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Medium: Etching
Street in Porto Maurizio
Located in Middletown, NY
Etching on antique handmade laid paper, 9 5/8 x 4 1/4 inches (246 x 109 mm), full margins. Signed and dated (1928) in pencil, lower margin. Printed by Frederick Reynolds. In very goo...
Category
1920s American Modern Etching Landscape Prints
Materials
Handmade Paper, Etching
Paris, Montmartre, Le Sacre Coeur
Located in San Francisco, CA
This artwork titled "Paris, Montmartre, Le Sacre Coeur" c. 1970 is a color etching by noted Austrian artist Robert Kasimir, 1914-2002. It is signed at t...
Category
Late 20th Century Realist Etching Landscape Prints
Materials
Etching
After the Bath - Original etching - Ed. Durand Ruel, 1873
Located in Paris, IDF
Jean Baptiste Camille COROT (after)
After the Bath, 1873
Original Etching
Engraved by Boilevin under the supervision of COROT
Printed sig...
Category
1870s Impressionist Etching Landscape Prints
Materials
Etching
Street in Porto Maurizio
Located in Middletown, NY
Etching on antique cream laid paper with a partial watermark, 9 5/8 x 4 1/4 inches (246 x 109 mm); full margins. Signed and dated "1928" in pencil, lower margin. Inscribed "Street in Porto Maurizio...
Category
1920s American Modern Etching Landscape Prints
Materials
Handmade Paper, Laid Paper, Etching
Une bourrasque
Located in Middletown, NY
Etching on chine collé mounted to white wove paper, 3 x 4 5/8 inches (75 x 112 mm), full margins. Scattered light areas of adhesive residue with associated discoloration along the to...
Category
Mid-19th Century French School Etching Landscape Prints
Materials
Handmade Paper, Etching
New Hop Poles
Located in Storrs, CT
1930. Etching. Beetles 17. 6 x 5 1/4 (sheet 11 1/2 x 9). Edition 30, #29, published by the Twenty-One Gallery. Exhibited at the Royal Society of Painter-Etchers and Engravers, 1932(...
Category
1930s Modern Etching Landscape Prints
Materials
Etching
$1,480 Sale Price
20% Off
CHURCH IN SNOW
By Earl Horter
Located in Portland, ME
Horter, Earl (American, 1881-1940). UNTITLED (CHURCH IN SNOW). Etching and aquatint, not dated. Signed in pencil, lower right. 6 1/4 x 5 inches (plate), 11 x 8 5/8 inches (sheet). An...
Category
Mid-20th Century Etching Landscape Prints
Materials
Etching, Aquatint
"Interieur d
Ecurie a Samois" original etching
Located in Henderson, NV
Medium: original etching. This impression on laid paper was printed in London in 1880 for P. G. Hamerton's "Etching and Etchers". Plate size: 6 1/4 x 8 3/4 inches. Signed in the plate.
Category
1880s Etching Landscape Prints
Materials
Etching
Serpia English Landscape: Contemporary Limited Edition Etching
By Ian Laurie
Located in Brecon, Powys
Signed and numbered (6of 25) etching from this much collected Scottish Artist.
Image 8; x 8. Excellent condition. Matted
Ian Laurie was born in 1933 and is a self taught artist wh...
Category
2010s Impressionist Etching Landscape Prints
Materials
Etching
$200 Sale Price
20% Off
Old Corner, Rouen
Located in Middletown, NY
Etching on cream wove paper, 6 x 4 inches (153 x 102 mm), full margins. Signed in pencil, lower margin. From the edition of 150, printed by Frederick Reynolds.
[Fletcher 163]
This ...
Category
Early 20th Century American Modern Etching Landscape Prints
Materials
Handmade Paper, Etching
Caught on a Breeze #1 – Green
Located in Deddington, GB
Caught on a Breeze #1 – Green by Charlie Davies [2021]
limited_edition
Soft ground etching
Edition number 100
Image size: H:22 cm x W:30 cm
Complete Size of Unframed Work: H:36 cm x...
