Impressionist Landscape Prints

This Limited Edition giclee landscape print by Bri Custer features a bright blue, green, and lavender palette, and captures a view of the coast from behind pine trees. It is an editi...

This Limited Edition giclee landscape print by Bri Custer is an edition size of 195. It features a warm, earth-toned palette. Printed on canvas, this giclee ships framed in a warm si...

This Limited Edition giclee landscape print by Bri Custer features a bright blue, green, and lavender palette, and captures a view of the coast from behind pine trees. It is an editi...

This colorful abstract landscape piece is a Limited-Edition giclee print by Ken Elliott with an edition of 195. Printed on canvas, this giclee ships framed in a gold floater frame wi...

Backyard VII Robert Kipniss, American (1931) Date: circa 1980 Lithograph, signed and numbered in pencil Edition of 39/175 Size: 7 x 5 in. (17.78 x 12.7 cm) Frame Size: 13.75 x 11.25 ...

Substantially framed contemporary limited edition giclée print on canvas of a beautiful plein air impressionist landscape painting by California artist Donald R. Britton (American, b.20th Century), 2007. Some small areas of oil paint highlights added to canvas print by the artist. The landscape features a calm mountain stream flowing past large boulders and yellow autumn trees, with tall majestic mountains in the background. Hand signed lower right "DR Britton" with the edition number 11/100. Signed and dated in the print "DR Britton '07", lower left. Displayed in a custom rustic style contemporary wood frame with linen liner and gold trim. Canvas size: 20"H x 16"W. Don Britton is a contemporary representational landscape painter of the western US with focus on the southwest, the Pacific coast and the Sierras. Recent Awards and Publications: 2019: Juror's Purchase Award, "Pacific Bluffs" at Art for Heaven's Sake Annual Art Festival, Redlands, CA 2016: First Place,"Land Put to A Higher Use", The 9th Annual Ralph Love Plein Air Competition in Temecula, CA 2014: "Canyon Clouds" and "Carmel Wetlands" were juried in to the Museum of the Art Institute Regional Show in San Diego 2012: "View from Mather Point" was selected for installation in the US Embassy in Sri Lanka. 2011: "On the Rocks" selected as a finalist in the Artist's Magazine annual national competition. 2010 - "Your Composition Should Evoke an Emotion" feature article in International Artist, pp 52-59, vol 70, 2010 2010 - "Morning Becomes the Valley" and "Lamoille Canyon" selected for installation in the US Embassy in Yemen 2010 - Grant from Nevada Arts Council 2008 - Grant from Nevada Arts Council 2007 - Paint America National Competition Top 50 Miniatures 2007 - First Place, Oil Painting, Carson Valley Art Association Annual Exhibit Artist’s Statement: I have been surrounded by artists virtually all my life. I received my first drawing instruction at the age of six from my father. We were living in New Mexico at the time and he was an avid amateur landscape painter there. Although I dabbled in painting off and on for years, my first career took a different path. Following a BA from the University of Colorado and a PhD from The Ohio State University I entered a career in neuroscience research. However, in 2004, I committed to painting full time and was almost immediately rewarded with the joy of recreating scenes I loved. I am indebted to numerous mentors along the way including Mark Tompkins, Skip Whitcomb, William Scott Jennings, Jim Wilcox...

Wayne Ensrud, American (1934 - ) - Salzburg, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 45, Image Size: 18 x 23.5 inches, Size: 22 in. x 30 ...

David Lee, Chinese (1944 - ) - Lake (18), Year: circa 1985, Medium: Lithograph, signed and numbered in pencil, Edition: 100, Size: 21 in. x 29 in. (53.34 cm x 73.66 cm), Descript...

Lake fog Year: circa 1928-1932 Medium: lithograph Pencil signature, numbered 6 Image size: 9 9/16 x 11 7/16 Harold Keeler was born in Denver, Colorado in 1905. He studied at both th...

Wayne Ensrud, American (1934 - ) - Bridge with Swans, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: AP 42/45, Size: 23 x 29 in. (58.42 x 73.66 cm)

David Lee, Chinese (1944 - ) - Birds in a Valley, Year: circa 1985, Medium: Lithograph, signed and numbered in pencil, Edition: 100, Size: 29 in. x 21 in. (73.66 cm x 53.34 cm), ...

This contemporary abstract landscape limited edition print by Ken Elliott features multi-colored tree trunks and foliage extend from the bottom of the canvas up to the top, with a ra...

