1960s Landscape Prints

Julian Trevelyan (1910-1988) Holland Etching and aquatint, signed, numbered 30/52 35 x 48 cm Nephew of the historian G M Trevelyan, he was educated at Bedales and Trinity College,...

.This is from his New York series consisting of 10 original lithographs signed & numbered. Limited edition of 150 numbered and 30 AP.. It is number 60/150 2 in the catalogue of lith...

This exquisite lithograph after Georges Braque (1882–1963), titled Hommage a Dufy (Homage to Dufy), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), ...

A hazy scene of a yellowing landscape near the sea. Towards the foreground are red bathing houses dotting the sand. Further back, nestled in the black scrub of the dunes, are white houses. The artist's signature is done in the plate in the upper right. Small Beaches...

An original woodblock print dated 1965, titled "Our Town" but signed illegibly.

Artist: Ian Hornak (1944-2002) Title: Olive Grove in Moonlight Year: 1968 Edition: 200, plus proofs Medium: Etching on vélin de Rives paper Size: 22 x 30 inches Condition: Good Inscription: Unsigned and unnumbered, as issued Notes: Published and printed by Ian Hornak, New York IAN HORNAK (January 9, 1944 – December 9, 2002) was an American draughtsman, painter and printmaker. Described by The New York Times as being, “right at the top of romantically descriptive painters today,” Hornak was one of the founding artists of the Hyperrealist and Photorealist fine art movements. Hornak's personal papers and effects entered into the permanent collection of the Smithsonian Institution's Archives of American Art in 2007. His artwork is owned by the permanent collections of the Smithsonian Institution's National Museum of American Art; the Smithsonian Institution's National Museum of American History; the Library of Congress; the Corcoran Gallery of Art; the Detroit Institute of Arts; the Board of Governors of the Federal Reserve System; the Museum of Fine Arts, Boston; the Albrecht-Kemper Museum of Art; the Allen Memorial Art Museum; the Austin Museum of Art; the Barbara Ann Karmanos Cancer Institute; the Canton Museum of Art; the Children's Hospital of Philadelphia; the Hood Museum of Art at Dartmouth College; the Detroit Historical Museum; the Flint Institute of Arts; the Forest Lawn Museum; Galleria Internazionale; The George Washington University Art Galleries; Guild Hall; the Children's Hospital Boston (Harvard Medical School affiliate); the Kinsey Institute for Research in Sex, Gender and Reproduction; the Long Island Museum of American Art, History, and Carriages; the National Czech & Slovak Museum & Library; the National Hellenic Museum; the Ringling College of Art and Design; the Rockford Art Museum; the Jane Voorhees Zimmerli Art Museum at Rutgers University; the Florida State Capital; St. Mary's University, Texas; The Art Gallery at the University of Maryland; the University of Texas at San Antonio; the Frances Lehman Loeb Art Center at Vassar College; the Washington County...

To see our other original vintage travel posters, many of which have skiing subjects, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Télépheriques de l'Aiguille du Midi et de la Vallée Blanche...

Artist: Allan D'Arcangelo, American (1930 - 1998) Title: June Year: 1969 Medium: Screenprint, signed and numbered in pencil Edition: 6/100 Size: 14 x 12 in. (35.56 x 30.48 cm) Frame:...

Artist: Rene Magritte (after), Belgian (1898 - 1967) Title: (from les Enfants Trouvés) Les Claires-Voies d'un Jeune Regard Embaument La Fête d'un Vieil Arbre Year of original paintin...

This exquisite heliogravure after Nicolas de Stael (1914–1955), titled Rosny, bateau sur la Seine (Rosny, Boat on the Seine), from the folio Nicolas de Stael, Peintres d'aujourd'hui ...

This exquisite heliogravure after Mark Tobey (1890–1976), titled Ville d'or (Golden City), from the folio Mark Tobey, Peintres d'aujourd'hui (Mark Tobey, Painters of Today), originat...

