Framed Landscape Prints

Johan Wilhelm Palmstruch (1770-1811) Sweden Title: A Bear hand-coloured print early 1800s print dimensions approx 4.33 x 7.08 inches (11 x 18 cm) frame 11.81 x 15.74 inches (30 ...

Rue Furstenberg. 1894. Lithograph. Way 59; Levy 90; Tedeschi, Stratis and Spink catalog 97. Only state. 8 7/8 x 6 1/4 (sheet 14 1/4 x 8 7/8). A fine ...

Artist: Salvador Dali (Spanish, 1904-1989) Title: "Dieu, Le Temps, L'Espace et le Pape (God, Time, Space, and the Pope)" Portfolio: After 50 Years of Surrealism *Signed by Dali in p...

Red toned abstract woodcut monoprint by Japanese printmaker Joishi Hoshi. This work is a fantastic example of Hoshi's iconic interlocking web of bare trees. Signed and dated by artis...

Gordon Grant (American, 1875-1962) The Salt Bark - Gloucester, c. 1947 Lithograph Sight: 10 x 12 1/2 in. Framed: 15 x 19 x 3/4 in. Signed lower right in pencil Published in edition ...

Spanish artist Salvador Dali is considered to be the father of Surrealism, renowned for his technical skill and unique style. This etching features a city landscape with fountains, c...

This Limited Edition giclee landscape print by Molly Doe Wensberg is an edition size of 195. It features a vibrant green and blue palette and captures a scene of a field with lush fo...

This beautiful, original hand-colored orchid lithograph entitled "Laelia Anceps Williamsii" Orchids by John Nugent Fitch is plate 100 in Robert Warner's publication 'The Orchid Album...

Robert Kipness was an American painter and printmaker who’s work focused on forms and a pronounced moodiness. Morning View III Robert Kipniss, American...

This is an original hand-colored folio edition John James Audubon engraving entitled "Esquimaux Curlew", Folio, Pl. CCVIII", No. 42, Plate 208, from Audubon's "Birds of America". It was engraved, printed and colored in London by Robert Havell, Jr. in 1834. It depicts a male and a female Esquimaux Curlew birds...

This beautiful 19th century framed engraving "Line Fishing Off Hastings" by William Miller is based on an original painting by the renowned British artist J.M.W. Turner, which depicts a scene of fishermen at work off the coast of the town of Hastings in East Sussex, England. The Miller engraving faithfully reproduces Turner's painting, capturing the same atmospheric quality and sense of motion. In the foreground of the image, a group of fishermen are shown in a small boat, with one man using a fishing line to catch fish. In the background, there is a larger ship, along with a view of the town of Hastings and the cliffs beyond. Overall, the Miller engraving "Line Fishing Off Hastings" is a beautiful and detailed representation of Turner's original painting, and provides a glimpse into life in a 19th century fishing community. This colorful 19th century engraving is presented in a gold-colored wood frame and a cream-colored French mat highlighted with a light blue band and thinner mustard and gold-colored bands. There is a gold-colored fillet which further embellishes the engraving. The frame measures 18" high, 20.5" wide and 1" deep. The engraving, frame and mat are in excellent condition. Joseph Mallord William (J.M.W.) Turner (1775-1851) was an English painter who is widely considered one of the greatest landscape painters in Western art history. Born in London, he showed a remarkable talent for art from a young age, and studied at the Royal Academy of Arts from the age of 14. He quickly gained recognition for his watercolor landscapes, which were highly innovative and expressive. Turner's style evolved over time, and he became increasingly interested in the effects of light and color. He traveled extensively throughout Europe, and his experiences of the natural world, particularly the sea and the sky, had a profound influence on his art. His paintings are known for their luminosity, atmospheric effects, and dramatic use of color. Despite facing criticism and ridicule from some of his contemporaries, Turner continued to push the boundaries of art, experimenting with new techniques and styles throughout his career. He was a prolific artist, creating thousands of paintings, sketches, and watercolors, and his legacy continues to inspire artists today. William Miller (1796-1882) was an English engraver and publisher, best known for his work in reproducing the paintings of J.M.W. Turner. Miller was born in Bristol and began his career as an engraver at a young age, working for a variety of publications and artists. In the early 1820s, Miller began working with Turner, engraving many of the artist's most famous works, including "The Fighting Temeraire...