This Limited Edition giclee abstracted coastal landscape print by Bri Custer is an edition size of 195. It features a blue palette with warm pink and orange accents throughout. Prin...

This Limited Edition giclee abstracted coastal landscape print by Bri Custer is an edition size of 195. It features a blue palette with warm pink and orange accents throughout. Prin...

This Limited Edition giclee landscape print by Bri Custer is an edition size of 195. It features a palette of muted orange and earth tones contrasted by vibrant yellow. Printed on ca...

Wayne Ensrud, American (1934 - ) - Portofino, Year: Circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 45, Image Size: 20.5 X 25 inches, Size: 21.5 ...

Wayne Ensrud, American (1934 - ) - Bayside, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 45, Image Size: 19 x 24 inches, Size: 22 in. x 30 in....

Hotel de Sous Charles Forget, French (1886–1960) Date: 1949 Etching, signed and dated in the plate, and signed and numbered in pencil Edition of AP Image Size: 11.25 x 7.5 inches Siz...

This Limited Edition giclee landscape print by Bri Custer features a bright blue, green, and lavender palette, and captures a view of the coast from behind pine trees. It is an editi...

This Limited Edition giclee landscape print by Bri Custer is an edition size of 195. It features a cool blue palette with warm orange and pink accents throughout. Printed on canvas, ...

This Limited Edition giclee landscape print by Bri Custer is an edition size of 195. It features a vibrant blue and yellow palette. It captures an abstracted view of a shoreline. Pri...

Une A Sienne is a black and White etching realized by Leconte de Roujou in the Late 19th Century.  Titled in the lower Image Size: 32x26 Very good impression. Realized by Cadart ...

Intricate landscape etching of a park by an unknown artist. Signed illegibly "Partek or Partch". Signed, titled "Children's Park", and numbered (AP) along the lower edge. Presented i...

Vibrant screen print of people gathering around a pond by Jane Leddy (American, 1925-2019). People and various animals - including goats, ducks, and cows - ...

This colorful abstract landscape piece is a Limited-Edition giclee print by Ken Elliott with an edition of 195. Printed on canvas, this giclee ships framed in a gold floater frame wi...

This artwork titled "Open Gate" c.1925 is an original color woodcut by renown Australian/British artist John Hall Thorpe, 1874-1947 It is hand signed ...

Environs de Fontainebleau is a black and White etching realized by Michelin in the 1860s.  Titled in the lower. Image size: 29x30. Very good impression with wide margins and a ver...

Spring Thaw has vibrant fall colors with melting snow creating a strong contrast as the season is changing and a small section of a stream in the foreground.. Ray Vinella immig...

Artist: Urbain Huchet (1930) Title: Untitled Landscape Year: Circa 1990 Medium: Lithograph on Arches paper Edition: 23/250, plus proofs Size: 30 x 21.25 inches Condition: Good Inscr...

André Masson, French (1896 -1987) - Place de Concorde, Year: 1962, Medium: Lithograph, unsigned, Image Size: 15 x 11.5 inches, Size: 15.25 x 11.75 in. (38.74 x 29.85 cm), Descrip...

Bernard Buffet, French (1928 - 1999) - Le Phare, Year: 1958, Medium: Etching, signed and numbered in pencil, Edition: 56/75, Image Size: 12 x 10 inches, Frame Size: 22.75 x 19...

This Limited Edition giclee landscape print by Bri Custer features a bright blue, green, and lavender palette, and captures a view of the coast from behind pine trees. It is an editi...

This Limited Edition giclee landscape print by Bri Custer is an edition size of 195. It features a blue and green palette with vibrant yellow accents, and captures an abstracted land...

This abstract landscape limited edition print by Ken Elliott features a warm palette and impressionistic style. It pictures a forest-scape with thin, dark tree trunks, surrounded by ...

This Limited Edition giclee landscape print by Bri Custer is an edition size of 195. It features a light green, blue, and mint green palette. Printed ...

This Limited Edition giclee landscape print by Bri Custer is an edition size of 195. It features a light green, blue, and mint green palette. Printed ...

This Limited Edition giclee landscape print by Bri Custer is an edition size of 195. It features a light green, blue, and mint green palette. Printed ...

This Limited Edition giclee landscape print by Bri Custer is an edition size of 195. It features a light green, blue, and mint green palette. Printed ...

