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Period: Mid-18th Century
Piranesi 18th C. Etching "Reliquiae Theartri Pompejani" an Ancient Roman Theater
Located in Alamo, CA
This a framed Giovanni Battista Piranesi (1720-1778) etching entitled "Reliquiae Theartri Pompejani" (Remains of the Theatre of Pompey) from "Il Campo Marzio dell'Antica Roma" (The Campus Martius of Ancient Rome), published in Rome in 1762. It depicts the remains of an ancient theater in Rome with exposed seating and an arch still standing in the foreground. An inset shows an architectural side view of a portion of the structure.
The etching is presented in an antiqued silver-colored wood frame with a cream-colored French mat. The frame measures 24" x 20.75" x 1.25". The print is in excellent condition.
The Theatre of Pompey (Latin: Theatrum Pompeii, Italian: Teatro di Pompeo) was a structure in Ancient Rome built during the latter part of the Roman Republican era by Pompey the Great...
Category
Old Masters Mid-18th Century Landscape Prints
Materials
Etching
The City of Brussels in the Duchy...- Etching by Giambattista Albrizzi - 1745 ca
Located in Roma, IT
Etching realized by Giambattista Albrizzi (1698-1777) for Thomas Salmon's Lo Stato presente di tutti i Paesi e Popoli do Mondo. Regno di Spagna.
Includes a contemporary wooden frame...
Category
Modern Mid-18th Century Landscape Prints
Materials
Etching
Mediterranean and Adriatic Seas: Original 18th Century Hand-colored Map by Bowen
Located in Alamo, CA
This is an original 18th century hand-colored map entitled "An Accurate Chart of The Mediterranean and Adriatic Sea's; with the Archipelago & Part of the Black Sea. Exhibiting all th...
Category
Old Masters Mid-18th Century Landscape Prints
Materials
Engraving
The Pool Called Apollo
s - Etching by Giambattista Albrizzi - 1745 ca
Located in Roma, IT
Etching realized by Giambattista Albrizzi (1698-1777) for Thomas Salmon's Lo Stato presente di tutti i Paesi e Popoli do Mondo. Regno di Spagna.
Includes a contemporary wooden frame...
Category
Modern Mid-18th Century Landscape Prints
Materials
Etching
The "Water Theatre" in Versailles - Etching by Giambattista Albrizzi - 1745 ca
Located in Roma, IT
Etching realized by Giambattista Albrizzi (1698-1777) for Thomas Salmon's Lo Stato presente di tutti i Paesi e Popoli do Mondo. Regno di Spagna.
Includes a contemporary wooden frame...
Category
Modern Mid-18th Century Landscape Prints
Materials
Etching
The Court of the White Horse in... - Etching by Giambattista Albrizzi - 1745 ca
Located in Roma, IT
Etching realized by Giambattista Albrizzi (1698-1777) for Thomas Salmon's Lo Stato presente di tutti i Paesi e Popoli do Mondo. Regno di Spagna.
Includes a contemporary wooden frame...
Category
Contemporary Mid-18th Century Landscape Prints
Materials
Etching
The Court of the Fountains and... - Etching by Giambattista Albrizzi - 1745 ca
Located in Roma, IT
Etching realized by Giambattista Albrizzi (1698-1777) for Thomas Salmon's Lo Stato presente di tutti i Paesi e Popoli do Mondo. Regno di Spagna.
Includes a contemporary wooden frame...
Category
Contemporary Mid-18th Century Landscape Prints
Materials
Etching
La Porte de la Conference in Paris - Etching by Giambattista Albrizzi - 1745 ca
Located in Roma, IT
Etching realized by Giambattista Albrizzi (1698-1777) for Thomas Salmon's Lo Stato presente di tutti i Paesi e Popoli do Mondo. Regno di Spagna.
Includes a contemporary wooden frame...
Category
Modern Mid-18th Century Landscape Prints
Materials
Etching
La Porte de Saint Bernard, Paris - Etching by Giambattista Albrizzi - 1745 ca
Located in Roma, IT
Etching realized by Giambattista Albrizzi (1698-1777) for Thomas Salmon's Lo Stato presente di tutti i Paesi e Popoli do Mondo. Regno di Spagna.
