Offset Landscape Prints

Original Coca-Cola: Our America Electricity #4, original vintage poster, archival linen backed, mint condition, horizontal, ready to frame. Light, Power...

Nikolaus von Georgi Untitled (Geometric Composition, Vasarely, Op-Art) Color Offset Lithograph Year: 1978 Size: 19.7×23.6 on 23.6×27.6in Edition: 180 Signed, numbered and dated by ...

Vue du Capitole is a print realized after Godefroy Engelmann in the 1970s. Signed on the plate Offset on paper Good condition with slight foxing.

Original vintage travel poster: HOLLAND AMERICA CRUISES. Artist: David Klein. This poster is printed on a thicker paperstock and doesn't require ...

Wolf Kahn Wolf Kahn's America (Hand signed and inscribed), 2003 Hand signed and dedicated hardback monograph with dust jacket Boldly signed in ink with heartfelt personal dedication ...

Ai Weiwei “Forest (1977)”, 2024 Limited edition offset lithograph print Edition of 200 Hand-signed by the artist Published by Damocle Edizioni, Venice, 2024 Each edition comes with...

Original Jest National Miami Beach original travel poster. Archival linen backed in fine condition. National Airlines was a United States airline that operated from 1934 to 1980...

Artist: Christo Title: Allied Chemical Tower, Packed, Project for Number 1, Times Square, New York Portfolio: 1971 (Some) Not Realized Projects Medium: Offset lithograph on Rives BFK...

I Castelli Romani  is a splendid poster realized by Neal Slavin, in 1983, for the exhibition held in Rondanini Gallery in Rome. Offset print, in very good conditions.

Artist: Norman Rockwell (1894-1978) Title: Four Ages of Love: Winter Year: circa 1985 Medium: Offset lithograph on wove paper Edition: A.P. aside from the edition of 350, plus proofs...

Title: God Bless America Year: 2001 Medium: Offset lithograph in colors on gloss archival paper Size: 24 x 18 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as i...

Trionfale Bridge is a vintage offset print realized in the early 20th Century after Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions. Giuseppe Vasi (Corle...

