Late 19th Century Landscape Prints

Lido (Venice) Etching on chine collee, 1880 Part of the artist's "Venice Set" Signed upper right in plate :Otto H Bacher" (see photo) Signed with the estate stamp, Lugt 2002 recto lower right beneath image. (see photo) Created October 20, 1880 Reference: Andrew Venice No. 29 Provenance: Estate of the Artist Otto H. Bacher (1856-1909) Otto Henry Bacher was born in Cleveland, Ohio, to a family of German descent. He first studied art at the age of sixteen with local genre trompe l'oeil still-life artist, DeScott Evans. Although he studied with Evans for less than one year, Bacher's early work, comprised mainly of still lifes, betrays Evans's influence. After a short period in Philadelphia, where he studied at the Pennsylvania Academy of the Fine Arts, Bacher returned to Cleveland and met Willis Seaver Adams, an artist from Springfield, Massachusetts, who had just recently arrived upon the Cleveland art scene. Soon the two artists were rooming together. Adams was instrumental in the founding of the Cleveland Art Club, as well as the establishment of the Cleveland Academy of the Fine Arts, to the board of which Adams had Bacher appointed. Also during this time, Bacher began to learn the process of etching from local etcher and landscape painter Sion Longley Wenban. In 1878, Bacher and Adams left for Europe. After stopping briefly in Scotland, Bacher went on to Munich, where he enrolled at the Royal Academy. He quickly tired of the rigors of the academy, and soon he was studying with Cincinnati artist Frank Duveneck, the prime American exponent of the Munich School. In 1879, Bacher made a trip to Florence with Duveneck as one of the celebrated "Duveneck Boys." Early the following year, the group proceeded to Venice, where Bacher and several other artists established studios in the Casa Jankovitz. By this time an avid printmaker, Bacher had his etching press sent from Muni ch, and it was in his Venice studio that he taught Duveneck the rudiments of etching. Soon Bacher, Duveneck, and other members of the Duveneck circle were experimenting in printmaking. Among the group's contributions were some of the first American examples of monotypes, which they called "Bachertypes" because they were printed using Bacher's press. It was also in Venice that Bacher met the venerable American expatriate artist, James McNeill Whistler. On learning of Bacher's press and his collection of etchings by Rembrandt, Whistler made himself a regular visitor to Bacher's studio, and he eventually took his own room in the Casa Jankovitz. Bacher spent much of the rest of 1880 with Whistler, the two artists sharing etching techniques. From Whistler, Bacher learned tone and line graduation; from Bacher, Whistler learned his etching techniques, including better ways of using the acid bath which produced less tedious and more efficient work. Bacher visited Whistler occasionally in the years that followed, and in 1908 he published With Whistler in Venice, his famous recollections of his time with the great artist. Bacher spent the next two years traveling extensively throughout Italy, with Venice as the center of his operations, and he produced a number of important etchings of Italian subjects. Bacher sent several of these works to America in 1881 to be included in the Society of American artists exhibition that year, and had a similar group of works shown at the Royal Society of Painter-Etchers' first exhibition at the Hanover Gallery in London. Following the exhibition, Bacher, along with several other of the American contributors, was elected a Fellow of the Society. Bacher collected twelve of his etchings of Venetian subjects and sold them in bound volumes through his New York dealer, Frederick Keppel. Bacher returned to Cleveland in January 1883 as a fully cosmopolitan artist. He set up a lavish studio furnished with exotic items and objets-d'art he had collected on his travels, and began to hold art classes as a means to supplement his income. He soon joined with Joseph De Camp in forming a summer sketch class in Richfield, Ohio. Bacher and De Camp also planned the Cleveland Room for a major loan exhibition in Detroit that year. During this period, Bacher increasingly painted in oil, and he began to produce sun-dappled canvases in an impressionistic mode. Unable to sell any paintings from this early period, however, Bacher left Cleveland for Paris in 1885, where he planned to undertake further studies. Stopping first in London to visit Whistler, Bacher stayed only briefly in Paris before heading to Venice, where he spent the remainder of the year. In January 1886, Bacher returned to Paris and enrolled at the Académie Julian, and also entered the atelier of Emile-Auguste Carolus-Duran. The life of the student seems never to have suited Bacher, as he stayed in Paris only through June, before departing again for Venice. For the next six months he, Robert Blum, and Charles Ulrich...

