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18th Century and Earlier Landscape Prints

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Period: 18th Century and Earlier
Winter Landscape with a View of Zuylen Castle
Located in Chicago, IL
A fine 1st State impression before the addition of Vischer’s address. etching with engraving after David Vinckboons (Malines 1576-1629 Amsterdam)
Category

18th Century and Earlier Landscape Prints

Materials

Etching

Battle Scene - Original Etching by Christian Johann Rugendas- 18th Century
Located in Roma, IT
Battle scene is an original print, realized in mid-18th. Century by the German artist Christian Johann Rugendas (1708-1781) . Tching and Aquatint on paper. Passpartout included 35x5...
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Modern 18th Century and Earlier Landscape Prints

Materials

Etching

A Hand Colored 18th Century Framed Map of South America by Thomas Jefferys
Located in Alamo, CA
This detailed hand colored map of South America by Thomas Jefferys was published in London in 1750. The map shows countries, early colonial possessions, towns, rivers, mountains, and...
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Other Art Style 18th Century and Earlier Landscape Prints

Materials

Engraving

India Balthazar Solvyns European Buildings Calcutta 18th Century, rare 1st proof
Located in Norfolk, GB
Balthazar Solvyns European Buildings in Calcutta 13.25” x 19” c1796 This is an extremely rare 1st Proof etching from Solvyns first publication, A Collection of Two Hundred and F...
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Other Art Style 18th Century and Earlier Landscape Prints

Materials

Paper, Etching

The Old Tower as a Lighthouse
Located in Chicago, IL
a very fine impression
Category

18th Century and Earlier Landscape Prints

Materials

Etching

Landscape - Etching by Pierre Quentin Chedel - 1755
Located in Roma, IT
Landscape is an etching realized by Pierre Quentin Chedel in 1755. Good conditions. Signed on Plate. The artwork is depicted through confident strokes. The etching was realized f...
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18th Century and Earlier Landscape Prints

Materials

Etching

Butterflies Moths in a Landscape: 18th C. Hand-colored Engraving by M. Harris
Located in Alamo, CA
This is a rare, original first edition hand-colored engraving depicting the natural history of butterflies and moths, which is plate 10 from Moses Harris' publication "The Aurelian: ...
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18th Century and Earlier Landscape Prints

Materials

Engraving

September
Located in Chicago, IL
engraving and etching by A. Collaert after Hans Bol Watermark: Letter P (Briquet 8718, Grevenbroich 1572)
Category

18th Century and Earlier Landscape Prints

Materials

Engraving

The Great Landscapes VI (2nd State)
Located in Chicago, IL
Watermark: Wappen von Amsterdam mit Nebenmarke
Category

Old Masters 18th Century and Earlier Landscape Prints

Materials

Etching

Landscape
By Albert Meyeringh
Located in Chicago, IL
signed in plate
Category

18th Century and Earlier Landscape Prints

Materials

Etching

"A Dance in Otaheite" (Tahiti), Engraving from Captain Cook s 3rd Voyage
Located in Alamo, CA
"A Dance in Otaheite" (Tahiti) is an engraving created by William Sharp (1749-1824), from a drawing by John Webber (1752-1793), who was the artist on Captain James Cook's 3rd and final voyage of discovery. It is a plate in the atlas of "A Voyage to the Pacific Ocean Undertaken by the Command of His Majesty, for Making Discoveries in the Northern Hemisphere", the official British Admirality sanctioned journal published upon completion of the voyage in London in 1784 by Strahan & Cadell. Two women and two men wearing ceremonial costumes, performing a dance outdoors standing on a mat. Three men are playing the drums in the background, in front of a thatched roof building. An audience of men are sitting on both sides of the stage. By the time Webber arrived in Tahiti, 'south sea' imagery had become familiar. Webber gave concentrated attention to dance. He had the opportunity to distinguish the Tahitian dance from the more formalized dancing of Tonga. Whereas they seem to have called to mind the more formal dances of antiquity, the Tahitian dancing aroused memories of peasant and folk dancing. This engraving is professionally framed in Koa wood. Koa wood is legendary in Hawaii. Not only is this amazing wood native to Hawaii, but it is known for the deep rich colors and varied grain pattern. Koa has an honored heritage in Hawaii and is highly revered and sacred. The word “koa” means “warrior” in Hawaiian. The warriors of King Kamehameha the Great, created canoes and weapons from a wood plentiful on the Big Island of Hawaii. This wood became synonymous with the warriors themselves, and it became known as koa. The print is in excellent condition. There are three other engravings listed from the official journal of Captain Cook's 3rd voyage available that are presented in identical Koa wood frames and double mats (LU117324682432, LU117324684052, LU117324684062). They would make a wonderful grouping for a display of 2, 3 or 4 prints. A discount is available for a grouping depending on the number of items included. Hawaii was discovered by Captain Cook during this voyage. Hawaii was originally called The Sandwich Islands in honor of The Earl of Sandwich...
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Realist 18th Century and Earlier Landscape Prints