This exquisite heliogravure after Mark Tobey (1890–1976), titled Motif africain (African Motif), from the folio Mark Tobey, Peintres d'aujourd'hui (Mark Tobey, Painters of Today), or...

This exquisite heliogravure after Maria Helena Vieira da Silva (1908–1992), titled La cathedrale (The Cathedral), from the folio Vieira da Silva, Peintres d'aujourd'hui (Vieira da Si...

This exquisite heliogravure after Maurice Esteve (1904–2001), titled L'Aumance (The Aumance), from the folio Maurice Esteve, Peintres d'aujourd'hui (Maurice Esteve, Painters of Today...

This exquisite heliogravure after Maurice Esteve (1904–2001), titled Neige (Snow), from the folio Maurice Esteve, Peintres d'aujourd'hui (Maurice Esteve, Painters of Today), originat...

Frasconi, Antonio (American, born Uruguay, 1919-2013). LA SALUTE. Color Woodcut, 1967. Edition of 20, Titiled, inscribed 10/20, signed, and dated, all in pencil. 22 1/4 x 34 1/2 inch...

Artist: Rene Magritte (after), Belgian (1898 - 1967) Title: (from les Enfants Trouvés) Les Claires-Voies d'un Jeune Regard Embaument La Fête d'un Vieil Arbre Year of original paintin...

This exquisite lithograph by Marino Marini (1901–1980), titled Cheval et cavalier (Horse and Rider), from the album XXe Siecle, Nouvelle serie, XXVe Annee N°22, Noel 1963, originates...

Pol Bury (Belgian, 1922-2005) Screen print of raised bridge Hand signed and numbered 27/ 62 in pencil Dimensions: 17.5 X 24.25 inches. (sheet size) Provenance: Published by Lefebre Gallery, New York. lithographie en couleurs. Signées et numérotées 27/62. This is just for the print. the title sheet is just included for reference. Pol Bury (1922 – 2005) was a Belgian sculptor who began his artistic career as a painter in the Jeune Peintre Belge (along with Willy Anthoons, James Ensor, Odette Collon, Pierre Alechinsky, Jo Delahaut and Jean Rets...

To see our other views of London and our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller". Julian Trevelyan (1910-19...

Morris Cox (1903-1998) A Feminity of Nudes, 1979-80 Screenprint 11.0 x 8.0 cm 25.0 x 21.0 cm Provenance: Morris Cox Archive Morris Cox (1903-1998) Was a writer, poet, printmaker, ...

Morris Cox (1903-1998) A Feminity of Nudes, 1979-80 Screenprint 11.0 x 8.0 cm 25.0 x 21.0 cm Provenance: Morris Cox Archive Morris Cox (1903-1998) Was a writer, poet, printmaker, ...

Morris Cox (1903-1998) Crash! An Experiment in Blockmaking and Printing, AP 7 of 8 colour prints in varied techniques, Gogmagog Press 1963 Image: 16.5 x 23.0 cm Frame: 32.0 x 38.0 c...

Morris Cox (1903-1998) Crash! An Experiment in Blockmaking and Printing, AP 5 of 8 colour prints in varied techniques, Gogmagog Press 1963 Image: 16.5 x 23.0 cm Frame: 32.0 x 38.0 c...

House in Kyoto Color woodcut, 1963 Signed in white brush bottom left of image, along with the artist's red stamp (see photo) Titled, dated and numbered in pencil bottom margin (see p...

This exquisite lithograph by Giuseppe Capogrossi (1900–1972), titled Litografia 75 (Lithograph 75), from the album XXe Siecle, Nouvelle serie, XXXIe Annee, No. 33, Decembre 1969, ori...

This exquisite lithograph after Jean Cocteau (1889–1963), titled Sans titre (Untitled), from the folio Taureaux, Lithographies de Jean Cocteau (Bulls, Lithographs by Jean Cocteau), o...

This exquisite lithograph after Jean Cocteau (1889–1963), titled La superstition (Superstition), from the folio Taureaux, Lithographies de Jean Cocteau (Bulls, Lithographs by Jean Co...

