Horizontal Landscape Prints

This artwork titled "America! America" is a color lithograph after noted American artist James Fetherolf, 1925-1994. It is hand signed at the lower rig...

This colorful and detailed early 18th century copperplate map by John Cary entitled "A New Map of Persia from the Latest Authorities" was published in London in 1801. It depicts Persia, the region of modern day Afghanistan, the Caspian Sea, the Sea of Aral, the Persian Gulf...

Artist: Warrington Colescott Title Out My Garden Window Year: 1969 Medium: Color drypoint, soft-ground etching, and aquatint, with roulette, vibrograver, à la poupée inking, found l...

Trees in fog. A band of fog off of the Pacific, pouring its way through the forest in Fiscalini Ranch, Cambria. Born in Berkeley, California, on December 21, 1949, he was raised in ...

Ralph M. Pearson, 'Black Hawk Country', etching, second state, edition not stated, 1912. Signed, and titled in pencil. Inscribed 'Rock River Series Second...

This is a hand-colored aquatint and engraving entitled "Pool of Bethesda, Jerusalem", published in London by R. Bowyer in 1804. The print was created by Thomas Milton (1743-1827) from drawings by Luigi Mayer. This beautiful, detailed, original engraving is printed on deluxe J. Whatman paper with very wide left and right margins. There is a watermark "1801" indicating the year the paper was made. The sheet measures 11.25" high and 16" wide. There is a small faint spot in the upper margin on the left and a tiny faint spot in the right upper corner and another in the left lower corner. The engraving is otherwise in excellent condition with vibrant colors throughout the image. "The Pool of Bethesda...

Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, tête edition, Consacré a George...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Clown dresseur (Trainer Clown), originates from the 1952 album The Circus of Toulouse-Lautrec. Published...

c1939 map of Newport's famous 'Ten Mile Drive' along the ocean front showing the locations of the beautiful summer residences of many prominent people Map Sz: 12 1/2"H x 17 1/4" Fr...

London: Gebbie & Husson Co., 1879. Héliogravure and engraving on cream wove paper, 10 1/4 x 12 1/4 inches (258 x 310 mm), full margins. In good condition with some very minor margin...

Etching hand colored realized by Tommasi Ferroni in 1970s. Edition of 100. Hand signed and numbered. Very good condition.

Any work by Tobias Musicant is terrific. These New Jersey-made, mid-century near abstractions are generally scarce. The pieces I know are master works of American Modernism. Cubist c...