Materials

Engraving

California: 18th Century Hand-colored Map by de Vaugondy
By Didier Robert de Vaugondy
Located in Alamo, CA
This is an 18th century hand-colored map of the western portions of North America entitled "Carte de la Californie et des Pays Nord-Ouest separés de l'Asie par le détroit d'Anian, ex...
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18th Century and Earlier Landscape Prints

Materials

Engraving

"Katu-Belluren": A 17th Century Botanical Engraving by Hendrik van Rheede
Located in Alamo, CA
This is a 17th century engraving of a vine spinach plant entitled "Katu-Belluren" by Hendrik van Rheede tot Drakenstein, plate 46 from his 'Hortus Indicus M...
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Naturalistic 18th Century and Earlier Landscape Prints

Materials

Engraving

Country Houses - Original Etching by Baron De Thiers - 1760s
Located in Roma, IT
Country Houses is an original etching realized by Baron De Thiers (après Boucher) in the 1760s. The artwork is in good conditions, full margins. Image Dimensions: 16.5x23 cm. Som...
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Old Masters 18th Century and Earlier Landscape Prints

Materials

Etching

View of the Tiber with Country Landscape
By Jan Dirksz Both
Located in Chicago, IL
Etching on paper with Schriftband watermark. Reference: Bartsch 7 III/IV (from VI). A very fine, early impression. Printed with the name of the artist, but before the addition...
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Old Masters 18th Century and Earlier Landscape Prints

Materials

Etching

Roman Fresco With Animals - Etching by Giuseppe Aloja - 18th Century
Located in Roma, IT
Roman Temple and Tower from "Antiquities of Herculaneum" is an etching on paper realized by Giuseppe Aloja in the 18th Century. Signed on the plate. Good conditions. The etching b...
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Modern 18th Century and Earlier Landscape Prints

Materials

Etching

Antique 1765 Wine Country Folding Map of France, Bordeau etc.
Located in Paonia, CO
Route du Carosse de Bordeaux, part de Paris tous les Mardis a 11 matin. a et pafse 1765 is a comprehensive map with two routes through the wine country of France starting in Paris going south...
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Other Art Style 18th Century and Earlier Landscape Prints

Materials

Etching

Group of Four Mezzotint Hunting Plates.
Located in London, GB
4 mezzotint engravings by and after Ridinger (c.55 x 43 cm.) with margins on all sides. [Published: Augsburg, 1750]. A fine group showing 2 male and 2 female hunters along with the ...
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Naturalistic 18th Century and Earlier Landscape Prints

Materials

Handmade Paper, Engraving, Mezzotint

Prague and Egra, Antique Map from "Civitates Orbis Terrarum"
Located in Roma, IT
Braun G. & Hogenberg F., Praga, Egra, from the collection Civitates Orbis Terrarum, Cologne, T. Graminaeus, 1572-1617. Image dimensions: 39.5 x 47.5 cm. Dimensions: 41 x 52.5 cm. Wo...
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18th Century and Earlier Landscape Prints

