Lithograph Landscape Prints

This exquisite lithograph by Willem de Kooning (1904–1997), titled Untitled, from the folio Poems, originates from the 1988 edition published by The Limited Editions Club, New York, ...

Original horizontal “Resilio Scotchspun” vintage fashion poster. Archival linen backed and presents in excellent condition. “A Bonnie Heila...

This exquisite lithograph after Pierre-Auguste Renoir (1841–1919), titled L’Enfant au biscuit (Child with a Biscuit), from the album Les Lithographies de Renoir (The Lithographs of R...

This exquisite lithograph after Marc Chagall (1887–1985), titled Tribe of Gad, from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition published by Andre...

This exquisite heliogravure after Georges Rouault (1871–1958), titled De Profundis (Out of the Depths), from the album Georges Rouault, Stella Vespertina (Evening Star), originates f...

This exquisite heliogravure after Georges Rouault (1871–1958), titled Pastorale Chretienne (Christian Pastoral), from the album Georges Rouault, Stella Vespertina (Evening Star), ori...

This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Grun (Green), from the folio Derriere le miroir, No. 101–103, originates from the 1957 edition published by Maeg...

This exquisite lithograph by Fernand Leger (1881–1955), titled L’Eau (Water), from Verve, Revue Artistique et Litteraire, Vol. I, No. 1, originates from the 1937 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1937. This vibrant composition embodies Leger’s fascination with the elemental forces of nature reinterpreted through the lens of modernity. L’Eau reflects his ongoing exploration of the harmony between mechanical precision and organic movement, transforming the natural motif of flowing water into an abstract symphony of curves, color, and rhythm. Through its interplay of form and line, the work reveals Leger’s mastery of balance and visual dynamism—an artistic celebration of motion and modern life. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches (35.56 x 26.67 cm). Signed in the plate and unnumbered as issued. The edition reflects the superior craftsmanship of the Mourlot Freres atelier, celebrated for its collaborations with the leading modern artists of the 20th century. Artwork Details: Artist: Fernand Leger (1881–1955) Title: L’Eau (Water), from Verve, Revue Artistique et Litteraire, Vol. I, No. 1, 1937 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches (35.56 x 26.67 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1937 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From Verve, Revue Artistique et Litteraire, Vol. I, No. 1, published by Editions de la revue Verve, Paris, 1937 About the Publication: Verve, Revue Artistique et Litteraire was one of the most influential art periodicals of the 20th century, founded in Paris in 1937 by the visionary Greek-born publisher Teriade (Stratis Eleftheriades). Designed as a meeting point of art, poetry, and philosophy, Verve united the era’s greatest modern artists—including Henri Matisse, Pablo Picasso, Marc Chagall, Georges Braque, Joan Miro, and Fernand Leger—with leading intellectuals such as Paul Eluard and Albert Camus. Printed by the master lithographers Mourlot Freres, each issue was a masterpiece of craftsmanship, presenting original lithographs alongside literary works in a richly designed format. The inaugural issue, Vol. I, No. 1, published in 1937, marked a defining moment in the history of modern art publishing—introducing the vision of Verve as a beacon of artistic collaboration and aesthetic excellence that would shape the visual culture of the 20th century. About the Artist: Fernand Leger (1881–1955) was a visionary French painter, sculptor, designer, and filmmaker whose groundbreaking fusion of modern industry, vivid color, and geometric form transformed the course of 20th-century art. Born in Argentan, Normandy, Leger began as an architectural draftsman before studying at the Academie Julian and the Ecole des Beaux-Arts in Paris, where he absorbed the lessons of Paul Cezanne’s structural rigor and the revolutionary ideas of Cubism. Alongside Pablo Picasso and Georges Braque, he became one of the leading innovators of the avant-garde, yet his work stood apart through its embrace of mechanical rhythm, bold contrasts, and industrial modernity—earning him the title “the painter of the machine age.” His art celebrated the beauty of technology, urban life, and the human form rendered in dynamic, interlocking cylinders and planes, evoking the pulse of the modern world. Immersed in the vibrant Parisian art scene, Leger worked in dialogue with peers and contemporaries such as Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, all of whom shared his commitment to innovation and the reimagining of artistic expression. Beyond painting, Leger’s creative reach extended into film, design, and monumental public art—his 1924 collaboration on Ballet Mecanique with Dudley Murphy and Man Ray remains a landmark of avant-garde cinema. His later works evolved toward greater clarity and monumentality, celebrating the unity of form, color, and humanity through large-scale murals and mosaics that bridged fine art and architecture. Leger’s synthesis of Cubism, Futurism, and abstraction paved the way for movements such as Pop Art and influenced generations of artists including Roy Lichtenstein, Ellsworth Kelly, Robert Indiana, and Alexander Calder, who admired his fusion of structure, energy, and optimism. Today, his works are prized by major museums and collectors worldwide for their bold visual power and enduring modernity. His highest auction record was achieved by La femme en rouge et vert (1914), which sold for $39,241,000 at Sotheby’s, New York, on May 7, 2008. Fernand Leger L’Eau, Leger Verve, Leger Mourlot...