Category
21st Century and Contemporary Contemporary Etching Landscape Prints
Materials
Paper, Etching
Cavendish Church
Located in Middletown, NY
Etching on bluish-grey, thin laid paper, 9 1/2 x 5 1/2 inches (242 x 140 mm), full margins. Signed, dated and numbered "II." In very good condition with three pin-point sized dots of...
Category
Mid-20th Century American Modern Etching Landscape Prints
Materials
Handmade Paper, Laid Paper, Etching
Eglise Notre Dame, Les Andelys
Located in Middletown, NY
Etching and drypoint on greenish cream wove paper, 3 1/4 x 1 15/16 inches (81 x 48 mm), full margins. Signed, dated, and inscribed "III" in pencil. Number 46 from the French Churche...
Category
Mid-20th Century American Modern Etching Landscape Prints
Materials
Handmade Paper, Etching
Stranger in England, St. Lawrence, West Wycombe, Buckinghamshire
Located in Middletown, NY
Etching on cream wove paper, 5 9/16 x 2 3/4 inches (142 x 70 mm), full margins. Signed, titled, numbered "III," and inscribed in pencil by the artist in the lower margin, recto. In v...
Category
Mid-20th Century American Modern Etching Landscape Prints
Materials
Handmade Paper, Etching
Stokesay Castle
Located in Middletown, NY
The Minature Print Society of Kansas City, Mo. , 1942.
Etching on cream colored Japon wove paper, 2 1/4 x 2 15/16 inches (58 x 75 mm), full margins. Signed, dated and inscribed "II"...
Category
Mid-20th Century American Modern Etching Landscape Prints
Materials
Handmade Paper, Etching
The Church of St. Francis and the Natizone; Cividale
Located in Middletown, NY
1931. Etching on antique laid Japon paper, 10 x 14 13/16 inches (254 x 377 mm), full margins. Signed in pencil and inscribed "Ed. 100" (from a total edition of 128). Third state (of ...
Category
Mid-20th Century American Modern Etching Landscape Prints
Materials
Handmade Paper, Laid Paper, Etching
The Kirekin in Shropshire, sepia aquatint, Charles Dibdin, 1801
Located in Melbourne, Victoria
From Dibdin's 'Observations on a tour'. Charles Dibdin the elder was a famed singer, songwriter, and actor who spent a significant amount of time touring the countryside. During this...
Category
Early 19th Century Naturalistic Etching Landscape Prints
Materials
Aquatint
Gresham College
Located in Middletown, NY
Etching with engraving on cream laid paper with a Garden of Holland or Maid of Dort Pro Patria watermark, 11 x 14 1/4 inches (278 x 361 mm), thread margins. Lettered with the title in a cartouche at the top-center sheet, continuing "a Latere Occidentali Prospeus AD MDCCXXXIX," with numbers over the image at right that correspond to a key 1 to 29, and with publication details: "Georgius Vertue Londini delineavit et Sculpsit anno MDCCXXXIX". Multiple expert repairs, notably a Y-shaped, expert paper tape repair on the verso. Handling creases, toning. All issues are consistent with age. An impression of this work may be viewed in the permanent collection of the British Museum, registration No. 1880,1113.3963.
A bird's eye view of the college in Broad Street, London, showing the courtyard, adjoining stable yard to the right, and the buildings at the back.
This work was included in Frederick Crace...
Category
Early 18th Century English School Etching Landscape Prints
Materials
Handmade Paper, Engraving, Etching
Twickenham Church
Located in Middletown, NY
A luminous first state impression, Hamerton's "Portfolio" edition. Etching and drypoint on cream wove paper, 7 3/16 x 9 15/16 inches (135 x 213 mm), wide margins. First state (of 5)...
Category
Mid-19th Century Realist Etching Landscape Prints
Materials
Drypoint, Etching
Rodez; The Tower of Notre Dame
Located in Middletown, NY
Etching on antique wove Catalunya-Spain watermarked paper, 12 x 5 inches (305 x 127 mm), full margins. Signed and dated in pencil, lower margin. In excellent condition with light ton...