Figure along Nile is an modern artwork realized d'apres Karl Werner  Mixed colored Chromolithograph.  The artwork is from the watercolors realized by the artist during a trip to Eg...

Original etching on Ingres laid paper (watermarked, see last photograph) attributed to the hand of the well known Dutch artist, Hermanus Jan Hendrik Rijkelijkhuysen. No visible signature. Sheet size 9.25 by 12 inches. Sight size 7 by 9 inches. Under glass. Circa 1875. Condition is excellent. Professionally matted and framed in a walnut colored frame with gold leaf edge. Overall framed measurements are 12.75 by 14.5 inches. Gallery label verso. Provenance: A Sarasota, Florida collector. Biography: Hermanus Jan Hendrik Rijkelijkhuysen (1813-1883) was a landscape painter and etcher. Rijkelijkhuysen spent most of his life working in the vicinity of his birthplace Utrecht. Inspired by the polders on the one hand and the Utrechtse Heuvelrug on the other, he mainly painted and etched water...

Etching by Adolfo Bignami in the late 19th Century. Printed by Carlo Lovera Very good condition.

Egyptians along the Nile  is a modern artwork realized d'après Karl Werner. Mixed colored cromolithograph.  The artwork is after the watercolors realized by the artist during a tri...

Food is a modern artwork realized d'apres Karl Werner  Mixed colored Chromolithograph.  The artwork is after the watercolor realized by the artist during a trip to Egypt between 18...

Sailing on the Nile is a modern artwork realized d'apres Karl Werner. Mixed colored cromolithograph.  The artwork is after the watercolors realized by the artist during a trip to E...

Battle of Sedyman is an etching print on paper in the Late 19th century. Good conditions. From the suite of "France Pittoresques, including costume of the world.

The Village is a lithograph print on paper in the Late 19th century realized by Sarah Green. Signed on the plate Good conditions. From the suite of "France Pittoresques, including...

View of Paris XV-XVI is a lithograph print on paper realized in the Late 19th century Signed on the plate Good conditions. From the suite of "France Pittoresques, including costum...

Beautiful engraving of a late 19th Century painting by Frederic Arthur Bridgman (American, 1847 - 1928) titled "A Hot Bargain," (see image) engraved by James D. Smillie (American, 1833-1909), circa 1900. Signed lower right edge. Edition 64/225 with attribution to piece and artist on verso. Presented in with new mat. Original mat on verso. Condition: Good, minor foxing on edge. Image size: 5.88"H x 9"W. A native of New York and the son of an engraver, James David Smillie earned his early reputation for his etching skills but later for watercolor landscapes. He began etching at age 8, learning from his father, James Smillie...

Landscape is an original artwork realized by Rodolphe Piguet (1840-1915) in 1875. Original etching. The work is contained in a white passepartout. Hand-signed and dated by the art...

"Cader," a Deerhound of the Pure Glengarry Breed 1887 Etching 3 x 5

Beautiful proof on vergé crème, signed by the artist in pencil. Full margins. Ex-coll. H.H. Benedict (Lugt 1298). Ref. Cat. Harrington 221; Schneiderman 208.

Etching and drypoint. Hand signed. Very good condition.

Along the Nile is a modern artwork realized d'apres Karl Werner  Mixed colored Chromolithograph.  The artwork is after the watercolors realized by the artist during a trip to Egypt...

Night at Abu Simbel is a modern artwork realized d'apres Karl Werner.  Mixed colored Chromolithograph.  The artwork is after the watercolors realized by the artist during a trip to...

