Realist Landscape Prints
REALIST STYLE
Realist art attempts to portray its subject matter without artifice. Similar to naturalism, authentic realist paintings and prints see an integration of true-to-life colors, meticulous detail and linear perspectives for accurate portrayals of the world.
Work that involves illusionistic techniques of realism dates back to the classical world, such as the deceptive trompe l’oeil used since ancient Greece. Art like this became especially popular in the 17th century when Dutch artists like Evert Collier painted objects that appeared real enough to touch. Realism as an artistic movement, however, usually refers to 19th-century French realist artists such as Honoré Daumier exploring social and political issues in biting lithographic prints, while the likes of Gustave Courbet and Jean-François Millet painting people — particularly the working class — with all their imperfections, navigating everyday urban life. This was a response to the dominant academic art tradition that favored grand paintings of myth and history.
By the turn of the 20th century, European artists, such as the Pre-Raphaelites, were experimenting with nearly photographic realism in their work, as seen in the attention to every botanical attribute of the flowers surrounding the drowned Ophelia painted by English artist John Everett Millais.
Although abstraction was the guiding style of 20th-century art, the realism trend in American modern art endured in Edward Hopper, Andrew Wyeth and other artists’ depictions of the complexities of the human experience. In the late 1960s, Photorealism emerged with artists like Chuck Close and Richard Estes giving their paintings the precision of a frame of film.
Contemporary artists such as Jordan Casteel, LaToya Ruby Frazier and Aliza Nisenbaum are now using the unvarnished realist approach for honest representations of people and their worlds. Alongside traditional mediums, technology such as virtual reality, artificial intelligence and immersive installations are helping artists create new sensations of realism in art.
Find authentic realist paintings, sculptures, prints and more art on 1stDibs.
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Style: Realist
Riga. 1969, paper, silk screen printing, 62x74 cm
Located in Riga, LV
Riga. 1969, paper, silk screen printing, 62x74 cm
Josif Elgurt (1924-2007)
Born in 1924 in Kishinev in Romania. In 1947 resumed his art studies in Kishinev. Since 1952 he has lived...
Category
1960s Realist Landscape Prints
Materials
Paper, Screen
$427 Sale Price
20% Off
Bazaar of the Coppersmiths, David Roberts Lithograph
Located in London, GB
DAVID ROBERTS RA
1796 - 1864
Bazaar of The Coppersmiths, Cairo
First Edition lithograph
Full plate: 230
Presented in a acid free mount
We pride ourselves in the hand colouring of our antique David Roberts lithographs...
Category
1840s Realist Landscape Prints
Materials
Laid Paper, Lithograph
FULL MOON BAY
Located in Aventura, FL
Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350.
Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable offers will be considered.
About the artist: As a self taught artist, Jake's style has developed over many years, evolving since childhood. Early in life he nurtured a bond with nature and wildlife that eventually became the basis for his artistic endeavors. Jake captures the landscape with striking compositions emphasizing light and color. Among the artist\'s favorite subjects are serene lakes, forests, and mountains of North America. Jake has enjoyed a popular following throughout the past 23 years that he has been showing, and his art continues to attract collectors throughout Canada and beyond. His art has found homes in his native province of Ontario, as well as internationally. He is honored to have collectors as far away as Japan, Dubai, Europe, as well as a growing clientele in Western Canada.
Category
1990s Realist Landscape Prints
Materials
Paper, Lithograph
$150 Sale Price
50% Off
Jesus College, Cambridge engraving by David Loggan
By David Loggan
Located in London, GB
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Category
1690s Realist Landscape Prints
Materials
Engraving
Leaning Pines (Hand-printed cyanotype, 16 x 12 inches)
Located in Oakland, CA
This is a hand-printed contact photograph using the 170-year-old cyanotype process and very big negatives the same size as the final print. These iconic Monterey pines can be found a...
Category
2010s Realist Landscape Prints
Materials
Photogram
$144 Sale Price
20% Off
Forest Road Paper, etching, 21.5x28.5 cm
Located in Riga, LV
Forest Road, paper, etching, 21.5x28.5 cm
Piotr Petrovich Belousov (1912-1989)
was a Soviet, Russian painter, graphic artist, art teacher, professor of the Leningrad Institute of Pa...
Category
Mid-20th Century Realist Landscape Prints
Materials
Etching
$570 Sale Price
20% Off
Christ Church, Oxford 1675 engraving by David Loggan
By David Loggan
Located in London, GB
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Category
1670s Realist Landscape Prints
Materials
Engraving
David Loggan: All Souls College, Oxford 1675 engraving
By David Loggan
Located in London, GB
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David Loggan (1634-1692)
All Souls College...