Richard Serra Clara, Clara (Hand Signed by Richard Serra), 1983 Offset Lithograph Poster (Hand signed by Richard Serra) Boldly signed with black marker on the front Frame Included: held in original vintage 1980s frame This is the rare vintage offset lithograph poster of Richard Serra's 1983 work "Clara Clara", exhibited at the Pompidou Center in France in 1983-1984. Very collectible when hand signed by Richard Serra! Accompanied by gallery issued Certificate of Guarantee Measurements: Frame: 27.5 x 37.75 x 1 inch Print: 25.5 x 35.75 inches About Richard Serra: Obsession is what it comes down to. It is difficult to think without obsession, and it is impossible to create something without a foundation that is rigorous, incontrovertible, and, in fact, to some degree repetitive. Repetition is the ritual of obsession. Repetition is a way to jumpstart the indecision of beginning. To persevere and to begin over and over again is to continue the obsession with work. Work comes out of work. In order to work you must already be working. —Richard Serra One of the most significant artists of his generation, he has produced large-scale, site-specific sculptures for architectural, urban, and landscape settings spanning the globe, from Iceland to New Zealand. Born in 1938 in San Francisco, Richard Serra lives and works in New York and on the North Fork of Long Island. Serra attended the University of California, Berkeley before transferring to the University of California, Santa Barbara graduating with a BA in English literature; he then studied painting at Yale University, New Haven, Connecticut completing both a BFA and MFA. He began showing with Leo Castelli in 1968, and his first solo exhibition in New York was held at the Leo Castelli Warehouse the following year. His first solo museum exhibition was held at the Pasadena Art Museum, California, in 1970. Serra’s sculptures and drawings have been celebrated with two retrospectives at the Museum of Modern Art, New York, twenty years apart: Richard Serra/Sculpture (1986) and Richard Serra Sculpture: Forty Years (2007). He has had solo exhibitions at the Stedelijk Museum, Amsterdam (1977–78); Kunsthalle Tübingen, Germany (1978); Staatliche Kunsthalle Baden-Baden, Germany (1978); Museum Boijmans Van Beuningen, Rotterdam, Netherlands (1980, 2014, and 2017); Centre Pompidou, Paris (1983–84); Museum Haus Lange, Krefeld, Germany (1985); Louisiana Museum, Humlebæk, Denmark (1986); Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, Germany (1987); Städtische Galerie im Lenbachhaus, Munich (1987); Stedelijk Van Abbemuseum, Eindhoven, Netherlands (1988); Bonnefantenmuseum, Maastricht, Netherlands (1990); Kunsthaus Zürich (1990); CAPC Musée d’Art Contemporain, Bordeaux, France (1990); Museo Nacional Centro de Arte Reina Sofía, Madrid (1992); Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany (1992); Dia Center for the Arts, New York (1997); Centro de Arte Hélio Oiticica, Rio de Janeiro (1997–98); Trajan’s Market, Rome (1999–2000); Pulitzer Arts Foundation, St. Louis (2003); and Museo Archeologico Nazionale di Napoli, Naples, Italy (2004). In 2005 The Matter of Time (1994–2005), a series of eight large-scale works, was installed permanently at the Guggenheim Museum Bilbao, Spain. For Monumenta 2008, the major site-specific installation Promenade was shown at the Grand Palais, Paris. Three years later the large-scale, site-specific sculpture 7 was permanently installed opposite the Museum of Islamic Art in Doha, Qatar. A major traveling retrospective dedicated to Serra’s drawings was presented at the Metropolitan Museum of Art, New York, San Francisco Museum of Modern Art, and the Menil Collection, Houston (the organizing venue), from 2011 to 2012. In 2014 the Qatar Museums Authority presented a two-venue retrospective survey of Serra’s work, and East-West/West-East (2014) was permanently installed in the Brouq Nature Reserve, Zekreet, Qatar. In 2017 the Museum Wiesbaden, Germany, presented Richard Serra: Props, Films, Early Works; an overview of Serra’s work in film and video was shown at the Kunstmuseum Basel; and recent drawings were featured at the Museum Boijmans Van Beuningen. Serra has participated in numerous major international exhibitions, including Documenta (1972, 1977, 1982, and 1987), and the Biennale di Venezia (1980, 1984, 2001, and 2013), and his work has been included in many Whitney Annuals and Biennials (1968, 1970, 1973, 1977, 1979, 1981, 1995, and 2006). He is the recipient of the Leone d’Oro for lifetime achievement, Biennale di Venezia, Venice (2001); Orden Pour le Mérite...

Title: Four Seasons Series Year: 2000 Medium: Offset lithograph in colors on gloss archival paper Size: 24 x 36 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as...

Artist: Christo Title: Ponte Neuf Empaquette-Long View Medium: Photograph Size: 25 x 38 inches Year: 1985 Publisher: Nouvelles Image Reference #: Schellmann 86 Hand signed by the art...

Sempione Park is an original black and white photograph printed in offset after a photograph of the photographer Gianni Berengo Gardin (1930) of Decembe...

Christopher Wool at Luhring Augustine, (Hand Signed), 2015 Double sided offset lithograph. Hand signed by renowned Minimalist artist Christopher Wool 24 × 19 inches Signed in blue i...

KAWS KAWS at Yorkshire Sculpture Park (Hand Signed), 2016 Offset lithograph poster, uniquely signed and dated by KAWS 33 × 24 inches Signed and dated on the lower front Unframed Han...

John Muench at Joan Whitney Payson Gallery of Art (Signed by John Muench), ca. 1982 Offset lithograph poster (Hand signed by John Muench) Hand-signed by artist, Pencil signed by John...

Terence La Noue New Monuments of Quetzalcoatl, 1976 Lithograph and offset lithograph on wove paper Signed, dated and numbered 1/500 by the artist on the lower right front (although t...

