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Period: Late 19th Century
Le Buisson (The Bush); Chalcographie du Louvre, vol. IV, plate 109
Located in Middletown, NY
Chalcographie du Musee du Louvre, 1855.
Etching on cream wove paper, 17 5/16 x 19 3/16 inches (439 x 488 mm); sheet 17 3/4 x 20 1/8 inches (451 x 519 mm), full margins. Scattered ma...
Category
French School Late 19th Century Landscape Prints
Materials
Handmade Paper, Etching
Euphorbia, German antique botanical plant chromolithograph print
Located in Melbourne, Victoria
'Euphorbiaceen'
(Euphorbia)
German chromolithograph, circa 1895.
240mm by 155mm (sheet)
Category
Naturalistic Late 19th Century Landscape Prints
Materials
Lithograph
Fly Fishing, Saranac Lake
Located in Plano, TX
Fly Fishing, Saranac Lake. 1889. Etching, aquatint and burnishing. Goodrich 104. 14 1/4 x 20 5/8; sheet 18 1/2 x 24 1/2. Edition unknown but quite possibl...
Category
American Modern Late 19th Century Landscape Prints
Materials
Etching
$40,000 Sale Price
20% Off
The Twin Rocks of Capri; I Faraglioni a Capri
Located in Middletown, NY
London: Gebbie & Husson Co., 1879
Héliogravure and engraving on cream wove paper, 10 1/4 x 12 1/4 inches (258 x 310 mm), full margins. In good condition with some very minor margina...
Category
English School Late 19th Century Landscape Prints
Materials
Engraving, Photogravure
Vachère au Bord de l
Eau
Located in Santa Monica, CA
CAMILLE PISSARRO (French 1830-1903)
VACHERE au BORD de l’EAU 1890 (Delteil 93 viii/viii)
Etching, unsigned as published in “Gazette des Beaux Arts”, Paris, 1890. On laid paper
Very...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Drypoint, Etching
$1,463 Sale Price
24% Off
Night Heron Birds: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Yellow Crowned Night Heron, 1. Adult Male Spring Plumage, 2. Young in October", No. 73, Plate 364 from Audubo...
Category
Naturalistic Late 19th Century Landscape Prints
Materials
Lithograph
1870 View of Proposed Brooklyn Bridge and New York City
Located in Alamo, CA
This framed engraving entitled "Birds-eye View of the Southern End of New York and Brooklyn, Showing the Projected Suspension-Bridge Over the East River, From the Western Terminus in Printing-House Square, New York" by Theodore R. Davis (1840–1894) was published as a supplement of Harper's Weekly, November 19, 1870.
The print is presented in a maple frame and a double mat. The frame measures 23.5" high, 29" wide and 0.75" deep. There is a vertical center fold and additional vertical lines, where wood engraving blocks were joined for the printing process. It is in excellent condition.
This framed image depicting New York in 1870 was a centerfold for the November 19, 1870 issue of Harper's Weekly. It includes the site and eventual appearance of the East River New York-Brooklyn Bridge; the name later shortened to the Brooklyn Bridge. The print was issued eleven months after the start of construction of the bridge on January 2, 1870, which would take another 12.5 years to complete. When this view was drawn, work on the bridge was all below ground, constructing the supports for the bridge’s towers. Labels in the upper portion of the print identify locations in the background including "Light Ship...
Category
Naturalistic Late 19th Century Landscape Prints
Materials
Woodcut
Illustrations From The Book of Job - "The Fire of God is Fallen From Heaven"
Located in Soquel, CA
"Illustrations of the Book of Job" Engraving "The Fire of God is Fallen From Heaven...And the Lord said unto Satan Behold All that he hath is in thy Power"
Engraving, third printing...
Category
Symbolist Late 19th Century Landscape Prints
Materials
Handmade Paper, Engraving
$3,720 Sale Price
20% Off
The Way Home. A Winter Evening
Located in Middletown, NY
A beautiful, dark impression of a bucolic cow path.
