1960s Landscape Prints

Urbain HUCHET Palace Garnier (Opera Garnier), 1960 Original lithograph Handsigned in pencil by the artist Numbered / 295 copies On velllum paper, size 19 x 28 cm Very good condition

This exquisite lithograph by Bernard Buffet (1928–1999), titled Une petite plage (A Small Beach), originates from the 1967 album Bernard Buffet, Lithographs 1952-1966, published by T...

This exquisite lithograph by Bernard Buffet (1928–1999), titled Une petite plage (A Small Beach), originates from the 1967 album Bernard Buffet, Lithographs 1952-1966, published by T...

This exquisite lithograph by Bernard Buffet (1928–1999), titled Une petite plage (A Small Beach), originates from the 1967 album Bernard Buffet, Lithographs 1952-1966, published by T...

Original vintage travel poster: FLY PSA, "For a Song"; "How' ya gonna keep 'em down on the ground…." Flower power and psychedelic design on this Fly Pacific Southwest...

Paul KLEE (after) Miraculous Docking : Boat and House Lithograph and stencil (Jacomet process), on canson paper Printed signature in the plate 50 x 38.2 cm (19.6 x 14.9 in) INFORMA...

This exquisite lithograph by Bernard Buffet (1928–1999), titled La route du village (The Village Road), originates from the 1967 album Bernard Buffet, Lithographs 1952-1966, publishe...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Suites nº8, Rencontres, 1964. Published...

Lithograph on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: from the folio, Regards sur Paris, 1963. Publi...

Morris Cox (1903-1998) Crash! An Experiment in Blockmaking and Printing, AP 2 of 8 colour prints in varied techniques, Gogmagog Press 1963 Image: 16.5 x 23.0 cm Frame: 32.0 x 38.0 c...

Morris Cox (1903-1998) Crash! An Experiment in Blockmaking and Printing, AP 4 of 8 colour prints in varied techniques, Gogmagog Press 1963 Image: 16.5 x 23.0 cm Frame: 32.0 x 38.0 c...

This exquisite heliogravure after Bernard Buffet (1928–1999), titled Pont sur la Sarthe (Bridge over the Sarthe), from the folio Bernard Buffet, Peintres d'aujourd'hui (Bernard Buffe...

Etching on vélin Johannot d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Paroles peintes I, 1962. Published by Éditions O. La...

Silkscreen on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the album, Numbers, 1968. Published by the Edition Domberger, Stuttgart, and G...

Silkscreen on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the album, Numbers, 1968. Published by the Edition Domberger, Stuttgart, and G...

Surreal Fantasy is a 1967 original limited edition ( 18/30 ) black and white signed etching by Italian artist Alberto Longoni in good condition. ...

This exquisite lithograph, titled Sans titre (Untitled), by Leonor Fini, from the folio Parallelement (Parallel), Illustre de lithographies originales de Leonor Fini (Illustrated wit...

This exquisite heliogravure after Bernard Buffet (1928–1999), titled Pont sur la rivière (Bridge over the River), from the folio Bernard Buffet, Peintres d'aujourd'hui (Bernard Buffe...

This exquisite heliogravure after Bernard Buffet (1928–1999), titled Le Grand Canal de Venise (The Grand Canal of Venice), from the folio Bernard Buffet, Peintres d'aujourd'hui (Bern...

Headland IV by Gordon Cook (American, 1927-1985). 1963. Signed on verso "gordon cook/ Headland IV 1963." Detailed etching based on a natural shore scene by Gordon Cook. Printed on ...

Lithograph on vélin du Marais paper. Inscription: unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the volume, Éloge de André Lhote, 1960. P...

This exquisite lithograph and pochoir after Georges Rouault (1871–1958), titled Mirliflor (Dandy), from the album Georges Rouault, Visages (Faces), originates from the 1969 edition p...

This exquisite heliogravure after Bernard Buffet (1928–1999), titled La Fenetre ouverte (The Open Window), from the folio Bernard Buffet, Peintres d'aujourd'hui (Bernard Buffet, Pain...

This exquisite heliogravure after Bernard Buffet (1928–1999), titled Femme au filet (Woman with Net), from the folio Bernard Buffet, Peintres d'aujourd'hui (Bernard Buffet, Painters ...

This exquisite lithograph by Georges Braque (1882–1963), titled La Charrue (The Plow), originates from the 1960 folio Derriere le Miroir, No. 119, Poetes, peintres, sculpteurs (Poets...

