Etching Landscape Prints

"A sua Eccellenza il Signor Henry Hope Cav. Scozzese Amatore delle Belle Arti from "Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, Ed Ornamenti Antichi", (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ancient ornaments) is an etching by Giovanni Battista Piranesi, published in 1778. It depicts stone caryatids...

The Street is a print realized by Maxime Juan in the early 20th century. Signed on the plate Etching on paper Good condition with slight foxing.

Etching and aquatint realized by Edolo Masci. Hand signed and numbered in pencil. Edition of 90. Excellent condition.

Lucian Freud After Constable's "Elm" 2003 Etching on Somerset Textured White paper 18 7/8 x 15 inches; 48 x 38 cm Edition of 46 Initialed and numbered in graphite (lower recto) Frame available upon request Published by Matthew Marks Gallery...

From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image from the story of Rapunzel. Hockney stated: “The old woman who wants the child. In one tr...

Etching realized by Giuseppe Malandrino in the early 1970s. Hand-signed by the artist in pencil on the lower right corner. Edition of 199 Excellent condition.  This artwork repre...

Etching on vélin Johannot d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Paroles peintes I, 1962. Published by Éditions O. La...

La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...

Jesse F. Reed, 'Church at Chichicastenango', color etching and aquatint, 1963. Signed and titled in pencil. Signed and dated in the plate, lower right. A fine, richly-inked impression, with fresh colors, on cream wove paper; the full sheet with margins (1 3/8 to 2 1/2 inches), in excellent condition. Chichicastenango, also known as Santo Tomás Chichicastenango, is a town in the El Quiché department of Guatemala, located in a mountainous region about 140 km northwest of Guatemala City. Chichicastenango is a K'iche' Maya cultural center, with the great majority of the municipality's population indigenous Mayan K'iche. The church depicted is the 400-year-old church Iglesia de Santo Tomás. Built atop a Pre-Columbian temple platform, the steps which remain venerated today, originally led to a temple of the pre-Hispanic Maya civilization. K'iche' Maya priests still use the church for their rituals, burning incense and candles. Each of the 18 stairs that lead up to the church stands for one month of the Maya calendar year. ABOUT THE ARTIST Jesse Floyd Reed (1920-2011) studied art in New York City at the Grand Central School of Art and the Art Students’ League. He held degrees in History and English and completed special advance studies in Asian, African, and Latin American art, history and culture. At the time of his retirement, he was a Professor of the Arts Emeritus at Davis & Elkins College, a position he held for over forty-nine years. A nationally recognized artist since 1947, Professor Reed’s art has been shown in hundreds of museums, libraries, colleges, and universities, including the Boston Museum, National Museum, The Library of Congress, Brooklyn Museum, and Seattle Museum. In his native West Virginia, he is represented in the permanent collections of the Huntington Museum and the Charleston Museum at Sunrise. The recipient of many national and regional awards, Reed was a member of the Salmagundi Club in NY, the Boston Printmakers, the Print Club of Albany, and was a founding member of the West Virginia Water...

Etching on handmade cream laid paper, 3 1/2 x 4 1/4 inches (890 x 108 mm), full margins. Signed, dated and inscribed "III" in pencil, lower margin. Edition of 150, third state (of th...

Sparire means "to disappear" in Italian. This large-scale, dreamlike print spans almost ten feet. Enzo Cucchi Sparire 1, 1988 Color etching, aquatint and silkscreen 30 1/2 × 118 in ...

The Gothic Spirit (also called A Gargoyle, A Gothic Spirit). 1922. Etching and stipple. Fletcher 120. 11 5/8 x 7 (sheet 15 1/4 x 11 1/4). Gargoyle Series #8. Edition 130. Illustrated...

'Waterfall on Fordingdale beck, at the foot of Hawes Water' Aquatint by William Green, 1804 William Green of Ambleside was a Lake District draughtsman...

A charming scene with romping dogs and spectators watching the cascading water play a trick on an unsuspecting man who is sprayed as he descends the steps, ...

Etching with drypoint and aquatint on light cream wove paper, 5 1/2 x 5 inches (140 x 122 mm), full margins. Signed in pencil in the lower margin. One of a total of 400 signed impres...

Signed, titled and numbered by the artist. A view of ocotillo cactus, based on a view near Clark Dry Lake, Anza Borrego Desert State Park, California. Born in Berkeley, California,...