This exquisite lithograph by Marc Chagall (1887–1985), titled Hommage a Georges Braque (Homage to Georges Braque), originates from the 1964 folio Derriere le Miroir, Nos. 144–145–146, L’Hommage a Georges Braque (Tribute to Georges Braque). Published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris, this luminous composition stands as Chagall’s poetic tribute to his friend and contemporary Georges Braque, “Neither the sun nor the brilliance of the moon can calm today this strange sadness. Something close has gone, though his life was distant. And there is nothing with which this life can be compared. And from this departure there arise feelings inexpressible, like his colors which spoke but not to everyone. I have seen his plastic world so far from the worries of the day and his personality beyond this world. That is what he called “reality.” How true he was, and how troubling that is! Perhaps if we enter into the grandeur of certain French paintings — La Poix d’Avignon, a still life by Chardin, or The Embarkation for Cythera by Watteau — then the dream of Braque will seem clearer to us. And our path will become clearer too.” In Hommage a Georges Braque, Chagall fuses symbolic imagery to evoke themes of flight, harmony, and spiritual transcendence, celebrating Braque’s lifelong devotion to art and transformation. The composition reflects Chagall’s unique synthesis of emotion and imagination, merging the visionary with the intimate. Executed on velin paper, this lithograph measures 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued. Signed in the plate and unnumbered, as issued. The edition exemplifies Chagall’s lyrical command of color and form within the refined graphic artistry of Derriere le Miroir. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Hommage a Georges Braque (Homage to Georges Braque), from Derriere le Miroir, Nos. 144–145–146, L’Hommage a Georges Braque (Tribute to Georges Braque), 1964 Medium: Lithograph on velin paper Dimensions: 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued Inscription: Signed in the plate and unnumbered, as issued Date: 1964 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1964 folio Derriere le Miroir, Nos. 144–145–146, published by Maeght Editeur, Paris Notes: Excerpted from the folio (translated from French): Taken from this special issue of “Behind the Mirror,” CCCL examples on velin de Rives were numbered, constituting the original edition of L’Hommage a Georges Braque. These deluxe examples also included an etching based on Trois oiseaux sur fond violet. The lithographs for this issue were printed in the ateliers of Maeght Editeur, Levallois. The text was printed by Fequet et Baudier, typographers. Finished printing May 13, 1964. About the Publication: Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists' stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Paul Rebeyrolle, Claude Garache, Antoni Tapies, Bram van Velde, Pierre Alechinsky, Pol Bury, Shusaku Arakawa, and Gerard Titus-Carmel. Printed in the ateliers of Mourlot, Arte, and Imprimerie Moderne du Lion, the periodical set new standards for quality in color lithography, combining fine art printing with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroir's enduring place in the history of modern art and fine art publishing. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary use of color and poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the rich imagery of his Jewish heritage and childhood in Vitebsk, Chagall’s dreamlike compositions fused memory, folklore, faith, and romance with the expressive innovations of modern art. His work evolved alongside and in dialogue with the great modern masters—Pablo Picasso, Henri Matisse, Alexander Calder, Salvador Dali, Joan Miro, Georges Braque, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, redefined artistic language for a new century. Spanning painting, printmaking, stained glass, ceramics, stage design, and illustration, Chagall’s career reflected both his deep spirituality and his boundless imagination. His works are held in major museum collections worldwide, including the Museum of Modern Art, the Guggenheim, the Tate, and the Centre Pompidou. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Hommage a Georges Braque, Chagall Derriere le Miroir, Chagall Maeght Editeur Paris, Chagall Mourlot Freres, Chagall 1964...

Etching from the Six Landscapes

Michel HENRY Horseman in the Poppy-Covered Undergrowth Original lithograph Handsigned in pencil Limited /275 copies On vellum 56 x 76 cm (c. 22 x 30 in) Excellent condition

Bridge - London, Southwark & Blackfriars Bridges (from the Surrey side of the River) is a lithograph artwork on paper realized by the artist W.H. Bartlett . Signed on the plate on t...

Rolf RAFFLEWSKI Square in Paris with the Kiss Sculpture Original lithograph Handsigned in pencil Limited /275 copies On vellum 56 x 76 cm (c. 22 x 30 in) Excellent condition

Rolf RAFFLEWSKI (1943-) Paris : Near the Seine River (Quai de Bethune) Original lithograph Handsigned in pencil Limited /275 copies On vellum 56 x 76 cm (c. 22 x 30 in) Excellent c...

London Bridge, London. 1924. Etching and drypoint. 6 3/8 x 14 3/4 (sheet 9 7/8 x 17 1/4). Mat line; otherwise fine condition. A rich impression with dryp...

This lithograph titled "Marché Provençal" is a colorful print by an unknown artist. It depicts a vibrant Provençal market scene, characterized by its lively atmosphere and vivid colo...

Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...

Artist: Harold Altman (American, 1924-2003) Title: Four Walking Figures Year: c.1980 Medium: Original color lithograph Edition: Inscribed "Artist Proof" in pencil Paper: Arches ...

Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...

Roberto Matta, Chilean (1911 -2002) - Les Manifestes du Surrealisme Diptych, Year: 1946, Medium: Two Etchings, titled in the plate, Edition: 58, Image Size: 5.5 x 4 inches, Size:...

