1960s Landscape Prints

Poster. Measures 13.25 x 17 inches and is Unframed. Good Condition.

'Winter Silhouettes,' a small and delicate print, is an original offset lithograph by the Milwaukee artist Schomer Lichtner. The composition displays registers of foliage, emerging from the white of the paper as though emerging from the snow-covered ground. The artwork is thus plays with the materials of printmaking; the paper is both the support and the primary indication of the season. The subtle texture of the tooth of the paper also adds life to the image, giving the snow a wind-swept, creature trodden surface. The free forms of the grasses and leaves resemble the lyrical mid-century works of the French artist Henri Matisse, which combined with these material concerns demonstrate Lichter's modern sensibilities. 3.75 x 2.75 inches, image 5.5 x 4.5 inches, paper 10 x 8 inches frame Signed and dated in the stone, lower right Framed to conservation standards in a shadow-box style mounting, using 100 percent rag matting, museum glass, and housed in a cherry wood moulding Overall excellent condition; some toning to edges of paper; some minor abrasions to frame Milwaukee artist Schomer Lichtner was well known for his whimsical cows and ballerinas and abstract imagery. He and his late wife Ruth Grotenrath, both well-known Wisconsin artists, began their prolific careers as muralists for WPA projects, primarily post offices. Lichtner also painted murals for industry and private clients. Schomer was a printmaker and produced block prints, lithographs, and serigraph prints. His casein (paint made from dairy products) and acrylic paintings are of the rural Wisconsin landscape and farm animals. He became interested in cows when he and Ruth spent summers near Holy Hill in Washington County. According to David Gordon, director of the Milwaukee Art Museum, Schomer Lichtner had a tremendous joie de vivre and expressed it in his art. Schomer Lichtner was nationally known for his whimsical paintings and sculptures of black- and white-patterned Holstein cows and elegant ballerina dancers. Lichtner also painted all sorts of combinations of beautiful women, flowers and country landscapes. James Auer, former Milwaukee Journal Sentinel art critic, said that his art eventually "exploded into expressionistic design elements with bold, flat areas of color and high energy that anticipated Pop Art." Auer went on to describe Lichtner’s work as full of "wit, vigor and virtuosity." As early as 1930, Lichtner’s work was shown at the prestigious Carnegie International Exhibition in New York and at museums throughout the Midwest. As a student, he was a protégé of another icon of 20th century American art, Gustave Moeller. Lichtner and his wife, Ruth Grotenrath (1912-1988), are celebrated as Milwaukee’s first couple of painting and are regarded as major Wisconsin artists. Lichtner’s impressive production, perseverance, longevity, and positive approach to his life and art made him and his work distinctive and much loved by his many admirers. His work is currently represented in collections at the Milwaukee Art Museum, the John Michael Kohler Art Center, the West Bend Museum, and in the collections of many individuals. Books on the lives and art work of both Lichtner and Grotenrath are in progress and it is anticipated that they will be published next year. Schomer Lichtner passed away on May 9, 2006 at the age of 101. He continued to amaze and create with his whimsical paintings of ballerinas...

Medium: Lithograph on vélin paper, hinged on archival support sheet, as issued Year: 1968 Paper Size: 13 x 16 inches; image size: 5 x 13.75 inches Inscription: Signed in the plate an...

Medium: Lithograph on vélin paper, hinged on archival support sheet, as issued Year: 1968 Paper Size: 13 x 16 inches; image size: 8.375 x 13.75 inches Inscription: Signed in the plat...

Medium: Lithograph on vélin paper, hinged on archival support sheet, as issued Year: 1968 Paper Size: 13 x 16 inches; image size: 8.25 x 13.75 inches Inscription: Signed in the plate...

Medium: Lithograph on vélin paper, hinged on archival support sheet, as issued Year: 1968 Paper Size: 13 x 16 inches; image size: 6 x 13.75 inches Inscription: Signed in the plate an...

Medium: Lithograph on vélin paper, hinged on archival support sheet, as issued Year: 1968 Paper Size: 13 x 16 inches; image size: 6.125 x 13.75 inches Inscription: Signed in the plat...

Medium: Lithograph on vélin paper, hinged on archival support sheet, as issued Year: 1968 Paper Size: 13 x 16 inches; image size: 10 x 13.75 inches Inscription: Signed in the plate a...