Materials

Etching

Flowering Prickly Pear Cactus: Framed 18th C. Hand-colored Engraving by Redoute
Located in Alamo, CA
This is a hand-colored stipple engraving entitled "Cactus Opuntia Polyanthos, Cierge Raquette Multiflore" (Prickly Pear Cactus) by Pierre-Joseph Redouté, Plate 59 from his illustrated publication 'Plantarum Historia Succulentarum ou Histoire des Plantes Grasses', published in Paris in 1799. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject. This engraving of a flowering cactus is presented in a double mat; white outer mat and heather green inner mat.The mat measures 20" x 16" and the sheet measures 19.5" x 13.38". There are wide margins with a few short tears and chips along the the right and upper edges, which are all covered by the mat. There are small spots predominantly in the margins, but a few are present in the image area, but the print is otherwise in very good condition. There is another Redoute flowering cactus listed on 1stdibs, LU117326854582. The pair would make an attractive display grouping. Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French...
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Naturalistic 18th Century and Earlier Landscape Prints

Materials

Engraving

Flowering Dragonmouth: 18th Century Hand-colored Weinmann Botanical Engraving
Located in Alamo, CA
An 18th century hand colored botanical engraving by Johann Wilhelm Weinmann (1683-1741) depicting the following flowering sage plants:...
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Naturalistic 18th Century and Earlier Landscape Prints

Materials

Engraving, Mezzotint

Siberia as Explored by Behring: Original 18th Century Hand-colored Map by Bowen
Located in Alamo, CA
This is an original 18th century hand-colored map entitled "An Exact Chart of all the Countries through which Capt. Behring Travelled from Tobolski, Capital of Siberia to the Country...
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Old Masters 18th Century and Earlier Landscape Prints

Materials

Engraving

Le Busard - Etching by Carl Guttenberg - 1771
Located in Roma, IT
Le Busard is an etching realized by Carl Guttenberg in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". P...
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Modern 18th Century and Earlier Landscape Prints

Materials

Etching

Map of Ancient Greece - Original Etching by Antonio Zatta - 1785
Located in Roma, IT
This Map of ancient Greek is an etching realized by Antonio Zatta in Venice in 1785. The state of preservation of the artwork is good expect for the worn paper. Mounted on a cardbo...
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18th Century and Earlier Landscape Prints

Materials

Etching

Set of Two Engravings from Campbell s "Vitruvius Britannicus" /// Architecture
Located in Saint Augustine, FL
Artist: Colen Campbell (Scottish, 1676-1729) Titles: "The Plan of this New Design to the Earl of Islay" (Vol. 1, Plate 53) and "This New Design to the Earl of Islay" (Vol. 1, Plate 5...
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Old Masters 18th Century and Earlier Landscape Prints

Materials

Laid Paper, Engraving, Etching, Intaglio

Monastero e Chiesa di S.Giuseppe - Etching by G. Vasi - 18th century
Located in Roma, IT
Monastero e Chiesa di S.Giuseppe is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions except for som...
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Old Masters 18th Century and Earlier Landscape Prints

Materials

Etching

Venice: An 18th Century Etched View of the Grand Canal Rialto Bridge by Lovisa
Located in Alamo, CA
This is an early 18th century etching of the Grand Canal and Rialto Bridge in Venice entitled "Altra Veduta del Ponte di Rialto" by Domenico Lovisa, f...
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18th Century and Earlier Landscape Prints

Materials

Etching

Europa Regnorum Provinciarum: 18th Century Hand-colored Map of Europe by Lotter
By Tobias Conrad Lotter
Located in Alamo, CA
This is an 18th century hand-colored copperplate engraved map entitled "Europa Regnorum Provinciarum Regionum" created by the German cartographer Tobias Conrad Lotter. It was publish...
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18th Century and Earlier Landscape Prints

Materials

Engraving

View of the Cave known as Bergantino - Etching by G. B. Piranesi - 1762
Located in Roma, IT
View of the Cave known as Bergantino is an etching realized by the italian artist Giovanni Battista Piranesi in 1762. Very precious and rare lifetime impression. Roman edition. C...
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Old Masters 18th Century and Earlier Landscape Prints