"Varenna Villa" is a limited edition ARTIST PROOF signed by the artist Howard Behrens. It is numbered 2/25.

This abstract landscape limited edition print by Ken Elliott features a cool blue and violet palette, capturing hills underneath thick clouds, with contrasting accents of warm yellow...

This abstract landscape limited edition print by Ken Elliott features a forest-scape with bright yellow tree leaves which are mirrored by the yellow foreground, all of which is complemented by the light violet shadows between the trees and light...

Fire Stars Ronald Julius Christensen, American (1923–1999) Date: 1980 Lithograph, signed and numbered in pencil Edition of 295 Size: 27.25 x 38 in. (69.22 x 96.52 cm)

La Peche is a black and White etching realized by Charles-André Malardot in the 1860s.  Titled in the lower. Image size: 25x17. Very good impression with wide margins and a very f...

This artwork titled "Verdes, Loire et Cher, France" is an original lithograph by American artist Teall (La Verne Teall) Messer, 1897-1977. It is hand signed, titled, dated and numbered 36/40 in pencil by the artist. The image size is 10.65 x 13.65 inches, the sheet size is 14 x 21.5 inches. It is in excellent condition, especially considering the age of this piece. About the artist: Born in Dixon Illinois in 1897, Teall Messer dropped the name Lavern as soon as he came "of age". He went to New York to be an artist and intellectual. He hung out with the playwrights of the time and ended up with an award from the Rockefellers to go to Paris and study painting. This was in the 1920's. He stayed for several years in Paris being the stereotypical American painter there. He had contact with at least some of the famous painters and shared a studio with Alexander Calder. One story was that he and Alexander were dating two French sisters. The girls' mother told them to drop the Americans as they would never make much money. That was true for Teall, not so for Calder. He also knew Brancusi well enough to have a signed sketch dedicated "á Teall Messer avec amour". He knew Gertrude Stein well enough to heartily dislike her, considering her a phony. In France Teall married a member of the Byrd...

Wayne Ensrud, American (1934 - ) - Venice Rialto, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: AP 300, Image Size: 25.5 x 18 inches, Size: 28.5 in. x ...

David Lee, Chinese (1944 - ) - Mountain Forest (10), Year: circa 1985, Medium: Lithograph, signed and numbered in pencil, Edition: 100, Size: 21 x 29 in. (53.34 x 73.66 cm), De...

Fantaisies is a black and White etching realized by A. Constantin in the Late 19th Century.  Titled in the lower Image Size: 24x31 Very good impression. Realized by Cadart for th...

Wayne Ensrud, American (1934 - ) - Sail Day, Year: 1981, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 45, Size: 19.5 in. x 28 in. (49.53 cm x 71.12 cm)

Wayne Ensrud, American (1934 - ) - Bern Castle, Year: 1982, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 45, Image Size: 19 x 24 inches, Size: 22 in. x 30...

This abstract landscape limited edition print by Ken Elliott is made with oil paint features a forest scene with a bold, contrasting palette of cool, deep blues that are accented by ...

This abstract landscape limited edition print by Ken Elliott features a bright palette and an impressionistic style. The forest scene is rendered with a vibrant green connecting the ...

