Fauvist Landscape Prints

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Les tilleuls sous la neige (Linden Trees in the Snow), from the album Vlaminck, originates from the 1958 editi...

This exquisite lithograph after Andre Derain (1880–1954), titled Nature morte aux Poissons (Still Life with Fish), from the folio Andre Derain entre 1935 et 1949, V (Andre Derain bet...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Au Maroc (In Morocco), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), originates fro...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Village de la Sarthe (Village in Sarthe), from the album Vlaminck, originates from the 1958 edition published ...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled L'église de Bougival (The Church of Bougival), from the album Vlaminck, originates from the 1958 edition publi...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Portrait de Madeleine (Portrait of Madeleine), from the album Vlaminck, originates from the 1958 edition publi...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled La meule (The Haystack), from the album Vlaminck, originates from the 1958 edition published by Andre Sauret, ...

Maurice de VLAMINCK (after) Seine River and Boat in Chatou Color lithograph after a painting Printed signature in the plate On Arches Vellum 50 x 65 cm (c. 20 x 26 inch) Excellent ...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Chatou à l'arbre rouge (Chatou with the Red Tree), from the album Vlaminck, originates from the 1958 edition p...

Lithograph on vélin papier bouffant des Papeteries de Casteljaloux paper. Paper Size: 11.02 x 8.46 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Sui...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled La Maladrerie sous la neige (The Maladrerie in the Snow), from the album Vlaminck, originates from the 1958 ed...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled La moisson (The Harvest), from the album Vlaminck, originates from the 1958 edition published by Andre Sauret,...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled La Seine a Chatou (The Seine at Chatou), from the album Vlaminck, originates from the 1958 edition published b...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled La route de Longny (The Road to Longny), from the album Vlaminck, originates from the 1958 edition published b...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Paysage d'hiver (Winter Landscape), from the album Vlaminck, originates from the 1958 edition published by And...

This exquisite lithograph by Maurice de Vlaminck (1876–1958), titled La Potiniere a Rueil (The Potiniere at Rueil), from the album Vlaminck, originates from the 1958 edition publishe...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Les Reines-Marguerites (The Daisies), from the album Vlaminck, originates from the 1958 edition published by A...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Allainville sous la neige (Allainville in the Snow), from the album Vlaminck, originates from the 1958 edition...

This exquisite lithograph by Maurice de Vlaminck (1876–1958), titled Les Challonges (The Challonges), from the album Vlaminck, originates from the 1958 edition published by Andre Sau...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Portrait de l'Artiste (Portrait of the Artist), from the album Vlaminck, originates from the 1958 edition publ...

Lithograph on vélin papier bouffant des Papeteries de Casteljaloux paper. Paper Size: 11.02 x 8.46 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Sui...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Nature morte (Still Life), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), originates...

Lithograph on vélin papier bouffant des Papeteries de Casteljaloux paper. Paper Size: 11.02 x 8.46 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Sui...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Etudes, «Histoire de l'Electricite» (Studies, “History of Electricity”), from the folio Lettre a mon peintre Raoul Dufy...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Les Moissonneurs (The Harvesters), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), or...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Le Prince de Joinville (The Prince of Joinville), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter ...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Isaac Newton (Isaac Newton), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), originat...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Le Salon de Musique (The Music Room), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy),...

This exquisite lithograph after Raoul Dufy (1877–1953), titled L'Orchestre (The Orchestra), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), originat...

Artist: Henri Matisse (after) Title: La Tristesse du Roi (The Sadness of the King) Portfolio: The Last Works of Henri Matisse Medium: Lithograph Year: 1958 Edition: 2000 Frame Size: ...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Isaac Newton (Isaac Newton), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), originat...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Isaac Newton (Isaac Newton), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), originat...