Materials

Etching

View of Emden, Germany: A 16th Century Hand-colored Map by Braun Hogenberg
Located in Alamo, CA
This is a 16th century original hand-colored copperplate engraved map of a bird's-eye View of Embden, Germany entitled " Emuda, vulgo Embden vrbs Frisia orientalis primaria" by Georg Braun & Franz Hogenberg, in volume II of their famous city atlas "Civitates Orbis Terrarum", published in Cologne, Germany in 1575. This is a beautifully colored and detailed map of Emden, a seaport in northwestern Germany, along the Ems River and perhaps portions of over Dollart Bay, near the border with the Netherland. The map depicts a bird's-eye view of the city from the southwest, as well as a view of the harbor and an extensive system of canals. Numerous ships of various sizes, as well as two rowboats containing numerous occupants are seen in the main waterway in the foreground and additional boats line two canals in the center of the city. Two men and two women are shown on a hill in the foreground on the right, dressed in the 16th century style of nobility. Two ornate crests are included in each corner. A title strap-work cartouche is in the upper center with the title in Latin. The crest on the right including Engelke up de Muer (The Little Angel on the Wall) was granted by Emperor Maximilian I in 1495. This is an English translation of an excerpt of Braun's description of Embden: "In Emden, the capital of East Frisia, rich merchants live in very fine houses. The city has a broad and well-situated harbour, which in my opinion is unique in Holland. Frisia and the whole of the Netherlands, for the ships can anchor here right under the city walls. They have also extended the harbour as far as the New Town, so that up to 400 ships can now find shelter here when the sea is rough." The emphasis on the harbor and waterways within the city highlights the importance of Emden's place as a seaport at this time. Embden developed from a Dutch/Flemish trading settlement in the 7th-8th centuries into a city as late as late 14th century. In 1494 it was granted staple rights, and in 1536 the harbour was extended. In the mid-16th century Emden's port was thought to have the most ships in Europe. Its population then was about 5,000, rising to 15,000 by the end of the 16th century. The Ems River flowed directly under the city walls, but its course was changed in the 17th century by the construction of a canal. Emden has canals within its city limits, a typical feature of Dutch towns, which also enabled the extension of the harbor. In 1744 Emden was annexed by Prussia and is now part of Germany. It was captured by French forces in 1757 during the Seven Years' War, but recaptured by Anglo-German forces in 1758. During the Napoleonic French era, Emden and the surrounding lands of East Frisia were part of the short-lived Kingdom of Holland. References:Van der Krogt 4, 1230, State 2; Taschen, Braun and Hogenberg...
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Old Masters 18th Century and Earlier Landscape Prints

Materials

Engraving

Fever Nut Plant "Ban Caretti": A 17th Century Engraving by Hendrik van Rheede
Located in Alamo, CA
This is a 17th century engraving of a fever or bonduc nut plant entitled "Ban Caretti" by Hendrik van Rheede tot Drakenstein, plate 20 from his 'Hortus Indi...
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Naturalistic 18th Century and Earlier Landscape Prints

Materials

Engraving

Landscape - Etching - 17th Century
Located in Roma, IT
Landscape is an old master artwork realized by Artist of late 17th Century. Etching on paper. Includes frame 31.8 x 37 cm
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Old Masters 18th Century and Earlier Landscape Prints

Materials

Etching

The Normandy Region of France: A 17th C. Hand-colored Map by Sanson and Jaillot
Located in Alamo, CA
This large hand-colored map entitled "Le Duché et Gouvernement de Normandie divisée en Haute et Basse Normandie en divers Pays; et par evêchez, avec le Gouvernement General du Havre ...
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18th Century and Earlier Landscape Prints

Materials

Engraving

View of Piazzo San Marco in Venice
Located in New York, NY
Engraving of Veduta della Piazza di S. Marco, verso L'Horologio by Pierre van der Aa. Printed in 1722. Unsigned. Unframed. Image size, 11 x 13 5/8 in. Has the original center crease.
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18th Century and Earlier Landscape Prints

