Framed Landscape Prints

This coastal Limited Edition print by Daniel Pollera pictures a sandy walk with wooden fencing and grass on either side, leading to a beach. Two beach chairs and an umbrella overlook...

Artist: Josef Eidenberger (1899-1991) Title: Lermoos Year: ca. 1960 Medium: Color Etching Plate size: 11.5 x 13.75 inches Framed size: 22.5 x 24.75 inches Signature: Signed, lower r...

JOHN NASH, RA (1893-1977) Harvesting Lithograph Framed 49 by 75 cm., 19 ¼ by 29 ½ in. (frame size 65 by 91.5 cm., 25 ½ by 35 ½ in.) On the advice of his older brother, the artist...

This artwork titled "Linz Landhaus, Austria" 1977., is an original color etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed in pencil by the artist. The...

"Les Patineurs" is a signed etching by James Ensor. It is from the Loÿs Delteil 65 volume XIX and depicts a multitude of skaters on a frozen pond. "Les Patineurs" is the French word ...

Charming engraving of the market in Aumale, France in Normandy by Charles John Watson (British, 1846-1927), circa 1880. Signed within engraving and below by artist. Presented under g...

Artist: Harold Altman (American, 1924-2003) Title: Three Chairs Year: 1978 Medium: Original color lithograph Edition: Numbered 61/185 in pencil Paper: ...

Morris Cox (1903-1998) Poem 6 from 9 Poems from Nature, 1959 Linocut inked with watercolours Image: 19.0 x 27.0 cm Frame: 34.0 x 41.0 cm Provenance: Morris Cox Archive Morris ...

Morris Cox (1903-1998) Elimination Linocut Frontispiece, for the publication Yule Gammon published by Morris Cox 1957 Image: 18.2 x 12.8 cm Frame: 34.0 x 28.0 cm Provenance: Morr...

"St. Jean D'Acre" is a 19th century folio sized hand-colored lithograph from the "The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia" volume of David Roberts’ large folio edition,...

4 mezzotint engravings by and after Ridinger (c.55 x 43 cm.) with margins on all sides. [Published: Augsburg, 1750]. A fine group showing 2 male and 2 female hunters along with the ...

Ella Fort St. Raphael (Provence, seascapes, countryside art, Impressionist) Color lithograph Signed, numbered or inscribed Edition: 390 + 10 E.A. Size: 22.8 × 14.8 on 27.5 × 19.6 inches Framed: 35.75x24 inches COA provided *edition number might vary from shown in listing image Tags: Provence landscapes, French countryside art...

"Rosa ex rubro nigricans" (Red Roses); a hand-colored copper engraving from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. This engraving is presented in a glossy silver and matte gold-colored wood frame with a green edge and an elaborate double cream-colored French mats with light mauve bands; each accented by a broad decorative marbleized green band. It is glazed with plexiglass. There is text offset and a very small crease in the left margin, but the print is otherwise in excellent condition. Provenance: W. Graham Arader Gallery...

Lithograph on Magnani-Pescia paper. Paper size 24 cm.x cm.17,5 work size 22cm x 14,5cm. Excellent condition, no defects. Aldo Riso was born in 1927 in Santa Maria di Leuca, in the ...

Created by Surrealist Fanny Brennan from 1992-96, Ladder is a lithograph in colors on wove paper. Hand-monogrammed in pencil and numbered from the edition of 250, the artwork measure...

Created by Surrealist Fanny Brennan from 1992-96, Fuji Under Siege is an original lithograph in colors on wove paper, hand-monogrammed by the artist in pencil and numbered from the e...

Untitled is a modern artwork realized by Bernard Buffet (Parigi 1928-Tourtour 1999) in 1954. Mixed colored lithograph. Includes frame: 84 x 70 cm Signature, date and edition on pl...

