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Period: Early 19th Century
Liber Veritatis - Original B/W Etching after Claude Lorrain - 1815
Located in Roma, IT
Image dimensions: 21 x 27 cm.
Liber Veritatis - Plate 189 is a beautiful black and white etching and aquatint on paper realized by the Italian artist ...
Category
Old Masters Early 19th Century Landscape Prints
Materials
Etching, Aquatint
Chinsetsu Yumiharizuki (Strange Tales of the Moonbow) by Katsushika Hokusai-1807
Located in Roma, IT
Woodcut in black (sumizuri-e) realized by Hokusai between 1807 and 1811. Plate from the series "Chinsetsu Yumiharizuki" (Strange Tales of the Moonbow).
A lifetime impression, in ver...
Category
Modern Early 19th Century Landscape Prints
Materials
Woodcut
Three (3) images from Thirty-six Views of Mt. Fuji (Fuji sanjūrokkei)
Located in Middletown, NY
Tokyo: Kawaji, 1830.
Three (3) woodblock prints (nishiki-e) in color on handmade mulberry paper, each 2 5/8 x 3 3/8 inches (67 x 82 mm), the full sheet, margins slightly trimmed. Ea...
Category
Edo Early 19th Century Landscape Prints
Materials
Watercolor, Handmade Paper, Woodcut
Group of Carnations from Temple of Flora
Located in New York, NY
"Group of Carnations" by Dr. Robert Thornton from the quarto edition of "Temple of Flora." London, 1812. Mixed media engraving (aquatint, mezzotint, co...
Category
Early 19th Century Landscape Prints
Materials
Paper
Constantinople
Located in London, GB
Anton Ignaz Melling
1763-1831
Constantinople
Etching, hand coloured
Image size: 26 x13 inches (66 x 33cm)
Acid free mount
This etching of Constantinople offers a captivating panoram...
Category
Early 19th Century Landscape Prints
Materials
Etching
Design fragments of St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter
Architectural Fragments of St Albans Cathedral
Engraving
62 x 46 cm
This engraving was originally published by the Society of Antiquaries of London, an...
Category
Realist Early 19th Century Landscape Prints
Materials
Engraving
Persia
Afghanistan: A Framed Hand-colored 17th Century Map by John Cary
By John Cary
Located in Alamo, CA
This colorful and detailed early 18th century copperplate map by John Cary entitled "A New Map of Persia from the Latest Authorities" was published in London in 1801. It depicts Persia, the region of modern day Afghanistan, the Caspian Sea, the Sea of Aral, the Persian Gulf...
Category
Old Masters Early 19th Century Landscape Prints
Materials
Engraving
$940 Sale Price
20% Off
The Mountains of Ethiopia: Original 19th C. Hand-colored Aquatint by Henry Salt
Located in Alamo, CA
This is a large original hand-colored aquatint etching entitled "The Mountains of Samayut" (Ethiopia) drawn by Henry Salt and engraved by D. Havell. It was ...
Category
Naturalistic Early 19th Century Landscape Prints
Materials
Lithograph
$2,860 Sale Price
20% Off
Pool of Bethesda, Jerusalem: A Hand-colored Aquatint
Engraving by L. Mayer
By Luigi Mayer
Located in Alamo, CA
This is a hand-colored aquatint and engraving entitled "Pool of Bethesda, Jerusalem", published in London by R. Bowyer in 1804. The print was created by Thomas Milton (1743-1827) from drawings by Luigi Mayer.
This beautiful, detailed, original engraving is printed on deluxe J. Whatman paper with very wide left and right margins. There is a watermark "1801" indicating the year the paper was made. The sheet measures 11.25" high and 16" wide. There is a small faint spot in the upper margin on the left and a tiny faint spot in the right upper corner and another in the left lower corner. The engraving is otherwise in excellent condition with vibrant colors throughout the image.
"The Pool of Bethesda...
Category
Romantic Early 19th Century Landscape Prints
Materials
Engraving, Aquatint
Vue Prise dans le Jardin... - Etching by C. Chancourtois - Early 19th Century
Located in Roma, IT
Etching realized by C. Chancourtois after Constant Bourgeois.