This exquisite lithograph after Jean Cocteau (1889–1963), titled Confrontation (Confrontation), from the folio Taureaux, Lithographies de Jean Cocteau (Bulls, Lithographs by Jean Coc...

Original “VILLA RIDES!”, US 1 sheet, 1969 original movie poster—art of Yul Brynner as Pancho & Robert Mitchum, Sam Peckinpah. Starring Yul Brynner as...

To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Walter Hoyle (1922 - 2000) Rugby School Linocut 62 x 46 cm Signed, titled, and inscribed A/P in pencil. Possibly unique. Hoyle's view of Rugby School. The school's architecture is depicted in shades of blue and grey, with an orange patch of sun in the cloudy sky above. A green lawn peeks out from between the buildings, which lean gently away from one another. Hoyle trained at Beckenham School of Art and the Royal College of Art. At the latter he was strongly influenced by Edward Bawden, one of Britain’s greatest linocut printers. Bawden had been commissioned by the 1951 Festival of Britain to produce a mural for the South Bank, and chose Hoyle to assist on account of his great talent. Hoyle moved to Great Bardfield in Essex, becoming a part of the Great Bardfield group of artists; diverse in style, they created figurative work, in stark contrast to the abstract art of the St Ives artists at the opposite end of the country. Hoyle taught at St Martin’s School of Art from 1951-60, the Central School of Arts and Crafts from 1960-64, and the Cambridge School of Art from 1964...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Julian Otto Trevelyan, RA (1910 -1988) Caius College II, Cambridge (1959/1962) Signed by the artist and inscribed in pencil Artist's Proof, aside from the edition of 70. The edition consisted of 70 numbered proofs and 30 artist’s proofs. We also have listed one of the 70 numbered proof prints, which is in a purple colourway - rather than the blue here. 37x51cm (14.5×20 inches) This comes from Julian Trevelyan’s Cambridge Suite which consisted of 10 lithographs: Caius College, Caius College II, Christ’s College, Corpus Christi College, Downing College, Emmanuel College, Jesus College, Peterhouse, St Catharine’s College and Sidney Sussex...

To see our other original vintage posters, scroll down to "More from Seller" and below it click on "See all from this Seller." Breckenridge, Colorado Vintage Ski Poster...

Artist: Warrington Colescott (1921-2018) Title: Cowboys and Indians Year: 1969 Edition: 24/75, plus proofs Medium: Lithograph on paper Inscription: Signed & numbered in pencil Size: ...

French lithograph of flowered field with sailboats in background, circa 1960. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-size frame...