Sparire means "to disappear" in Italian. This large-scale, dreamlike print spans almost ten feet. Enzo Cucchi Sparire II, 1988 Color etching, aquatint and silkscreen 30 1/2 × 118 in...

Port Glasgow is an etching realized in 1845 by W. H. Bartlett. Signed on the plate. Titled on the lower center, from the series of "Ports of Great Britain". Good conditions with...

The Biggest of All; Telephone and Telegraph Building. 1925. Etching. Wuerth 853. 9 7/8 x 11 7/8 (sheet 11 1/2 x 17 1/8). Edition probably 35. An atmospheric impression with plate tone, printed on antique laid paper...

JOHN TAYLOR ARMS (1887 – 1953) LIGHT AND SHADE TAXCO, 1946 (F. 394: (#2 from the Mexican series.) Etching and aquatint signed and dated in pencil. Image 10 ½ x 13 5/8, sheet 14 1/...

A beautiful and delicate 19th century image of one of New England's most storied ports. Boston: Estes & Lauriat Editions, 1882 Etching on cream laid paper, 2 3/4 x 5 1/4 inches (68 ...

Rene LIGERON Atlantic : Regatta of Sailboats Original etching and stencil Printed signature in the plate (pale) On vellum 11 x 29 cm (c. 4.5 x 12 in) Excellent condition

This artwork titled "Un Longue Apres Midi" 1984 is an original color etching with aquatint on Arches paper by French artist Jean Solombre, 1948-2005. It ...

Landscape #4 is a beautiful original etching realized by Camille Corot in the middle of XIX Century. Image Dimensions: 18.5 x 25.5 cm Very good conditions. Includes passepartout....

Etching and aquatint in colours on wove paper Edition 73 of 250 + 30 AP's 73.7 x 106 cm (29 x 41.7 in) Excellent. Only visible on the reverse of the print under studio lighting, mino...

Utrecht: Herman van Swanevelt, c1650. Etching on cream laid paper, 6 3/4 x 10 3/4 (172 x 273 mm); sheet 7 1/4 x 11 inches (185 x 280 mm), margins. In good condition with some minor s...

A set of nine prints. The Moon has had an importance in human culture since the dawn of history and likely before. Often revered as a feminine deit...

Etching with drypoint in brownish black ink on cream wove paper, 6 1/8 x 10 inches (155 x 255 mm), full margins with a deckle edge. Signed in pencil, lower right margin, and titled (...

This exquisite etching by Marc Chagall (1887–1985), titled Le traktir (The Inn), originates from the celebrated folio Nicolas Gogol, Les Ames mortes, Eaux-fortes originales de Marc C...

This exquisite etching by Marc Chagall (1887–1985), titled L'arrivee de Tchitchikov (The Arrival of Tchitchikov), originates from the celebrated folio Nicolas Gogol, Les Ames mortes,...

1931. Etching on antique laid Japon paper, 10 x 14 13/16 inches (254 x 377 mm), full margins. Signed in pencil and inscribed "Ed. 100" (from a total edition of 128). Third state (of ...

"Le Bouvier (The Cowherd)" is an original etching by Claude Lorrain. It depicts a shepherd with a herd of cows. This etching is also in the collections of the Met and the Louvre. It ...

This is series of original etchings with exquisite details to make viewing it a real pleasure as one discovers details every time one looks at the piece. This piece is an artist pro...

Signed in pencil by the artist lower right. William Walcot was born in Russia and moved to London in 1907. He trained and practiced as an architect before devoting himself to archite...

Anton Schutz, 'Chicago Harbor', etching, edition 100, c. 1927. Signed and numbered '87/100' in pencil. Annotated '580 Chicago Harbor', in another hand, in the bottom left margin. A f...

Etching and drypoint on antique cream laid paper, 12 3/8 x 6 9/16 inches (315 x 167 mm), full margins. Signed, dated, and inscribed "Edition 100" in pencil, lower margin. In very goo...

Artist: Salvador Dali (Spanish, 1904-1989) Title: "Dieu, Le Temps, L'Espace et le Pape (God, Time, Space, and the Pope)" Portfolio: After 50 Years of Surrealism *Signed by Dali in p...

Louise Bourgeois (1911-2010) Landscape with a Mountain Lake Original etching with aquatint Unsigned On vellum 60.5 × 73.5 cm (c. 24 x 29 in) Authenticated with the blind stamp of C...