To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Walter Hoyle (1922 - 2000) King's College, Cambridge (Cambridge Series 1956 - 66) Linocut 56 x 43 cm Signed and inscribed A/P in pencil. Possibly unique. Hoyle's view of King's College, Cambridge, with a slice of blue sky behind. Hoyle trained at Beckenham School of Art and the Royal College of Art. At the latter he was strongly influenced by Edward Bawden, one of Britain’s greatest linocut printers. Bawden had been commissioned by the 1951 Festival of Britain to produce a mural for the South Bank, and chose Hoyle to assist on account of his great talent. Hoyle moved to Great Bardfield in Essex, becoming a part of the Great Bardfield group of artists; diverse in style, they created figurative work, in stark contrast to the abstract art of the St Ives artists at the opposite end of the country. Hoyle taught at St Martin’s School of Art from 1951-60, the Central School of Arts and Crafts from 1960-64, and the Cambridge School of Art from 1964...

Colored Litograph hand-signed and hand-dated with pencil on lower margin by the Italian artist, Duilio Rossini. With dedication to Mauro Ferri hand-written with pencil on lower margi...

Church View is an original print, realized by the French artist Robert Naly in 1967. The artwork represents a black and white view of a big church. Hand-signed and dated on the low...

Medium: Lithograph on vélin Acropole Papeteries de Renage paper. Year: 1967 Paper Size: 12.25 x 9.5 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the ...

This exquisite lithograph after Georges Braque (1882–1963), titled Le Char (The Chariot), originates from the 1964 folio Derriere le Miroir, Nos. 144–145–146, L’Hommage a Georges Bra...

Ex Libris Vibeke Kongstad is an original Contemporary Artwork realized in the 1960s. Original B/W woodcut print on paper. Hand-signed by the artist on the lower right corner in pe...

This exquisite lithograph by Pierre Tal-Coat (1905–1985), titled Oiseau et son ombre (Bird and Its Shadow), originates from the 1964 folio Derriere le Miroir, Nos. 144–145–146, L’Hom...

This exquisite lithograph by Pierre Pallut (1900–1985), titled Sans titre (Untitled), originates from the 1964 folio Derriere le Miroir, Nos. 144–145–146, L’Hommage a Georges Braque ...

Medium: Lithograph on vélin d'Arches paper Year: 1968 Paper Size: 20 x 26 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Roger de la Fresnaye, III, Col...

BACK TO EARTH is an original hand drawn lithograph by the American woman artist printmaker Margo Humphrey printed using hand lithography methods on archival Arches printmaking paper ...

Pol Bury (Belgian, 1922-2005) screen print of a train Hand signed and numbered 27/ 62 in pencil Dimensions: 17.5 X 24.25 inches. (sheet size) Provenance: Published by Lefebre Gallery, New York. lithographie en couleurs. Signées et numérotées 27/62. This is just for the print. the title sheet is just included for reference. Pol Bury (1922 – 2005) was a Belgian sculptor who began his artistic career as a painter in the Jeune Peintre Belge (along with Willy Anthoons, James Ensor, Odette Collon, Pierre Alechinsky, Jo Delahaut and Jean Rets...

Medium: Lithograph on vélin d'Arches paper Year: 1968 Paper Size: 26 x 20 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Roger de la Fresnaye, III, Col...

Medium: Lithograph on vélin d'Arches paper Year: 1968 Paper Size: 26 x 20 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Roger de la Fresnaye, III, Col...

The Sea is an original lithograph by Sandro Sanna in 1969. Hand-signed and dated on the lower right. Edition: 79/100. In excellent conditions: as good as new. The artwork represe...

A striking woodcut landscape print from Edgar Dorsey Taylor's series of prints depicting his adventures in Baja California in 1963 (American, 1904-1978). Also, the book titled "Baja ...

Beast is an original woodcut realized by F. Chiammari in 1960 ca. Hand-signed on the lower right margin and titled on the lower left in pencil. In excellent conditions. Included a...

Medium: Lithograph on vélin paper, hinged on archival backing paper, as issued Year: 1967 Paper Size: 17.32 x 14.17 inches (backing paper size) Inscription: Signed in the plate and u...

Landscape Under The Moon is an Screen print realized by Enotrio Pugliese in 1960s. Hand-signed by the artist on the lower. Numbered, Limited edition of 15 prints. Good conditions...

Medium: Lithograph on vélin paper, hinged on archival support sheet, as issued Year: 1968 Paper Size: 13 x 16 inches; image size: 5.75 x 13.75 inches Inscription: Signed in the plate...

Medium: Lithograph on vélin paper, hinged on archival support sheet, as issued Year: 1968 Paper Size: 13 x 16 inches; image size: 9.375 x 13.75 inches Inscription: Signed in the plat...

Medium: Lithograph on vélin paper, hinged on archival support sheet, as issued Year: 1968 Paper Size: 13 x 16 inches; image size: 8.25 x 13.75 inches Inscription: Signed in the plate...

Figure al mare (At the Seaside) is a modern artwork realized by the Italian artist Luigi Bartolini in 1962. Original lithograph on ivory-colored cardboard. Passepartout included. ...