Oriental scene is a modern artwork realized d'apres Karl Werner  Mixed colored Chromolithograph.  The artwork is after the watercolor realized by the artist during a trip to Egypt ...

Nursing is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Good conditions with foxing. The artwork is realized through s...

Fishermen is an original etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Good conditions with foxing. The artwork is realize...

Place Le Soir (The Square at Evening) Color lithograph on wove paper, 1899 Unsigned (as issued) From: Quelques aspects de la vie de Paris (Some Aspects of Parisian Life), 1899, Plate...

The french Landscape is an original Lithograph realized by Louise de Rohan-Chabot in 1878. Good conditions except for some foxings. Signed and dated lower left, 1878. The artwork ...

Scene on the Nihonbashi Bridge is an artwork realized in 1875 by Utagawa Yoshitora. Woodcut print triptych. Signed: Mosai ga. Publisher: Sawamuraya...

The Cabin is an original Modern artwork realized by Sir Francis Saymour-Haden (16 September 1818 – 1 June 1910) in 1877. Beautiful Proof on vélin fort, with stamp "Lugt 1048”. Full ...

Hotel Saint-Charles is a beautiful black and white xylograph on paper, realized in 1880 by Auguste Victor Deroy. Original title: Nouvelle-Orléans: Hôtel Saint-Charles Signed on pl...

Les Marais 1880s is an original drawing in etching technique on paper, realized and by Maillart, a French engraver and sculptor after Theodore Rousseau...

Garden is a beautiful black and white lithograph on paper, realized by Marco Calderini (Tourin 1850-1948) around 1880. Representing a luxurious and decadent garden with a central fo...

Ancient View of Yokohama is an original vintage albumen print on single cardboard: 34 x 26 cm. It was realized in 1890s. Good conditions except...

Views of Yokohama photographs is a set of four original vintage Albumen prints on single cardboard: 34 x 26 cm. They were realized in 1890s. Good conditions except for being aged. ...

Views of Yokohama is a set of eight original vintage Albumen prints on single cardboard: 26 x 34 cm. They were realized between the 1880s and th...

Chiesa di Barletta 1880s is an original print in ething technique, realized by Luigi Rossetti (1881-1912) . Very good conditions. This etching represents a beautiful church, "Chie...

Giorgio Sommer n° 6418, view of Posillipo, is an original albumen print applied on cardboard. Title, catalog number and photographer's name printed on the low edge of print. This b...

Ancient Views of Yokohama is a set of 4 original vintage albumen prints on single cardboard: 34 x 26 cm. They were realized in the 1890s. Good ...

Ancient Views of Kobe is an original vintage Albumen prints on single cardboard: 26 x 34 cm. They were realized in the 1890s. Good conditions except for being aged. Caption in Ita...

The Spanish Pointer 1887 Etching 3 x 5

The Boarhound 1887 Etching 3 x 5

Ancient View of Yokohama is an original vintage albumen print on cardboard: 34 x 26 cm. It was realized in 1890s. Good conditions except for being aged. Caption in Italian, in ink...

Ancient Views of Kobe is an original vintage albumen print on single cardboard: 26 x 34 cm. They were realized between the 1880s and the early 1...

La Nouvelle Orléans is a wonderful black and white xilograph on paper, realized in 1876 by an unknown artist, whose signature is not completely readable on lower right corner, after the German artist and marine painter Theodore Alexander Weber (1838-1907). With high meticulousness of sign this original print describes the new port...

Picture of the opening of the temporary Diet building is an original artwork realized in the 1890s by Ginko Adachi (born 1853; active c. 1870 – 1908). Sheet dimensions: 22 x 48 cm. ...

Venice is a beautiful etching on paper realized after Tintoretto in 1870. Titled on the lower center. In good condition, except for some cutting along the margins and foxing. The a...

"Landscape" is an original drawing in etching, realized by Edwin Edwards. The state of preservation of the artwork is very good. Sheet dimension: 18.5 ...

Fontainebleau Forest is an original Modern artwork realized by Luca Beltrami (1854 - 1933) in 1877. Original B/W Etching on ivory cardboard. Mint con...