Etching with drypoint on heavy cream wove paper, 6 5/8 x 9 7/8 inches (174 x 248 mm), full margins. Uniform light brown discolorat...
Category
English School Late 19th Century Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
"Skating on Ladies
Pond Central Park": Winslow Homer 19th C. Woodcut Engraving
Located in Alamo, CA
This Winslow Homer woodcut engraving entitled "Skating on the Ladies' Skating-Pond in Central Park, New York", was published in Harper's Weekly in the January 28, 1860 edition. It depicts a large number of men, women and children skating on a recently opened pond in Central Park. At the time of publication of this engraving, Central Park was in the early stages of construction. This engraving documents the very early appearance of Frederick Law Olmstead and Calvert Vaux's masterpiece of landscape design. According to Olmsted, the park was "of great importance as the first real Park made in this century – a democratic development of the highest significance". The people of New York were very proud of the plans for their park. It was stated at the time: "Our Park, which is progressing very satisfactorily under the management of the Commissioners, will undoubtedly be, one of these days, one of the finest place of the kind in the world...Those who saw the Park before the engineers went to work on it are amazed at the beautiful sites which have been contrived with such unpromising materials; all fair persons believe that the enterprise is managed with honesty and good taste."
Skating was rapidly rising in national popularity in part due to the opening of Central Park’s lake to skaters on a Sunday in December 1858 with 300 participants. The following Sunday it attracted ten thousand skaters. By Christmas Day, a reported 50,000 people came to the park, most of them to skate. There were rules governing who could use the skating pond. “The Ladies’ Pond...
Category
American Impressionist Late 19th Century Landscape Prints
Materials
Engraving, Woodcut
Robert Charles Goff (1837-1922) - Framed Etching, Boats on a Dutch River
Located in Corsham, GB
Robert Charles Goff (1837-1922), original etching. Boats on a Dutch river with horse-drawn carriage running alongside. Signed in pencil to the lower right. Well-presented in a smart ...
Category
Late 19th Century Landscape Prints
Materials
Etching
La Montée - Etching by Christian Johannes Nieuwenhuys - 1870s
Located in Roma, IT
La Montée is an artwork realized by Christian Johannes Nieuwenhuys in the 1870s.
Etching.
Good conditions.
Realized for the "Société des Aquafortistes. Born on the initiative of...
Category
Modern Late 19th Century Landscape Prints
Materials
Etching
Bald Eagle Bird: A 1st Edition 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 1st edition John James Audubon hand-colored lithograph entitled "White-headed Sea Eagle or Bald Eagle", No. 3, Plate 14 from Audubon's "Birds of America, lithogra...
Category
Naturalistic Late 19th Century Landscape Prints
Materials
Lithograph
Orchids: Framed 19th C. Hand-Colored Engraving of "Laelia Anceps" by J. Fitch
Located in Alamo, CA
This beautiful, original hand-colored orchid lithograph entitled "Laelia Anceps Williamsii" Orchids by John Nugent Fitch is plate 100 in Robert Warner's publication 'The Orchid Album...
Category
Naturalistic Late 19th Century Landscape Prints
Materials
Engraving
Golden Eagle: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Golden Eagle", No. 3, Plate 12 from Audubon's "Birds of America, lithographed, printed and colored by JT Bowe...
Category
Naturalistic Late 19th Century Landscape Prints
Materials
Lithograph
Fête du Jubilé de la Reine à Bedford Park, Londres
Located in New York, NY
A superb, dark and evenly-printed impression of this very scarce lithograph by Camille Pissarro and George W. Thornley. Printed in light brown on Chine appliqué. The deluxe edition o...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Lithograph
Original vintage poster "Truth" weekly magazine art nouveau lithograph
Located in Spokane, WA
Original vintage.poster: TRUTH CHRISTMAS. NOTE that this is the turn of the century original poster and is Not a magazine cover. The poster for a gossip magazine focusing on New...