Includes a contemporary wooden frame...
Category
Modern Mid-18th Century Landscape Prints
Materials
Etching
Viliers Costret, French chateau, architectural plan, mid 17th century engraving
Located in Melbourne, Victoria
'Viliers Costret'
Copper-line engraving by Matthaeus Merian.
From 'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, gardens, buildings and citi...
Category
Rococo Mid-18th Century Landscape Prints
Materials
Engraving
WERNER. A Panoramic View of London
Located in London, GB
London
[WERNER, Friedrich Bernard].
Georg. Balthasar Probst, Augsburg, [c.1730].
A beautiful large, coloured panorama of ‘post fire’ London by Friedrich Bernhard Werner, a German pr...
Category
Land Mid-18th Century Landscape Prints
Materials
Engraving, Handmade Paper, Watercolor
Rovine del Tempio de
Castori nella città di Cora - Etching by G. B. Piranesi
Located in Roma, IT
Image dimensions 40.6x56.8.
Belongs to the Collection "Antiquities of Cori, described and etched by Giovambat Piranesi", and printed in 1764.
Beautiful first roman edition/1st state ...
Category
Mid-18th Century Landscape Prints
Materials
Etching
Map of the Russian Empire: An Original 18th Century Hand-colored Map by E. Bowen
Located in Alamo, CA
This is an original 18th century hand-colored map entitled "A New & Accurate Map of The Whole Russian Empire, As Contain'd Both In Europe and Asia, Drawn from Authentic Journals, Sur...
Category
Old Masters Mid-18th Century Landscape Prints
Materials
Engraving
The Monument of London in Remembrance of the Dreadful Fire of 1666
Located in Middletown, NY
Bowles, Thomas III (after John Donowell)
John Bowles & Richard Wilkinson, 1751.
Steel engraving with extensive hand coloring in watercolor on cream wove paper, 10 1/4 x 16 inches (...
Category
English School Mid-18th Century Landscape Prints
Materials
Watercolor, Handmade Paper, Engraving
Four 18th Century Optical views of Paris etc.; "Vue des Rives de la Seine ....
Located in Middletown, NY
Four 18th Century Optical views
"Vue des Rives de la Seine prise du Pont Neuf à Paris"
"Vue de la Place de l'Hôtel de Ville et du Phare à Calais"
"Vue de Paris prise du Port de la Co...
Category
French School Mid-18th Century Landscape Prints
Materials
Watercolor, Handmade Paper, Engraving
View of Fountain Court, Middle Temple, City of London
Located in Middletown, NY
An 18th century view of the first permanent water fountain in London.
London: J.Boydell, 1753.
Engraving with hand coloring in watercolor on white laid paper, laid down to a modern...
Category
English School Mid-18th Century Landscape Prints
Materials
Watercolor, Handmade Paper, Laid Paper, Engraving
Bird of Prey: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a parrot bird entitled "La Bondree (Bird of Prey)" by Francois Nicolas Martinet, plate 420 from 'Histoire Naturelle des Oiseaux' in association wi...
Category
Naturalistic Mid-18th Century Landscape Prints
Materials
Engraving
Veduta degli Avanzi sopra terra dell
antico Ustrino - Etching by G. B. Piranesi
Located in Roma, IT
Image dimensions 40x60.
Veduta degli Avanzi sopra terra dell’antico Ustrino (View of the visible remains of the ancient crematorium) is a wonderful black and white etching on thick...
Category
Mid-18th Century Landscape Prints
Materials
Etching
Map of the World: An Original 18th Century Hand-colored Map by E. Bowen
Located in Alamo, CA
This is an original 18th century hand-colored map entitled "A New & Correct Chart of All The Known World Laid down according to Mercator's Projection" by Emanuel Bowen. It was published in 1744 in London in John Harris's "Navigantium atque Itinerantium Bibliotheca" or "A Complete Collection of Voyages and Travels". This highly detailed and colorful map depicts the world. as it was known in the mid 18th century. A majority of the northern and central portions of Canada and America are left blank due to the purity of knowledge at the time this map was published.