Category
Mid-20th Century American Modern Etching Landscape Prints
Materials
Handmade Paper, Etching
The Pavilion de Mademoiselle and Part of the Louvre
Located in Middletown, NY
A fine and early state impression from an almost unparralled 19th century Parisian collection curated by Loys Delteil.
Etching, drypoint, and roulette on buff laid Japon paper, 5 7/16 x 9 13/16 inches (137 × 249 mm) full margins. In very good condition with light and unobtrusive scattered foxing. Some pencil inscriptions in the margins, recto, as well as the Alfred Beurdeley collection stamp (Lugt 421) in black ink in the lower left margin on the recto. There are some light scattered inscriptions in pencil on the verso, as well as a numerical stamp in blue ink, which we believe is the lot number from part III of a well-known series of sales of Beurdeley's collection organized by Loys Delteil. This portion of the sale of Beurdeley's massive collection focused on Modern Prints, and took place on May 19 – 20, 1920, in Paris. In regard to the content of the sale, Fritz Lugt states "Meryon's work included all the beautiful pieces about Paris." A rich and tonal impression.
[Delteil & Wright 9; Schneiderman 12].
A note on the provenance:
Alfred Beurdeley (1847-1919) was the son of one of the first antique dealers in Paris...
Category
Mid-19th Century French School Etching Landscape Prints
Materials
Handmade Paper, Laid Paper, Etching
Saint Catherine
s Belfry, Honfleur
Located in Middletown, NY
Etching on elaborately watermarked, antique, cream laid Dard Hunter paper, 13 5/8 x 7 1/78 inches (347 x 181 mm), full margins. Signed, titled, dated and inscribed "Ed. 100 II." From...
Category
Mid-20th Century American Modern Etching Landscape Prints
Materials
Handmade Paper, Laid Paper, Etching
Le Val Clemence; Clémence Valley
Located in Middletown, NY
Etching on watermarked Aqua-Fortistes cream laid paper, 7 x 12 7/8 inches (177 x 327 mm), full margins. Condition issues include minor uniform toning (worse at the sheet edges), hand...
Category
Mid-19th Century French School Etching Landscape Prints
Materials
Laid Paper, Etching
Environs de Rix (Ain)
Located in Middletown, NY
Paris: Cadart, 1865.
Etching on buff wove paper, 3 1/2 x 7 inches (88 x 177 mm), full margins. In good condition with some light toning and several minor spots of light discoloratio...
Category
Mid-19th Century French School Etching Landscape Prints
Materials
Etching
"The Secret Life of Plants VE 2/8" Intaglio, hand colored, house, leaves
Located in Philadelphia, PA
This piece titled "The Secret Life of Plants VE 2/8" is a variable edition piece by Kate VanVliet and is made from Intaglio with soft ground on Rives BFK. This piece is an edition of...
Category
21st Century and Contemporary Contemporary Etching Landscape Prints
Materials
Archival Paper, Color, Etching, Intaglio
Wish I Was the Moon VE 5/7
Located in Philadelphia, PA
This piece titled "Wish I Was the Moon VE 5/7" is a variable edition piece by Kate VanVliet and is made from Intaglio with soft ground on Rives BFK. This piece is an edition of 7 mea...
Category
21st Century and Contemporary Contemporary Etching Landscape Prints
Materials
Archival Paper, Color, Etching, Intaglio
Fiesole, an Ancient Tower
Located in Middletown, NY
Etching on antique cream laid paper, 7 7/8 x 5 1/8 inches (201 x 130 mm), full margins. Edition of 150. Printed by Federick Reynolds. Signed and dated in pencil, lower right. Arms wa...