Lido (Venice) Etching on chine collee, 1880 Part of the artist's "Venice Set" Signed upper right in plate :Otto H Bacher" (see photo) Signed with the estate stamp, Lugt 2002 recto lower right beneath image. (see photo) Created October 20, 1880 Reference: Andrew Venice No. 29 Provenance: Estate of the Artist Otto H. Bacher (1856-1909) Otto Henry Bacher was born in Cleveland, Ohio, to a family of German descent. He first studied art at the age of sixteen with local genre trompe l'oeil still-life artist, DeScott Evans. Although he studied with Evans for less than one year, Bacher's early work, comprised mainly of still lifes, betrays Evans's influence. After a short period in Philadelphia, where he studied at the Pennsylvania Academy of the Fine Arts, Bacher returned to Cleveland and met Willis Seaver Adams, an artist from Springfield, Massachusetts, who had just recently arrived upon the Cleveland art scene. Soon the two artists were rooming together. Adams was instrumental in the founding of the Cleveland Art Club, as well as the establishment of the Cleveland Academy of the Fine Arts, to the board of which Adams had Bacher appointed. Also during this time, Bacher began to learn the process of etching from local etcher and landscape painter Sion Longley Wenban. In 1878, Bacher and Adams left for Europe. After stopping briefly in Scotland, Bacher went on to Munich, where he enrolled at the Royal Academy. He quickly tired of the rigors of the academy, and soon he was studying with Cincinnati artist Frank Duveneck, the prime American exponent of the Munich School. In 1879, Bacher made a trip to Florence with Duveneck as one of the celebrated "Duveneck Boys." Early the following year, the group proceeded to Venice, where Bacher and several other artists established studios in the Casa Jankovitz. By this time an avid printmaker, Bacher had his etching press sent from Muni ch, and it was in his Venice studio that he taught Duveneck the rudiments of etching. Soon Bacher, Duveneck, and other members of the Duveneck circle were experimenting in printmaking. Among the group's contributions were some of the first American examples of monotypes, which they called "Bachertypes" because they were printed using Bacher's press. It was also in Venice that Bacher met the venerable American expatriate artist, James McNeill Whistler. On learning of Bacher's press and his collection of etchings by Rembrandt, Whistler made himself a regular visitor to Bacher's studio, and he eventually took his own room in the Casa Jankovitz. Bacher spent much of the rest of 1880 with Whistler, the two artists sharing etching techniques. From Whistler, Bacher learned tone and line graduation; from Bacher, Whistler learned his etching techniques, including better ways of using the acid bath which produced less tedious and more efficient work. Bacher visited Whistler occasionally in the years that followed, and in 1908 he published With Whistler in Venice, his famous recollections of his time with the great artist. Bacher spent the next two years traveling extensively throughout Italy, with Venice as the center of his operations, and he produced a number of important etchings of Italian subjects. Bacher sent several of these works to America in 1881 to be included in the Society of American artists exhibition that year, and had a similar group of works shown at the Royal Society of Painter-Etchers' first exhibition at the Hanover Gallery in London. Following the exhibition, Bacher, along with several other of the American contributors, was elected a Fellow of the Society. Bacher collected twelve of his etchings of Venetian subjects and sold them in bound volumes through his New York dealer, Frederick Keppel. Bacher returned to Cleveland in January 1883 as a fully cosmopolitan artist. He set up a lavish studio furnished with exotic items and objets-d'art he had collected on his travels, and began to hold art classes as a means to supplement his income. He soon joined with Joseph De Camp in forming a summer sketch class in Richfield, Ohio. Bacher and De Camp also planned the Cleveland Room for a major loan exhibition in Detroit that year. During this period, Bacher increasingly painted in oil, and he began to produce sun-dappled canvases in an impressionistic mode. Unable to sell any paintings from this early period, however, Bacher left Cleveland for Paris in 1885, where he planned to undertake further studies. Stopping first in London to visit Whistler, Bacher stayed only briefly in Paris before heading to Venice, where he spent the remainder of the year. In January 1886, Bacher returned to Paris and enrolled at the Académie Julian, and also entered the atelier of Emile-Auguste Carolus-Duran. The life of the student seems never to have suited Bacher, as he stayed in Paris only through June, before departing again for Venice. For the next six months he, Robert Blum, and Charles Ulrich...

Menhirs de Meneck is a black and White etching realized by A. Queyroy in the Late 19th Century.  Titled in the lower Image Size: 31x22 Very good impression. Realized by Cadart fo...

Vue de La Tamise is a black and White etching realized by Francis Seymour Haden in the Late 19th Century.  Titled in the lower Image Size: 12x28 Very good impression. Realized by...

Artist: Maurice Utrillo (after), French (1883 - 1955) Title: Sur la Route de Village from Douze Contemporains Year: 1959 Medium: Lithograph with Pochoir on Wove paper, signed in the ...

This abstract landscape limited edition print by Ken Elliott features a cool blue and violet palette, capturing hills underneath thick clouds, with contrasting accents of warm yellow...

This contemporary abstract landscape limited edition print by Ken Elliott features a cool blue and violet palette, capturing rolling hills underneath thick, hazy clouds, with contras...

This contemporary abstract landscape limited edition giclee print by Ken Elliott features abstracted trees in a cool-toned palette. The energetic blue and violet brush strokes that m...

This colorful abstract landscape piece is a Limited-Edition giclee print by Ken Elliott with an edition of 195. Printed on canvas, this giclee ships framed in a gold floater frame wi...

This abstract landscape limited edition print by Ken Elliott features a cool violet-blue palette, capturing an abstracted scene of a forest in the winter. The trees are depicted in s...