This Map of Russia is an etching realized by an anonymous artist. The state of preservation of the artwork is good with some small diffused stains. Sheet dimension:27.5 x 44 At t...

This splendid lithograph, realized in 1880s, is part of the series of prints dedicated to views of the Landscape, engraved by the Italian artist Antonio Fontanesi. The state of preservation of the artwork is very good. The signature is engraved on the plate the lower right. Antonio Fontanesi (Reggio Emilia, 1818 - Turin, 1882) was an Italian painter, engraver, teacher, and soldier. He was one of the most important 19th-century Italian painters, though somewhat unknown. After fighting in the I Independence War...

Image dimensions: 14 x 18 cm. Country House is an original modern artwork realized between the end of the XIX Century and the first years of the XX Century by Marcel Haussaire. Ori...

Max Klinger's Intermezzi (Intermezzos) offers a diverse selection of amusements, like brief comedic interludes at the opera. The portfolio highlights the capriciousness of life and i...

L’Angelus (The Bell Tower) etching & drypoint, c. 1876 Signed in the plate with the artist's initials (see photo) Condition: Excellent Image/Plate size: 5 7/8 x 4 1/4 inches Sheet s...

Image dimensions: 9.5 x 12.5 cm. Mississippi is a black and white xylograph on paper, realized in 1890 by anonymous artist. Of little dimensions but high fineness, this original print portrays a historical view on the New Orleans port...

Image dimensions: 7.2 x 12.7 cm. New Orleans is a black and white xylograph on paper, realized in 1890 by anonymous artist, of incredible fineness. Of little dimensions but high meticulousness of sign, this original print presents us a lost and historical view on the New Orleans port...

Image dimensions: 10.1 x 13.9 cm. Port of New Orleans is a black and white xylograph on paper, realized in 1890 by Holland Tringham. Of little dimensions but high quality, this ori...

Image dimensions: 10 x 14.5 cm. Tesoreria d'Atrée is a hand-colored lithograph on paper, representing the Treasure of Atreus, sometimes called Tomb of Agamemnon, the impressive tholos tomb located in Mycenae, Greece (on the hill called Panagitsa) and built around 1250 BC., discovered by the archaeologist Heinrich Schliemann...

Original print by Lucien Gautier after the original painting by T. Rousseau. Etching and aquatint. Perfect conditions. Collect the magician landscapes by the French Barbizon school artists! Lucien Marcellin Gautier (Aix-en-Provence 1850 - 1925) The French engraver was firstly pupil of Gibert and Marius Reinaud in Aix-en-Provence, then Léon Gaucherel...

By the Water is an Original Etching realized by Pierre Georges Jeanniot (1848-1934). Hand-Signed and some notes by the artist on the lower left corner. Good condition on a cream co...

Image dimensions: 23.5 x 15.8 cm. La rue Saint-Louis is a wonderful black and white xilograph on paper, realized in 1880 by Bertrand, after Valnay. Signed on plate on sides. Title ...

Shimada is an original modern artwork realized after Utagawa Hiroshige, in the Late 19th Century. Original Woodcut print from the series "53 Stations of t...

The Cabin is an original Modern artwork realized by Sir Francis Saymour-Haden (16 September 1818 – 1 June 1910) in 1877. Beautiful Proof on vélin fort, with stamp "Lugt 1048”. Full ...

Mariko Station, a Mad Caricature (Mariko shukuba no kyoga) Color woodcut, 1872 Signed in cartouche lower left corner (see photo) From the series: "53 Stations by Calligraphy and Pain...

Paris, Rue Mazarine is an original Modern artwork realized by Luca Beltrami (Genoa 1854 - 1933) in 1877. Original B/W Etching on ivory cardboard. Exc...

Whistler, James A. M. SAN BIAGIO. Etching and Drypoint, 1880. Glascow 237, K.197; M.194; W.163. State 8 of 17. With the printed butterfly at left, and with the butterfly signature in...