Abstract Landscape Prints

Karl Ludwig Mordstein (1937 Füssen - 2006 Wilszhofen), Undeutlicher deutlich, 1982. Color etching, e.a. (Epreuve d'artiste) 4/9, 22.5 x 28 cm (image), 40 x 45 cm (sheet), 43 x 48 cm ...

Helen Frankenthaler (after) Frankenthaler (autographedand inscribed), 1988 Offset lithograph poster (hand signed and inscribed to renowned collectors) Hand signed and warmly inscribed in ink on the front Frame included: Museum frame with UV plexiglass included Inscribed "to Paul and Joan, love Helen Frankenthaler" (Paul and Joan Gluck were major art collectors) Measurements: Framed 42 inches vertical by 34 inches by 1.75 inches Print 34.5 inches vertical by 27 inches Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

Signed, titled and numbered in pencil, edition of 15. Abstracted image of rain ferns featuring shaades of green and blue. Rosalyn Richards has been a member of the Bucknell Universi...

This one is a dark burgundy or purple color. Menashe Kadishman was born in Tel-Aviv in 1932. He is a Graduate of St. Martin's School of Art, University of London Studies with Anthony...

This exquisite lithograph by Jasper Johns (born 1930), titled Summer Green, State II, originates from the 1991 publication Jasper Johns, The Se...

Artist: John Chamberlain (1927-2011) Title: Flashback IV Year: 1979 Medium: Lithograph on vélin d’Arches paper Edition: 153/175, plus proofs Size: 28 x 20 inches Inscription: Signed ...

Menashe Kadishman was born in Tel-Aviv in 1932. He is a Graduate of St. Martin's School of Art, University of London Studies with Anthony Caro, Reg Butler. From 1947 to 1950, Kadish...

This one is a metallic silver gray color. Menashe Kadishman was born in Tel-Aviv in 1932. He is a Graduate of St. Martin's School of Art, University of London Studies with Anthony Ca...

[Moon Night ] is a part of her "Sunset Song" Series. This stunning One Off Artist's Proof is hand-painted on Giclee made on fine art paper by the artist Shizico , it is signed at fro...

Clare Halifax Switch Views, London Limited Edition Silkscreen Print Edition of 50 Size: H 38cm x W 37cm x D 0.1cm Sold Unframed Please note that insitu images are purely an indicatio...

This striking large hand painted limited Edition is No. 1 of only 10 in existence. 80% of the painting is hand-painted in oil and gesso on giclee by Shizico Yi, the edition featuring...

Etel Adnan "Fil du Temps" 2021. Etching on wove paper. Edition of 100. A critical work by Adnan, the final etching in this series. Etel was unable to put pencil to paper due to her ...

Artist: Dale Chihuly (1941) Title: Composition, Basket Series Year: 2015 Medium: Intaglio and acrylic on Waterford paper Edition: 43/175 Size: 37 x 25 inches Inscription: Signed and ...

This Limited Edition is 90% hand painted, each edition is painted with hand mixed original paint by the artist, Shizico Yi, therefore the colour of each painting may very depended on...

Aspen Study I by Frank Schott a series of images capturing the yellow golden Indian summer foliage palette of aspen trees in California's Sierra Nevada ...

This work is emblematic of Ann Aspinwall’s ongoing exploration of movement, perception, and natural systems through abstraction. Using finely calibrated, hand-drawn lines, Aspinwall ...

Color screenprint, depicting a lively rural procession moving along a winding road through rolling fields and patterned farmland, leading toward a distant village. Figures on foot an...

This exquisite lithograph by Ellsworth Kelly (1923–2015), titled Rouge, Bleu (Red, Blue), originates from the historic 1964 folio Derriere le Miroir, No. 149. Published by Maeght Edi...

This exquisite lithograph by Pablo Palazuelo (1915–2007), titled Sans titre (Untitled), originates from the 1963 folio Derriere le Miroir, No. 137, published by Maeght Editeur, Paris...

This exquisite lithograph by Pablo Palazuelo (1915–2007), titled Sans titre (Untitled), originates from the 1970 folio Derriere le Miroir, No. 180, published by Maeght Editeur, Paris...

Sybil Kleinrock, American - Untitled - Three Suns, Year: circa 1978, Medium: Lithograph, signed and numbered in pencil, Edition: 125, Size: 23 x 26 in. (58.42 x 66.04 cm)

Silkscreen on handmade Hahnemühle paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Salute, 1960. Published and printed by Tiber Press, New York under...

This is a hand painted large Limited Edition, truly brings impact to your space ,wowing the visitors and delight your daily life with its scale and hand painted detail. ( 90% of the image is hand painted by artist, shizico yi) - Limited Edition of Five only. This is the 3rd of the five , #3 of 5; it is offered as an alternative to this original piece, highly collectible. About the Painting The painting captures two major spring trees in the artist’s garden, painted plein-air in the garden for three days, later on, Shizico Yi added the important locations of London that are dear to her memories; in this painting St Paul...

The Departure of the Argonaut (1918) is the travelogue and wartime diary of Alberto Savinio, one of the seminal figures in twentieth-century Italian arts and letters. Clemente's acco...

Roger Muhl. Passage, ca. 1970. Lithograph on paper, image measures 15.5 x 18.5 inches. Measuring 25 x 28 inches framed. From an adition of 60. Signed and numbered in pencil by artist...

This exquisite lithograph by Robert Motherwell (1915–1991), titled Tricolor, from the album XXe Siecle, Annee No. 40, Juin 1973, originates from the 1973 edition published by Societe...