Allan D'Arcangelo (American/New York, 1930-1998), "Aspen Center of Contemporary Art", 1967 silkscreen, hand signed in pencil, dated, numbered "45/200" and blind stamped "Chiron Press, New York, NY" 32 in. x 24 in. Allan D'Arcangelo (1930-1998) was an American artist and printmaker, best known for his paintings of highways and road signs that border on pop art and minimalism, precisionism, Abstract illusionism and hard-edge painting, and also surrealism. His subject matter is distinctly American and evokes, at times, a cautious outlook on the future of this country. Allan D'Arcangelo was the son of Italian immigrants. He studied at the University of Buffalo from 1948–1953, where he got his bachelor's degree in history. After college, he moved to Manhattan and picked up his studies again at the New School of Social Research and the City University of New York, City College. At this time, he encountered Abstract Expressionist painters who were in vogue at the moment. After joining the army in the mid 1950s, he used the GI Bill to study painting at Mexico City College from 1957–59, driving there over 12 days in an old bakery truck retrofitted as a camper. However, he returned to New York in 1959, in search of the unique American experience. It was at this time that his painting took on a cool sensibility reminiscent of Roy Lichtenstein and Andy Warhol. His interests engaged with the environment, anti-Vietnam War protests, and the commodification and objectification of female sexuality. D'Arcangelo first achieved recognition in 1962, when he was invited to contribute an etching to The International Anthology of Contemporary Engraving: America Discovered; his first solo exhibition came the next year, at the Thiebaud Gallery in New York City. In 1965 he contributed three screenprints to Original Edition's 11 Pop Artists portfolio. By the 1970s, D'Arcangelo had received significant recognition in the art world. He was well known for his paintings of quintessentially American highways and infrastructure, and in 1971 was commissioned by the Department of the Interior to paint the Grand Coulee Dam in Washington state. However, his sense of morality always trumped his interest in art world fame. In 1975, he decided to quit the gallery that had been representing him for years, Marlborough Gallery, because of the way they handled Mark Rothko legacy. D'Arcangelo rejected Abstract Expressionism, though his early work has a painterly and somewhat expressive feel. He quickly turned to a style of art that seemed to border on Pop Art and Minimalism, Precisionism and Hard-Edge painting. Evidently, he didn't fit neatly in the category of Pop Art, though he shared subjects (women, signs, Superman) and techniques (stencil, assemblage) with these artists.He turned to expansive, if detached scenes of the American highway. These paintings are reminiscent of Giorgio de Chirico-though perhaps not as interested in isolation-and Salvador Dali-though there is a stronger interest in the present and disinterest in the past. These paintings also have a sharp quality that is reminiscent of the precisionist style, or more specifically, Charles Sheeler. 1950s, Before D'Arcangelo returned to New York, his style was roughly figurative and reminiscent of folk art. During the early 1960s, Allan D'Arcangelo was linked with Pop Art. "Marilyn" (1962) depicts an illustrative head and shoulders on which the facial features are marked by lettered slits to be "fitted" with the eyebrows, eyes, nose and mouth which appear off to the right in the composition. In "Madonna and Child," (1963) the featureless faces of Jackie Kennedy and Caroline are ringed with haloes, enough to make their status as contemporary icons perfectly clear. Select Exhibitions: Fischbach Gallery, New York, Ileana Sonnabend Gallery, Paris, Gallery Müller, Stuttgart, Germany Hans Neuendorf Gallery, Hamburg, Germany Dwan Gallery...

This exquisite lithograph by Joan Miro (1893–1983), titled Le prophete et L'oiseau et la femme (The Prophet and The Bird and The Woman), originates from the historic 1966 double issu...

Vintage French lithograph of a rustic stone building and stairway with a figure in the shade of an alcove by artist Andre Trost, circa 1960....

This exquisite lithograph by Joan Miro (1893–1983), titled L'oiseau et la femme (The Bird and the Woman), from the folio Derriere le miroir, No. 139–140, originates from the 1963 edi...

Tokyo Tower in Shiba Color woodblock, 1960 Signed and sealed lower right Signed with the artist's name:" Keimei" (see photo) Signed with the artist's seal in red (see photo) Publishe...

Artist: Risaburo Kimura, Japanese (1924 - ) Title: City 57 Year: 1969 Medium: Screenprint, signed in pencil Edition: 6/75 Size: 25 x 19 in. (63.5 x 48.26 cm)

This exquisite lithograph after Marc Chagall (1887–1985), titled La Flute enchantee (The Magic Flute), from the album Le plafond de l’Opera de Paris par Marc Chagall (The Ceiling of ...

Christo and Jeanne-Claude LIMITED EDITION - CHRISTO ET JEANNE-CLAUDE EXHIBITION CATALOGUE From July 1st to October 19th, the Centre Pompidou is hosting Christo and Jeanne-Claude, P...

Artist: Risaburo Kimura, Japanese (1924 - ) Title: City 57 Year: 1969 Medium: Silkscreen, signed in pencil Edition: 6/75 Size: 25 x 19 in. (63.5 x 48.26 cm)

Lithograph after an original watercolor by Salvador Dali Title: New-York City : Plaza (pre-text/"avant la lettre" poster edition) Printed Signature, da...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...

Antonio Frasconi created the color woodcut entitled "View of Venice I – San Giorgio" in 1968. It is signed, titled, dated, and inscribed “17/20” in pencil. The paper size is 24 x 36 ...