Category
Art Nouveau Late 19th Century Landscape Prints
Materials
Lithograph
Two Actors - Japanese Woodblock by Chikanobu Yoshu
Located in Soquel, CA
Two Actors - Japanese Woodblock by Toyohara Chikanobu (豊原周延, 1838–1912), better known to his contemporaries as Yōshū Chikanobu (楊洲周延).
Colorful and expressive court scene. Two actors...
Category
Edo Late 19th Century Landscape Prints
Materials
Ink, Rice Paper, Woodcut
"Diane Chasseresse, " Original Color Lithograph signed by Gaston De Latenay
Located in Milwaukee, WI
"Diane Chasseresse" is an original color lithograph signed by the artist Gaston de Latenay. It is edition 36/100, which is written in the lower right...
Category
Art Nouveau Late 19th Century Landscape Prints
Materials
Lithograph
Original Vichy stone lithograph vintage French poster
Located in Spokane, WA
Original vintage poster: Vichy travel poster. This is a stunning stone-lithographic turn-of-the-century poster. It advertises a train route to Vichy, France. The poster has been a...
Category
Art Nouveau Late 19th Century Landscape Prints
Materials
Lithograph
$1,916 Sale Price
20% Off
"The Battle of the Golden Spurs" Avante Garde Print
By James Ensor
Located in Soquel, CA
"The Battle of the Golden Spurs" Avante Garde Print
This print of the massive Bataille des Éperons d’Or, or Battle of the Golden Spurs, is considered one of Jame's Ensor's (Belgian ...
Category
Expressionist Late 19th Century Landscape Prints
Materials
Paper, Ink, Etching
"Twilight in Arizona" original etching
By Thomas Moran
Located in Henderson, NV
Medium: original etching. Catalogue reference: Klackner 27. This is a rich, dark impression on wove paper, printed in 1885 for the Sylvester R. Koehler portfolio of etchings and publ...
Category
Late 19th Century Landscape Prints
Materials
Etching
"The Bridge over the Seine Near Argenteuil" Oil Reproduction after Claude Monet
By (after) Claude Monet
Located in Pasadena, CA
This framed reproduction of Claude Monet's immensely popular painting, “The Bridge Over The Seine Near Argenteuil,” comes with a certificate of authenticity on the back and is numbered 1102, making it interesting for several reasons.
The artagraphic process used to produce this work in a limited edition of 2900 is considered the state-of-the-art in art reproduction and the most respectful approach to reproducing a painting by a master. In three steps, this technique creates a 3D replica of an original oil painting's color and surface texture. Colors are scanned with a digital laser and then printed separately using oil-based inks on a single sheet. A mold is created from the original painting to reproduce its surface texture and bas-relief brushstrokes. Unlike lithographs and serigraphs, there is a palpable material and relief if you run your fingers over the surface.
At the Impressionist group's first exhibition in 1874, Claude Monet demonstrated his deep interest in the motif by working on seven depictions of the Argenteuil bridge and four of the railroad bridge upstream. The artwork depicts Monet's immediate impressions of the scene rather than offering detailed realism. In these series, moored sailboats occupy the foreground, while the fluidity of the river melts harmoniously with the geometrically contrasted presence of the bridge and its imposing pillars. Monet manipulates his palette and complementary color schemes to create the illusion of light and movement through small, separate, and visible brushstrokes, making it one of the artist's most recognizable signatures. The painting displays a diversity of styles, with some elements more solid, having strong and distinct lines and structured forms defined by firm contours, while the water and the sky in the background give off an impression of moving space, floating, and ripples.
An original painting of the series can be seen at Musée d'Orsay in Paris, France...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Ink, Oil
$1,760 Sale Price
20% Off
Durham Cathedral, C19th English topographical engraving, by Samuel Read, 1884
By Samuel Read
Located in Melbourne, Victoria
'Durham Cathedral'
Wood-engraving after Samuel Read. From 'The Illustrated London News'.
Samuel Read was an English illustrator who provided many illust...