Vue du Colisée, prise de l'intèrieur du Temple de la Paix is a vintage offset print artwork on paper, realized after G. Engelmann (1788-1839), in the 1970s. The artwork is signed on...

Super rare original signed The Gates proposal book for famous art critic: Christo: The Gates Project for Central Park New York City (Hand Signed and Inscribed to art critic Anthony ...

Title: Zero in Love Year: 2000 Medium: Offset lithograph in colors on gloss archival paper Size: 24 x 36 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as issued...

Title: OPSAIL Year: 2000 Medium: Offset lithograph in colors on gloss archival paper Size: 36 x 24 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as issued Notes...

Title: Berlin Love Year: 1993 Medium: Offset lithograph in colors on gloss archival paper Size: 33 x 23.13 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as issu...

Title: Lotta Love Year: 1998 Medium: Offset lithograph in colors on gloss archival paper Size: 36 x 24 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as issued Notes: Published and printed by Via Max, Inc., New York, 1998. Policy: We officially represent the Peter Max Studio (ALP, Inc., New York), and this artwork will be shipped directly from the Studio to the buyer. Per the requirements of the Peter Max family and the Studio (ALP, Inc., New York), this artwork will be dedicated by the Peter Max Studio to the buyer or a person of the buyer’s choosing (first and last name). Excerpted from the Peter Max Archives, Peter Max created this vibrant and sumptuous heart image for the 'Lotta Love' tribute concert in memory of singer Nicolette Larson. The concert benefitted UCLA Children's Hospital with performances by the most celebrated performers of the singer-songwriter era - Carole King, Jimmy Buffett, Joe Walsh, Dan Fogelberg, Jackson Browne, Emmylou Harris, Linda Ronstadt, Crosby, Stills and Nash, Bonnie Raitt...

Title: Earth Day 1995 Year: 1995 Medium: Offset lithograph in colors on gloss archival paper Size: 22 x 20.875 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as ...

The Big Church is an original vintage offset print on ivory-colored paper, realized by Franco Gentilini ( Italian Painter, 1909-1981), in 1970s. The state of preservation of the ar...

Robert Irwin Fold-out PACE Gallery invitation (hand signed by Robert Irwin), 2012 Offset lithograph fold-out invitation (hand signed by Robert Irwin) Boldly signed by Robert Irwin on...

Robert Irwin Being and Circumstance Notes Toward a Conditional Art, 1985 Hardback monograph with dust jacket (hand signed and dated 2015 by Robert Irwin) Boldly signed and dated May...

This artwork "Allagato" c.1970 is an original offset lithograph by Italian artist Luciano Guarnieri, 1930-2009. It is hand signed and numbered V in p...

View of Ripa Grande is a vintage offset print realized in the early 20th Century by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions. Giuseppe Vasi (Corle...