The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix cu...

Digital print on metal; semigloss finish; signed in verso. Artist Commentary: Part of the Southern Seas Series, this image is a manipulation of my own original photograph. Harnessin...

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

This exquisite lithograph by Willem de Kooning (1904–1997), titled Untitled, from the folio Poems, originates from the 1988 edition published by The Limited Editions Club, New York, ...

This exquisite lithograph by Paul Jenkins (1923–2012), titled Composition pour Eric (Composition for Eric), originates from the 1972 edition published by Editions A. C. Mazo et Cie.,...

The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix cu...

This exquisite lithograph by Willem de Kooning (1904–1997), titled Untitled, from the folio Poems, originates from the 1988 edition published by The Limited Editions Club, New York, ...

Silkscreen on handmade Hahnemühle paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Salute, 1960. Published and printed by Tiber Press, New York under...

Alexander Calder Lithograph c. 1967 from Derrière le miroir: Lithograph in colors; 15 x 11 inches. Very good overall vintage condition; well-preserved. Unsigned from an edition of u...

This is a large, hand-painted Artist’s Proof with original oil paint painted by artist, Shizico Yi on giclée on paper; it is a one-off piece, only two proofs were made, on offer her...

WERNER DREWES (1899 - 1985) CASTLE ROCK WYOMING (Jackson Hole), (Rose RIII 194) Color woodcut Total edition XXX, Signed, annotated AP and dated '58 in...

Etching, aquatint and engraving in colours, 1980, on mould-made Lana paper, signed and dated in pencil, numbered from edition of 32 (there were also 12 artist's proofs), published by Tyler Graphics, Ltd., New York,with their blindstamp, 53 x 54.1 cm. (20 x 21 1/4 in.) Catalogue Raisonne: Corlett 170; Tyler, 1987, cat no. 354:RL22 ‘Night Scene’ is one of six intaglio prints Roy Lichtenstein...

This exquisite lithograph by Willem de Kooning (1904–1997), titled Untitled, from the folio Poems, originates from the 1988 edition published by The Limited Editions Club, New York, ...

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

This abstract landscape limited edition print by Elwood Howell features a high horizon line, separating a pale, nearly grey foreground and a blue gradient sky. Along the horizon line...

Original Loterie Nationale Vintage Poster "Prix de L'Arc de Triomphe" – Authentic French Art, Rare Collectible, Mid-Century Style vintage poster. Archival linen backing in Grade A- ...

This is an exclusive handprinted limited edition cyanotype. "Serene Cove Waters" is a handmade cyanotype print portraying fresh ripples movements in a Greek Islands cove...

This is a unique woodcut print of a forest and stream in dark eggplant purple offset by a minty light teal greenish blue and pale yellow background. The monotype brings to mind the t...

This exquisite lithograph by Pablo Palazuelo (1915–2007), titled Sans titre (Untitled), originates from the 1970 folio Derriere le Miroir, No. 180, published by Maeght Editeur, Paris...

This artwork titled "Desert Series B" c.1990, is an original colors monoprint aquatint on Wove paper by noted American artist Ruth Leaf, 1923-2015. It is hand signed, titled and numb...

This exquisite lithograph by Pablo Palazuelo (1915–2007), titled Sans titre (Untitled), originates from the 1963 folio Derriere le Miroir, No. 137, published by Maeght Editeur, Paris...

Artist Name: Richard Estes Year: 1983 Size-Width Size-Height: 22¾" x 20"  Natalie Knight Gallery David Krut Fine Art 8 Oct 83 Unframed in Very Good Condition. Richard Estes is an ...

This exquisite lithograph by Paul Jenkins (1923–2012), titled Sans titre (Untitled), from the album Prints from the Mourlot Press, exhibition sponsored by the French Embassy, circula...

This exquisite lithograph by Ellsworth Kelly (1923–2015), titled Losange (Diamond), originates from the historic 1964 folio Derriere le Miroir, No. 149. Published by Maeght Editeur, ...

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

Marcel Mouly (French 1918 - 2008) “Jerusalem” lithograph on woven paper with deep saturated colors in excellent condition. Well framed with acr...

Louisa Chase’s paintings are romantic in tone, alluding to the power of nature while serving as pictorial metaphors for her own state of mind. Drawing on her distinctive brand of Neo...

This exquisite lithograph by Ellsworth Kelly (1923–2015), titled Noir et blanc (Black and White), originates from the historic 1958 folio Derriere le Miroir, No. 110. Published by Ma...

This exquisite lithograph by Willem de Kooning (1904–1997), titled Untitled, from the folio Poems, originates from the 1988 edition published by The Limited Editions Club, New York, ...

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

This exquisite silkscreen by Ad Reinhardt (1913–1967), titled Untitled, originates from the landmark 1964 folio X + X (Ten Works by Ten Painters). Published by the Wadsworth Atheneum...

This is a unique woodcut print of a forest and stream in dark eggplant purple offset by a light blue and pale grayish lilac background. The monotype brings to mind the tradition of J...

Artist Mati (Abdul) Klarwein Title: Developments  Year: 1978 Print - Lithograph Paper Size 23" x 23½" inches Edition: signed in pencil and marked 2/300 Hand embellished by the artis...

Inviernosexoprimaveral 1995 17-color silkscreen with poured resin 40 x 30 inches (102 x 76 cm) Edition of 80 "Sexual Spring-like Winter" is a large painterly work, created with laye...