Materials

Paper

Venice: 18th Century View of the Grand Canal by Lovisa
Located in Alamo, CA
This is an early 18th century etching of the Grand Canal in Venice entitled "Veduta del Canal Grande dirimpetto la Pescaria di Rialto" by Domenico Lovisa, first published in 1720 in ...
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18th Century and Earlier Landscape Prints

Materials

Etching

West Coast of Africa; Guinea Sierra Leone: Bellin 18th Century Map
Located in Alamo, CA
This is a Jacques Bellin copper-plate map entitled "Partie de la Coste de Guinee Dupuis la Riviere de Sierra Leona Jusquau Cap das Palmas", depicting the coast of Guinea and Sierra L...
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Old Masters 18th Century and Earlier Landscape Prints

Materials

Engraving

The Court of the Fountains in... - Etching by Giambattista Albrizzi - 1745 ca
Located in Roma, IT
Etching realized by Giambattista Albrizzi (1698-1777) for Thomas Salmon's Lo Stato presente di tutti i Paesi e Popoli do Mondo. Regno di Spagna. Includes a contemporary wooden frame...
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Modern 18th Century and Earlier Landscape Prints

Materials

Etching

The Feast, from the suite les Bohemiens
Located in San Francisco, CA
Artist: Jacques Callot (French, 1592-1635) Title: The Feast, from the suite, les Bohemiens Year: 1620 Medium: Etching Paper: Laid paper Size of image: 4.65 x 9.15 inches Signature: S...
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Realist 18th Century and Earlier Landscape Prints

Materials

Etching

Northern Scotland: 17th Century Hand-colored Map by Mercator
Located in Alamo, CA
This is a framed hand-colored 17th century map of Northern Scotland by Gerard Mercator entitled "Scotiae pars Septentrionalis", published in Amsterdam in 1636. It is a highly detailed map of the northern part of Scotland, with the northwest Highlands and the cities Inverness and Aberdeen, as well as the Orkney Islands and the Hebrides. There is a decorative title cartouche in the upper left corner. The map is presented in an antiqued brown wood...
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Other Art Style 18th Century and Earlier Landscape Prints

Materials

Engraving

Countryside - Etching by Pierre-François Laurent - 18th Century
Located in Roma, IT
Countryside is an etching realized by Pierre-François Laurent in 18th Century. Good conditions. Signed on plate. The artwork is depicted through confident strokes.
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Modern 18th Century and Earlier Landscape Prints

Materials

Etching

Collegio De Neofiti - Etching by Giuseppe Vasi - Late 18th Century
Located in Roma, IT
Collegio De Neofiti is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions and aged mar...
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Old Masters 18th Century and Earlier Landscape Prints

Materials

Etching

Cadiz Island: A Framed 17th Century Hand-colored Map from Blaeu s Atlas Major
Located in Alamo, CA
This is a 17th century hand-colored map entitled "Insula Gaditana Isla de Cadiz" from Johannes (Joan) Blaeu's Atlas Maior, published in Amsterdam in 1662. The map provides an excellent plan of Cadiz Island on the southwest coast of Spain, with its harbor, fortifications, agricultural fields and several surrounding salt processing areas. Numerous sailing ships of various sizes are included in and around the harbor and bay, including five large sailing ships, as well as twenty-four smaller ships. There is a small compass rose overlying the bay. The bridge to the mainland from the island is shown on the right. There is an extremely ornate and colorful title cartouche in the lower left, with its mythological figures reminiscent of Raphael’s Galatea fresco at the Villa Farnesina in Rome. The vibrant colors are vividly preserved. The master colorist tried to emulate a painting by using various tones to create a three-dimensional effect.
 Blaeu's name is present in the plate in the lower right. Blaeu stated in his description of Cadiz: “The main wealth of the islanders consists of salt, which they harvest, and
 the tuna fisheries.” 
 This 17th century hand-colored map is framed in an ornate, partially textured bronze-colored wood frame and glazed with UV protected conservation glass. There is a vertical center fold, as issued. There is a faint crease in the lower right and faint color offset on the left from the right side of the map, resulting from having been in an atlas for hundreds of years. Small foci of paint are present in the upper portion of the left margin and in the left corner margin. The map is otherwise in very good condition. Due in large part to their powerful trade empire, the Dutch became known for cartography in the seventeenth century. This period is considered the Golden Age of Dutch cartography. Their publishing houses produced the highest quality work in Europe, particularly those maps and charts of foreign lands, and Dutch map-making set the bar for cartographic accuracy and artistry into the early-eighteenth century. Some of the most well-known cartographers worked in Amsterdam during this period. Perhaps the most famous of these was the Blaeu family. Willem Janszoon Blaeu, set up shop in Amsterdam. His son, Johannes (Joan), succeeded him upon his death in 1638, continuing in his father’s position as Hydrographer to the Dutch East India Company and selling maps to the public. The Blaeu map presses, located near Amsterdam’s Dam Square...
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Old Masters 18th Century and Earlier Landscape Prints