Category
Early 20th Century American Modern Etching Landscape Prints
Materials
Handmade Paper, Laid Paper, Etching
Temple of Fortuna Virilis
Located in Middletown, NY
London: J. Taylor, 1820. Etching and aquatint with engraving on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), full margins. Small spots of adhesive residue from a former mount at each edge on the recto. Light ghost impression in the area of the sky. Scattered minor areas of light brown discoloration, with a 3 3/4 inch horizontal edge loss along the lower left sheet edge, outside of the platemark. Colors remain fresh. Plate No. 3 from Wonders: Images of the Ancient World. Likely printed 1828.
A view of the Temple of Hercules Victor...
Category
Early 19th Century English School Etching Landscape Prints
Materials
Handmade Paper, Engraving, Etching, Aquatint
View of Venice - Etching by Alcione Gubellini - Mid-20th Century
Located in Roma, IT
Etching and drypoint realized by Alcione Gubellini in the mid-20th Century.
Edition of 16.
Hand signed and numbered in pencil.
Excellent condition.
Category
Mid-20th Century Modern Etching Landscape Prints
Materials
Etching
Gris, Composition, Du cubisme (after)
By Juan Gris
Located in Southampton, NY
Etching, Engraving on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagn...
Category
1940s Modern Etching Landscape Prints
Materials
Engraving, Etching
$6,716 Sale Price
20% Off
Westminster School, London, signed etching by Mabel Oliver Rae, circa 1920
Located in Melbourne, Victoria
'Westminster School'
Signed and titled by the artist in pencil lower edge. Monogrammed inside the plate lower left corner. Mabel Oliver Rae was an ea...
Category
Early 20th Century Naturalistic Etching Landscape Prints
Materials
Etching
Starfish Etching in Ink on Paper (#8/16)
Located in Soquel, CA
Delightfully detailed starfish at the shore by unknown artist J. Brown (20th Century). A starfish sits atop a rock at the edge of the water. The scene is rendered with great detail, ...
Category
1980s Contemporary Etching Landscape Prints
Materials
Ink, Archival Paper, Etching
Galleria grande di Statue
Located in Fairlawn, OH
Galleria grande di Statue
Etching, 1743
Signed lower left corner of the plate
From: Prima Parte, 1743
Second edition: 1750-1778
Watermark: R 37-39
A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s
Condition: Excellent
Image size: 14 5/8 x 9 3/4 inches
Reference: Robison 2 iii/V
Piranesi In Rome: Prima Parte di Architetture e Prospettive
"Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category
1740s Old Masters Etching Landscape Prints
Materials
Etching
The Ferry Inn, Bodinick, Fowey
Located in Middletown, NY
Etching in black ink on cream laid Japon paper, 9 1/16 × 7 1/16 inches (229 x 178 mm), full margins. With an ink stamp from the collection of E.A. Scollin, M.D., Springfield, IL, an...
Category
Early 20th Century English School Etching Landscape Prints
Materials
Handmade Paper, Laid Paper, Etching
Aspen Trail- Fall, color etching, John Hogan, yellows, gold, landscape forest
Located in Santa Fe, NM
Aspen Trail- Fall, color etching,John Hogan, yellows, gold, landscape forest
hand pulled limited edition color etching
22 x 30 paper size
18 x 24 image size
unframed
edition signed ...
Category
1990s Contemporary Etching Landscape Prints
Materials
Etching
Northern Woods
Located in Palm Springs, CA
Foggy scene in a forest, inspired by landscape near Bellingham, WA. Signed and numbered etching and aquatint, signed, titled and numbered from the edition of 120.
Born in Berkeley, ...
Category
Early 2000s Contemporary Etching Landscape Prints
Materials
Etching, Aquatint
Don Quixote and Sancho Panza Witness the Attack on Rocinante
Located in Middletown, NY
Etching on a large sheet of light cream wove paper, Baron Dominique Vivant Denon (after Jean-Honoré Fragonard); Paris: c 1900; 4 3/4 x 3 1/2 inc...
Category
Early 20th Century French School Etching Landscape Prints
Materials
Handmade Paper, Etching
The Little Putney
Located in New York, NY
James Whistler, The Little Putney, 1879, etching and drypoint, signed with the large butterfly lower right (also with the butterfly in the plate). Glasgow 187, third state (of 3). 12...