Category
Naturalistic Late 19th Century Landscape Prints
Materials
Engraving
Windmills in Holland - Original etching - Ed. Durand Ruel, 1873
By Claude Monet
Located in Paris, IDF
Claude MONET (after)
Windmills in Holland, 1873
Original Etching
Engraved by Gaucherel under the supervision of Monet
Printed signature in the plate (with misspelled signature Monnet)
On laid paper 20,5 x 30 cm (c. 8 x 12 in)
INFORMATION : This etchings was edited in 1873 by Galerie Durand Ruel...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Etching
Pug, Greyhound, Terrier
Located in Columbia, MO
Pug, Greyhound, Terrier
1883-84
Chromolithograph
8.5 x 11 inches
Category
Naturalistic Late 19th Century Landscape Prints
Materials
Lithograph
Antique Dog Lithograph Taste of Alfred De Dreux, France ca. 1870 Newfoundland
By Alfred de Dreux
Located in SANTA FE, NM
Antique Dog Portrait
Lithograph in the Taste of Alfred De Dreux
Newfoundland
France, circa 1870
Lithography
25 5/8 x 19 5/8 (28 x 20 frame) inches
Six lithographs of dog portraits...
Category
Romantic Late 19th Century Landscape Prints
Materials
Lithograph
"A Burro Train, New Mexico" original etching
By Peter Moran
Located in Henderson, NV
Medium: original etching. Catalogue reference: White 1. This impression on laid paper was printed in 1880 for The American Art Review. The plate measures 6 1/2 x 9 3/8 inches; the sh...
Category
Late 19th Century Landscape Prints
Materials
Etching
Paris - Bibliotheque du Conservatoire des Arts et Metiers, lithograph, 1861
Located in Melbourne, Victoria
'Bibliotheque du Conservatoire des Arts et Metiers', tinted lithograph by Felix Benoist (1818-1896).
From a series of lithographs depicting the famous buildings of Paris - 'Paris da...
Category
Naturalistic Late 19th Century Landscape Prints
Materials
Lithograph
A Pictorial View of Broadway, 1899 - 74 Chromolithograph plates
Located in Middletown, NY
What did Broadway look like at the turn of the 20th Century? Here is a scarce and important block-by-block view published in 1899 by The Mail and Express
New York: The Mail and Expr...
Category
American Realist Late 19th Century Landscape Prints
Materials
Lithograph
Sous Bois
Located in Middletown, NY
Paris: Cadart & Luquet, c1870.
Etching with engraving on Chine-collé mounted to wove paper, 14 1/4 x 9 5/8 inches (360 x 244 mm) full margins. In good condition with some marginal w...
Category
French School Late 19th Century Landscape Prints
Materials
Handmade Paper, Engraving, Etching
$300
La Visitation à la Ville Montrouge - Lithograph by Maurice Denis - 1896
Located in Roma, IT
Edition of 100 prinst on verge crème, numbered and signed by the artist in pencil.
Hand signed.
Full margins. Belonging to the suite “L’Album des peintres-graveurs”.
Ref. Cat. Cai...
Category
Modern Late 19th Century Landscape Prints
Materials
Lithograph
Winslow Homer 19th Century Woodcut Engraving "Making Hay"
Located in Alamo, CA
This Winslow Homer woodcut engraving entitled "Making Hay", was published in Harper's Weekly in the July 6, 1872 edition. It depicts a two men hand cutting high grass on a hill. The man in the foreground is looking at a young boy and a girl (presumably his children), who are sitting on the ground with a picnic basket.
This beautiful Homer woodcut engraving is presented in a brown wood frame and a light beige fabric mat with a black inner mat. The print is in excellent condition.
There are two other Homer woodcut engravings in identical frames and mats that are listed on 1stdibs. See LU117326148332 and LU117326148272. These would make a wonderful display grouping. A discount is available for the purchase of two or all three of these prints.
This Winslow Homer engraving...