Colle di Val d'Elsa is an original woodcut print realized by Ernesto Romagnoli in 1963. No signature, in very good conditions, mounted on a white cardboard (49 x 34 cm). The artwor...

Landscape is an original etching on paper realized in 1969 by an unknown artist.. Hand-signed on the lower left in pencil, illegible. Dated "31.07.1...

Navona Square is an original artwork realized in the 1960s by Giuseppe Malandrino. Original hand-colored print. Hand-signed by the artist in pencil on the lower right corner. Good...

Navona Square is an original etching realized in the 1960s by Giuseppe Malandrino. Original hand-colored print. Image Dimensions: 15.5 x 16.5 cm Hand-signed by the artist in penci...

"Landscape" is an original print in etching technique on ivory-colored paper by Anonymous Artist of the XX Century. In very good conditions. Sheet dimension: 21.8 x 29 cm Image Dim...

Marittima is an original black and white etching realized by Enrico Paulucci in 1964. Hand signed on the right margin. Numbered on the lower left. Edition of 102 copies (16/102), e...

Artist: After Joan Miro (1893-1983) Title: Miro Oeuvres Graphiques Year: 1965 Medium: Lithograph exhibition poster on wove paper Size: 22.25 x 19.25 inches Condition: Excellent Notes...

Julian Trevelyan (1910-1988) Notre Dame Etching and aquatint, stamped signature, numbered 42/50 35 x 48 cm Nephew of the historian G M Trevelyan, he was educated at Bedales and Tri...

Artist: Risaburo Kimura (1924 - ) Title: City 50 Year: 1969 Medium: Screenprint, signed in pencil Edition: AP Size: 25 x 19 inches

Landscape is a beautiful black and white etching and aquatint on paper, realized in 1962 by the Italian artist Fiorella Diamantini (Cingoli, 1931-2019). Signed and dated in pencil on the lower right margin and with the autograph note "Prova di stampa" in pencil on the lower left margin. Our original etching, an artist proof, confirms the artist's love for classic style in the wake of another great artist from the region Marche: Luigi Bartolini. In this original rpint everything is defined by a fabric of lines that thickens for the contours, and it is made rarer for the shadows. She seems to draw her landscapes from absolute white, where the edges of the real irrepressible by a single line are defined by grey backgrounds. A real skilled hand demonstrates a full mastery of the artistic technique and a real suggestive landscape that has something of the geometrical rigor and of the unmaterial of memory. In very good conditions, this is a very touching landscape, a landscape with the typical emotions of the memory places. Fiorella Diamantini was born in Cingoli in 1931 and graduated from the Book School of Urbino and the Academy of Fine Arts in Rome. She studied engraving with Leonardo Castellani in Urbino and Mino Maccari in Rome. Since 1958, she has taught in Rome Techniques of Engraving, first assistant of Mino Maccari, then of Arnoldo Ciarrocchi. From 1951, she lived in Rome. In 1980, she moved to Umbria, in Spello. She has been invited to the most important engraving reviews: the Venice Biennale (1956), the Venice Black and White Biennial, the Rome Quadrennial and the national and international exhibitions organized at the National Chalcography of Rome. His works have been presented at the Michel Gallery in Paris, at the Stockholm National Museum, at the National Chalcography of Rome, at the International Rossetti Library in Rome, at the Prandi Library in Reggio Emilia. Her works are present at the InClub Publishing House in Florence and the Galaverni Saletta in Reggio Emilia. The following wrote about Fiorella Diamantini: Mino Maccari, Italo Cremona, Valeria Vecchia, Arnoldo Ciarrocchi, Lorenza Trucchi, Alberto...

Signed on Plate. Published by Delatre, Paris. Very good conditions. This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 70 years ago by...

Artist: Bernard Buffet, French (1928 - 1999) Title: Notre Dame Year: 1968 Medium: Lithograph, signed in the plate Size: 25.5 x 19.5 in. (64.77 x 49.53 cm) Frame Size: 31 x 25.5 inches

The Church is a black and white etching realized by the French artist Michel Ciry in 1964. Signed and dated on the lower right. Sheet dimensions: 57 x 38 cm. In good conditions. ...

Artist: Alexander Calder Medium: Lithograph Title: Derriere le Miroir #173 (Plate 2) Portfolio: Derriere le Miroir #173 Year: 1968 Edition: Unnumbered Framed Size: 22" x 29 1/4" Shee...

Buffaloes is a signed limited edition ( 13/75 ) aquatint etching by British artist and poet Julian Trevelyan. Several buffaloes and workers are in a field with mountains a...

Venice Cityscape is an original lithograph on paper realized in 1960 ca. by an anonymous artist of the 20th Century. Hand-signed on the lower right in pencil, illegible. Numbered ...