This contemporary realist Limited Edition print by Daniel Pollera is rendered from the perspective of a view from a beach house porch, looking out toward a body of water. Two Adirondack chairs are positioned on the grass between the edge of the porch and the water, with a streaked, cloudy sky and sailboats in the distance along the horizon line. The artist has employed a stark use of light, which provides a serene element to the overall mood of the piece. This Limited Edition giclee print by Daniel Pollera is an edition size of 10. Printed on canvas, this giclee ships framed in a warm silver floater frame wired and ready to hang. Other floater frame options are available in gold, black, white, and walnut. For additional sizes and alternate frame options, please contact us. This print comes with a Certificate of Authenticity and ships for free. The artist granted permission to Sorelle Gallery to produce his Limited Edition prints which are printed with pigment ink on a Premium Fine Art Matte Canvas 410g/m2, designed to meet museum longevity requirements and ensure consistency. Please allow additional time for printing prior to shipping. Daniel Pollera was born in 1953 in the coastal town of Freeport, New York. His interest in art began at a very young age, gravitating toward drawing and painting the surrounding coastline of Long Island. After a short study at SUNY Farmingdale in Commercial Art, he left to enter the family business. For almost 15 years, Daniel took a sabbatical from painting, but this didn’t affect his love for the sea. He obtained a Captain’s License in 1977 from the United States Coast Guard and took passengers for hire on the open ocean. Through this experience and visual knowledge he was drawn to begin painting again. Although Daniel was primarily self-taught, he worked with Frances Norris Streit, a portrait and mural artist, assisting her on a 14’ x 30’ historical mural for the Roslyn Savings Bank. He also studied with Everett Molinari, a well-respected President of the National Mural Society. Museum collections include Long Island Museum, Parrish Art Museum, and Guild Hall Museum. Daniel split his time between his home in East Quogue...

Created by Surrealist Fanny Brennan from 1992-96, Clarion is an original lithograph in colors on wove paper, hand-monogrammed by the artist in pencil and numbered from the edition of...

"Approach to the Fortress of Ibrim, Nubia" is a 19th century folio sized hand-colored lithograph from the Egypt and Nubia volume of David Roberts’ large folio edition, published in London by F. G. Moon in 1847. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century. The print is presented in a gold-colored wood frame with a decorative inner trim, with a cream-colored double mat. It is in excellent condition. The lithograph depicts the Fortress of Ibrim in Nubia in the background, which had been a Roman and an Egyptian fortification for centuries due to its strategic elevation, allowing a view of large portions of the surrounding desert. Men are securing the boat in the foreground for the night, taking down its sails. A herd of cattle drinks and cools themselves in the water on the left. There are four additional listings of David Roberts engravings of Egypt...

This abstract landscape limited edition print by Elwood Howell features a high horizon line, and a light blue palette. The foreground portion of the composition beneath the horizon ...

This is a beautiful four-color lithograph of the Louvre by the Seine by Philippe Benoist. It is double-matted in light blue with a gold tone wooden frame. Phillip Benoist was a p...

A six block woodcut published in an edition of only 23. It is signed. David Kapp is best known for his paintings of the contemporary urban landscape. His paintings have been descri...

This detailed hand colored map of South America by Thomas Jefferys was published in London in 1750. The map shows countries, early colonial possessions, towns, rivers, mountains, and...

This is a 17th century hand-colored map entitled "Insula Gaditana Isla de Cadiz" from Johannes (Joan) Blaeu's Atlas Maior, published in Amsterdam in 1662. The map provides an excellent plan of Cadiz Island on the southwest coast of Spain, with its harbor, fortifications, agricultural fields and several surrounding salt processing areas. Numerous sailing ships of various sizes are included in and around the harbor and bay, including five large sailing ships, as well as twenty-four smaller ships. There is a small compass rose overlying the bay. The bridge to the mainland from the island is shown on the right. There is an extremely ornate and colorful title cartouche in the lower left, with its mythological figures reminiscent of Raphael’s Galatea fresco at the Villa Farnesina in Rome. The vibrant colors are vividly preserved. The master colorist tried to emulate a painting by using various tones to create a three-dimensional effect.
 Blaeu's name is present in the plate in the lower right. Blaeu stated in his description of Cadiz: “The main wealth of the islanders consists of salt, which they harvest, and
 the tuna fisheries.” 
 This 17th century hand-colored map is framed in an ornate, partially textured bronze-colored wood frame and glazed with UV protected conservation glass. There is a vertical center fold, as issued. There is a faint crease in the lower right and faint color offset on the left from the right side of the map, resulting from having been in an atlas for hundreds of years. Small foci of paint are present in the upper portion of the left margin and in the left corner margin. The map is otherwise in very good condition. Due in large part to their powerful trade empire, the Dutch became known for cartography in the seventeenth century. This period is considered the Golden Age of Dutch cartography. Their publishing houses produced the highest quality work in Europe, particularly those maps and charts of foreign lands, and Dutch map-making set the bar for cartographic accuracy and artistry into the early-eighteenth century. Some of the most well-known cartographers worked in Amsterdam during this period. Perhaps the most famous of these was the Blaeu family. Willem Janszoon Blaeu, set up shop in Amsterdam. His son, Johannes (Joan), succeeded him upon his death in 1638, continuing in his father’s position as Hydrographer to the Dutch East India Company and selling maps to the public. The Blaeu map presses, located near Amsterdam’s Dam Square...