Dennis Oppenheim Directed Seeding -Wheat, Historic Yvon Lambert Gallery Poster (Hand Signed and Addressed by Dennis Oppenheim), 1969 Offset lithograph poster. Hand signed, inscribed. Postmarked and addressed to Oppenheim's dealer, John Gibson 23 × 16 inches Hand Signed and inscribed by Dennis Oppenheim lower right in blue marker in 2006, hand addressed by Dennis Oppenheim in 1969 in red marker Unframed This is an extremely uncommon vintage poster/mailer announcing the May 20th, 1969 opening reception (Vernissage) for the exhibition of works by American conceptual art pioneer Dennis Oppenheim at the Yvon Lambert Gallery in Paris. The poster is historic in that it was originally mailed to John Gibson, the East 67th Street dealer, who famously gave Dennis Oppenheim his first New York exhibition in 1968, and it is hand addressed to Gibson, bearing the original Paris, France postmark of 1969. It is, exceptionally, hand signed and dedicated by Dennis Oppenheim to a collector who acquired the poster from John Gibson's collection, and then secured Dennis Oppenheim's autograph in 2006, making this an especially valuable collectors item. More information about the project from the Tate Gallery archives, which acquired the work: This work brings together two interventions Oppenheim created on a field owned by farmer Albert Waalken in Finsterwolde, north-eastern Holland, in 1969. It comprises four distinct elements mounted on board: a colour photograph of a wheatfield being sowed by a tractor in parallel curving lines seen from high up; a negative image in black and white of a map of the area of Finsterwolde onto which two sections of text have been collaged; and two black and white aerial photographs of the same field being traversed by a tractor cutting an X into the wheat. The first two elements relate to the action Directed Seeding. For this the field was seeded according to a line plotted by following the road from the village of Finsterwolde, the location of the field, to Nieuweschans, another village where the farmer’s storage silo for wheat was located. Oppenheim reduced this curved line by a factor of six in order to direct the trajectory of seeding. The tractor then carved a series of curved parallel lines on the surface of the field as it dug up earth and scattered seed. From an aerial perspective the patterning of parallel lines may be viewed as a form of line drawing on the landscape. The precise location of the field and the silo are indicated on the map, showing the trajectory of the road. The two sections of text collaged onto the upper portion of the map briefly describe the two interventions. Explaining the action Cancelled Crop, the artist wrote: In September the field was harvested in the form of an X. The grain was isolated in its raw state, further processing was withheld. This project poses an interaction upon media during the early stages of processing. Planting and cultivating my own material is like mining ones own pigment (for paint) – I can direct the later stages of development at will. In this case the material is planted and cultivated for the sole purpose of withholding it from a product-oriented system. Isolating this grain from further processing (production of food stuffs) becomes like stopping raw pigment from becoming an illusionistic force on canvas. The esthetic is in the raw material prior to refinement, and since no organization is imposed through refinement, the material’s destiny is bred with its origin. (Quoted from artist’s statement in Tate acquisition file.) Directed Seeding and Cancelled Crop are two separate works, brought together in several different versions of which Tate’s is one. The collage presents three ways in which human action may marks the land. For the first two, agricultural machinery is used to create straight lines, in the process of harvesting as in the X of Cancelled Crop, or curved lines, during the process of planting seed in the contours photographed for Directed Seeding. The map shows a third (and more ancient) way of marking the land, through the construction of roads. The use of the landscape – natural, industrial or urban – as a canvas on which to act is typical of Oppenheim’s work in the late 1960s and early 1970s. In a related action, Directed Harvest, 1966 (Tate T07590) and Directed Harvest 1968 (Kröller-Müller Museum, Otterlo, Netherlands), the artist caused a field to be harvested in linear patterns which he then had photographed in its progressive stages. In Reverse Processing: Cement Transplant, East River, NY, 1970, 1978 (Tate T07591) Oppenheim drew large crosses on the roofs of barges transporting raw cement that he found moored on the New York East River banks. All these works centre on process as an agent of change and utilise materials, elements and locations on which the artist can have no permanent claim, making them deliberately ephemeral. Such actions as seeding a crop and harvesting it several months later operate within time parameters dependent on the cycles of the seasons rather than the will of man, mixing human processes with those of nature. Oppenheim’s analogy between the prevention of a crop from entering the food chain and the halting of the expressive, ‘illusionistic’ force of paint deconstructs the sophisticated processes of art-making and the food industry to the elemental notion of making simple marks on the environment. In this way, the artist highlights contemporary man’s dependency on complex chains...

Vue de Rome Prise des Jardins Farnesiens is a print realized after Godefroy Engelmann in the 1970s. Signed on the plate Offset on paper Good condition with slight foxing.

 The Mountain and the Rose is a Vintage Offset Print by Douglas Prince in 1980. Good conditions.

Artist: After Joan Miro (1893-1983) Title: Untitled (Guggenheim Museum) Year: 1966 Medium: Offset lithograph exhibition poster on premium paper Size: 33.75 x 24 inches Condition: Exc...