This contemporary seascape limited edition print by S.C. Aldo captures an abstracted view of the ocean with loose, expressive clouds in the sky and a small white sailboat visible on ...

This contemporary abstract landscape limited edition giclee print by Ken Elliott features abstracted trees in a cool-toned palette. The energetic blue and violet brush strokes that m...

A fine impression with good margins published by Associated American Artists.

This Winslow Homer woodcut engraving entitled "Making Hay", was published in Harper's Weekly in the July 6, 1872 edition. It depicts a two men hand cutting high grass on a hill. The man in the foreground is looking at a young boy and a girl (presumably his children), who are sitting on the ground with a picnic basket. This beautiful Homer woodcut engraving is presented in a brown wood frame and a light beige fabric mat with a black inner mat. The print is in excellent condition. There are two other Homer woodcut engravings in identical frames and mats that are listed on 1stdibs. See LU117326148332 and LU117326148272. These would make a wonderful display grouping. A discount is available for the purchase of two or all three of these prints. This Winslow Homer engraving...

Arthur Grover Rider (American 1885-1975) Offset Litho on board of fisherman in Spain. Professionally framed and matted in gilt frame. Born in Chicago, IL on March 21, 1886. Rider ...

A charming etching of Asolo in the Veneto region of northern Italy. The town is known as the "city of the hundred horizons" due to its mountainous setting. Signed and dated within th...

Mid-Century coloured woodblock print of 'ploughing the fields' by 20th century Japanese artist Ini Kumo. The print is hand-signed in pencil, dated 1966 and numbered 130/700 to the bottom right and presented under glass in a black wooden frame. A beautiful woodblock printed image of a Japanese farmer in traditional attire ploughing the land with his ox. It is early evening and as the sun goes down it casts long shadows in front of the two figures. Perhaps the farmer is on his way back to the houses grouped in the distance already in shadow. The artist has carefully picked out areas of vibrant green and blue to give energy and colour to the image which contrast against the black of the ox. A thoroughly enchanting image. Ini Kumo is a recognised Sõsaku-hanga artist. His work is included in the Metropolitan Museum of Art in New York. Sōsaku-hanga (創作版画, "creative prints") was an art movement of woodblock printing which was conceived in early 20th-century Japan. It stressed the artist as the sole creator motivated by a desire for self-expression, and advocated principles of art that is "self-drawn" (自画 jiga), "self-carved" (自刻 jikoku) and "self-printed" (自摺 jizuri). As opposed to the parallel shin-hanga ("new prints") movement that maintained the traditional ukiyo-e collaborative system where the artist, carver, printer, and publisher engaged in division of labor. The birth of the sōsaku-hanga movement was signaled by Kanae Yamamoto...

This beautiful 19th century framed engraving "Scarborough" by W. Chapman is based on an original painting by the renowned British artist J.M.W. Turner. It was published in London by ...

Barcarolle. 1926. Etching. Carter 233. 14 7/8 x 8 3/8 (sheet 17 1/4 x 10 1/4). Edition 80, #xxv. Print Collector's Quarterly 24 (1938): 428; Eric Denker, Reflections & Undercurrents: Ernest Roth...

large scale original photograph with "frameless" glass face mounting from a series of conceptual motivational messages on classic Americana billboard signs in the iconic landscape of...

You definitely need this fantastic Mid-Century serigraph of Chicago's Executive House hotel and the Chicago River by artist Mark Coomer, in its original of...