Category
Late 19th Century Impressionist Etching Landscape Prints
Materials
Drypoint, Etching
The Nativity - Etching by Gianpaolo Berto - 1976
Located in Roma, IT
The nativity is an artwork realized by Gianpaolo Berto, 1976.
Etching, 60 x 50 cm.
Edition 2/20, Dated 76' in the right margin.
Very good condition.
Gian Paolo Berto was b...
Category
1970s Contemporary Etching Landscape Prints
Materials
Etching
$193 Sale Price
35% Off
Scilla, Landscape - Country and Coast - Etching and Watercolor by G. Omiccioli
Located in Roma, IT
Country and coast: Scilla, Calabria, Italy.
Etching and Watercolour (hand coloured)
Very good conditions.
Category
1970s Contemporary Etching Landscape Prints
Materials
Watercolor, Etching
St Margarets, Isleworth, English Regency country house colour aquatint, 1818
Located in Melbourne, Victoria
'St Margarets (Entrance Front) Seat of the Earl of Cassillis'.
St Margarets was a Regency house in Isleworth, Middlesex.
Published by Rudolf Ackermann ...
Category
Early 19th Century Victorian Etching Landscape Prints
Materials
Engraving, Etching, Aquatint
Composition, Heart of Darkness, Sean Scully
By Sean Scully
Located in Southampton, NY
Etching in colors on vélin de Lana Royal paper. Paper Size: 11.93 x 9.81 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Heart of Darkness, 1992. Publ...
Category
1990s Contemporary Etching Landscape Prints
Materials
Etching
$7,196 Sale Price
20% Off
"La vallee fertile, pres Monte Oliveto Maggiore" original etching
Located in Henderson, NV
Medium: original etching. Catalogue reference: Tabanelli 199. This impression on laid paper was printed in 1906 and published by Gazette des Beaux Arts. Plate size: 4 x 8 1/2 inches ...
Category
Early 1900s Etching Landscape Prints
Materials
Etching
Shipping on the IJ, Amsterdam in the Background.
Located in Middletown, NY
A busy 18th century river scene along Amsterdam's waterfront.
One etching from the series of 10 lively nautical scenes entitled Seascapes. This image depicts six vessels, from left ...
Category
Early 18th Century Etching Landscape Prints
Materials
Laid Paper, Etching
Palazzo dell
Angelo
Located in Middletown, NY
Palazzo dell'Angelo
1931
Etching and drypoint on cream-colored, handmade laid paper with deckle edges, 7 1/4 x 6 3/4 inches (185 x 171 mm), edition of 100, full margins. Signed, dated and numbered "Ed. 100" in pencil, lower margin, second state (of three). Printed by Henry Carling, New York. Extremely minor mat tone and some inky residue in the top right corner, all unobtrusive and well outside of image area. An exquisite impression of this intricate image, with astonishing detail, and all the fine lines printing clearly. The image represents the first print which Arms printed on his own handmade paper. Framed handsomely with archival materials and museum grade glass in a wood gilt frame with a flower and garland motif.
Illustrated: Dorothy Noyes Arms, Hill Towns and Cities of Northern Italy, p. 180; Anderson, American Etchers Abroad 1880-1930; Eric Denker, Reflections & Undercurrents: Ernest Roth and Printmaking in Venice, 1900-1940, p. 116.
[Fletcher 233]
Born in 1887 in Washington DC, John Taylor Arms studied at Princeton University, and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I, Arms served as an officer in the United States Navy, and it was during this time that he turned his focus to printmaking, having published his first etching in 1919. His first subjects were the Brooklyn Bridge, near the Navy Yard, and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on Gothic cathedrals and churches he visited in France and Italy. He used what was available to him, namely sewing needles and a magnifying glass, to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war, Arms enjoyed a successful career as a graphic artist, created a series of etchings of American cities, and published Handbook of Print Making and Print Makers (Macmillan, 1934). He served as President of the Society of American Graphic Artists, and in 1933, was made a full member of the National Academy of Design.