Firmada a lápiz por el artista en la parte inferior y con tiraje 1/250 En buen estado de conservación Sin enmarcar Medidas: 49 cm x 58 cm.

This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Sans Titre (Untitled), originates from the 1960 folio Derriere le Miroir, No. 119, Poetes, peintres, sculpteurs (Poets, Painters, Sculptors), published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris. This plate pays homage to the artist’s groundbreaking geometric abstraction and his profound influence on postwar modernism. Through precise form and rhythmic structure, Sans Titre captures the musicality and spiritual dynamism that defined Kandinsky’s mature visual language, balancing intuitive movement with mathematical harmony. Executed on velin paper, this lithograph measures 15 x 11 inches (38.1 x 27.9 cm), as issued. Signed in the plate and unnumbered, as issued. The edition reflects the exceptional quality and craftsmanship of the Maeght and Mourlot collaborations, honoring Kandinsky’s legacy in fine art printing. Artwork Details: Artist: After Wassily Kandinsky (1866–1944) Title: Sans Titre (Untitled), from Derriere le Miroir, No. 119, Poetes, peintres, sculpteurs (Poets, Painters, Sculptors), 1960 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.9 cm), as issued Inscription: Signed in the plate and unnumbered, as issued Date: 1960 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1960 folio Derriere le Miroir, No. 119, Poetes, peintres, sculpteurs (Poets, Painters, Sculptors), published by Maeght Editeur, Paris About the Publication: Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists' stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Paul Rebeyrolle, Claude Garache, Antoni Tapies, Bram van Velde, Pierre Alechinsky, Pol Bury, Shusaku Arakawa, and Gerard Titus-Carmel. Printed in the ateliers of Mourlot, Arte, and Imprimerie Moderne du Lion, the periodical set new standards for quality in color lithography, combining fine art printing with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroir's enduring place in the history of modern art and fine art publishing. About the Artist: Wassily Kandinsky (1866–1944) was a Russian-born painter, theorist, and pioneer of abstract art whose revolutionary vision transformed 20th-century modernism. Regarded as one of the first artists to create purely nonobjective paintings, Kandinsky sought to express inner emotion and spirituality through color, rhythm, and form, believing that art could evoke the same universal harmony as music. His groundbreaking theories on abstraction and the “spiritual in art” shaped the foundation of modern aesthetics and influenced generations of artists worldwide. Closely associated with the Bauhaus movement, he developed a dynamic visual language that combined geometry and lyricism, bridging intuition and intellect. Kandinsky’s legacy resonates alongside the innovations of Pablo Picasso, Henri Matisse, Alexander Calder, Georges Braque, Marc Chagall, Alberto Giacometti, Salvador Dali, Joan Miro, Marcel Duchamp, and Man Ray—artists who, like him, redefined the possibilities of modern art. His works are represented in the world’s leading museums, including MoMA, the Guggenheim, the Centre Pompidou, and the Tate, and remain among the most coveted by collectors globally. The highest price ever paid for a Wassily Kandinsky artwork is approximately $45.6 million USD, achieved in 2017 at Christie’s London for Bild mit weissen Linien (Painting with White Lines) (1913). Wassily Kandinsky Sans Titre, Kandinsky Derriere le Miroir, Kandinsky Maeght Editeur Paris, Kandinsky Mourlot Freres, Kandinsky 1960 edition, Kandinsky lithograph...

This exquisite lithograph and pochoir by Jean Fautrier (1898–1964), titled Annabelle nue (Annabelle Nude), from the album XXe siecle, Nouvelle serie No. 9, Juin 1957, originates from...

This exquisite lithograph by Keith Haring (1958–1990), titled Untitled, from the album Against All Odds, 20 drawings - Oct. 3, 1989 (Against All Odds, 20 drawings - Oct. 3, 1989), or...

This exquisite lithograph by Marino Marini (1901–1980), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie, No. 5 (double), Juin 1955, originates from the 1955 e...

This exquisite lithograph by Pierre Tal-Coat (1905–1985), titled Sans titre (Untitled), originates from the historic 1982 folio Derriere le Miroir, No. 250, Hommage a Aime et Marguer...