HERBERT GURSCHNER (Austrian / English (1901-1975) VILLAGE SCENE / TOWN FESTIVAL ca.1924 Color woodcut 4 ¾ x 5 3/8” Signed in pencil. Good strong colors. On thin paper. Faint darkeni...

large format original photograph of the iconic Mediterranean rock pools of Calafuria Vaschette in Tuscany by iconic Italian photographer Massimo Vitali, renowned for his grand scale ...

Fabulous cubist wood cut of a Mexican village. It is titled tropical Mexico and is by the artist Jacob Heller. Really kool sky with lines for rain and ovals for clouds.There is not m...

Futuristic Seashore Dream House is a digital pigment print on paper, image size 30 x 30 inches and framed in a contemporary light wood frame. Signed 'RENÉ LALONDE' lower right and an...

This realistic nautical limited edition print by Michel Brosseau captures a view of a small white dinghy boat tied to a dock. Two ores rest inside the small boat, which is surrounded...

Charming vintage Aquatint/etching titled "In the Forest" from the Paris Etching Society by French artist Pierre Maulin (France, late 19th-early 20th Cent...

"Lautrec Book: From Au Pied du Sinai written by Georges Clemenceau" lithographs created by the legendary Henri de Toulouse-Lautrec. This book, Au Pied...

John Copley (1875-1950) Wych Elms 1922 Image: 17.5 x 24.8 cm Frame: 35.0 x 42.0 cm Painter and printmaker John Copley was born in Manchester in 1875. He trained at Manchester Schoo...

This striking contemporary abstract serigraph by Eyvind Earle (1916-2000) is entitled "Eucalyptus Forest". It depicts a stylized scene of cloud like trees with a radiating pattern in the foreground, possibly tilled fields. It is signed in pencil in the lower right and numbered in pencil 119/267 in the lower left. This colorful print is presented in a glossy black wood frame with a French mat...

"Fisherman's Wharf - San Francisco" Multi Layer Screen Print on Paper - Signed Rare and bold Screen Print (Silk Screen) of Fisherman's Wharf 1957 by Gordon Cope (American, 1906-1999). Several boats are docked at Fisherman's Wharf, with buildings directly behind them. In the distance, the hills of San Francisco can be seen meeting a pale blue sky. Of particular note is the skillful representation of the reflections of the boats in the water, and the clever use of grey paper as negative space. Numbered and titled in pencil in the lower left corner "22/100 Fisherman's Wharf - San Francisco" Hand signed and dated in pencil in the lower right corner "Gordon Cope 1957" Titled, signed, and dated "in plate" Presented in a silver colored frame with a double mat. Frame size: 22.5"H x 27"W Image size: 15"H x 20"W Gordon N. Cope (American, 1906-1999) was an educator and painter. Trained in Utah and France, he exhibited his landscape paintings and portraits in the United States and Europe, and he believed music was related to painting. Cope was born on May 14, 1906, in Salt Lake City. He was trained by Utahn artists LeConte Stewart and Lawrence Squires, and at the Académie Julian in Paris, France in 1928. He also studied singing at the Opéra-Comique. Cope taught art at Latter-day Saints University, and he served as the chair of its Department of Art in 1930–1931. He taught at the Mountain School of Art from 1932 to 1938, and he was the director of the Art Barn School in Salt Lake City in 1939–1941. Cope painted Utahn landscapes as well as a portrait of Henry H. Blood, who served as the seventh governor of Utah from 1933 to 1941. Cope exhibited his work in the United States and Europe. According to the Deseret News, Cope "felt that music and painting are closely interrelated, and that the study of one form may be used to complement the appreciation and understanding of the other." Cope died on June 10, 1999, in San Francisco, California. Gordon Nicholson Cope studied with well-known Utah artists A.B. Wright and LeConte Stewart, and became recognized as a major Utah artist of the Great Depression. Cope was born in Salt Lake City in 1906 and spent much of his life in Utah. Cope gained much of his artistic training from diverse environments and influences. Following his training with the previously mentioned artists, Cope spent the next year, 1924, working with Lawrence Squires in Arizona. To expand his knowledge and training, Cope traveled to Europe, where he studied the "old masters" such as Da Vinci, Michelangelo, and Raphael. From 1924 to 1928, Cope studied in England, France, Italy, Switzerland, Belgium, Holland, and worked for a year at the Acadamie Julian, where many early Utah artists...