Not signed, as issued.
Published in Paris around 1804–1810.
Very good condition.
Category
Modern Early 19th Century Landscape Prints
Materials
Etching
Reconstruction of the citadel, or acropolis, of Athens
Located in Middletown, NY
Engraving with hand coloring on H & I Honig watermarked laid paper, 7 1/2 x 10 1/2 inches (191 x 262 mm); sheet 9 1/4 x 13 1/4 inches (235 x 332 mm), full margins. In good condition ...
Category
Old Masters Early 19th Century Landscape Prints
Materials
Ink, Handmade Paper
Chinsetsu Yumiharizuki (Strange Tales of the Moonbow) by Katsushika Hokusai-1807
Located in Roma, IT
Woodcut in black (sumizuri-e) realized by Hokusai between 1807 and 1811. Belongs to the series "Chinsetsu Yumiharizuki" (Strange Tales of the Moonbow).
A lifetime impression, in ver...
Category
Modern Early 19th Century Landscape Prints
Materials
Woodcut
Ruins of the Roman Baths of Belisarius: A 19th C. Etching by Luigi Rossini
Located in Alamo, CA
This early 19th century etching entitled "Veduta degl' Avanzi delle Torri di Belisario Dalla parte che guarda l' Interno della Città, vicino a Porta S. Giovanni, A. Mura Aureliane" (...
Category
Old Masters Early 19th Century Landscape Prints
Materials
Etching
West Side of the Chapel of St Paul, Westminster Abbey, architecture aquatint
Located in Melbourne, Victoria
Colour aquatint by John Bluck (active 1791-1819) after Frederick Mackenzie (1788-1854).
Architectural interior with superb original colour. From 'Westminster Abbey', published by Ru...
Category
Naturalistic Early 19th Century Landscape Prints
Materials
Engraving, Etching, Aquatint
Temple of the Dea Tussis
Located in Middletown, NY
London: J. Taylor, 1820. Etching and aquatint with engraving on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), full margins. Small spots of adhesive resi...
Category
English School Early 19th Century Landscape Prints
Materials
Handmade Paper, Engraving, Etching, Aquatint
W. Pickett and J. Clarke after P.J. de Loutherbourg - Etching, Conway Castle
Located in Corsham, GB
A finely detailed etching with aquatint and hand colouring depicting Conway Castle on the north coast of Wales. This print comes from The Romantic And Picturesque Scenery Of England ...
Category
Early 19th Century Landscape Prints
Materials
Etching
W. Pickett and J. Clarke after P.J. de Loutherbourg - Etching, Conway Castle
By Charles John Clarke
Located in Corsham, GB
A finely detailed etching with aquatint and hand colouring depicting Chepstow Castle on the Welsh border. This print comes from The Romantic And Picturesque Scenery Of England and Wa...
Category
Early 19th Century Landscape Prints
Materials
Etching
Two lithographs in color with engraving; Eglise St. Ouen
Eglise St. Maclou
Located in Middletown, NY
Each 8 x 6 inches (202 x 150 mm), full margins. Each with scattered light handling wear, surface soiling, and each with a small bookworm hole in the lower left sheet, well outside of...
Category
French School Early 19th Century Landscape Prints
Materials
Lithograph
Greenwich (London), 1835
Located in Middletown, NY
A couple seen in the hills of Greenwich with the Thames and London in the distrance.
London: 1835.
Lithograph with hand coloring in watercolor on heavy wove paper, 13 x 18 1/4 inch...
Category
English School Early 19th Century Landscape Prints
Materials
Watercolor, Lithograph
Veduta della Piazza del Popolo
Located in Middletown, NY
Ruga, Pietro (after Luigi Magozza). Veduta della Piazza del Popolo. Rome: Giacomo Antonelli, 1825. Engraving with hand coloring in watercolor on cream wove paper with a "PM" watermar...
Category
Italian School Early 19th Century Landscape Prints
Materials
Watercolor, Handmade Paper, Engraving
Jan Six by Pierre François Basan, after Rembrandt
Located in Middletown, NY
Etching on thin laid paper laid down to mid-weight Japon paper, 9 5/8 x 7 9/16 inches (244 x 190 mm), narrow to thread margins. Lettered below the image in the lower right margin wit...