This exquisite lithograph by Fernand Leger (1881–1955), titled Tete et Feuille (Head and Leaf), from Verve, Revue Artistique et Litteraire, Vol. II, No. 5–6, originates from the 1939 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1939. This striking composition epitomizes Leger’s distinct synthesis of mechanical precision and organic vitality. Tete et Feuille demonstrates his fascination with the interplay between geometry and the human figure—translating natural forms into bold, dynamic arrangements of line and color. The juxtaposition of the stylized head and leaf form reveals Leger’s mastery in uniting abstraction with humanism, a hallmark of his mature modernist vision. Through rhythmic design and rich tonal contrast, the work captures the harmony between nature and the machine age that defined much of Leger’s career. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches (35.56 x 26.67 cm). Signed in the plate and unnumbered as issued. The edition reflects the exceptional quality of the Mourlot Freres atelier, renowned for its collaborations with the foremost modern masters of the 20th century. Artwork Details: Artist: Fernand Leger (1881–1955) Title: Tete et Feuille (Head and Leaf), from Verve, Revue Artistique et Litteraire, Vol. II, No. 5–6, 1939 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches (35.56 x 26.67 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1939 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From Verve, Revue Artistique et Litteraire, Vol. II, No. 5–6, published by Editions de la revue Verve, Paris, 1939 About the Publication: Verve, Revue Artistique et Litteraire was one of the most influential art periodicals of the 20th century, founded in Paris in 1937 by the visionary Greek-born publisher Teriade (Stratis Eleftheriades). Conceived as a union of art and literature, Verve featured original lithographs and writings by the foremost artists and thinkers of its time, including Henri Matisse, Pablo Picasso, Marc Chagall, Georges Braque, Joan Miro, and Fernand Leger. Each issue represented a collaboration between artists, poets, and master printers, notably Mourlot Freres, whose exceptional craftsmanship brought color lithography to new aesthetic heights. The 1939 double issue, Vol. II, No. 5–6, is among the most distinguished editions, reflecting both the intellectual vigor and artistic experimentation that defined the pre-war Parisian avant-garde. About the Artist: Fernand Leger (1881–1955) was a visionary French painter, sculptor, designer, and filmmaker whose groundbreaking fusion of modern industry, vivid color, and geometric form transformed the course of 20th-century art. Born in Argentan, Normandy, Leger began as an architectural draftsman before studying at the Academie Julian and the Ecole des Beaux-Arts in Paris, where he absorbed the lessons of Paul Cezanne’s structural rigor and the revolutionary ideas of Cubism. Alongside Pablo Picasso and Georges Braque, he became one of the leading innovators of the avant-garde, yet his work stood apart through its embrace of mechanical rhythm, bold contrasts, and industrial modernity—earning him the title “the painter of the machine age.” His art celebrated the beauty of technology, urban life, and the human form rendered in dynamic, interlocking cylinders and planes, evoking the pulse of the modern world. Immersed in the vibrant Parisian art scene, Leger worked in dialogue with peers and contemporaries such as Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, all of whom shared his commitment to innovation and the reimagining of artistic expression. Beyond painting, Leger’s creative reach extended into film, design, and monumental public art—his 1924 collaboration on Ballet Mecanique with Dudley Murphy and Man Ray remains a landmark of avant-garde cinema. His later works evolved toward greater clarity and monumentality, celebrating the unity of form, color, and humanity through large-scale murals and mosaics that bridged fine art and architecture. Leger’s synthesis of Cubism, Futurism, and abstraction paved the way for movements such as Pop Art and influenced generations of artists including Roy Lichtenstein, Ellsworth Kelly, Robert Indiana, and Alexander Calder, who admired his fusion of structure, energy, and optimism. Today, his works are prized by major museums and collectors worldwide for their bold visual power and enduring modernity. His highest auction record was achieved by La femme en rouge et vert (1914), which sold for $39,241,000 at Sotheby’s, New York, on May 7, 2008. Fernand Leger Tete et Feuille, Leger Verve, Leger Mourlot...

"Pueblos" - Hand-Augmented Fauvist Landscape in Ink and Pastel on Paper Bold and saturated depiction of pueblo buildings by Margie Dickson (American, b. 1938). These buildings are h...

Maurice de VLAMINCK (after) Woods in Chatou Color lithograph after a painting Printed signature in the plate On Arches Vellum 50 x 65 cm (c. 20 x 26 inch) Excellent condition

Medium: Lithograph on vélin d'Arches paper Year: 1972 Paper Size: 26 x 20 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Fauves, VII, Collec...

Medium: Lithograph on vélin d'Arches paper Year: 1972 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Fauves, VII, Collec...

This exquisite lithograph by Maurice de Vlaminck (1876–1958), titled Vallee de l'Avre (Valley of the Avre), from the album Vlaminck, originates from the 1958 edition published by And...

This exquisite lithograph by Maurice de Vlaminck (1876–1958), titled Maisons dans la Beauce (Houses in the Beauce), from the album Vlaminck, originates from the 1958 edition publishe...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled La baie des Trepasses (The Bay of the Dead), from the album Vlaminck, originates from the 1958 edition publish...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled La maison dans la plaine (The House in the Plain), from the album Vlaminck, originates from the 1958 edition p...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled L'église de Saint Lubin (The Church of Saint Lubin), from the album Vlaminck, originates from the 1958 edition...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled La route de Brezolles (The Road to Brezolles), from the album Vlaminck, originates from the 1958 edition publi...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Coucher de soleil Forêt de Senonches (Sunset, Forest of Senonches), from the album Vlaminck, originates from t...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled La route de Mortagne (The Road to Mortagne), from the album Vlaminck, originates from the 1958 edition publish...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled La Haute Folie (The High Madness), from the album Vlaminck, originates from the 1958 edition published by Andr...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled La Seine a Poissy (The Seine at Poissy), from the album Vlaminck, originates from the 1958 edition published b...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Nature morte au lard (Still Life with Bacon), from the album Vlaminck, originates from the 1958 edition publis...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Nature morte au whisky (Still Life with Whisky), from the album Vlaminck, originates from the 1958 edition pub...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Nature morte au pots (Still Life with Pots), from the album Vlaminck, originates from the 1958 edition publish...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Les fleurs au pot de grès (Flowers in a Stoneware Vase), from the album Vlaminck, originates from the 1958 edi...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Les Anémones (The Anemones), from the album Vlaminck, originates from the 1958 edition published by Andre Saur...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Les Delphiniums (The Delphiniums), from the album Vlaminck, originates from the 1958 edition published by Andr...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Portrait de l'Artiste (Portrait of the Artist), from the album Vlaminck, originates from the 1958 edition publ...

Lithograph on vélin papier bouffant des Papeteries de Casteljaloux paper. Paper Size: 11.02 x 8.46 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Sui...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Bacchanale". The original painting was completed circa 1922. In the 1970's after Picasso's d...

Artist: Louis Dancourt, French XXth Title: Along the Seine II Year: 1946 Medium: Oil on Canvas mounted to Wood, signed l.r. and dated verso Image Size: 16 x 20 in. (40.64 x 50.8 cm) ...