Medium: Color Etching with aquatint Year: 2024 Edition: 25 Image Size: 24 x 18 inches Signed, titled and numbered in pencil by the artist Dramatic etching of high wire walker Philip...

Original aquatint etching of working river barges on the Seine in Paris, France. A horse drawn cart is seen loading or unloading product. Circa 1900. Si...

Artist proof, printed on contemporary filigree paper, large margins, representing an antique marble vase , whose details are described in the ending note . The piece is dedicated to ...

(New York: John Taylor Arms, 1930) Etching on antique cream laid paper with a fancy "G" watermark, 7 1/8 x 16 1/2 inches (182 x 442 mm), full margins. Signed, dated and inscribed "Ed. 70" in pencil, lower margin. From a total edirion of 81 plus 5 trial proofs. Printed by Henry E. Carling. Number 18 from the Italian Series. A superb impression of this scarce print, with all of the subtleties and details of the reflections in the water printing clearly. [Fletcher 232] [Illustrated: Page 192, Arms, Dorothy Noyes, "Hilltowns and Cities of Northern Italy"]. Along with his constant companion and wife, Dorothy Noyes, Arms spent decades exploring and documenting gothic structures throughout Europe. Noyes, an accomplished travel writer, had gifted Arms an etching set...

Aquatint with hand coloring in watercolor on watermarked, laid Arches paper, 8 1/16 x 5 9/16 inches (206 x 142 mm), full margins. Signed, titled, dated, and numbered 22/40 in pencil,...

In Molvout, François Houtin merges organic vitality with the crumbling geometry of architecture. The composition presents a fantastical form that seems part tree, part tower, entwine...

'St. Mark's Church on the Bowery', aquatint with etching, edition not stated but small, 1932. Signed in pencil. Signed in the plate lower left and titled in the plate lower right. A superb, atmospheric impression, on cream wove paper, with full margins (1 1/8 to 2 inches), in excellent condition. Matted to museum standards, unframed. Image size 9 3/4 x 7 3/8 inches (248 x 187 mm); sheet size 13 1/8 x 10 inches (333 x 254 mm). Impressions of this work are held in the collections of the Princeton University Art Museum and the Five College Museums. ABOUT THE ARTIST Born in Vienna, Leon Dolice left a secure position in the family business to pursue his artistic interests. He began his art education in his teens and early twenties when he traveled through Europe to study the works of the Old Masters. He immigrated to America in 1920 and made his home in Manhattan. As a printmaker, he chose as his subjects the architecture, back streets, dock scenes, and other aspects of New York City life that were being overtaken by the modern world. In 1950, learning of the coming demolition of the Third Avenue El, Dolice created a series of Third Avenue and other New York City landmarks that were threatened with extinction. His images from that period provide a record of a New York that has passed into history. During his lifetime, Dolice exhibited throughout Europe and the United States. Retrospectives of his work include a one-man show of his graphic work at Tribeca Gallery, New York; the traveling exhibition ‘Vintage New York’ with the New Rochelle Council on the Arts; and the Hofstra Museum, Hempstead. Dolice's works are in the permanent collections of the Museum of the City of New York, the National Gallery of Art, the New York Historical Society, Georgetown University, the Philadelphia Print Club, and the New York Public Library, as well as private and corporate collections. ABOUT ST. MARKS CHURCH St. Mark's Church in-the-Bowery is a parish of the Episcopal Church located at 131 East 10th Street, at the intersection of Stuyvesant Street and Second Avenue in the East Village neighborhood of Manhattan in New York City. The property has been the site of continuous Christian worship since the mid-17th century, making it New York City's oldest site of continuous religious practice. The structure is the second-oldest church building in Manhattan. In 1651, Petrus Stuyvesant, Director General of New Netherland, purchased land for a bowery or farm from the Dutch West India Company and, by 1660, built a family chapel at the present-day site of St. Mark's Church. Stuyvesant died in 1672 and was interred in a vault under the chapel. Stuyvesant's great-grandson, Petrus "Peter" Stuyvesant, sold the chapel property to the Episcopal Church for $1 in 1793, stipulating that a new chapel be erected to serve Bowery Village, the community which had coalesced around the Stuyvesant family chapel. In 1795, the cornerstone of the present-day St. Mark's Church was laid, and the fieldstone Georgian-style church, built by the architect and mason John McComb Jr., was completed and consecrated on May 9, 1799.[4] Alexander Hamilton provided legal aid in incorporating St. Mark's Church as the first Episcopal parish independent of Trinity Church in New York City. By 1807, the church had as many as two hundred worshipers at its summer services, with 70 during the winter. While the 19th century saw St. Mark's Church grow through its many construction projects, the 20th century was marked by community service and cultural expansion. Today, the rectory houses the Neighborhood Preservation Center, the Greenwich Village Society for Historic Preservation, and the Historic Districts Council, as well as other preservation and community organizations such as the Poetry Project, the Millennium Film Workshop, and the Danspace Project. St Mark's has supported an active artistic community since the 19th century. In 1919, poet Kahlil Gibran was appointed a member of the St. Mark's Arts Committee, and the next year, the two prominent Indian statues, "Aspiration" and "Inspiration" by sculptor Solon Borglum...