Category
Old Masters Early 19th Century Landscape Prints
Materials
Laid Paper, Etching, Handmade Paper
Base of a Colossal Column Near Syracuse, after Luigi Mayer
Located in Middletown, NY
London: T. Bensley for R. Bowyer, 1810
Hand-colored aquatint on cream wove paper, 9 x 12 3/8 inches (227 x 318 mm), full margins. Scattered light toning and a spray of light spots o...
Category
English School Early 19th Century Landscape Prints
Materials
Handmade Paper, Aquatint
Port of London
Located in Middletown, NY
A scarce impression of cartographer James Duffield Harding's view of the Port of London as it was in 1834.
London: 1834.
Lithograph with hand coloring in watercolor on heavy wove p...
Category
English School Early 19th Century Landscape Prints
Materials
Watercolor, Lithograph
Liber Veritatis - B/W Etching after Claude Lorrain - 1815
Located in Roma, IT
Image dimensions: 21 x 27 cm.
Liber Veritatis - Plate 177 is a beautiful black and white etching and aquatint on paper realized by the Italian artist ...
Category
Old Masters Early 19th Century Landscape Prints
Materials
Etching, Aquatint
St Michael’s Mount, Cornwall, sepia aquatint, Charles Dibdin, 1801
Located in Melbourne, Victoria
From Dibdin's 'Observations on a tour'. Charles Dibdin the elder was a famed singer, songwriter, and actor who spent a significant amount of time touring the countryside. During this...
Category
Naturalistic Early 19th Century Landscape Prints
Materials
Aquatint
Brabant Apple: A 19th Century Hand-colored Engraving by Augusta Innes Withers
By Augusta Innes Withers
Located in Alamo, CA
This early 19th century hand-colored stipple engraving by Augusta Innes Withers entitled "The Brabant Bellefleur Apple" was plate 10 published in London in the 'Transactions of the H...
Category
Naturalistic Early 19th Century Landscape Prints
Materials
Engraving
Michel Grove, Sussex English Regency country house colour aquatint, 1818
Located in Melbourne, Victoria
'Michel Grove, Seat of Thomas Walker Esq'.
Michel Grove was a house in Sussex which Humphrey Repton was commissioned to landscape.
Published by Rudo...
Category
Victorian Early 19th Century Landscape Prints
Materials
Engraving, Etching, Aquatint
A North West View of St. Paul
s Cathedral, London
Located in Middletown, NY
London: R.H Laurie, 1823
Engraving on buff wove paper, 10 x 15 3/4 inches (252 x 398 mm), full margins. Age and light tone, as well as areas of light yellow discoloration from the e...
Category
English School Early 19th Century Landscape Prints
Materials
Handmade Paper, Engraving
Coupang : Ile Timor. Vue d
un chantier de construction. Early C19th engraving
Located in Melbourne, Victoria
'Coupang : Ile Timor. Vue d'un chantier de construction'
Depicts Timorese people and Europeans building a rowboat under a tree, with other boats in the distance. The work is being overseen by a senior naval man, possibly intended to be Captain Freycinet.
Steel-engraving by Friedrich Schroeder (1768-1839) after F Garnier after Alphonse Pellion. Alphonse Pellion, artist and naval draughtsman, was a midshipman aboard l'Uranie on Louis de Freycinet's three-year scientific and ethnographic expedition around the world in 1817-1820.
From Louis Freycinet's 'Voyage Autour du Monde, Entrepris par Ordre du Roi ... Execue sur les Corvettes de S. M. l'Uranie et la Physicienne Pendant les Annees 1817, 1818, 1819 et 1820', published in Paris in 1825.