The map is embellished with four Compass Roses in the lower left, lower center, lower right and center, along with many rhumb lines. There a is a decorative title cartouche in the upper left. This colorful, attractive, historical and interesting 1744 map presents the entire world on Mercator's projection as it was understood in the middle part of the 18th century, before the landmark explorations of Captain’s Cook, Vancouver, Wilkes and others. It is an example of a nautical chart, a type of map that was designed specifically for use by mariners. The map is centered on the equator and includes both the Eastern and Western Hemispheres. The continents of North America, South America, Europe, Africa, and Asia are depicted, as well as various islands in the Atlantic, Pacific, and Indian Oceans. The map is laid out according to the Mercator projection, a type of cylindrical map projection that was developed in the 16th century by Flemish cartographer Gerardus Mercator. This projection has the advantage of preserving angles and shapes, making it useful for navigation. The map presents a paucity of inland detail, particularly for the Americas, but major cities, geographical landmarks, and regions are included. Ocean currents and Tradewinds are identified, as well as the magnetic declination lines or magnetic variance, which refers to the difference between true north and compass north. The continents are color coded, enhancing the beauty of this map. The three compass roses indicate the directions of the cardinal points.
The depiction of the western coast of America, the Pacific and Australia are interesting. There was very little exploration of Australia between the navigations of William Damper in 1699 and Tobias Furneaux in 1773. Most of the maps detail relies on the 17th century Dutch expeditions to Australia's western coast, by Abel Tasman and William Janszoon. Van Diemen's Land (Tasmania) and New Guinea appear connected to the Australian continent. New Zealand appears as a single landmass. North of New Zealand there is a landmass labelled 'Ter d' St. Esprit' which probably represents the New Hebrides Islands. This map precedes the accurate exploration of the South Pacific and east coast of Australia by Captain James Cook later in the 18th century. The map includes ‘Drakes' Port,' the site where Sir Francis Drake supposedly landed in 1579 during his 1579 circumnavigation of the globe. Here he claimed territory for England, restocked, and repaired his vessels. Drake named the region New Albion. The exact location of Drake's Port is a cartographic mystery. Drake's Harbor is believed to be in the region of San Francisco Bay, Bodega Bay, San Pablo Bay...
Category
Old Masters Mid-18th Century Landscape Prints
Materials
Engraving
Banana Plants: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This is a striking original antique colored botanical mezzotint and line double page engraving of banana plants, which is finished with hand-coloring. It is entitled "Banana 1. Musa,...
Category
Naturalistic Mid-18th Century Landscape Prints
Materials
Engraving, Mezzotint
L
Hostel de Chevreuse, French town house in Paris, mid 17th century engraving
Located in Melbourne, Victoria
'L'Hostel de Chevreuse'
Copper-line engraving by Matthaeus Merian.
From 'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, gardens, buildings an...
Category
Rococo Mid-18th Century Landscape Prints
Materials
Engraving
The Royal Exchange of London
Located in Middletown, NY
London: A. Churchill & J. Knapton, 1754
Engraving on fibrous laid paper with a "C" watermark, 9 3/4 x 11 3/4 inches (246 x 297 mm), full margins. Significant edge wear including mul...
Category
French School Mid-18th Century Landscape Prints
Materials
Handmade Paper, Engraving, Laid Paper
Red
Black Woodpeckers: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is an original 18th century hand-colored copperplate engraving of a pair of red and black woodpecker birds entitled "1. Pie Roux, de Cayenne 2. Petit Pie Noir, de Cayenne (Red a...
Category
Naturalistic Mid-18th Century Landscape Prints
Materials
Engraving
Turtledove: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a turtledove entitled "Tourterelle du Senegal (Turtledove of Senegal)" by Francois Nicolas Martinet, plate 160 from 'Histoire Naturelle des Oiseau...
Category
Naturalistic Mid-18th Century Landscape Prints
Materials
Engraving
View of the village and Lake Brientz by Johann Ludwig Aberli - Engraving 30x42
Located in Geneva, CH
Work on paper
Category
Realist Mid-18th Century Landscape Prints
Materials
Engraving
Gardens of the Chateau Rueil, Paris, France, mid 17th century engraving
Located in Melbourne, Victoria
'Prosp. horti Auraicorum Pomorum a Ruel'
Copper-line engraving by Matthaeus Merian.