Wall with Buildings a superb original offset print, reproducing the original watercolor by Giorgio Morandi. Also the signature in pencil by the artist is perfectly reproduced. From...

Basilica di S.Paolo and Minici Cosinensi Monastery is vintage offset print century realized after Giuseppe Vasi in the early 20th century. Signed and titled on plate lower margin. ...

Artist: Christo Title: The Museum of Modern Art, Wrapped (Rear), Project for New York Portfolio: 1971 (Some) Not Realized Projects Medium: Offset lithograph on Rives BFK and Special ...

Landscape with a Red Spot is a superb original offset print, reproducing the original watercolor by Giorgio Morandi. Also the signature in pencil by the artist is perfectly reproduc...

Roman Castels  is a beautiful offset realized by  Franco Fontana . Good conditions. Colored poster from a photograph by Franco Fontana (Modena, 1933), one of the Italian most famou...

Roman Castels is a beautiful offset realized by Franco Fontana . Good conditions. Colored poster from a photograph by Franco Fontana (Modena, 1933), one of the Italian most famou...

Published By New York Graphic Society, 1940 Printed In USA In Good Condition Measures 25.5 x 32.25 in.

Offset lithograph poster print on paper Edition of Unknown Size Unsigned 11.65 x 16.54 in (29.6 x 42.0 cm) This is an original vintage artist-authorized David Hockney exhibition po...

Roman Castels is a beautiful offset realized by Franco Fontana . Good conditions. Colored poster from a photograph by Franco Fontana (Modena, 1933), one of the Italian most famous...

Presence is a beautiful offset realized after a photograph by Franco Fontana. Good conditions. Franco Fontana (Modena, 1933) is one of the Italian most famous contemporary photogra...

The Mountain and the Rose is a Vintage Offset Print by Douglas Prince in 1980. Good conditions.

Roman Castels is a beautiful offset realized by Franco Fontana . Good conditions. Colored poster from a photograph by Franco Fontana (Modena, 1933), one of the Italian most famou...

Genova - Boccadasse is an original offset on paper realized by A. Barnuvitor. The state of preservation of the artwork is good. Titled on the lower left margin. Hand-signed on the...

View of Castel Sant'Angelo and the Vatican is a vintage offset print realized after Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions. Giuseppe Vasi (Corle...

Variable Memory is original offset print realized by Italian artist Aldo Tagliafferro in 1973. Hand-signed in pencil on the lower right.

Presence is a beautiful offset realized after a photograph by Franco Fontana. Good conditions. Franco Fontana (Modena, 1933) is one of the Italian most famous contemporary photogra...

Sempione Park is an original black and white photograph printed in offset after a a photo of the Italian photographer Gianni Berengo Gardin (1930) of De...

Still Life is an original offset print, reproducing the original watercolor by Giorgio Morandi. Signature and date by the artist is perfectly reproduced on plate. Image Dimensions: ...

Trionfale Bridge is a vintage offset print realized in the Early 20th Century after Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions. Giuseppe Vasi (Corle...

Roman Castels is a beautiful offset realized by Franco Fontana . Good conditions. Colored poster from a photograph by Franco Fontana (Modena, 1933), one of the Italian most famous ...

Artist: After Jim Dine (1935) Title: Hands, exhibition poster Year: 1971 Medium: Lithograph on Arches paper Size: 30.75 x 22 inches Condition: Excellent Inscription: Signed by the ar...

Artist: Norman Rockwell (1894-1978) Title: Four Ages of Love: Autumn Year: circa 1985 Medium: Offset lithograph on wove paper Edition: A.P. aside from the edition of 350, plus proofs...

The Cathedral is a Vintage Offset Print on ivory-colored paper, realized by Franco Gentilini ( Italian Painter, 1909-1981) in the 1970s. The state of preservation of the artwork is ...

View of Rome is a vintage offset print on paper, realized by Godefroy Engelmann in the early 20th Century. In very good condition. The artwork represents the roman landscape " "Cam...