Les Boulevards Color llthograph on china paper, 1900 Signed In graphite, below image, right: P. Bonnard A proof outside of the edition of 100 for Das Ma...

A 1930 lithograph on paper by artist Raoul Varin, titled "Old Fort Dearborn". Provenance: Arthur Ackerman & Son, Inc., Chicago, IL - Printed in 1930. Artwork size: 13" x 16 1/2"....

Medium: mezzotint (engraved by David Lucas after the John Constable painting). This impression was printed in 1831 on laid paper for the "English Landscape" series. Image size: 5 1/2...

Al Dolo is an original Artwork realized by Giovanni Antonio Canal, commonly known as Canaletto (Venice, 1697 - 1768). Original Etching on Laid paper...

This exquisite lithograph by Joan Miro (1893–1983), titled Hommage a Miro (Homage to Miro), from the album XXe Siecle, Numero special hors abonnement, Hommage a Miro, originates from...

This exquisite lithograph after Fernand Leger (1881–1955), titled Feuilles vertes et fond orange (Green Leaves and Orange Background), from the album XXe Siecle, numero special hors abonnement, Cahiers d'art publies sous la direction de G. di San Lazzaro, Hommage a Fernand Leger, originates from the 1971 edition published by Societe Internationale d'Art XXe siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris, and printed by Mourlot Freres, Paris, 1971. Feuilles vertes et fond orange exemplifies Leger’s mastery of modern form and color, uniting bold geometry and organic vitality in a celebration of rhythm, balance, and the harmony between nature and mechanized abstraction. Executed as a lithograph on velin paper, this work measures 9.75 x 12.5 inches. Unsigned and unnumbered, as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: After Fernand Leger (1881–1955) Title: Feuilles vertes et fond orange (Green Leaves and Orange Background), from the album XXe Siecle, numero special hors abonnement, Cahiers d'art publies sous la direction de G. di San Lazzaro, Hommage a Fernand Leger Medium: Lithograph on velin paper Dimensions: 9.75 x 12.5 inches (24.77 x 31.75 cm) Inscription: Unsigned and unnumbered, as issued Date: 1971 Publisher: Societe Internationale d'Art XXe siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Leger, Fernand, and Lawrence Saphire. Fernand Leger: The Complete Graphic Work. Blue Moon Press, 1978, illustration 120. Condition: Well preserved, consistent with age and medium Provenance: From the album XXe Siecle, numero special hors abonnement, Cahiers d'art publies sous la direction de G. di San Lazzaro, Hommage a Fernand Leger, published by Societe Internationale d'Art XXe siecle, Paris; printed by Mourlot Freres, Paris, 1971 About the Publication: Gualtieri di San Lazzaro's XXe Siecle (Twentieth Century) was one of the most influential art journals of the modern era, founded in Paris in 1938 as a platform for the greatest painters, sculptors, and writers of the 20th century. San Lazzaro, a visionary editor, critic, and champion of modernism, believed that art and literature should coexist as expressions of a shared human imagination. Under his direction, XXe Siecle became a cultural bridge between Europe and the wider world, publishing special issues devoted to leading figures such as Picasso, Matisse, Chagall, Braque, Calder, Miro, Kandinsky, and Leger. Each edition combined essays by renowned critics and poets with original lithographs printed by the foremost ateliers of Paris, London, and New York, including Mourlot, Curwen, and Universal Graphics, creating a uniquely rich dialogue between text and image. Through XXe Siecle, San Lazzaro preserved the creative spirit of the avant-garde during and after World War II, championing freedom of expression and the evolution of abstraction, surrealism, and modern thought. Over nearly four decades, the journal shaped international taste and defined the intellectual landscape of postwar art publishing. Today, XXe Siecle remains celebrated for its extraordinary synthesis of art, literature, and design, an enduring testament to Gualtieri di San Lazzaro's belief that the visual arts are the soul of the modern age. About the Artist: Fernand Leger (1881–1955) was a French painter, sculptor, and filmmaker whose pioneering fusion of modern life, mechanization, and visual abstraction made him one of the most influential artists of the 20th century. Emerging from the Cubist movement, Leger developed a highly personal style distinguished by bold contrasts, cylindrical forms, and rhythmic compositions that celebrated the beauty of industrial progress and the vitality of modern urban life. Deeply influenced by the innovations of Paul Cezanne and the structural experimentation of Pablo Picasso and Georges Braque, Leger transformed Cubism’s fragmented perspective into a dynamic, machine-age aesthetic that bridged fine art, architecture, and design. His work often depicted workers, machinery, and everyday objects as monumental symbols of harmony between humanity and technology, reflecting both his optimism for modernity and his belief in the democratization of art. During his career, Leger was part of an extraordinary artistic circle that included Henri Matisse, Marc Chagall, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—visionaries who shared his commitment to pushing the boundaries of artistic form and expression. A leading figure in the international avant-garde, Leger also explored large-scale murals, public art, and film, expanding the reach of modern art beyond the gallery. His works are represented in major museum collections worldwide, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire admiration for their bold geometry, humanist vision, and timeless modernity. The highest price ever paid for a Fernand Leger artwork is approximately $70 million USD, achieved in 2017 at Christie's New York for Contraste de formes (1913). Fernand Leger Feuilles vertes et fond orange, Leger Green Leaves and Orange Background, Leger 1971 XXe siecle, Leger Mourlot...