Materials

Engraving

The Inside of a Hippah in New Zealand from Captain Cooks Travels
Located in Paonia, CO
The Inside of a Hippah in New Zealand is from the 1784 First Edition Atlas Accompanying Capt. James Cook and King; Third and Final Voyage of Captain James Cook John...
Category

Realist 18th Century and Earlier Landscape Prints

Materials

Engraving

China: An Original 18th Century Hand-colored Map by E. Bowen
Located in Alamo, CA
This is an original 18th century hand-colored map entitled "A New & Accurate Map of China, Drawn from Surveys made by the Jesuit Missionaries, by order of the Emperor. The whole bein...
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Old Masters 18th Century and Earlier Landscape Prints

Materials

Engraving

Southeastern Ireland: A 17th Century Hand Colored Map by Mercator and Hondius
Located in Alamo, CA
A 17th century copperplate hand-colored map entitled "The Second Table of Ireland, Udrone" by Gerard Mercator and Jodocus Hondius, published in Amsterdam in 1635 in 'Cosmographicall ...
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18th Century and Earlier Landscape Prints

Materials

Engraving

Early 18th Century Globe Terrestre Engraving
By Francois Halma
Located in Soquel, CA
Wonderfully detailed steel engraving of the earth, locations labeled in French: Afrique, Grande Tartarie, La Chine, etc., by By Francois Halma (Dutch, 1653-1722), 1705. Interesting f...
Category

Realist 18th Century and Earlier Landscape Prints

Materials

Paper, Ink

Utrecht, Netherlands: A Large 17th Century Hand-colored Map by Sanson Jaillot
Located in Alamo, CA
This large hand-colored map entitled "La Seigneurie d'Utrecht. Dressé sur les memoires les plus nouveaux par le Sr. Sanson" was originally created by Nicholas Sanson d'Abbeville. Thi...
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18th Century and Earlier Landscape Prints

Materials

Engraving

Fontana dell Acqua Felice - Etching by Giuseppe Vasi - Late 18th Century
Located in Roma, IT
Fontana dell'Acqua Felice is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. The beautiful etching represents a glimpse of Rome. Signed and...
Category

Old Masters 18th Century and Earlier Landscape Prints

Materials

Etching

Portugal: A Large 17th Century Hand-colored Map by Sanson and Jaillot
Located in Alamo, CA
This large hand-colored map entitled "Le Royaume de Portugal et des Algarves Divisee en see Archeveches, Eveches et Territoires Par le Sr Sanson" was originally created by Nicholas S...
Category

18th Century and Earlier Landscape Prints

Materials

Engraving

Southeastern England: A 17th Century Hand-Colored Map by Mercator and Hondius
Located in Alamo, CA
A 17th century copperplate hand-colored map entitled "The Sixt Table of England" by Gerard Mercator and Jodocus Hondius, published in Amsterdam in 1635 in 'Cosmographicall Descriptio...
Category

18th Century and Earlier Landscape Prints

Materials

Engraving

The City of Strasbourg, or Argentin - Etching by Giambattista Albrizzi - 1745 ca
Located in Roma, IT
Etching realized by Giambattista Albrizzi (1698-1777) for Thomas Salmon's Lo Stato presente di tutti i Paesi e Popoli do Mondo. Regno di Spagna. Includes a contemporary wooden frame...
Category