Michael Knigin, American (1942 - 2011) - Montauk Waves XXXVX, Year: 2004, Medium: Chromogenic Print on Canvas mounted to board, signed, titled, and dated on verso and signed and dat...

This Limited Edition giclee landscape print by Bri Custer is an edition size of 195. It features a light green, blue, and mint green palette. Printed ...

A pair of hand-colored lithographs of ducks entitled "Tadorna Vulpanser" (Sheldrake Ducks) and "Mergus Umbellus' (Smew or Nun Ducks) from John Gould's publication "Birds of Great Br...

This contemporary seascape limited edition print by S.C. Aldo captures an abstracted view of the ocean and sandy shoreline in the foreground, with a small white sailboat visible on t...

A hand-colored caricature entitled the "Gaekwar of Baroda" (Prince of India), from Vanity Fair, Plate 23 , published July 3, 1901. Sayajirao Gaekwad III (1863-1939) was the Maharaja ...

This Limited Edition giclee landscape print by Bri Custer is an edition size of 195. It features a blue and green palette with vibrant yellow accents, and captures an abstracted land...

This coastal seascape limited edition print captures a cropped view of rolling waves below an ocean horizon line and a clear blue sky. Highly detailed and realistic, it balances the ...

Lithograph on Magnani-Pescia paper. Paper size 17,5 cm x 24,5 cm work size 14,5 cm x22cm. Excellent condition, no defects. Aldo Riso was born in 1927 in Santa Maria di Leuca, in the ...

Boats is a contemporary artwork realized by Enotrio Pugliese in 1968. Mixed colored etching. Hand signed, dated and numbered on the lower margin. Edition of 74/80. Includes frame.

This coastal Limited Edition print by Daniel Pollera depicts a brightly-lit row boat, with two ores resting on either edge of the boat, sitting on a small island of sand in the water...

This abstract landscape limited edition print by Ken Elliott depicts an abstracted forestscape, with cool blue and violet trees and a yellow-green forest floor. The cool blues are co...

"A Dance in Otaheite" (Tahiti) is an engraving created by William Sharp (1749-1824), from a drawing by John Webber (1752-1793), who was the artist on Captain James Cook's 3rd and final voyage of discovery. It is a plate in the atlas of "A Voyage to the Pacific Ocean Undertaken by the Command of His Majesty, for Making Discoveries in the Northern Hemisphere", the official British Admirality sanctioned journal published upon completion of the voyage in London in 1784 by Strahan & Cadell. Two women and two men wearing ceremonial costumes, performing a dance outdoors standing on a mat. Three men are playing the drums in the background, in front of a thatched roof building. An audience of men are sitting on both sides of the stage. By the time Webber arrived in Tahiti, 'south sea' imagery had become familiar. Webber gave concentrated attention to dance. He had the opportunity to distinguish the Tahitian dance from the more formalized dancing of Tonga. Whereas they seem to have called to mind the more formal dances of antiquity, the Tahitian dancing aroused memories of peasant and folk dancing. This engraving is professionally framed in Koa wood. Koa wood is legendary in Hawaii. Not only is this amazing wood native to Hawaii, but it is known for the deep rich colors and varied grain pattern. Koa has an honored heritage in Hawaii and is highly revered and sacred. The word “koa” means “warrior” in Hawaiian. The warriors of King Kamehameha the Great, created canoes and weapons from a wood plentiful on the Big Island of Hawaii. This wood became synonymous with the warriors themselves, and it became known as koa. The print is in excellent condition. There are three other engravings listed from the official journal of Captain Cook's 3rd voyage available that are presented in identical Koa wood frames and double mats (LU117324682432, LU117324684052, LU117324684062). They would make a wonderful grouping for a display of 2, 3 or 4 prints. A discount is available for a grouping depending on the number of items included. Hawaii was discovered by Captain Cook during this voyage. Hawaii was originally called The Sandwich Islands in honor of The Earl of Sandwich...