Warmly hued fine art color lithograph of the city skyline of the Paris Quai Malaquais by French artist René Eugene Lairy, circa 1960. Titled, signed ...

After Marc Chagall La Tribu de Gad, from Douze Maquettes de vitraux pour Jérusalem (The Tribe of Gad, from Twelve Maquettes of Stained Glass Windows for Jerusalem) by Charles Sorlie...

This exquisite lithograph after Jean Cocteau (1889–1963), titled Noble offrande (Noble Offering), from the folio Taureaux, Lithographies de Jean Cocteau (Bulls, Lithographs by Jean C...

Robert SAVARY Paris : Bridge over Canal Saint Martin, 1969 Original lithograph (Mourlot workshop) Handsigned in pencil On vellum 37 x 29 cm (c. 16 ...

This exquisite lithograph by Kees van Dongen (1877–1968), titled Le Bal (The Ball), from the folio Les Peintres mes amis (The Painters My Friends), originates from the 1965 edition p...

Robert SAVARY Paris : Bandstand Near Nation Square, 1969 Original lithograph (Mourlot workshop) Handsigned in pencil On Arches vellum 37 x 29 cm (c. 16 x 12 in) Excellent condition

This exquisite lithograph and pochoir after Georges Rouault (1871–1958), titled Le Cafardeux (The Gloomy One), from the album Georges Rouault, Visages (Faces), originates from the 19...

This exquisite lithograph after Jean Cocteau (1889–1963), titled L’epee de mort (The Sword of Death), from the folio Taureaux, Lithographies de Jean Cocteau (Bulls, Lithographs by Je...

This exquisite lithograph after Jean Cocteau (1889–1963), titled Rendez vous (Meeting), from the folio Taureaux, Lithographies de Jean Cocteau (Bulls, Lithographs by Jean Cocteau), o...

Original Khartoum vintage U. S. 1-sheet Style B, movie poster. Archival lien-backed in very fine condition, ready to frame. Original issued movie fold marks restored. - where the Nile dives, the great adventure begins! Khartoum is a 1966 film written by Robert Ardrey and directed by Basil Dearden. It stars Charlton Heston as General Gordon and Laurence Olivier as the Mahdi (Muhammad Ahmed). It is based on Gordon's defense of the Sudanese city of Khartoum from the forces of the Mahdist army during the Siege of Khartoum. The movie depicts the historical events surrounding the Siege of Khartoum in 1884-1885 during the Mahdist War. CAST: Charlton Heston, Laurence Olivier, Ralph Richardson, Richard Johnson, Alexander Knox, Hugh Williams, Nigel Green, Michael Hordern, Johnny Sekka; DIRECTED BY: Basil Dearden; PRODUCER: Julian Blaustein. Movie posters from the 1960s often feature distinctive artwork and design styles that reflect the aesthetics of that era. If you appreciate vintage graphic design...

Duomo (Florence) Etching & aquatint , 1965-66 Signed, titled and annotated "artist's proof" (see photos) Edition: 100, this impression an artist's proof Reference: Silvie Turner. Ju...

Medium: Lithograph on vélin Acropole Papeteries de Renage paper. Year: 1967 Paper Size: 12.25 x 9.5 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the ...

Lithograph on vélin de Rives paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Poêmes insoumis, 1963. Published by Marc Barbezat, Paris; ...

To see our other views of London and our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller". Julian Trevelyan (1910-19...

Linda Plotkin, American (1938 - ) - Clouds IV, Year: circa 1965, Medium: Lithograph, signed, titled and numbered in pencil, Edition: 6/30, Image Size: 6.75 x 8.75 inches, Size: ...

Lithograph on vélin pur Chiffon Moulin à papier Richard de Bas paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Tir à l'arc mis en lu...

This exquisite lithograph by Marc Chagall (1887–1985), titled Visage, Femme et Chevre (Face, Woman and Goat), from the folio Derriere le miroir, No. 147, originates from the 1964 edi...

Myril Adler "Duo" c.1960s Collagraph ink on paper 2."x2.5" unframed Signed and titled in pencil Myril Adler, was born on September 22, 1920 in Vitebsk, Russia (now Belarus), and im...