Modern 18th Century and Earlier Landscape Prints

Materials

Etching

The city of Namur, capital of the...- Etching by Giambattista Albrizzi - 1745 ca
Located in Roma, IT
Etching realized by Giambattista Albrizzi (1698-1777) for Thomas Salmon's Lo Stato presente di tutti i Paesi e Popoli do Mondo. Regno di Spagna. Includes a contemporary wooden frame...
Category

Modern 18th Century and Earlier Landscape Prints

Materials

Etching

View of Mechelen - Original Etching by G. Braun and F. Hogenberg - 16th Century
Located in Roma, IT
This Mechelen is an original etching realized by George Braun and Franz Hogenberg, as part of the famous "Civitates Orbis Terrarum". The “Civitates Orbis Terrarum” (Atlas of Cities ...
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Modern 18th Century and Earlier Landscape Prints

Materials

Etching

[Civitates Orbis Terrarum]Map of Cefal - Etching by G. Braun/F. Hogenberg - 1575
Located in Roma, IT
Etching by Georg Braun and Franz Hogenberg, belonging to the "Civitates Orbis Terrarum". Good condition. The first volume of the Civitates Orbis Terrarum was published in Cologne in ...
Category

Contemporary 18th Century and Earlier Landscape Prints

Materials

Etching

Trinity College and John s College, Cambridge engraving by P S Lamborn
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category

18th Century and Earlier Landscape Prints

Materials

Engraving

Hand Colored 18th Century Homann Map of Austria Including Vienna the Danube
Located in Alamo, CA
"Archiducatus Austriae inferioris" is a hand colored map of Austria created by Johann Baptist Homann (1663-1724) and published in Nuremberg, Germany in 1728 shortly after his death. ...
Category

Old Masters 18th Century and Earlier Landscape Prints

Materials

Engraving

L Isle de France: A Hand-colored 17th Century Map by De Wit
Located in Alamo, CA
This colorful and detailed 17th century hand-colored copperplate map by Frederick De Wit was published in Amsterdam between 1666 and 1760. The map depicts the Île-de-France, which is one of the ancient provinces of France. Paris is located in the center of the map, with Versailles to the southwest The map extends from Rouen in the west to Reims in the east. The area around Paris, the Véxin Français, was the original domain of the king of France. Other areas were ruled by French feudal lords. For example, the Véxin Normand area was the domain of the Duke of Normandy...
Category

Old Masters 18th Century and Earlier Landscape Prints

Materials

Engraving

An Icelandic GyrFalcon: An 18th Century Hand-colored Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of an Icelandic Ger Falcon entitled "Gerfault d''Islande" by Francois Nicolas Martinet, plate 210 from 'Histoire Naturelle des Oiseaux' in associatio...
Category

Naturalistic 18th Century and Earlier Landscape Prints

Materials

Engraving

Obelisco Egizio (Egyptian Obelisk) - Etching by G. B. Piranesi
Located in Roma, IT
Obelisco Egizio (The Egyptian Obelisk in the Piazza di S. Giovanni), erected by Pope Sixtus V, is a wonderful black and white etching on fine laid and watermarked paper (with a lily inside a double circle, watermark n. 3 according to Hind) realized by Giovanni Battista Piranesi. Signed on plate on the lower right margin "Piranesi Architetto fec." and with the address and price at lower left. Hind 53, second state of five. A lifetime Roman impression, before the Paris editions. Excellent condition, with central fold, as issued, visible only on the left margin. From one of the most important series of etchings by G.B. Piranesi, Views of Rome drawn and etched by Giambattista Piranesi...
Category

Old Masters 18th Century and Earlier Landscape Prints

Materials

Etching

A Pair of Hand Colored Engravings of an African Lioness and her Cubs and a Rhino
Located in Alamo, CA
A pair of 18th century hand colored copperplate engravings entitled "Felis Leo Linn Femina" and "Rhinoceros Unicornis Linn" from Dr. Johann Schreber's Die Sa...
Category

Naturalistic 18th Century and Earlier Landscape Prints

Materials

Engraving

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