Louis Claude de Saulces de Freycinet (1779-1842) joined the French Navy in 1793 and was a veteran of the Baudin's voyage of discovery (1801-1803). He also completed the narrative of the expedition which appeared under the title of 'Voyage de Decouvertes aux Terres Australes'. In 1817 de Freycinet successfully lobbied the Government and King Louis XVIII agreed to support a new global campaign. Its mission was to finally determine the shape of the earth and return with detailed reports on geography, people, government, commerce and art of this new world. The 350-ton corvette Uranie had a complement of 120 men and 23 officers including the artist Jacques Arago and a priest. Over the next three years Uranie visited Australia, East Timor...
Category
Victorian Early 19th Century Landscape Prints
Materials
Engraving
Inside of the Duke
s Theater in Lincoln
s Inn Fields as it appeared...Charles II
Located in Middletown, NY
London: William Herbert & Robert Wilkinson, 1809
Engraving on buff wove paper, 12 1/4 x 8 1/4 inches (310 x 208 mm), full margins. In good condition with some scattered surface soiling, and edge wear along the top sheet edge, well outside of the image area. From a series of three views of the Duke's Theater.
An impression of this work may be viewed in the permanant collection of the Royal Collection...
Category
English School Early 19th Century Landscape Prints
Materials
Engraving, Handmade Paper
Map of Cheapside, as it Appeared in the Year 1585
Located in Middletown, NY
Bird's eye view of the old buildings in West Cheap (Cheapside) as they appeared in 1585, from Londina Illustrata.
London: Robert Wilkinson, 1814
Engraving on buff wove paper, 11 ...
Category
English School Early 19th Century Landscape Prints
Materials
Handmade Paper, Engraving
Crepin-Cordonnier by Charles Hullmandell Boys
Located in Middletown, NY
Lithograph on chine-collé mounted to wove paper, 14 1/8 x 8 3/4 inches (355 x 220 mm), full margins. Scattered light foxing throughout, toning, surface soiling and scattered creasing...
Category
French School Early 19th Century Landscape Prints
Materials
Handmade Paper, Lithograph
Temple of Fortuna Virilis
Located in Middletown, NY
London: J. Taylor, 1820. Etching and aquatint with engraving on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), full margins. Small spots of adhesive residue from a former mount at each edge on the recto. Light ghost impression in the area of the sky. Scattered minor areas of light brown discoloration, with a 3 3/4 inch horizontal edge loss along the lower left sheet edge, outside of the platemark. Colors remain fresh. Plate No. 3 from Wonders: Images of the Ancient World. Likely printed 1828.
A view of the Temple of Hercules Victor...
Category
English School Early 19th Century Landscape Prints
Materials
Handmade Paper, Engraving, Etching, Aquatint
The Kirekin in Shropshire, sepia aquatint, Charles Dibdin, 1801
Located in Melbourne, Victoria
From Dibdin's 'Observations on a tour'. Charles Dibdin the elder was a famed singer, songwriter, and actor who spent a significant amount of time touring the countryside. During this...
Category
Naturalistic Early 19th Century Landscape Prints
Materials
Aquatint
St Margarets, Isleworth, English Regency country house colour aquatint, 1818
Located in Melbourne, Victoria
'St Margarets (Entrance Front) Seat of the Earl of Cassillis'.
St Margarets was a Regency house in Isleworth, Middlesex.
Published by Rudolf Ackermann ...
Category
Victorian Early 19th Century Landscape Prints
Materials
Engraving, Etching, Aquatint
Brother Water, Lake District scenery C19th English aquatint
Located in Melbourne, Victoria
'Brother Water descending from Kirkstone'
Aquatint by William Green, 1804
William Green of Ambleside was a Lake District draughtsman, soft ground etch...
Category
Naturalistic Early 19th Century Landscape Prints
Materials
Engraving, Aquatint
French architecture house design lithograph, late 19th century, c1870
Located in Melbourne, Victoria
Chromolithograph from 'Constructions Modernes & Economiques', a French folio of architectural designs, published by Monrocq in Paris.
250mm by 320mm (sheet)
Category
Renaissance Early 19th Century Landscape Prints
Materials
Lithograph
Rockbear House, Devon, English Regency country house colour aquatint, 1818
Located in Melbourne, Victoria
'Rockbear House, Seat of Thos Porter Esq'.