In its most modern incarnation, Palazzo dell'Angelo was constructed in or around 1570. The building, which has a rich and storied history, was erected upon the ruins of an earlier structure which predates the Gothic period. Some remnants of the earliest features of the residence were most certainly still visible when Arms visited, as they are today. Having a background in architecture, there's no question that Arms was moved by the beauty, history and ingenuity represented in the physical structure. One thing specifically gives away Arms's passion for the architecture, and that is the fact that he focused on the building's Moorish entranceway, balustrade, and two mullioned windows, and not on the curious Gothic era bas-relief of an angel nestled into the facade of the building, after which the structure is named. The sculpture itself doesn't appear in Arms's composition at all, despite the fact that it is the feature of the building that is most famous in its folklore. Arms instead focuses on the oldest portion of the architecture, even documenting some of the remnants of a fresco, and a funerary stele for the freedman Tito Mestrio Logismo, and his wife Mestria Sperata (visible above the water level, to the left of the door, behind the gondola), which was first described in 1436.
Among the many notable bits of history regarding the Palazzo, it has been documented that Tintoretto painted frescos of battle scenes on the facade of the building. The paintings have been lost to time and the elements, but not entirely to history. The empty frame...
Category
1930s American Modern Etching Landscape Prints
Materials
Drypoint, Etching
Ancient Roman Fresco - Original Etching by Filippo de Grado - 18th Century
Located in Roma, IT
Ancient Roman Drawing, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Filippo de Grado in the 18th century.
Signed on the plate.
Good con...
Category
18th Century Modern Etching Landscape Prints
Materials
Etching
Rue de Marmousets, Paris; From Picturesque Architecture in Paris, Ghent, ....
Located in Middletown, NY
Aquatint with hand coloring in oil color on smooth wove paper, 10 5/8 x 7 3/8 inches (270 x 187 mm), full margins. Laid down to a support, as issued. Moderate toning and surface soil...
Category
1830s English School Etching Landscape Prints
Materials
Oil, Handmade Paper, Aquatint
Frontispiece with tomb in a rocky landscape.
By Allaert van Everdingen
Located in Middletown, NY
Etching on cream laid paper, 4 7/8 x 6 1/4 inches (123 x 160 mm), full margins. In good condition with some age tone around the sheet edges and an inscription in pencil on the verso.
Category
Early 17th Century Flemish School Etching Landscape Prints
Materials
Laid Paper, Etching
Coutances
Located in Middletown, NY
Etching on thin, bluish-green cream laid paper, 9 1/4 x 4 3/4 inches (233 x 120 mm), full margins. Signed and dated in pencil, lower margin. First and only state. Printed by Frederi...
Category
Early 20th Century American Modern Etching Landscape Prints
Materials
Laid Paper, Etching
Alexander Kachinsky, Uptown, NYC
Located in New York, NY
Russian-born and European-educated Alexander Kachinsky was a designer of stage sets (for the Ballet Russe), furniture, and commercial interiors. His prints are in the collection of t...
Category
Mid-20th Century Ashcan School Etching Landscape Prints
Materials
Etching
Louis Marcoussis, Rimbaud, from XXe siecle, 1939
Located in Southampton, NY
This exquisite burin etching, engraving by Louis Marcoussis (1878–1941), titled Rimbaud, from the album XXe siecle, Chroniques du jour, 13 rue Valette (5e), Directeur G. di San Lazza...
Category
1930s Modern Etching Landscape Prints
Materials
Engraving, Etching
$716 Sale Price
20% Off
Hand colored Etching - Souk a’ Gabes Tunisia
Located in San Francisco, CA
This exceptional hand colored etching and aquatint is by the noted Parisian artist William Adolphe Lambrecht (1876-1940). The print depicts the Souk, or market in Gabes, Tunisia. It ...