This Winslow Homer woodcut engraving entitled "The Morning Walk, Young Ladies' School Promenading the Avenue", was published in Harper's Weekly in the...

Luigi Lucioni: 1900-1988. Very well listed American Painter and etcher. He has Auction results as high as $4600 for an etching. This adding is most likely a barn in Vermont.. It meas...

An urban realist painter, Marsh was born in Paris, France and began drawing as early as the age of three. His artistic studies were done at Yale University, the Art Student League in New York and in Paris. Marsh was a member of the National Academy, the Royal Society of Artists, London, the Southern Vermont Artists...

The Wait. Three native Mexican women wait by the sea. This impression is #31/100. An impression of this lithograph is in the permanent collectio...

Alvin Carl Hollingsworth, American (1928 - 2000) - 3 Miles, Medium: Lithograph, Image Size: 5.75 x 16.5 inches, Frame Size: 14.25 x 24.25 inches, Description: This lithograph by ...

This artwork titled "Sunrise" 1978, is an original color aquatint on rice paper by noted Indian artist Kaiko Moti, 1921-1989. It is hand signed and numbered LXXIV/LXXV in red pencil...

This colorful abstract landscape piece is a Limited-Edition giclee print by Ken Elliott with an edition of 195. Printed on canvas, this giclee ships framed in a gold floater frame wi...

Step into the serene beauty of a New Mexico winter with this stunning 1950s signed lithograph, New Mexico Village Under Snow, by acclaimed artist Kenneth Miller Adams. This rare vint...

Sorrento Courtyard from the Amalfi Coast collection is a serigraph on paper with an image size 16 x 18 inches, signed 'McKnight' lower right and numbered lower left. Framed in a cont...

Artist: Andy Warhol Title: Washington Monument Medium: Screenprint on wallpaper Date: 1974 Edition: Unnumbered Sheet Size: 44" x 29 1/2" Framed Size: 50 5/8" x 36 1/8" Signature: Uns...

Max Epstein, Canadian (1932 - 2002) - Winter's Morning, Year: 1978, Medium: Screenprint, signed and numbered in pencil, Edition: AP 42/50, Size: 17.75 x 25.75 in. (45.09 x 65.4...

This artwork presents an imaginative architectural landscape where sacred geometry, optical patterns, and playful surrealism converge. Against a bright sky-blue background, intricate...

Guardians of the Spire; Amiens Cathedral Number 2 New York: 1937. Etching and drypoint on watermarked F.J. Head cream-colored, antique laid paper, 6 3/4 ...

This artwork titled "Les Montgolfieres, Place de la Concorde, Paris" 1987 is a original colors lithograph on Arches paper by French artist (Fanch, Francois Ledan, born 1949) It is hand signed and numbered 67/250 in pencil by the artist. The image size is 25.25 x 19.5 inches, framed is 37.25 x 31.25 inches. Printed by Atelier d'Art Dejobert, Paris, with their blind stamp at the lower left corner. Custom framed in a wooden gold frame, with off white matting. It is in excellent condition. About the artist: Francois "Fanch" Ledan (b. 1949) is noted for colorful scenes of his native Brittany. In 1968 he abandoned his studies in commercial design for full-time studies in painting and fine art. His talent was quickly recognized and soon he was involved in major European shows. He became involved in printmaking in 1973 when he learned lithography in Paris. Since then he has had numerous one-person shows in Europe, North America and South America. His paintings and lithographs from the 1970's and 1980's display characteristics often associated with "naïve" art. His views of Paris, a city which has embraced naïve art, display the attention to detail, In the 80's he turned to more brightly colored paintings and again a connection to Impressionism. He began to work on paintings that he refers to as "interior...