Rockbear House was originally built c. 1760-70 and owned by Sir John Duntze, the wealthy Exeter woollen merchant and banker. About 1820 t...
Category
Victorian Early 19th Century Landscape Prints
Materials
Engraving, Etching, Aquatint
Charles Louis Balzac ca. 1809-1829 Engraving Koum Omboû (Ombos)
Located in Chicago, IL
An engraving on paper by Charles Louis Balzac, "DESCRIPTION DE L'EGYPTE. Koum Omboû (Ombos) Vue du Grand Temple". (ANTIQUITES, volume I, planche 40). Artwork size: 21" x 28". Arch...
Category
French School Early 19th Century Landscape Prints
Materials
Paper, Engraving
Bassenthwaite Water, from the Western Side, Lake District C19th English aquatint
Located in Melbourne, Victoria
'Bassenthwaite Water, from the Western Side'
Aquatint by William Green, 1804
William Green of Ambleside was a Lake District draughtsman, soft ground e...
Category
Naturalistic Early 19th Century Landscape Prints
Materials
Engraving, Aquatint
View of the Silla oil Caracas - Etching by Louis Bouquet - 1814
Located in Roma, IT
Etching realized by Louis Bouquet after Hamboldt.
not signed.
Very good condition.
Category
Modern Early 19th Century Landscape Prints
Materials
Etching
$189 Sale Price
20% Off
Flowering Houseleek Plant: A 19th C. Hand-colored Botanical Engraving by Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Sempervivum Glutinosum" (Clammy Houseleek), plate 1963, published in London in 1818 in William C...
Category
Naturalistic Early 19th Century Landscape Prints
Materials
Engraving
Near Stoneleigh, Warwickshire /// British Victorian Landscape Etching Black Art
Located in Saint Augustine, FL
Artist: Jacob George Strutt (English, 1784-1867)
Title: "Near Stoneleigh, Warwickshire"
Portfolio: Deliciae Sylvarum or Grand and Romantic Forest Scenery in England and Scotland
*Monogram signed by Strutt in the plate (printed signature) lower right
Year: 1828
Medium: Original Etching on chine appliqué on heavy wove paper
Limited edition: Unknown
Printer: Unknown
Publisher: Jacob George Strutt, London, UK
Sheet size: 14.25" x 21.13"
Image size: 10.38" x 13.94"
Condition: Minor soiling and discoloration in margins. A few light areas of waterstaining at right and bottom edges in margins. It is otherwise a strong impression in very good condition
Very rare
Notes:
There is an example of this work within the permanent collection of the British Museum, London, UK and the National Gallery of Ireland, Dublin, Ireland.
Biography:
Jacob George Strutt (4 August 1784 – 1867) was a British portrait and landscape painter and engraver in the manner of John Constable. He was the husband of the writer Elizabeth Strutt, and father of the painter, traveller and archaeologist Arthur John Strutt...
Category
Victorian Early 19th Century Landscape Prints
Materials
Etching, Intaglio
Derwent Water and Lowdore Fall, Lake District scenery, C19th English aquatint
Located in Melbourne, Victoria
'Derwent Water with Lowdore Waterfall'
Aquatint by William Green, 1804
William Green of Ambleside was a Lake District draughtsman, soft ground etcher ...
Category
Naturalistic Early 19th Century Landscape Prints
Materials
Engraving, Aquatint
French architecture house design lithograph, late 19th century, c1870
Located in Melbourne, Victoria
Chromolithograph from 'Constructions Modernes & Economiques', a French folio of architectural designs, published by Monrocq in Paris.
250mm by 320mm (sheet)
Category
Renaissance Early 19th Century Landscape Prints
Materials
Lithograph
West View of St Nicholas Chapel, Westminster Abbey, architecture aquatint
Located in Melbourne, Victoria
Colour aquatint by John Bluck (active 1791-1819) after Auguste Pugin (1762-1832).
Architectural interior with superb original colour. From 'Westminster Abbey', published by Rudolf A...
Category
Naturalistic Early 19th Century Landscape Prints
Materials
Engraving, Etching, Aquatint
Killerton, Devon, English Regency country house colour aquatint, 1818
Located in Melbourne, Victoria
'Killerton, Seat of Sir Thos. Dyke Ackland Bt MP'.