From 'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, gard...
Category
Rococo Mid-18th Century Landscape Prints
Materials
Engraving
Salmacis et Hermaphrodite - Etching by Bernard Picart - 1742
Located in Roma, IT
Black and white etching on wire rod paper, representing the Greek myth of Salmacis and Hermaphroditus.
Wonderful plate with very fresh impression and a beautiful use of chiaroscuro,...
Category
Old Masters Mid-18th Century Landscape Prints
Materials
Etching
Ancient Views of Paris - Etching - 1748
Located in Roma, IT
4 Etchings on paper realized in 1748. Each cm. 17x22.
Very good condition except for some minor foxing.
Includes a wooden frame cm. 27.5x41.5
Category
Modern Mid-18th Century Landscape Prints
Materials
Etching
Meissen, Germany : A Large Framed 18th Century Map by Petrus Schenk
Located in Alamo, CA
This is a hand-colored 18th century map of the Meissen region of Germany, entitled "Geographischer Entwurff Derer Aemmter Meissen als Creys-Procuratur-Schul-und Stiffts-Ammt benebst ...
Category
Old Masters Mid-18th Century Landscape Prints
Materials
Engraving
The Bridge - Etching - 1745
Located in Roma, IT
The Bridge is a beautiful etching artwork realized by Jan Peter Verdussen in 1745.
In good condition except for missing piece of paper and ripping along the margins.
Passepartout i...
Category
Old Masters Mid-18th Century Landscape Prints
Materials
Etching
St. Christophe (St. Kitts): Bellin 18th Century Hand Colored Map
Located in Alamo, CA
Jacques Bellin's copper-plate map of the Caribbean island of Saint Kitts entitled "Carte De De l'Isle St. Christophe Pour servir á l'Histoire Genle. des V...
Category
Other Art Style Mid-18th Century Landscape Prints
Materials
Engraving
Flowering Digitalis Plant: 18th C. Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Digitalis rubra floribus albis maculatis. Digitalis angustifolia flore fe...
Category
Naturalistic Mid-18th Century Landscape Prints
Materials
Engraving, Mezzotint
A Greenfinch
A Sparrow: An 18th Century Hand-colored Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a Greenfinch bird and a tree sparrow ("1, Le Friquet, 2. Le Verdier") by Francois Nicolas Martinet, plate 227 from 'Histoire Naturelle des Oiseaux...
Category
Naturalistic Mid-18th Century Landscape Prints
Materials
Engraving
Castle of Irrois in Champagne, French architecture, mid 17th century engraving
Located in Melbourne, Victoria
'Prosp. du Chasteau de Irrois en Champagne'
Copper-line engraving by Matthaeus Merian.
From 'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, g...
Category
Rococo Mid-18th Century Landscape Prints
Materials
Engraving
Chateau Valeri, French chateau, garden estate plan, mid 17th century engraving
Located in Melbourne, Victoria
'Chateau Valeri'
Copper-line engraving by Matthaeus Merian.
From 'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, gardens, buildings and citie...
Category
Rococo Mid-18th Century Landscape Prints
Materials
Engraving
Ancient View of Lyon - Etching - 1748
Located in Roma, IT
Etching on paper realized in 1748.
Very good condition except for some minor foxing.
Includes a wooden frame cm. 27.5x41.5
Category
Modern Mid-18th Century Landscape Prints
Materials
Etching
$178 Sale Price
25% Off
A Falkland Island Quail: An 18th Century Hand-colored Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a Falkland Island Quail ("Caille des Isles Malouines") by Francois Nicolas Martinet, plate 222 from 'Histoire Naturelle des Oiseaux' in associatio...
Category
Naturalistic Mid-18th Century Landscape Prints
Materials
Engraving
Flowering Chestnut Plant: 18th C. Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Castanea Equina, Chateignier amaire (Horse Chestnut)". It is plate 342 in...