Artist: Alexander Calder Title: Plate 5 (Derriere le Miroir #156) Portfolio: Derriere le Miroir #156 Medium: Lithograph Year: 1966 Edition: Unnumbered Framed Size: 22" x 29 1/4" Imag...

To see our other original vintage travel posters, scroll down to "More from this Seller" and below it click on "See all from this Seller", or send us a message if you cannot find the...

To see our other original vintage posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Jeux de la Passion Oberammergau 1960 Original vintage poster 100 x 63 cm Printed in Germany. This magnificent poster advertises the Passion Play (an outdoor play...

To see our other views of Oxford and Cambridge, or Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message ...

Pol Bury (Belgian, 1922-2005) screen print of Statue of Liberty Hand signed and numbered 27/ 62 in pencil Dimensions: 24.25 X 17.5 inches. (sheet size) Provenance: Published by Lefebre Gallery, New York. lithographie en couleurs. Signées et numérotées 27/62. This is just for the print. the title sheet is just included for reference. Pol Bury (1922 – 2005) was a Belgian sculptor who began his artistic career as a painter in the Jeune Peintre Belge (along with Willy Anthoons, James Ensor, Odette Collon, Pierre Alechinsky, Jo Delahaut and Jean Rets...

Pol Bury (Belgian, 1922-2005) Screen print of Brooklyn Bridge Hand signed and numbered 27/ 62 in pencil Dimensions: 17.5 X 24.25 inches. (sheet size) Provenance: Published by Lefebre Gallery, New York. lithographie en couleurs. Signées et numérotées 27/62. This is just for the print. the title sheet is just included for reference. Pol Bury (1922 – 2005) was a Belgian sculptor who began his artistic career as a painter in the Jeune Peintre Belge (along with Willy Anthoons, James Ensor, Odette Collon, Pierre Alechinsky, Jo Delahaut and Jean Rets...

Artist: Risaburo Kimura, Japanese (1924 - ) Title: City 36 Year: 1968 Medium: Screenprint, signed in pencil Edition: AP Size: 30 x 22 in. (76.2 x 55.88 cm)

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...

This piece is from the portfolio, entitled "Notre Pain Quotidien", which consists of 13 lithographs from the original watercolors and gouaches by Maurice de Vlaminck, printed in 1963...

Signed lower right Edition: Undetermined, plus an artist's edition of 10 Edition: Undetermined, plus an artist's edition of 10 Published by the Associated American Artist ...

To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Walter Hoyle (1922 - 2000) King's College, Cambridge (Cambridge Series 1956 - 66) Linocut 46 x 56 cm Signed, titled, and numbered 5/5 in pencil. Hoyle's view of King's College, Cambridge, against a shadowy yellow sky. Hoyle trained at Beckenham School of Art and the Royal College of Art. At the latter he was strongly influenced by Edward Bawden, one of Britain’s greatest linocut printers. Bawden had been commissioned by the 1951 Festival of Britain to produce a mural for the South Bank, and chose Hoyle to assist on account of his great talent. Hoyle moved to Great Bardfield in Essex, becoming a part of the Great Bardfield group of artists; diverse in style, they created figurative work, in stark contrast to the abstract art of the St Ives artists at the opposite end of the country. Hoyle taught at St Martin’s School of Art from 1951-60, the Central School of Arts and Crafts from 1960-64, and the Cambridge School of Art from 1964...

To see our other original vintage travel posters, scroll down to "More from this Seller" and below it click on "See all from this Seller", or send us a message if you cannot find the poster you want. José Ortega (1921 - 1990) Espagne "Don Quixote" (1960s) Original vintage poster 99 x 65 cm Printed in Barcelona for the Publications de la Direccion General del Turismo. Ortega's poster is an abstract depiction of Don Quixote (the Spanish hero written by Miguel de Cervantes), complete with his distinctive hat and spear. Ortega designed the poster for the Spanish tourist board, using an illustrious figure from Spain's literary heritage to encourage people to visit Spain. José García Ortega...

An original etching by American artist Wes Olmsted depicting Crawford Notch in New Hampshire.