A unique oil print by Romare Bearden circa 1980. A bright city scene illustrated in a modern expressionist style. Artist: Romare Bearden, American (1911 - 1988) Title: Bridgetown, ...

Framed 40.50 x 30 in The lithograph features the dry stamps of the Magritte Foundation ADAGP and is countersigned in pencil by Mr. Charly Herscovici, President of the Magritte...

This abstract landscape limited edition print by Ken Elliott features a predominately cool violet palette, which is offset by the warm yellow trees in the foreground, which are refle...

This Limited Edition giclee landscape print by Molly Doe Wensberg is an edition size of 195. It features a cool green palette and captures a landscape scene with lush foliage and rol...

This art work titled "Murmures" 1989 is an original color lithograph on wove paper by French artist, Jean Pierre Cassigneul, born 1935. It is hand signed and inscribed E.A (Artist Proof) in pencil by the artist. Referenced and pictured in the artist's catalogue raisonne by Mazo. plate #31. The image size is 23.80 x 30 inches, framed size is 39.25 x 44.5 inches. Custom framed in a wooden gold frame, with fabric matting and gold color spacer. It is in excellent condition. About the artist: Jean-Pierre Cassigneul is a French painter known for his serene portraits of women in hats that recall the French Post-Impressionist avant-garde, including the works of Pierre Bonnard and Edouard Vuillard. He was born on July 13, 1935, in Paris. He studied at the École des Beaux-Arts in Paris and went on to exhibit in various group exhibitions, including the Salon d' Automne in Paris (of which he was member), the Salon de la Jeune Peinture, He exhibited at the Beaubourg Center in Paris in 1977 and solo as of 1952, on a regular basis in France but also in New York, and Tokyo and worldwide Jean PierreCassigneul is known for his charming and extremely popular Van Dongen-influenced paintings of women in floral hats, complete with frequent allusions to other aspects of the Années Folles. 1952 First private exhibition at the Galerie Lucy Kroge in Paris aged 17. 1954 Enters into the Académie Charpentier and then decides to study under Jean Souverbie at the Ecole des Beaux-Arts de Paris. 1955 He passes his entrance exam a year later and enrolls at the "Ecole Nationale Superieure" des Beaux-Arts de Paris. Works in Chapelain-Midy’s studio. 1958 First exhibition at the Galerie des Beaux-Arts. 1959 Appointed member of the Salon d’Automne. 1956–1960 Instructed by the French painter Roger Chapelain-Midy. 1963 Present at the Salon de la Jeune Peinture for the first time. 1964 Private exhibition at the Galerie Tivey-Faucon, Paris. Meets Kiyoshi Tamenaga, who becomes his art dealer for Japan. 1965 Creation of his first lithographic works. Exhibition at the Galerie Bellechasse, Paris. 1966 Present at the International Exhibition of Figurative Art, Tokyo. Exhibition at the Galerie Bellechasse, Paris. 1968 Exhibition at the Galerie Juarez in Palm Beach, USA. Private exhibition at la Galerie Vital, Paris. 1969 Exhibition of lithographic works at the Mitsukoshi Gallery, Tokyo. 1970 January : Exhibition at the Wally Findlay Gallery, Palm Beach, then in New York. First trip to Japan, where he stays for three months. Important private exhibition at the Mitsukoshi Gallery, Tokyo. 1973 Exhibition at the Wally Findlay Gallery in Palm Beach, then in New York. Private exhibition at the Tamenaga Gallery, Tokyo. Meets art publisher Alain Mazo. 1974 Private exhibition at the Galerie Wally Findlay, Paris, then in New York. 1975 Exhibition at the Wally Findlay Gallery, New York. 1976 Private exhibition at the Mitsukoshi Gallery, Tokyo. Publication of the album “Parcs” by Editions Mazo-Paris. 1977 June : Private exhibition at the Galerie René Kieffer, Paris Private show of paintings and pastels at the Galerie Wally Findlay, Paris. 1978 Retrospective exhibition of lithographic works at Vision Nouvelle. June-July : Exhibition at the Wally Findlay Gallery, New York. Important private showat the Mitsukoshi Gallery, Tokyo. 1980 Designs his first tapestry, executed by Atelier 3...