Artist - John Lutes (1926-2001) Title - Cay Runner Medium - Lithograph Year Published - 1980 Print Size - 29 x 22 in. Printer - J K Fine Art Editions Co., NY Cay Runner is an original hand drawn, limited edition lithograph, (not a photographically reproduced or digital print) by the American artist John D. Lutes created using traditional hand lithography techniques, proofed and printed in multiple colors on archival Arches paper 100% acid free. Cay Runner depicts a very detailed realistic rendition of a runner boat in still water, a solid light khaki grey sky serving as the backdrop for this quiet marine boat portrait. This is a rare limited edition lithograph by Mr. Lutes not often seen on the marketplace. Cay Runner is in excellent condition, unframed, pencil signed by John Lutes. Print size - 30 x 22 inches, unframed, excellent condition, hand signed in pencil by John Lutes Edition size - 300, plus proofs Year published - 1980 Printer - J K Fine Art Editions Co. NY John D. Lutes, born 1926 in Chicago, died 2001...

Lithograph on cream wove paper, 12 3/4 x 9 1/8 inches (322 x 231 mm), margins trimmed. Some scattered light foxing on the verso, handling creases, and adhesive residue along the top sheet edge, and left sheet edge, verso. Recto is clean. Born in Bordeaux in 1804, Adrien Dauzats...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Les fleurs au pot de grès (Flowers in a Stoneware Vase), from the album Vlaminck, originates from the 1958 edi...

Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...

This is an original John James Audubon hand-colored royal first octavo edition lithograph entitled "Red-cockaded Woodpecker, 1. 2. Male, 3. Female", No. 5...

This exquisite lithograph by Yaacov Agam (born 1928), titled Composition coloree (Color Composition), from the album XXe siecle, Nouvelle serie, XL Annee, No. 51, originates from the...

This exquisite lithograph by Maurice Utrillo (1883–1955), titled a Notre-Dame, La Cite (At Notre-Dame, The City), from the album Paris Capitale (Paris Capital), originates from the 1...

Poster. New York Graphic Society Ltd. Printed in Switzerland. Measures 25.5 x 30.25 inches and is Unframed. Good/Fair Condition-creasing/discoloration primarily in the white border.

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled La Seine a Chatou (The Seine at Chatou), from the album Vlaminck, originates from the 1958 edition published b...

This exquisite lithograph by Maurice de Vlaminck (1876–1958), titled La Potiniere a Rueil (The Potiniere at Rueil), from the album Vlaminck, originates from the 1958 edition publishe...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled La route de Longny (The Road to Longny), from the album Vlaminck, originates from the 1958 edition published b...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Allainville sous la neige (Allainville in the Snow), from the album Vlaminck, originates from the 1958 edition...

Lithograph on vélin d’Arches paper, mounted on vélin d’Arches backing sheet, as issued. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Corres...

This exquisite lithograph by Maurice de Vlaminck (1876–1958), titled Les Challonges (The Challonges), from the album Vlaminck, originates from the 1958 edition published by Andre Sau...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Les Reines-Marguerites (The Daisies), from the album Vlaminck, originates from the 1958 edition published by A...

This artwork titled "Gondolas in the Front of St. Georges at Night" c.1980, is an original colors lithograph on Arches paper by noted French artist Marcel Mouly, 1918-2008. It is han...

Artist: Peter Max (1937) Title: Abstract Figure With Umbrella Year: 2001 Edition: 500/500, plus proofs Medium: Lithograph on archival paper Size: 9 x 11 inches Condition: Excellent I...

Lithograph and stencil on vélin papier a la cuve du moulin richard de bas specialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued....

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Sur la Route de Souville (On the Road to Souville), from the album Fernand Leger, Dessins de Guerre 1915...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Portrait de l'Artiste (Portrait of the Artist), from the album Vlaminck, originates from the 1958 edition publ...

This splendid lithograph Interieur de Geneve. Fontaine de l'Hotel De Ville is part of the series of 20 prints dedicated to views of the city of Geneva, engraved by the Italian artist...

Original Air France - "Italy"; U. S. edition in English. Size 24.5" x 39.5" Professional acid-free archival linen backed, ready to frame. Excellent condition lithograph. The ...

This exquisite lithograph after Henri Matisse (1869–1954), titled Pinceau (Brush), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse), originates from the 1925 editi...

ARLINGTON HOUSE is an original hand drawn limited edition lithograph by Merv Corning printed using traditional hand lithography techniques on archival Arc...

This exquisite lithograph by Fernand Leger (1881–1955), titled La Fleur (The Flower), from the album XXe Siecle, Nouvelle serie N°3 (double) Juin 1952, originates from the 1952 editi...