Category
Naturalistic Mid-18th Century Landscape Prints
Materials
Engraving, Mezzotint
Galleria grande di Statue
Located in Fairlawn, OH
Galleria grande di Statue
Etching, 1743
Signed lower left corner of the plate
From: Prima Parte, 1743
Second edition: 1750-1778
Watermark: R 37-39
A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s
Condition: Excellent
Image size: 14 5/8 x 9 3/4 inches
Reference: Robison 2 iii/V
Piranesi In Rome: Prima Parte di Architetture e Prospettive
"Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category
Old Masters Mid-18th Century Landscape Prints
Materials
Etching
Corn, Maize: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This is a striking original antique colored botanical mezzotint and line engraving of two varieties of corn or maize, which is finished with hand-coloring. It is entitled "Frumentum ...
Category
Naturalistic Mid-18th Century Landscape Prints
Materials
Engraving, Mezzotint
Les Alcyons - Etching by Bernard Picart - 1742
Located in Roma, IT
Black and white etching on wire rod paper, representing the Greek myth of Alcyone.
Wonderful plate with very fresh impression and a beautiful use of chiaroscuro, from the volume “Le...
Category
Old Masters Mid-18th Century Landscape Prints
Materials
Etching
$417 Sale Price
30% Off
Veduta del Ponte Lugano sull
Anione - Etching by G. B. Piranesi
Located in Roma, IT
Image dimensions 45x65.6.
Veduta del Ponte Lugano su l'Anione is a superb black and white etching on laid paper realized by Giovan Battista Piranesi....
Category
Mid-18th Century Landscape Prints
Materials
Etching
Ruins of an Ancient Tomb - G. B. Piranesi - 1762
Located in Roma, IT
Ruins of an Ancient Tomb is an original etching realized by the italian artist Giovanni Battista Piranesi in 1762.
Image dimensions: 41.5x56 cm
Very precoius and rare lifetime spec...
Category
Old Masters Mid-18th Century Landscape Prints
Materials
Etching
West Africa: 18th Century Hand-colored Homann Map Entitled "Guinea Propria"
Located in Alamo, CA
This is a scarce richly hand colored copper plate engraved map of Africa entitled "Guinea Propria, nec non Nigritiae vel Terrae Nigrorum Maxima Pars" by Johann Baptist Homann (1664-1...
Category
Other Art Style Mid-18th Century Landscape Prints
Materials
Engraving
Sepolcro Regio, o Consolare , inciso nella rupe... - G. B. Piranesi - 1764
Located in Roma, IT
Sepolcro Regio, o Consolare , inciso nella rupe del Monte Albano (Royal or Consular Tomb in the Alban Hills) is an original etching realized by Giovan Battista Piranesi in 1764.
Ed...
Category
Mid-18th Century Landscape Prints
Materials
Etching
A Hand Colored 18th Century Framed Map of South America by Thomas Jefferys
Located in Alamo, CA
This detailed hand colored map of South America by Thomas Jefferys was published in London in 1750. The map shows countries, early colonial possessions, towns, rivers, mountains, and...
Category
Other Art Style Mid-18th Century Landscape Prints
Materials
Engraving
Butterflies
Moths in a Landscape: 18th C. Hand-colored Engraving by M. Harris
By Moses Harris
Located in Alamo, CA
This is a rare, original first edition hand-colored engraving depicting the natural history of butterflies and moths, which is plate 10 from Moses Harris' publication "The Aurelian: ...
Category
Mid-18th Century Landscape Prints
Materials
Engraving
Landscape - Etching by Pierre Quentin Chedel - 1755
Located in Roma, IT
Landscape is an etching realized by Pierre Quentin Chedel in 1755.
Good conditions.
Signed on Plate.
The artwork is depicted through confident strokes.
The etching was realized f...
Category
Mid-18th Century Landscape Prints
Materials
Etching
Country Houses - Original Etching by Baron De Thiers - 1760s
Located in Roma, IT
Country Houses is an original etching realized by Baron De Thiers (après Boucher) in the 1760s.
The artwork is in good conditions, full margins. Image Dimensions: 16.5x23 cm.
Som...
Category
Old Masters Mid-18th Century Landscape Prints
Materials
Etching
Antique 1765 Wine Country Folding Map of France, Bordeau etc.