Category
American Impressionist Late 19th Century Landscape Prints
Materials
Engraving, Woodcut
Mu-Tamagawa
Located in Middletown, NY
Woodcut in ink with embossing and hand-coloring in watercolor on laid Japon paper, 16 x 10 inches (406 x 253 mm), ōban tate-e, full margins. Scattered handling wear and toning, other...
Category
Edo Late 19th Century Landscape Prints
Materials
Watercolor, Handmade Paper, Woodcut
Paris - Eglise Saint Genevieve (Ancien Pantheon), French lithograph, 1861
Located in Melbourne, Victoria
'Eglise St Genevieve', tinted lithograph by Felix Benoist (1818-1896).
From a series of lithographs depicting the famous buildings of Paris - 'Paris dans...
Category
Naturalistic Late 19th Century Landscape Prints
Materials
Lithograph
The Battery and Castle Garden
Located in Middletown, NY
Society of Iconophiles, 1898.
Lithograph on brown wove paper, 10 x 7 1/2 inches (253 x 190 mm), full margins. In good condition with some age tone and the lower left corner dog-eare...
Category
American Modern Late 19th Century Landscape Prints
Materials
Lithograph
Paris - Eglise de L
abbaye de St Denis, French lithograph, 1861
Located in Melbourne, Victoria
'Eglise de L'abbaye de St Denis', tinted lithograph by Felix Benoist (1818-1896).
From a series of lithographs depicting the famous buildings of Paris - 'Paris dans sa Splendeur', p...
Category
Naturalistic Late 19th Century Landscape Prints
Materials
Lithograph
Pilgrimage to Enoshima
Located in Middletown, NY
Tokyo: Matsuki Heikichi, 1893
Woodcut in ink with embossing and hand-coloring in watercolor on handmade mulberry paper, 14 1/2 x 9 7/8 inches (368 x 251 mm), ōban tate-e, full margi...
Category
Edo Late 19th Century Landscape Prints
Materials
Watercolor, Handmade Paper, Woodcut
"Noonday Rest" original etching
By Peter Moran
Located in Henderson, NV
Medium: original etching. A nice impression on cream laid paper, published for the American Art Review in 1880; the American Art Review was a lavishly produced revue featuring origin...
Category
Late 19th Century Landscape Prints
Materials
Etching
Rue Furstenberg
Located in Plano, TX
Rue Furstenberg. 1894. Lithograph. Way 59; Levy 90; Tedeschi, Stratis and Spink catalog 97. Only state. 8 7/8 x 6 1/4 (sheet 14 1/4 x 8 7/8). A fine ...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Lithograph
$5,500 Sale Price
26% Off
Modern Art - Lithograph (Les Maîtres de l
Affiche), 1895
Located in Paris, IDF
Arthur Wesley DOW (1857-1922)
Modern Art
Lithograph
Printed signature in the plate
On vellum
Size 39 x 29 cm (c. 15.3 x 11.4")
INFORMATION : Plate 36 of "Les Maîtres de...
Category
Art Nouveau Late 19th Century Landscape Prints
Materials
Lithograph
Orchids: Framed 19th C. Hand-Colored Engraving of "Trichosma Suavis" by J. Fitch
Located in Alamo, CA
This beautiful, original hand-colored orchid lithograph entitled "Trichosma Suavis" Orchids by John Nugent Fitch is plate 114 in Robert Warner's publication 'The Orchid Album, Compri...
Category
Naturalistic Late 19th Century Landscape Prints
Materials
Engraving
“Tending the Sheep”
Located in Southampton, NY
Beautifully executed original hand colored lithograph using gouache and watercolor. Scene in Surrey, England. Signedxwith monogram in plate lower left, Myles Birket Foster. Published by M. H. Long. Condition is very good. In original 2 inch wide birdseye maple antique frame with thick museum mat with gold innner edge. Overall 22 by 26 inches.
Biography
Myles Birket Foster (4 February 1825 – 27 March 1899) was a popular English illustrator, watercolour artist and engraver in the Victorian period. His name is also to be found as Myles Birkett Foster.
