
Category

17th Century Landscape Prints

Materials

Etching

"Munster auf der Reichenau" original etching
Located in Henderson, NV
Medium: original etching. Published in Berlin by Bruno Cassirer in 1904 for Kunst und Kunstler. The plate measures 5 1/2 x 7 1/4 inches (140 x 185 mm). Not signed.
Category

Early 1900s Landscape Prints

Materials

Etching

Swing (The swing of the bat from #27 a right handed hitter. Play Baseball!
Located in New Orleans, LA
Play Ball! No. 27 unleashes a mighty swing at the ball. Both umpire and catcher are in their huddled crouch. "Swing" is an exclusive publication of Stone and Press Gallery by Art We...
Category

Late 20th Century American Modern Figurative Prints

Materials

Mezzotint

America! America!
Located in San Francisco, CA
This artwork titled "America! America" is a color lithograph after noted American artist James Fetherolf, 1925-1994. It is hand signed at the lower rig...
Category

Late 20th Century American Realist Landscape Prints

Materials

Lithograph

Persia Afghanistan: A Framed Hand-colored 17th Century Map by John Cary
By John Cary
Located in Alamo, CA
This colorful and detailed early 18th century copperplate map by John Cary entitled "A New Map of Persia from the Latest Authorities" was published in London in 1801. It depicts Persia, the region of modern day Afghanistan, the Caspian Sea, the Sea of Aral, the Persian Gulf...
Category

Early 19th Century Old Masters More Prints

Materials

Engraving

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