Life in a Spring Salt Marsh by James McMullan is an informational poster that reveals the rich ecosystem within a salt marsh. Initially appearing as a barren grassland, the artwork u...

‘Duff House, the Seat of the Earl of Fife, in Bamffshire’ Engraving by P Mazell After C Cordiner, From Paul Sandby's 'The Virtuosi's Museum, Containing Select Views in England, Sco...

Paris: Cadart & Luquet, 1865. Etching on buff, cream laid paper, 9 3/8 x 13 7/8 inches, full margins. Printed by Delâtre, Paris, with the blindstamp in the center-sheet, lower margi...

An homage to Caspar David Friedrich, towering thunder clouds over the Pacific Ocean, from a series of dramatic cloud atlas observations and abstract skyscapes above the winter sea, c...

Artist Name: Fran Bull Title: French Seaport Year: 1980  Medium Type: Screen Print on Somerset Paper Size-Width Size-Height: 22'' x 30'' inches Signed Edition Size: signed in pencil ...

Etching and aquatint realized by Edolo Masci. Hand signed and numbered in pencil. Edition of 90. Excellent condition.

Ella Fort The Lonesome Road (La course seule) Color Lithograph Signed, numbered or inscribed Edition: 390 + 250 Size: 7.8 × 11.7 on 11.7 × 15.6 inches F...

This exquisite lithograph by Maurice de Vlaminck (1876–1958), titled La route (The Road), from the album Vlaminck, originates from the 1958 edition published by Andre Sauret, Editeur...

Hand signed and numbered. Edition of 150 prints. Excellent condition.

This is a mid 19th century etching entitled "Point de Depart de Guillaume de Normandie, Beuzeval, Emboucher de la Dives Calvados (The point of departure of William of Normandy (William the Conqueror)), created by Maxime Lalanne and published in 'L'Illustration Nouvelle' in 1868 by Alfred Cadart. The etching depicts the beach at Beuzeval in Normandy; with the shore in the foreground on the right lined by a row of houses, the sea at the left, and an expansive sky above. There are people on the beach and sailboats in the water. This is the point of departure of William the Conqueror for his voyage to England in 1066, resulting in his victory over the Anglo-Saxons at the Battle of Hastings and the establishment of Norman rule. The events are memorialized in the Bayeux tapestry, created by William's wife. This etching is presented in a white mat that is suitable for framing. This excellent impression is printed on thick chain-linked, laid cream-colored paper with wide margins. It is signed in plate in the lower right and titled in the plate in the lower left. There is a collector's stamp (either an "NC" or a "CN") in the lower right corner. The sheet measures 9.5" high by 12.75" wide and the mat measures 13.5" high by 16" wide. There are two tiny faint spots in the periphery of the upper margin, but the print is otherwise in excellent condition. This etching is held by many museums and institutions, including The British Museum, The Yale University Art Gallery, The Cleveland Museum of Art, The Philadelphia Museum of Art, Columbia University Libraries and The William Morris Gallery...