Three hand-colored lithographs from John Gould's seven volume book "The Birds of Australia", which included New Zealand, depicting: pairs of "Eudyptes Chrysocome" (New Zealand Rock-hopper Crested Penguins), "Diomedea O Thalassarche Cauta" (Australian Shy Albatross) and "Sula Fusca" (Brown Gannets). These beautiful sea bird prints are presented in identical very attractive brown wood frames, embellished with gold highlights in the corners and gold inner trim, along with light cream-colored French mats, each with a medium cream-colored band and a gold highlight line. There is scattered spotting. There is a small tear in the lower right corner of the penguin lithograph...

Giclee on canvas. Hand signed lower left by Robert Wyland. Hand numbered 181/750 lower right. Canvas size 39.25 x 29.5 inches. Frame size: approx 43.5 x 33.5 inches. Artwork is in excellent condition. Frame has some random scratches from storage. Certificate of Authenticity included.. All reasonable offers will be considered. About the Artist: The marine wildlife artist Robert Wyland, was born in 1956 in Detroit Michigan. He attended the Center for Creative Studies in Detroit majoring in painting and sculpture. Upon graduation, Wylands' professors, Jay Holland...

"Plovers at Tamagawa" from "Six Jewel Rivers" - Woodblock Print on Paper This print, sometimes titled "Chidori No Tamagawa" "Plovers at Tamagawa", is from the series Mu Tamagawa ("Six Views of Tama River", also known as "Six Jewel Rivers" or "Six Crystal Rivers") by Kubo Shunman...

Tomás Sánchez (1948) This lithograph from 1982 shows a beautiful landscape by the artist Tomas Sanchez. It is signed and dated in the bottom right corner and numbered on the left on...

Raoul Dufy, After, French (1877 - 1953) - Le Paddock a Deauville, Year: 1964, Medium: Lithograph Poster, Size: 23.75 x 39 in. (60.33 x 99.06 cm), Frame Size: 32 x 47 inches, Pr...

This is an original framed 19th century hand-colored folio-sized lithograph entitled "Ramphomicron vulcani" (Southern Thorn-Bill Hummingbirds) by John Gould, Pl. 186 from his "Monograph of the Trochilidae, or Family of Hummingbirds", published in London in 1853. The print depicts two Southern Thorn-Bill hummingbirds sitting on branches of a flowering plant. This striking framed Gould hand-colored lithograph is presented in a antiqued gold frame, a gold-colored fillet, and a light tan French mat, embellished with a mint-colored broad band. The frame measures 32" high, 25.5" wide and 1.25" thick. The hand-coloring is enhanced by the use of gum-arabic paint...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 011 Subject: Autumn Palette, Framed Size: 20.5" x 28.5" x 0.8''inch, 51x71x3cm, Ready to Hang, Wooden Frame. Glass, Plasti...

A well executed, crisp silkscreen print showing a back street canal in Venice with a boat reflecting in the rippling water. The artist has signed and numbered (11/300) to the lower e...

Istvan Zador, Germany (1882 - 1963) - The End of the Village, Year: 1924, Medium: Etching, signed in pencil, Image Size: 9.5 x 13.5 inches, Frame Size: 17.25 x 20.25 inches