Killerton is an 18th-century house in Broadclyst, Exeter, Devon. It was built for the Acland family in 1778. The garden was creat...
Category
Victorian Early 19th Century Landscape Prints
Materials
Engraving, Etching, Aquatint
Architecture Fragments of St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter
Architectural Fragments of St Albans Cathedral
Engraving
44 x 62 cm
This engraving was originally published by the Society of Antiquaries of London, an...
Category
Realist Early 19th Century Landscape Prints
Materials
Engraving
Coupang : Ile Timor. Divers Travaux Mécaniques. Early 19th century engraving.
Located in Melbourne, Victoria
'Coupang : Ile Timor. Divers Travaux Mécaniques'
Steel-engraving by Friedrich Schroeder (1768-1839) after F Garnier after Alphonse Pellion. Alphonse Pellion, artist and naval draughtsman, was a midshipman aboard l'Uranie on Louis de Freycinet's three-year scientific and ethnographic expedition around the world in 1817-1820.
From Louis Freycinet's 'Voyage Autour du Monde, Entrepris par Ordre du Roi ... Execue sur les Corvettes de S. M. l'Uranie et la Physicienne Pendant les Annees 1817, 1818, 1819 et 1820', published in Paris in 1825.
Louis Claude de Saulces de Freycinet (1779-1842) joined the French Navy in 1793 and was a veteran of the Baudin's voyage of discovery (1801-1803). He also completed the narrative of the expedition which appeared under the title of 'Voyage de Decouvertes aux Terres Australes'. In 1817 de Freycinet successfully lobbied the Government and King Louis XVIII agreed to support a new global campaign. Its mission was to finally determine the shape of the earth and return with detailed reports on geography, people, government, commerce and art of this new world. The 350-ton corvette Uranie had a complement of 120 men and 23 officers including the artist Jacques Arago and a priest. Over the next three years Uranie visited Australia, East Timor...
Category
Victorian Early 19th Century Landscape Prints
Materials
Engraving
French architecture house design lithograph, late 19th century, c1870
Located in Melbourne, Victoria
Chromolithograph from 'Constructions Modernes & Economiques', a French folio of architectural designs, published by Monrocq in Paris.
320mm by 250mm (sheet)
Category
Renaissance Early 19th Century Landscape Prints
Materials
Lithograph
Flowering Crinum Plant: A 19th C. Hand-colored Botanical Engraving by Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Crinum Arenarium" (Water-Island Sand Crinum), plate 2355, published in London in 1822 in William...
Category
Naturalistic Early 19th Century Landscape Prints
Materials
Engraving
"Pillory, Charing Cross" by Rowlandson from "The Microcosm of London"
Located in Alamo, CA
"Pillory, Charing Cross" is an illustration (Plate 62) from "The Microcosm of London", published in London in 1809 by R Ackermann's Repository of Arts. The scene was created by one of the most famous British satirists and caricaturists of the late 18th and early 19th centuries' Georgian Period, Thomas Rowlandson, who drew the figures, while Augustus Charles Pugin drew the architecture. The plate was then created by Hill, Stadler and Bluck using a combination of aquatint and etching and was then hand colored with watercolor. Scenes illustrated in "The Microcosm of London" gives an accurate and often comical view of everyday life in London during the Regency Period of the early 19th century. While Pugin’s excellent architectural drawings capture the size and shape of the exterior as well as the interior of London’s principal buildings, Thomas Rowlandson’s insightful and often whimsical and satirical view of the city's inhabitants depicts the color and vitality of the late Georgian society, both rich and poor alike.
This print depicts the "Pillory, Charing Cross", where criminals were brought and placed on display while secure in the stocks, as are seen in this print. A crowd is present in the square jeering at the prisoners. A statue of Charles I on horseback stands atop a very large pillar to the right. Shops with apartments are seen on the left. Young wealthy people frolic around and on a carriage on the right in front of the statue of King...