Life and work
Foster was born in North Shields, England of a primarily Quaker family, but his family moved south to London in 1830, where his father founded M. B. Foster & sons — a successful beer-bottling company. He was schooled at Hitchin, Hertfordshire and on leaving initially went into his father's business. However, noticing his talent for art, his father secured an apprenticeship with the notable wood engraver, Ebenezer Landells, where he worked on illustrations for Punch magazine and the Illustrated London News.
On leaving Landells' employ, he continued to produce work for the Illustrated London News and the Illustrated London Almanack. He also found work as a book illustrator and, during the 1850s, trained himself to paint in watercolours. His illustrations of Longfellow’s Evangeline and books of poetry by other contemporaries were a great success, and he quickly became a successful artist in watercolours. Birket Foster became an Associate of the "Old" Watercolour Society (Later the Royal Watercolour Society) in 1860 and exhibited some 400 of his paintings at the Royal Academy over more than 2 decades.
Birket Foster travelled widely, painting the countryside around Scotland, the Rhine Valley, the Swiss lakes and in Italy, especially Venice. In 1863 he moved to Witley, near Godalming in Surrey where he had a house ("The Hill") built. Being friendly with Edward Burne-Jones and William Morris, he had the house decorated and furnished in contemporary style, with tiles and paintings by Burne-Jones and Morris' firm, Morris and Company. The same year he published a volume of "English Landscapes," with text by Tom Taylor...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Lithograph, Watercolor, Gouache
$1,120 Sale Price
20% Off
Chiesa di St Maria-Sopra-Minerva, Rome, Italy. Lithograph by Philippe Benoist
Located in Melbourne, Victoria
'Chiesa di St Maria-Sopra-Minerva. Veduta delle braccia di Croce'
Santa Maria sopra Minerva is one of the major churches of the Roman Catholic Order of Preachers (better known as t...
Category
Victorian Late 19th Century Landscape Prints
Materials
Lithograph
After the Bath - Original etching - Ed. Durand Ruel, 1873
Located in Paris, IDF
Jean Baptiste Camille COROT (after)
After the Bath, 1873
Original Etching
Engraved by Boilevin under the supervision of COROT
Printed sig...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Etching
Paris - Fontaine de la Place du Chatelet, French lithograph, 1861
Located in Melbourne, Victoria
'Fontaine de la Place du Chatelet', tinted lithograph by Felix Benoist (1818-1896).
From a series of lithographs depicting the famous buildings of Paris -...
Category
Naturalistic Late 19th Century Landscape Prints
Materials
Lithograph
Paris - Cirque de L
Imperatrice, French lithograph, 1861
By Felix Benoist
Located in Melbourne, Victoria
'Cirque de l'Imperatrice aux Champs-Elysses', tinted lithograph by Felix Benoist (1818-1896).
From a series of lithographs depicting the famous buildings of Paris - 'Paris dans sa S...
Category
Naturalistic Late 19th Century Landscape Prints
Materials
Lithograph
Toulouse Lautrec Original Lithograph Famous Political 1800s Collection Signed
Located in Milwaukee, WI
"Lautrec Book: From Au Pied du Sinai written by Georges Clemenceau" lithographs created by the legendary Henri de Toulouse-Lautrec. This book, Au Pied...
Category
Post-Impressionist Late 19th Century Landscape Prints
Materials
Lithograph, Mulberry Paper
Limehouse
Located in New York, NY
JAMES MCNEILL WHISTLER (1834-1903)
Limehouse, from Notes
lithotint, on cream Japan paper mounted to plate paper (as issued), 1878, Spink, Stratis & Tedesch 7, second state (of three)...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Lithograph
Winslow Homer 19th Century Woodcut Engraving "The Morning Walk"
Located in Alamo, CA
This Winslow Homer woodcut engraving entitled "The Morning Walk, Young Ladies' School Promenading the Avenue", was published in Harper's Weekly in the...