Category
1920s Romantic Etching Landscape Prints
Materials
Etching, Aquatint
Bridges of Florence
— Firenze Impressionism
Located in Myrtle Beach, SC
Alonzo C. Webb, 'Bridges of Florence', etching, 1929, edition 100. Signed and titled in pencil. Signed and dated in the plate, lower left. A superb, richly-inked impression, in warm ...
Category
1920s American Impressionist Etching Landscape Prints
Materials
Etching
Les Belles et la Bête: Before the Hunt
By Peter Milton
Located in Middletown, NY
Resist ground etching and engraving on cream wove paper, 22 x 39 inches (558 x 990 mm), full margins. Signed, titled, dated, and numbered 27/160 in pencil, lower margin. With the blindstamp of the printer, Robert E. Townsend, in the lower left margin. A beautiful, richly inked impression of this highly detailed, large image. In very good condition with minor mat tone, extremely minor scattered light surface soiling, and one pin-point sized dot of brown discoloration on the lower left margin, recto, well outside of image area.
[Milton 99].
Milton states that there is a metaphorical evolution at the root of his body of graphic work, and with Les Belles et la Bête, Before the Hunt, he found himself at a crossroads that he viewed as a sort of artistic adolescence, which he felt demanded a natural examination of mysteries of sexual awakening. The image is brimming with fantastical images and metaphors for the confrontation of sexual exploration; a Freudian analyst appears in the left of the image, scattered tableaus of paired figures...
Category
1970s American Modern Etching Landscape Prints
Materials
Archival Paper, Engraving, Etching
Ancient Views of Paris - Etching - 1748
Located in Roma, IT
4 Etchings on paper realized in 1748. Each cm. 17x22.
Very good condition except for some minor foxing.
Includes a wooden frame cm. 27.5x41.5
Category
1740s Modern Etching Landscape Prints
Materials
Etching
Corbel on Gate House, Stokesay Castle, Shropshire
Located in Middletown, NY
Etching on cream laid paper, 3 3/16 x 1 9 1/6 inches (81 x 41 mm), full margins. Signed, dated, and inscribed "II" in pencil, lower margin. From the second state (of 2) before the re...
Category
Mid-20th Century American Modern Etching Landscape Prints
Materials
Handmade Paper, Laid Paper, Etching
Corbel on Gate House, Stokesay Castle, Shropshire Corbel
Located in Middletown, NY
Etching on cream wove paper, 3 3/16 x 1 9/16 inches (81 x 41 mm), full margins. Signed, dated, and inscribed "II" in pencil, lower margin, and with an inscription and dedication in t...
Category
Mid-20th Century American Modern Etching Landscape Prints
Materials
Handmade Paper, Laid Paper, Etching
Notre Dame du Val, Provins / Thibaut
Located in Middletown, NY
Etching on bluish-grey wove paper, 8 5/8 x 5 1/8 inches (221 x 130 mm), full margins. Signed and dated in pencil. In good condition with light mat tone on the recto and various frame...
Category
Mid-20th Century American Modern Etching Landscape Prints
Materials
Handmade Paper, Laid Paper, Etching
French Etching Bridge
Located in Houston, TX
French etching of arched bridge by artist E. Roux-Fabre, circa 1930.
Original artwork on paper displayed on a white mat with a gold border. Mat fits a ...
Category
1930s Etching Landscape Prints
Materials
Etching
La Rue de Change, Tours
Located in Middletown, NY
Etching on antique cream laid paper, 5 x 2 inches (127 x 52 mm), full margins. Signed and dated in pencil lower margin. From the editoin of 156, printed by Frederick Reynolds. In s...
Category
Mid-20th Century American Modern Etching Landscape Prints
Materials
Handmade Paper, Etching
Etching landscape prints for sale on 1stDibs.
Find a wide variety of authentic Etching landscape prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, yellow, orange, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Giuseppe Malandrino, Giuseppe Vasi, Frans Hogenberg, and John Taylor Arms. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Etching landscape prints, so small editions measuring 0.01 inches across are also available