Category
1670s Realist Landscape Prints
Materials
Engraving
Corpus Christi College, Oxford 1675 engraving by David Loggan
By David Loggan
Located in London, GB
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Category
1670s Realist Landscape Prints
Materials
Engraving
St John
s College, Oxford 1675 engraving by David Loggan
By David Loggan
Located in London, GB
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Category
1670s Realist Landscape Prints
Materials
Engraving
Caribbean Sandy Shore, Cyanotype on Watercolor Paper, Beach House Art in Blue
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype.
"Caribbean Sandy Shore" is a cyanotype of a shoreline on a Caribbean beach. It is a beautiful image for tropical decor and...
Category
2010s Realist Landscape Prints
Materials
Photographic Film, Emulsion, Watercolor, Photographic Paper, C Print, Co...
Christ Church, Oxford 1675 hand-coloured engraving by David Loggan
By David Loggan
Located in London, GB
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Category
1670s Realist Landscape Prints
Materials
Engraving
Wadham College, Oxford 1675 engraving by David Loggan
By David Loggan
Located in London, GB
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David Loggan (1634 - 1692)
Wadham College, Oxford (1675)
Engraving
32 x 41 cm
Loggan's view of Wadham from the 'Oxonia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College).
Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers.
The Dutchman...
Category
1670s Realist Landscape Prints
Materials
Engraving
Trinity College, Cambridge engraving by David Loggan
By David Loggan
Located in London, GB
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David Loggan (1634 - 1692)
Trinity College, Cambridge (1690)
Engraving
80 x 50 cm
Loggan's marvellous and large view of Trinity from the 'Cantabrigia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College).
Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers.
The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells...
Category
1690s Realist Landscape Prints
Materials
Engraving
James Priddey: Durham Cathedral lithograph University City
Located in London, GB
James Priddey (1916-1980) FRSA RBSA
Durham Cathedral
Lithograph
37 x 36cm
A Birmingham-based artist, educated at the Birmingham College of Art and a ...
Category
Mid-20th Century Realist Landscape Prints
Materials
Board, Lithograph
David Loggan Wadham College Oxford Collegium Wadhamense 1675 engraving
By David Loggan
Located in London, GB
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David Loggan (1634-1692)
Wadham College Oxford
Engraving
1675
34x42cm
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College).
Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers.
The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (c. 1708). The contemporary artist Andrew Ingamells...
Category
1670s Realist Landscape Prints
Materials
Engraving
New York (from Ports of America)
By Louis Orr
Located in Myrtle Beach, SC
Louis Orr, 'New York' (from the portfolio 'Ports of America', published by Yale University Press, 1928), etching, 1925, edition not stated. Signed and titled in pencil. Signed in the...
Category
1920s Realist Landscape Prints
Materials
Etching
Christ
s College, Cambridge David Loggan 1690 engraving
By David Loggan
Located in London, GB
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Category
1670s Realist Landscape Prints
Materials
Engraving
Great St Mary
s, University of Cambridge David Loggan 1690 engraving
By David Loggan
Located in London, GB
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David Loggan (1634 - 1692)
The Church of St Mary the Virgin, Cambridge (1690)
Engraving
38 x 47 cm
Loggan's view of Great St Mary's from the 'Cantabrigia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College...
Category
1670s Realist Landscape Prints
Materials
Engraving
Southwark Cathedral engraving c. 1753 for Stow
s Survey of London
Located in London, GB
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Category
1750s Realist Landscape Prints
Materials
Engraving
Magdalene College, Cambridge engraving by David Loggan
By David Loggan
Located in London, GB
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David Loggan (1634 - 1692)
Magdalene College, Cambridge (1690)
Engraving
38 x 43 cm
Loggan's view of Magdalene from the 'Cantabrigia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College).
Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers.
The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells...
Category
1670s Realist Landscape Prints
Materials
Engraving
St Catharine
s College, Cambridge David Loggan 1690 engraving
By David Loggan
Located in London, GB
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David Loggan (1634 - 1692)
St Catharine's College, Cambridge (1690)
Engraving
35 x 46 cm
Loggan's view of St Catharine's College, Cambridge from the 'Cantabrigia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College...