Category
American Impressionist Late 19th Century Landscape Prints
Materials
Engraving, Woodcut
Il Campidoglio (Capitoline Hill), Rome. Tinted lithograph, 1870
Located in Melbourne, Victoria
Tinted lithograph by Philippe Benoist (1813-1881) after Felix Benoist. Figures by Bayot.
From a French series titled 'Rome dans Sa Grandeur', circa...
Category
Victorian Late 19th Century Landscape Prints
Materials
Lithograph
Gibbon Falls, Yellow-Stone National Park
Located in Paonia, CO
Gibbon Falls, Yellow-Stone National Park is a chromolithograph from c.1880 showing two fisherman at the base of Gibbon Falls. This chromolithograph is a dramatic view of the powerful Gibbon waterfall that cascades 84 feet into a small, clear pool. The setting is quintessential Yellowstone, with scrubby pine trees and rocky cliffs. The inscription on the bottom left corner below the image says Scenery From Nature on the Northern Pacific R.R. Established by the U.S. Congress and signed into law by President Ulysses S. Grant on March 1, 1872 Yellowstone was the first national park in the U.S. and is widely held to be the first national park in the world. Native Americans have lived in the Yellowstone region for at least 11,000 years. The Northern Pacific Railroad...
Category
Naturalistic Late 19th Century Landscape Prints
Materials
Lithograph
Coenties Slip
Located in Middletown, NY
Lower Manhattan and the Seaport as the artist imagined it would have appeared before 1835.
New York: 1907.
Etching with drypoint on Japon paper, 13 7/8 x 9 3/4 inches (353 x 248 mm...
Category
American Modern Late 19th Century Landscape Prints
Materials
Etching, Drypoint, Handmade Paper
Jack Russell Terriers by Alexander Pope
By Alexander Pope
Located in Paonia, CO
An original chromolithograph from the Celebrated Dogs of America by Alexander Pope Jr. and published by S.E. Casino, Boston,1882. This compositio...
Category
Other Art Style Late 19th Century Landscape Prints
Materials
Lithograph
Orchids" Framed 19th C. Hand-Colored Engraving of "Lycaste Skinneri" by Fitch
Located in Alamo, CA
This beautiful, original hand-colored orchid lithograph entitled "Lycaste Harrisoniae Eburnea" Orchids by John Nugent Fitch is plate 100 in Robert Warner's publication 'The Orchid Al...
Category
Naturalistic Late 19th Century Landscape Prints
Materials
Engraving
The Angelus - Original etching - Ed. Durand Ruel, 1873
Located in Paris, IDF
Jean Francois MILLET (after)
The Angelus, 1873
Original Etching
Engraved by Martinez under the supervision of PUVIS DE CHAVANNES
Printed signature in the ...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Etching
The Traghetto
Located in New York, NY
James Whistler (1834-1903), The Traghetto, etching and drypoint, 1879-80, signed with the butterfly on the tab and inscribed “imp”. Reference: Kennedy 19...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Drypoint, Etching
View of the Island of San Mauro - Lithograph by Giuseppe Ruo- 1880s
Located in Roma, IT
Lithograph hand watercolored, realized by Giuseppe Ruo in 1880s.
Good condition.
Category
Modern Late 19th Century Landscape Prints
Materials
Lithograph
Art Nouveau : Golden Age, Peaceful Life in the Forrest - Original lithograph
Located in Paris, IDF
Henri RIVIERE (1884-1951)
Art Nouveau : Golden Age, Peaceful Life in the Forrest, 1898
Original lithograph (Champenois workshop)
Printed signature in the plate
On paper 90 x 120 cm
...
Category
Late 19th Century Landscape Prints
Materials
Lithograph
Stephen Parrish (1846-1938) - American School 19th Century Etching, Hastings
Located in Corsham, GB
A finely detailed coastal scene by American artist Stephen Parrish (1846-1938). The beach is a bustling hive of activity, with various figures working along the shore. In the backgro...
Category
Late 19th Century Landscape Prints
Materials
Etching