Lithograph on grand vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, La Liberté des Mers, 1959. Published by Maeght Édite...

Ski Poland! Circa 1960s. Artist: Irv Isaacson. Poster satirizing ski culture in Poland showing an unkept ski instructor skiing down a pass with a toilet plunger and nails throug...

Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, tête edition, Consacré a Steinberg, Derrière le miroir, N° ...

Victoria Club. 1879 and 1887. Lithograph. Way catalog 11 state ii; Levy catalog 22; Tedeschi, Stratis and Spink catalog number 15 state ii. 8 x 5 3/8 (sheet 16 5/8 x 12 1/16). A ri...

Lithograph on grand vélin des Papeteries de Lana paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Au Temps de Paris Seine...

Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...

Adolph Dehn "Golden Gate" Lithograph c.1940 Fine pencil signed lithograph issued by Associated American Artists, New York Edition size 200. Dimensions 1...

Aaron Ashley, Inc. Printed in USA Good/fair condition (creasing and staining in bottom left corner) 37 x 14 in.

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Dix Reproductions, 1933. Published by Editions ...

This exquisite lithograph after Marc Chagall (1887–1985), titled Tribe of Zebulun, from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition published by A...

This is an original John James Audubon hand-colored lithograph entitled "White Weasel Slout, No. 12, Plate LIX" from John James Audubon's Quadrupeds of North America, published in Ph...

This exquisite heliogravure, titled Sans titre (Untitled), after Leonor Fini, from the album Fruits de la passion, trente-deux variations sur un theme de Leonor Fini (Fruits of Passi...

Roman Aqueduct in Segovia is an original lithograph on paper realized by B. Metzeroth in The 19th Century. Signed on the plate on the lower right corner. Original lithograph on paper. Titled on the lower center. Good conditions with minor foxing. An impressive landscape...

Original KLM to the Caribbean midcentury modern vintage travel poster. Archival linen backed in excellent, Grade A condition, ready to frame. Note that the background color is a light blue-grey. Vibrant and clean. Printed by Kuhn & Zoon, Rotterdam. KLM Royal Dutch Airlines. Capture the allure of mid-century travel with this stunning original vintage KLM Royal Dutch Airlines poster titled "To the Caribbean." This poster features vibrant illustrations and bold imagery designed to inspire wanderlust among travelers. The centerpiece is a captivating portrait of a man in a straw hat, symbolizing the culture and warmth of the Caribbean. Surrounding him are colorful depictions of local architecture, lively festivities, tropical plants, and scenic elements—all rendered in an artistic, postwar illustrative style. The poster's overall design and artistic style evoke a sense of adventure, exoticism, and the allure of tropical vacation destinations. The bold text "to the Caribbean" and the prominent KLM logo at the bottom indicate that this was an advertisement for KLM's air travel services to the Caribbean region. This original vintage KLM poster...

Lithograph on vélin papier bouffant des Papeteries de Casteljaloux paper. Paper Size: 11.02 x 8.46 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Sui...

S. Angelo dei Lombardi is an original lithograph on paper realized by Giuseppe Megna. Hand-signed on the lower right and numbered on the lower left in pencil, edition of 187/200 pri...

THE POOL OF BETHESDA- JERUSALEM Subscription and first edition lithographs in stock Full plate: 12 Presented in a acid free mount £1,200 Published by F.G. Moon & Son, London 1842-49. Subscription edition were coloured during production and First edition are modern hand-coloured lithograph, that was printed a few years after the subscription edition David Roberts. We have both Subscription and First Edition lithographs in stock. The subscription edition was printed on a fine paper, hand coloured and then stuck on card. The first edition was printed on a more coarse paper and not coloured by hand. These ones we colour to match the subscription colouring. Each lithograph is sold in mint condition and in an acid free mount. Please do not hesitate to contact us for more information, or if you are looking for another David Roberts lithograph...

This exquisite lithograph and pochoir by Jean Bazaine (1904–2001), titled Paysage (Landscape), from the album XXe Siecle, Nouvelle serie N°11 (double), Noel 1958, originates from the...

This exquisite lithograph by Pierre Alechinsky (born 1927), titled Cartes du Corps (Maps of the Body), originates from the historic 1982 folio Derriere le Miroir, No. 250, Hommage a ...

This exquisite heliogravure after Georges Rouault (1871–1958), titled Coucher de soleil (Sunset), from the album Georges Rouault, Stella Vespertina (Evening Star), originates from th...

Artist: Peter Max (1937) Title: The Profile Year: 2003 Edition: 500/500, plus proofs Medium: Lithograph on Arches paper Size: 11.5 x 9.75 inches Condition: Excellent Inscription: Sig...