Category
Other Art Style Early 19th Century Landscape Prints
Materials
Etching, Aquatint
Ancient View of Cyprus - Lithograph - Mid-19th Century
Located in Roma, IT
Ancient View of Cyprus is an original modern artwork realized in the mid-19th Century.
Original B/W Lithograph on Ivory Paper.
Inscripted on the lower margin in Capital Letters: ...
Category
Early 19th Century Landscape Prints
Materials
Paper, Lithograph
"Scene _ Country Fair": A Framed Early 19th Century Engraving by George Hunt
By George Hunt
Located in Alamo, CA
This is a framed colored engraving entitled "Scene _ Country Fair" by George Hunt, published in London in 1825. It depicts a gathering of people at an early 19th century county fair, presumably in England. A majority of the crowd are turned away, watching a performance on a stage in the background. In the foreground a man is in conversation with a couple. The man wears a top hat and the woman is holding a baby. They are dressed in the typical attire of the middle class at that time.
The engraving is presented in a brown wood frame and a double mat, with a cream-colored outer mat and a light cranberry...
Category
Early 19th Century Landscape Prints
Materials
Engraving
Liber Veritatis - B/W Etching after Claude Lorrain - 1815
Located in Roma, IT
Image dimensions: 21 x 27 cm.
Liber Veritatis - Plate 98 is a beautiful black and white etching and aquatint on paper realized by the Italian artist L...
Category
Old Masters Early 19th Century Landscape Prints
Materials
Etching, Aquatint
Ancient View of Rotterdam Original Lithograph on Paper - Early 19th Century
Located in Roma, IT
Ancient View of Rotterdam is an original modern artwork realized in Italy in the first half of the 19th Century.
Original Lithograph on Ivory Paper.
Inscripted on the lower margi...
Category
Modern Early 19th Century Landscape Prints
Materials
Lithograph
Red Doyenne Pear: Original 19th C. Hand-colored Engraving by Sir William Hooker
Located in Alamo, CA
This is an original 19th century hand-colored stipple engraving by William Hooker entitled "The Red Doyenne Pear", published in London as plate 14 in the 'Transactions of the Horticu...
Category
Naturalistic Early 19th Century Landscape Prints
Materials
Engraving
Flowering Houseleek Plant: A 19th C. Hand-colored Botanical Engraving by Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Sempervivum Smithii" (Hispid-Stemmed Tree Houseleek), plate 1980, published in London in 1818 in...
Category
Naturalistic Early 19th Century Landscape Prints
Materials
Engraving
Agave or American Aloe: A Framed Hand-colored Engraving from Robert Thornton
Located in Alamo, CA
This is a framed hand-colored botanical engraving entitled "Agave or American Aloe" by Reinagle for Robert Thornton's publication 'The Temple of Flora, or Garden of the Botanist, Poet, Painter and Philosopher', published in London in 1811. This beautiful botanical was created using several engraving techniques, including aquatint, mezzotint, stipple and line engraving methods. It was printed in color and then finished by hand.
The print is presented in a gold-colored wood frame and a heather green mat, which is enhanced with a gold fillet. The frame measures 21.63" high by 16.63" wide and 1" deep. It is glazed with UV conservation glass. All of the mounting materials are archival. The original text page from the early 19th century publication is attached to the rear of the frame. The print is in excellent condition.
Robert John Thornton (1765-1832) was attracted to natural history at an early edge and created his own botanical garden and an aviary as a boy. He graduated from Cambridge with a medical degree and set up practice as a London. He inherited his family fortune in 1797, which allowed Thornton the opportunity to devote time to his lifelong goal of creating an extensive scholarly work dedicated to the great classical Swedish naturalist, Carolus Von Linnaeus (1707-1778), also known as Carl von Linné...
Category
Early 19th Century Landscape Prints
Materials
Engraving, Mezzotint
Birs Nimrud la dite Tour Babilonique - Original Lithograph - Early 19th Century
Located in Roma, IT
Birs Nimrud la dite Tour Babilonique is an original modern artwork realized in Germany in the Early 19th Century.
Original B/W Lithograph on Ivory Paper.
Inscripted on the upper c...
Category
Early 19th Century Landscape Prints
Materials
Lithograph