This exquisite lithograph by Alexander Calder (1898–1976), titled Composition aux Triangles (Composition with Triangles), from the folio Derriere le miroir, No. 173, originates from the 1968 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1968. Composition aux Triangles exemplifies Calder’s mastery of rhythm and form, translating his sculptural language of balance and motion into vivid, dynamic compositions on paper that capture his signature sense of energy and harmony. Executed as a lithograph on velin paper, this work measures 15 x 11 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Alexander Calder (1898–1976) Title: Composition aux Triangles (Composition with Triangles), from the folio Derriere le miroir, No. 173 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.94 cm) Inscription: Unsigned and unnumbered as issued Date: 1968 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 173, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1968 Notes: Excerpted from the folio (translated from French), The illustrations in this issue are original lithographs by Alexander Calder drawn in the workshops of the Arte printing shop. This issue of "Behind the Mirror" has a luxury edition drawn on velin de Lana and limited to CL examples numbered and signed by the artist on the colophon. The text of G. Carandente was translated from Italian by Alain Veinstein. About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght’s belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Alexander Calder (1898–1976) was an American sculptor, painter, and printmaker whose pioneering innovations in kinetic art revolutionized 20th-century sculpture and transformed modern visual language. Born in Lawnton, Pennsylvania, into a family of artists, Calder initially trained as a mechanical engineer at the Stevens Institute of Technology before turning to art at the Art Students League in New York—a combination of technical precision and creative imagination that defined his career. Moving to Paris in 1926, he immersed himself in the avant-garde and formed friendships with Pablo Picasso, Alberto Giacometti, Joan Miro, Wassily Kandinsky, Salvador Dali, Marcel Duchamp, and Man Ray, whose ideas profoundly shaped his artistic philosophy. From Picasso, he absorbed structural invention; from Miro, lyrical abstraction; from Kandinsky, spiritual geometry; and from Duchamp and Man Ray, the courage to merge intellect and play. In Paris, Calder created his famous Cirque Calder, a miniature mechanical circus that introduced motion and performance as central components of sculpture, and by the early 1930s, he invented the mobile—a term coined by Duchamp—to describe his delicately balanced, moving sculptures that responded to air currents. Later, Jean Arp would name his stationary counterparts stabiles. These two inventions—sculptures that could either float and spin gracefully or stand monumentally still—transformed art into a dynamic dialogue between movement, balance, and space. Calder’s signature forms, painted in vivid reds, blacks, blues, and yellows, embodied both joy and precision, creating an art that was at once abstract, organic, and deeply human. Like Kandinsky and Miro, he viewed art as a form of rhythm and emotion; like Duchamp, he embraced innovation and humor; and like Giacometti and Dali, he was fascinated by perception, structure, and the unseen forces of motion. His monumental public sculptures—such as La Grande Vitesse (1969) in Grand Rapids and Flamingo (1973) in Chicago—redefined public art as a symbol of civic optimism and modern progress. A key bridge between European modernism and American abstraction, Calder’s influence extended to artists including Jean Tinguely, George Rickey, Donald Judd, Ellsworth Kelly, Richard Serra, and Olafur Eliasson, whose works in kinetic and spatial art continue to echo his vision. His gouaches, prints, and jewelry carried the same balance and movement as his sculptures, revealing a unified language of rhythm across media. Represented in every major modern museum—including MoMA, the Guggenheim, the Tate, and the Centre Pompidou—Calder remains celebrated for merging engineering, color, and poetry into an art of pure equilibrium. Standing alongside Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he remains one of the cornerstones of modern art—a visionary whose works breathe with motion, grace, and joy. His highest auction record was achieved by Poisson Volant (Flying Fish) (1957), which sold for $25.9 million at Christie’s, New York, on May 15, 2014, reaffirming Alexander Calder’s enduring legacy as one of the most inventive, dynamic, and collectible artists in the history of modern art. Alexander Calder Composition...

Robert SAVARY Paris : Street Market, 1969 Original lithograph (Mourlot workshop) Handsigned in pencil On Arches vellum 37 x 29 cm (c. 16 x 12 in) Excel...

This exquisite lithograph by Marc Chagall (1887–1985), titled Les Saltimbanques (The Acrobats), from the album The Lithographs of Chagall, Volume II, originates from the 1963 edition...

Linda Plotkin, American (1938 - ) - Route 180, Year: circa 1965, Medium: Lithograph on Arches, signed, titled and numbered in pencil, Edition: 11/180, Image Size: 18.5 x 22 inche...

Robert SAVARY Paris : Animated Street, 1969 Original lithograph (Mourlot workshop) Handsigned in pencil On Arches vellum 37 x 29 cm (c. 16 x 12 in) Excellent condition

Artist: Rene Magritte (after), Belgian (1898 - 1967) Title: (from les Enfants Trouvés) Les Claires-Voies d'un Jeune Regard Embaument La Fête d'un Vieil Arbre Year of original paintin...