Category
1670s Realist Landscape Prints
Materials
Engraving
Bennett: Bowling Green, New York, 1826
Located in Chesterfield, MI
Historical Print entitled "Bennett: Bowling Green, New York" 1826 as noted in bottom Left Corner
It was published by Rudolf Leach Fine Arts, Inc.,
225 Fifth Avenue, New York City
...
Category
1820s Realist Landscape Prints
Materials
Lithograph
$120 Sale Price
20% Off
The original Whitney, Marcel Breuer Building (now Sotheby
s), Woodcut engraving
By Richard Haas
Located in New York, NY
Richard Haas
The Whitney (Marcel Breuer Building), 1979
Woodcut engraving
Signed, titled, dated and numbered by the artist on the back. This is a rare Artist Proof 9/10, aside from ...
Category
1970s Realist Landscape Prints
Materials
Engraving, Etching
David Loggan Brasenose College Oxford Collegium Aenei Nasi Print 1675 engraving
By David Loggan
Located in London, GB
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Category
1670s Realist Landscape Prints
Materials
Engraving
1804 Etching St George
s Chapel Windsor Castle Architectural Prince Harry Meghan
Located in London, GB
From a series of architectural prints of St George's Chapel; to see some others, scroll down to "More from this Seller" and below it click on "See all from this Seller."
Frederick Nash (1782-1856) Drawn and etched
Engraved by F C Lewis
Arches and Columns
London Published by F Nash, No 6 Asylum Buildings, Westminster Road July 12 1804
55x39cm
Frederick Nash was born in Lambeth. Initially studying architectural drawing under Thomas Malton he subsequently enrolled at the Royal Academy of Arts. From 1801 to 1809 he worked with the antiquarians John Britton...
Category
Early 1800s Realist Landscape Prints
Materials
Engraving, Etching
"The Putting Green" - Figurative Landscape
By Douglas Adams
Located in Soquel, CA
"The Putting Green" - Figurative Landscape
20th century lithograph copy (restrike) of an original painting by British artist Douglas Adams (English, 185...
Category
1970s Realist Landscape Prints
Materials
Lithograph, Paper
Three Herons - At the flaming lake -
Located in Berlin, DE
Rudolf Hayder (active in the 1st half of the 20th century), Heron. Color woodcut on thin Japanese paper, 24 x 29 cm (image), 29 x 36 cm (sheet size), signed by hand at lower right "R. Hayder" and titled by hand as "Reiher". Lower left inscribed by hand "Orig.[inal] woodcut, hand print".
- A little bit stained in the margins and very occasionally in the image, minimal hole above the signature, traces of creasing. At the back side's margins with remnants of an old mounting.
About the artwork
In the context of French Japonism, the color woodblock print, which was widespread in the Asian region, was rediscovered for Western art. The artists of the time, such as Édouard Manet, Claude Monet, Edgar Degas, Paul Gauguin and Vincent van Gogh, were inspired not only by the cultural influence, but also by the two-dimensionality of the pictorial spaces. Thus, color woodcuts became an important moment in the development of the modern pictorial concept founded by Impressionism.
In Rudolf Hayder's "Herons", too, the two-dimensionality of the pictorial space is decisive for the pictorial effect. The herons, surrounded by reeds, are framed by the yellow background of the lake, followed by the dark blue-greenish stripe of the opposite shore and, above it, the sky in a lighter blue-green. Formally, it is a sequence of planes, but the two-dimensionality of the motif creates a spatial effect. This spatiality in the surface creates an intense pictorial effect. Hayder intensifies this effect with the blazing lake. In terms of color, the water becomes a sunset. The yellow turns reddish brown toward the shore, then fades to brownish red, while the shore is a watery turquoise...
Category
Early 20th Century Realist Landscape Prints
Materials
Color
1804 St George
s Chapel Windsor Castle print
Located in London, GB
From a series of large and impressive prints of St George's Chapel, the location for the Royal Wedding of Prince Harry and Megan Markle; to see some others, scroll down to "More from this Seller" and below it click on "See all from this Seller."
Frederick Nash (1782-1856) Drawn and etched
Engraved by F C Lewis
North East View of St George's Chapel, Windsor
To the Right Reverend the Lord Bishop of Norwich and Dean of Windsor
London Published by F Nash, No 6 Asylum Buildings, Westminster Road July 12 1804
55x40cm
Frederick Nash was born in Lambeth. Initially studying architectural drawing under Thomas Malton he subsequently enrolled at the Royal Academy of Arts. From 1801 to 1809 he worked with the antiquarians John Britton...