Located in Paonia, CO
Route du Carosse de Bordeaux, part de Paris tous les Mardis a 11 matin. a et pafse 1765 is a comprehensive map with two routes through the wine country of France starting in Paris going south...
Category
Other Art Style Mid-18th Century Landscape Prints
Materials
Etching
Siberia as Explored by Behring: Original 18th Century Hand-colored Map by Bowen
Located in Alamo, CA
This is an original 18th century hand-colored map entitled "An Exact Chart of all the Countries through which Capt. Behring Travelled from Tobolski, Capital of Siberia to the Country...
Category
Old Masters Mid-18th Century Landscape Prints
Materials
Engraving
Flowering Dragonmouth: 18th Century Hand-colored Weinmann Botanical Engraving
Located in Alamo, CA
An 18th century hand colored botanical engraving by Johann Wilhelm Weinmann (1683-1741) depicting the following flowering sage plants:...
Category
Naturalistic Mid-18th Century Landscape Prints
Materials
Engraving, Mezzotint
Group of Four Mezzotint Hunting Plates.
Located in London, GB
4 mezzotint engravings by and after Ridinger (c.55 x 43 cm.) with margins on all sides.
[Published: Augsburg, 1750].
A fine group showing 2 male and 2 female hunters along with the ...
Category
Naturalistic Mid-18th Century Landscape Prints
Materials
Handmade Paper, Engraving, Mezzotint
Europa Regnorum Provinciarum: 18th Century Hand-colored Map of Europe by Lotter
By Tobias Conrad Lotter
Located in Alamo, CA
This is an 18th century hand-colored copperplate engraved map entitled "Europa Regnorum Provinciarum Regionum" created by the German cartographer Tobias Conrad Lotter. It was publish...
Category
Mid-18th Century Landscape Prints
Materials
Engraving
View of the Cave known as Bergantino - Etching by G. B. Piranesi - 1762
Located in Roma, IT
View of the Cave known as Bergantino is an etching realized by the italian artist Giovanni Battista Piranesi in 1762.
Very precious and rare lifetime impression. Roman edition.
C...
Category
Old Masters Mid-18th Century Landscape Prints
Materials
Etching
West Coast of Africa; Guinea
Sierra Leone: Bellin 18th Century Map
Located in Alamo, CA
This is a Jacques Bellin copper-plate map entitled "Partie de la Coste de Guinee Dupuis la Riviere de Sierra Leona Jusquau Cap das Palmas", depicting the coast of Guinea and Sierra L...
Category
Old Masters Mid-18th Century Landscape Prints
Materials
Engraving
China: An Original 18th Century Hand-colored Map by E. Bowen
Located in Alamo, CA
This is an original 18th century hand-colored map entitled "A New & Accurate Map of China, Drawn from Surveys made by the Jesuit Missionaries, by order of the Emperor. The whole bein...
Category
Old Masters Mid-18th Century Landscape Prints
Materials
Engraving
The Court of the Fountains in... - Etching by Giambattista Albrizzi - 1745 ca
Located in Roma, IT
Etching realized by Giambattista Albrizzi (1698-1777) for Thomas Salmon's Lo Stato presente di tutti i Paesi e Popoli do Mondo. Regno di Spagna.
Includes a contemporary wooden frame...
Category
Modern Mid-18th Century Landscape Prints
Materials
Etching
Countryside - Etching by Pierre-François Laurent - 18th Century
Located in Roma, IT
Countryside is an etching realized by Pierre-François Laurent in 18th Century.
Good conditions.
Signed on plate.
The artwork is depicted through confident strokes.
Category
Modern Mid-18th Century Landscape Prints
Materials
Etching
The City of Strasbourg, or Argentin - Etching by Giambattista Albrizzi - 1745 ca
Located in Roma, IT
Etching realized by Giambattista Albrizzi (1698-1777) for Thomas Salmon's Lo Stato presente di tutti i Paesi e Popoli do Mondo. Regno di Spagna.
Includes a contemporary wooden frame...
Category
Modern Mid-18th Century Landscape Prints
Materials
Etching