Retriever Crossed with a Setter 1887 Etching 3 x 5

Lithograph on vélin du Marais paper. Inscription: unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the volume, Éloge de André Lhote, 1960. P...

This is a woodcut engraving entitled "Concrete Mixer, Moscow" by Albert Abramovitz created in 1935 after a visit to the Soviet Union. It depicts three Russian workers talking in front of a wooden structure housing a cement mixer...

David Everett was born in Beaumont, Texas, and received both his B.F.A. and M.F.A. from The University of Texas in Austin. Valley House began showing his multi-articulated, painted w...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Près de Beaumont sur Sarthe (Near Beaumont on Sarthe), from the album Vlaminck, originates from the 1958 editi...

This exquisite lithograph after Georges Braque (1882–1963), titled Barque sur les galets (Boat on the Pebbles), originates from the 1968 folio Varengeville, published by Maeght Edite...

Christo The MCA (Museum of Contemporary Art) Wrapped, Chicago, 1969, 2019 Limited Edition Four-color offset lithograph on 110 lb. Crane Lettra Cover stock, with an elegant gold foil...

Artist: Maurice de Vlaminck (French, 1876-1958) Title: Paysage Year: 1952 Medium: Original color lithograph Edition: Numbered 66/75 in pencil Paper: Arches Image size: 14.5 x ...

Artist: Manuel Robbe (French, 1872-1936) Title: Le Retour Des Pecheurs Year: 1933 Medium: Etching with aquatint Paper: B.F.K Rives Image (plate mark) size: 1...

Lithograph on wove paper. Signed and dated in the plate. This lithograph by Auguste Raffet, one of France’s most celebrated lithographers of the 19th century, presents a romantic v...

Lithograph on wove paper. Signed and dated in the plate. Image dimension: 19x33 cm. This finely executed lithograph by Auguste Raffet depicts a vivid coastal scene on the shores o...

Lithograph on wove paper. Signed and dated in the plate. Image dimension: 16.5x33. This finely detailed lithograph by Auguste Raffet depicts a rustic Crimean village scene, part of...

Lithograph on wove paper, realized by Raffet in 1838. Signed and dated in the plate. Image dimension 15x33 cm. The sheet shows foxing (brown spotting) scattered throughout, but re...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Subject: Summer Field, Framed Size: 17.5" x 24.5" x 0.8''inch, 44x62x2cm, Ready to Hang, Wooden Frame. All works are copyrighted...

This is an original 19th century duotone lithograph entitled "Ruins of Kom Ombo" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in London by...

Etching realized by Giambattista Albrizzi (1698-1777) for Thomas Salmon's Lo Stato presente di tutti i Paesi e Popoli do Mondo. Regno di Spagna. Includes a contemporary wooden frame...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph VIII, from the album Joan Miro Lithographs, Volume I, originates from the 1972 edition published by Tudor Publis...

Etching and burin. Image dimension: 27.4x432 cm. Sheet dimension: 39x53.7 cm. From Urbis Venetiarum Prospectus Celebriores, ex Antonii Canal Tabulis XXXVIII. Aere expressi ab Anto...

Medium: Etching Edition of 120 Year: 1977 ImageSize: 2.5 x 4.5 inches Signed, titled and numbered etching from the edition of 90. A bemused ram stands by in the center, while God is...