This exquisite lithograph by Joan Miro (1893–1983), titled Les geants (The Giants), from the folio Derriere le miroir, No. 139–140, originates from the 1963 edition published by Maeg...

This exquisite lithograph by Joan Miro (1893–1983), titled Le scarabee sacre (The Sacred Scarab), from the folio Derriere le miroir, No. 139–140, originates from the 1963 edition pub...

This exquisite lithograph by Joan Miro (1893–1983), titled La femme dans la nuit (The Woman in the Night), from the folio Derriere le miroir, No. 139–140, originates from the 1963 ed...

This exquisite lithograph after Marc Chagall (1887–1985), titled Carmen, from the album Le plafond de l’Opera de Paris par Marc Chagall (The Ceilin...

Etching on vélin Johannot d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Paroles peintes I, 1962. Published by Éditions O. La...

This exquisite lithograph by Marc Chagall (1887–1985), titled Ruth aux pieds de Booz (Ruth at the Feet of Boaz), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, originates from the September 1956 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1956. This intimate and poetic composition portrays the biblical moment when Ruth, in an act of humility and devotion, lays at the feet of Boaz. Chagall’s masterful interplay of tenderness, faith, and symbolic light transforms this nocturnal scene into a vision of spiritual union and divine grace. The figures, rendered with his distinctive lyricism and fluid lines, embody the artist’s enduring fascination with love, compassion, and redemption. The piece forms part of Chagall’s celebrated series of lithographs and drawings created for Dessins Pour La Bible, a monumental project uniting art, scripture, and mysticism in one of the artist’s most important achievements. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches (35.56 x 26.67 cm). Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, renowned for its collaborations with the greatest modern masters of the 20th century. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Ruth aux pieds de Booz (Ruth at the Feet of Boaz), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, September 1956 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches (35.56 x 26.67 cm) Inscription: Unsigned and unnumbered as issued Date: 1956 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Cain, Julien, and Fernand Mourlot. Chagall Lithographe. Andre Sauret, Editeur, 1960, illustrations 117–46. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne Des Livres Illustrés. P. Cramer ed., 1995, illustration 25. Condition: Well preserved, consistent with age and medium Provenance: From Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, published by Editions de la revue Verve, Paris, 1956 Notes: Excerpted from the album (translated from French), This double issue of Verve is dedicated to the full reproduction in heliogravure of the one hundred-five plates etched by Marc Chagall, between 1930 and 1955, for the illustration of the Bible. The artist composed especially for the present work, sixteen lithographs in color and twelve in black, as well as the cover and the title page. This volume was completed and printed on September 10, 1956, by the Master Printers Draeger Freres for heliogravure, and by Mourlot Freres for lithography. About the Publication: Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), published as Verve Vol. VIII, No. 33–34 in September 1956, represents one of the crowning achievements of Chagall’s lifelong dialogue with the sacred. Conceived and directed by the visionary publisher Teriade and printed by the master lithographers Mourlot Freres, the issue features thirty-four color lithographs and numerous black-and-white drawings inspired by biblical figures and stories. Chagall’s works for this edition unite text and image in a luminous meditation on divine creation, moral struggle, and spiritual renewal, imbued with his signature dreamlike symbolism and radiant color. Produced in postwar Paris, this landmark publication reaffirmed the enduring union of art and faith, establishing Dessins Pour La Bible as one of the most important illustrated works of the 20th century. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Ruth...

Engraving on vélin papier à la cuve du Moulin Richard de Bas paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, L'amour du plus lointain, neuf gravures...

Silkscreen on handmade Hahnemühle paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Salute, 1960. Published and printed by Tiber Press, New York under...

Original Cadiz, Fiestas Tipicas Gaditanas vintage lithograph poster. This fun image is professionally archival linen backed in very good condition, ready to frame. Artist: Ricardo Anaya. The image features a sailboat with a group of colorful people aboard. A pirate, witch, male and female flamingo...

Lithograph on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Dent Prompte, Dix poèmes inédits illustrés par Max Ernst, ...

Linda Plotkin, American (1938 - ) - Plants II, Year: circa 1965, Medium: Etching and Aquatint, signed, titled and numbered in pencil, Edition: 14/75, Image Size: 7.75 x 6.75 inch...