This coastal seascape limited edition print captures a cropped view of rolling ocean waves. Highly detailed and realistic, it balances the deep blues and sea greens of the ocean with...

This coastal seascape by contemporary realist Daniel Pollera captures a line of coastal homes at sunset. Along the horizon, four houses are visible with docks, while an orange sky wi...

This realistic nautical limited edition print by Michel Brosseau captures the bow of a ship, with the sail tied down and a lightly cloudy blue sky behind it. The artist pays hyper at...

This coastal seascape Limited Edition giclee print by Daniel Pollera is an edition size of 10. Printed on canvas, this giclee ships framed in a warm silver floater frame wired and re...

Boats on the Seaside is an artwork realized by Aldo Riso, 1970. Screen print. It Includes frame. Edition of 2000. Hand signed lower right. Good conditions

Jean-Pierre Cassigneul was born in 1935 and first exhibited his work at age 17. He went on to participate in various group exhibitions, including the Salon d’Automne in Paris, the Sa...

Rome is original artwork realized by Michele Cascella in the mid-20th Century. Mixed colored oil painting on panel. Hand-signed on the lower right....

This abstract landscape limited edition print by Ken Elliott features a warm, vibrant palette and captures a landscape with the sun just along the horizon. The painting has an impres...

This Limited Edition giclee landscape print by Bri Custer is an edition size of 195. It features a warm, earth-toned palette. Printed on canvas, this giclee ships framed in a warm si...

Artist: Saul Steinberg, Romanian/American (1914 - 1999) Title: Chrysler Building (Night) from Derrier le Mirroir Year: circa 1965 Medium: Lithograph Size: 14 x 10.5 in. (35.56 x 26.6...

This realistic nautical limited edition print by Michel Brosseau captures the bow of a ship, with the sail tied down and a lightly cloudy blue sky behind it. The artist pays hyper at...

This contemporary seascape limited edition print by S.C. Aldo captures an abstracted view of the ocean and sandy shoreline in the foreground, with a small white sailboat visible on t...

A charming depiction of a cafe in Pitigliano Tuscany. The artist captures. The winding staircases and narrow continental streets in bold, organic for...

A fine and rare 2nd State impression, before the address of Ottens

This realistic limited edition print by John Harris captures a close up view of water rippling over rocks in a riverbed. Natural light reflects off the surface of the water, enhancin...

The waning crescent moon, sometimes called an old moon, is defined to occur when the Moon is nearly, but not precisely, on a line with the Earth and Su...

This limited edition seascape print by John Harris captures a highly detailed view of rolling ocean waves crashing near a shoreline under a clear blue sky. It features a mix of cool ...

This contemporary seascape limited edition print by S.C. Aldo features a light, almost pastel coastal palette, and captures an abstracted view of the ocean and shoreline in the foreg...