Artist: Rene Magritte (after), Belgian (1898 - 1967) Title: Les Claires-Voies d'un Jeune Regard Embaument La Fête d'un Vieil Arbre Year of Original: 1952 Year of Printing: 1968 Medi...

Landscape is an original lithograph on paper realized by Michel Rodde (1913-2009) in 1960 ca. Not signed. Dimension: 46.5 x 55.5 The artwork represents a mysterious landscape in a...

Baroque Rome is an original etching artwork realized in 1965 by the Italian artist Riccardo Tommasi Ferroni (1934-2000). Hand-signed and dated in pencil on the lower right margin.Ti...

St. Peter's Square is an original etching artwork realized by the Italian artist Giuseppe Malandrino. Hand-signed by the artist on the lower right in pencil. Numbered in Roman nume...

Fountain is a black and white etching realized by the French artist Michel Ciry in 1964. Signed and dated on the lower right. Sheet dimensions: 57 x 38 cm. In good conditions. Th...

Poggio a Caiano is an original black and white etching realized by Ardengo Soffici in 1964. Hand written dedication on the right margin "Per Ardengo Soffici, Maria Soffici". Number...

Artist: Bernard Buffet, French (1928 - 1999) Title: Place de la Concorde Year: 1968 Medium: Lithograph, signed in the plate Size: 25.5 x 19.5 in. (64.77 x 49.53 cm) Frame Size: ...

Beautiful colored lithograph, representing a marine landscape. Numbered and hand-signed with pencil on the lower margin by the Italian artist, Ampelio Tettamanti. Edition of 90 print...

Artist: Ian Hornak (1944-2002) Title: Landscape with Ravine Year: 1968 Edition: 200, plus proofs Medium: Etching on vélin de Rives paper Size: 22 x 30 inches Condition: Good Inscrip...

Image dimensions: 10.2 x 10.8 cm. Landscape is a black and white etching on paper, realized after 1960 by the Italian artist Renzo Biasion (Treviso, 1914 - Florence, 1996). Hand-signed in pencil on the lower right margin and monogrammed on the reverse and on plate (lower-right corner) This original print represents a natural landscape with a little and peaceful town in the distance (maybe it is Urbino) with a sober language and a delicate sign. With an excellent inking on a straw-yellow background, this contemporary artwork is in excellent conditions, including a cream-colored passepartout, cm 39.8 x 30.2 Renzo Biasion (Treviso, 1914 - Florence, 1996) Born in Treviso in 1914, he moved to Venice where he graduated from the local art school and taught drawing in secondary schools. In 1940, when Italy entered World War II, he fought on the Greek-Albanian front as a second lieutenant in the infantry and began writing a war diary that would then be lost. After the Greek campaign, he was transferred, with the German troops, to Crete. With the announcement of the armistice of 8 September 1943 and the disbanding of the Italian army, he was taken prisoner by the Germans and sent to concentration camps first in the Netherlands, then in Poland and Germany. During his imprisonment, he made drawings of the lager and portraits from life of Italian and German soldiers, he also began writing a prison diary. In 1944, he managed to escape and returned to Italy. After the war, Biasion resumed teaching and exhibited some works in a Venetian art gallery, arousing the appreciation of the poet and essayist Sergio Solmi. The tragic experiences of war and imprisonment are transfused in writings, drawings, paintings and engravings. He also began composing a series of stories, equally inspired by the memories of war, which would give life to Sagapò, a novel that Elio Vittorini had printed in Einaudi's I Gettoni collection in 1953. And it is in Sagapò (in Greek I love you), his most famous literary work, that the Mediterranean film inspired to, directed in 1991 by Gabriele Salvatores, winner of the Oscar for best foreign language film in 1992. There are numerous collaborations as an art and literary critic in periodicals such as Il Verri, Le Vie d'Italia, newspapers: Gazzetta del popolo, Il Resto del Carlino, Corriere d'Informazione. On the weekly paper Oggi, he edited an art column for thirty-five years. Renzo Biasion and the etching: Renzo Biasion's etchings have been made since the 1960s and the dominant features of all his art are visible in them. With a sober language, he represents interiors and landscapes immersed in the silence that is stillness is not solitude. The artist himself writes about the magic art...

Hand signed and numbered. Edition of 20 prints in Roman Numerals. Artist's proof. Trimmed margins. Image Dimensions: 46.5 x 37 cm

Poster. Measures 13.25 x 17 inches and is Unframed. Good Condition.

To see our other views of London and our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller". Julian Trevelyan (1910-19...

This exquisite lithograph after Marc Chagall (1887–1985), titled Tribe of Reuben, from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition published by An...