Image dimensions: 21 x 27 cm. Liber Veritatis - Plate 162 is a beautiful black and white etching and aquatint on paper realized by the Italian artist Ludovico Caracciolo, after Clau...

Limited Edition , 5 of 15, etching from this very collected Scottish artist. Signed. Excellent condition Image 9" x 7.5" Ian Laurie was born in 1933 and is a self taught artist who...

Spanish artist Salvador Dali is considered to be the father of Surrealism, renowned for his technical skill and unique style. This etching features a city landscape with fountains, c...

Paris: Gazette de Beaux Arts, 1907. Etching with aquatint on cream wove paper, 8 7/8 x 11 1/2 inches (225 x 292 mm), narrow lefthand margin, with a full margin with a deckle edge on ...

Gene Kloss: 1903-1996. Well listed and very important female American artist. She has Auction results up to $34,000 for an etching. She was born in Oakland California and died in Taos New Mexico, where she did a lot of her work. This fabulous etching is titled hunters in the snow...

One of a series of classically beautiful renderings of flowers by Franco-Iranian artist Marjan Seyedin. Marjan has a contemporary and poetic reinterpr...

Anton Schutz, 'White House', etching, edition not stated, c. 1928. Signed in pencil. A fine, richly-inked impression, with skillfully-controlled plate tone, on cream wove Japan paper; the full sheet with margins (1 to 2 1/8 inches), in excellent condition. Matted to museum standards, unframed. Image size 8 7/8 x 11 7/8 inches; sheet size 11 1/4 x 15 3/8 inches. ABOUT THE ARTIST Etcher, painter, and architect Anton Schutz was born in Germany in 1894. He studied at the University of Munich, earning a double degree in mechanical engineering...

Lower Manhattan and the Seaport as the artist imagined it would have appeared before 1835. New York: 1907. Etching with drypoint on Japon paper, 13 7/8 x 9 3/4 inches (353 x 248 mm...

Medium: original etching. A nice impression on cream laid paper, published for the American Art Review in 1880; the American Art Review was a lavishly produced revue featuring origin...

In "Destinations", Frederick Mershimer creates an image of taxis rushing by the Fuller Building, better known as Flatiron Building. The building is only six feet wide at its rounded...

This is an exclusive handprinted limited edition cyanotype. "Blustery Clouds" is an cyanotype of the semi-abstract patterns of clouds in the sky after a storm. Details: + Title: Blu...

Washington At Pohick Church - 1932 Etching On Paper 1932 black and white etching depicting George Washington at Pohick Church by Ernest David Roth (German, 1879-1964). George Washin...

This artwork "l'Entree du Port, Netherland" c. 1930 is an original color aquatint on wove paper by French/Armenian artist Heran Chaban, 1887-1939. It is h...

Percival Gaskell, 'Sunset - Ardgour", aquatint, edition not stated, c. 1920. A superb, atmospheric impression, in brown/black ink, on cream wove paper; the full sheet with margins (2 to 3 inches), in excellent condition. Signed, titled, and numbered '2' in pencil. Matted to museum standards, unframed. Ardgour is a district of Lochaber on Ardnamurchan peninsula on the western shore of Loch Linnhe...

Lauro produced a series of engravings of the ancient monuments of Classical Rome with detailed descriptions in Latin below. 180mm by 240mm (plate mark)...