Richard Serra Clara, Clara (Hand Signed by Richard Serra), 1983 Offset Lithograph Poster (Hand signed by Richard Serra) Boldly signed with black marker on the front Frame Included: held in original vintage 1980s frame This is the rare vintage offset lithograph poster of Richard Serra's 1983 work "Clara Clara", exhibited at the Pompidou Center in France in 1983-1984. Very collectible when hand signed by Richard Serra! Accompanied by gallery issued Certificate of Guarantee Measurements: Frame: 27.5 x 37.75 x 1 inch Print: 25.5 x 35.75 inches About Richard Serra: Obsession is what it comes down to. It is difficult to think without obsession, and it is impossible to create something without a foundation that is rigorous, incontrovertible, and, in fact, to some degree repetitive. Repetition is the ritual of obsession. Repetition is a way to jumpstart the indecision of beginning. To persevere and to begin over and over again is to continue the obsession with work. Work comes out of work. In order to work you must already be working. —Richard Serra One of the most significant artists of his generation, he has produced large-scale, site-specific sculptures for architectural, urban, and landscape settings spanning the globe, from Iceland to New Zealand. Born in 1938 in San Francisco, Richard Serra lives and works in New York and on the North Fork of Long Island. Serra attended the University of California, Berkeley before transferring to the University of California, Santa Barbara graduating with a BA in English literature; he then studied painting at Yale University, New Haven, Connecticut completing both a BFA and MFA. He began showing with Leo Castelli in 1968, and his first solo exhibition in New York was held at the Leo Castelli Warehouse the following year. His first solo museum exhibition was held at the Pasadena Art Museum, California, in 1970. Serra’s sculptures and drawings have been celebrated with two retrospectives at the Museum of Modern Art, New York, twenty years apart: Richard Serra/Sculpture (1986) and Richard Serra Sculpture: Forty Years (2007). He has had solo exhibitions at the Stedelijk Museum, Amsterdam (1977–78); Kunsthalle Tübingen, Germany (1978); Staatliche Kunsthalle Baden-Baden, Germany (1978); Museum Boijmans Van Beuningen, Rotterdam, Netherlands (1980, 2014, and 2017); Centre Pompidou, Paris (1983–84); Museum Haus Lange, Krefeld, Germany (1985); Louisiana Museum, Humlebæk, Denmark (1986); Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, Germany (1987); Städtische Galerie im Lenbachhaus, Munich (1987); Stedelijk Van Abbemuseum, Eindhoven, Netherlands (1988); Bonnefantenmuseum, Maastricht, Netherlands (1990); Kunsthaus Zürich (1990); CAPC Musée d’Art Contemporain, Bordeaux, France (1990); Museo Nacional Centro de Arte Reina Sofía, Madrid (1992); Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany (1992); Dia Center for the Arts, New York (1997); Centro de Arte Hélio Oiticica, Rio de Janeiro (1997–98); Trajan’s Market, Rome (1999–2000); Pulitzer Arts Foundation, St. Louis (2003); and Museo Archeologico Nazionale di Napoli, Naples, Italy (2004). In 2005 The Matter of Time (1994–2005), a series of eight large-scale works, was installed permanently at the Guggenheim Museum Bilbao, Spain. For Monumenta 2008, the major site-specific installation Promenade was shown at the Grand Palais, Paris. Three years later the large-scale, site-specific sculpture 7 was permanently installed opposite the Museum of Islamic Art in Doha, Qatar. A major traveling retrospective dedicated to Serra’s drawings was presented at the Metropolitan Museum of Art, New York, San Francisco Museum of Modern Art, and the Menil Collection, Houston (the organizing venue), from 2011 to 2012. In 2014 the Qatar Museums Authority presented a two-venue retrospective survey of Serra’s work, and East-West/West-East (2014) was permanently installed in the Brouq Nature Reserve, Zekreet, Qatar. In 2017 the Museum Wiesbaden, Germany, presented Richard Serra: Props, Films, Early Works; an overview of Serra’s work in film and video was shown at the Kunstmuseum Basel; and recent drawings were featured at the Museum Boijmans Van Beuningen. Serra has participated in numerous major international exhibitions, including Documenta (1972, 1977, 1982, and 1987), and the Biennale di Venezia (1980, 1984, 2001, and 2013), and his work has been included in many Whitney Annuals and Biennials (1968, 1970, 1973, 1977, 1979, 1981, 1995, and 2006). He is the recipient of the Leone d’Oro for lifetime achievement, Biennale di Venezia, Venice (2001); Orden Pour le Mérite...

A very fine impression

A fine 1st State impression before the addition of Vischer’s address. etching with engraving after David Vinckboons (Malines 1576-1629 Amsterdam)

This limited edition print by Daniel Pollera depicts a figure wearing a hat, sitting in a sailboat, sailing out into the open bay. The sailboat creates misty ripples in the water as ...

Chuzo Tamotzu (1891-1975) Untitled (Southwestern Scene), c. 1950 Lithograph Sight: 12 1/2 x 16 in. Framed: 19 1/2 x 23 1/4 x 1 in. Edition 14 of 30 Numbered lower left, signed lower...