Category
Early 1800s Realist Landscape Prints
Materials
Etching, Aquatint
David Loggan Bodleian Library Oxford Aerial view 1675 engraving Bibliotheca
By David Loggan
Located in London, GB
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Category
1670s Realist Landscape Prints
Materials
Engraving
David Loggan: Great St Mary
s Church Cambridge University engraving 1690
By David Loggan
Located in London, GB
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Category
1690s Realist Landscape Prints
Materials
Engraving
Laburnums and Battersea
Located in New York, NY
Theodore Roussel, Laburnums and Battersea, etching and drypoint, 1889/1890 and 1898; signed in the plate lower right, and signed in pencil on the tab, with the inscription IMP. Hausb...
Category
Late 19th Century Realist Landscape Prints
Materials
Drypoint, Etching
Marquette Lighthouse: Lake Superior
Located in Chesterfield, MI
Marquette Lighthouse is a well known landmark for anyone who has visited the Upper Peninsula of Michigan! This is signed by the artist Leo Kuschel who liv...
Category
20th Century Realist Landscape Prints
Materials
Lithograph
$180 Sale Price
20% Off
Aurora Japan - Original handsigned lithograph
Located in Paris, IDF
Daniel GALLAIS
Aurora Japan
Original lithograph
Handsigned in pencil
Limited /175 copies
On vellum 76 x 56 cm (c. 30 x 22 in)
Excellent condition
Category
Late 20th Century Realist Landscape Prints
Materials
Lithograph
Seabed with Dolphin - Original handsigned lithograph
Located in Paris, IDF
Roland Cat
Seabed with Dolphin
Original lithograph
Handsigned in pencil
Limited /275 copies
On vellum 90 x 63 cm (c. 35.43 x 24.8 in)
Excellent condition
Category
1990s Realist Landscape Prints
Materials
Lithograph
Sidney Sussex College, Cambridge engraving by David Loggan
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...
Category
1670s Realist Landscape Prints
Materials
Engraving
Schubert
s Birthplace, Vienna, Austria
Located in San Francisco, CA
This artwork titled "Schubert's Birthplace, Vienna, Austria" c.1925 is a color etching on Wove paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the a...
Category
Early 20th Century Realist Landscape Prints
Materials
Etching
Spring at My Place
Located in Toronto, Ontario
Christopher Pratt (1935–2022) is one of Canada’s most beloved and recognizable Maritime artists. Born in St. John’s, he dedicated the majority of his artistic practice to depicting s...
Category
1980s Realist Landscape Prints
Materials
Screen
1776 Navigational chart/map of the Delaware bay and river including Philadelphia
Located in Philadelphia, PA
JOSHUA FISHER
(AMERICAN, EIGHTEENTH CENTURY)
A Chart of Delaware Bay and River, 1776
Printed for John Bennet and Robert Sayer, London
Engraving on pape...
Category
1770s Realist Landscape Prints
Materials
Paper, Engraving
"Mapping the Walk - May to August" Photographic Flower Study in Blue and White
Located in Wellesley, MA
"Mapping the Walk - May to August" by Judith Allen-Efstathiou is an exquisite cyanotype photographic print on mulberry paper in deep blue and white of wildflowers abstracted. Highl...
Category
2010s Realist Landscape Prints
Materials
Mulberry Paper, Photographic Paper
The Flying Scotsman 4472 Steam Train signed ltd ed
Located in Hillsborough, NC
‘The Flying Scotsman’ is an iconic steam train running from Edinburgh to Kings Cross London. Dubbed ‘The Flying Scotsman’ when exhibited in 1924 the express train route continued for...
Category
Mid-20th Century Realist Landscape Prints
Materials
Laid Paper, Color, Offset
Summer in the South East
Located in Toronto, Ontario
Christopher Pratt (1935-2022) is one of Canada’s most prolific and recognizable Maritime artists.
Born in St. John's, Pratt has dedicated the majority of his artistic practice to d...
Category
1980s Realist Landscape Prints
Materials
Screen
Richard Haas, Downtown Los Angeles MOCA, Etching
Aquatint, Signed/N, Framed
By Richard Haas
Located in New York, NY
Richard Haas
Downtown Los Angeles MOCA (Museum of Contemporary Art), 1991
Etching and aquatint on paper with printers blind stamp
SIgned, dated '91 and numbered 14/35 in graphite pen...
Category
1990s Realist Landscape Prints
Materials
Etching, Aquatint
Pacific Ocean Currents, Handmade Cyanotype Seascape in Blue, Waves Landscape
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype.
"Pacific Ocean Currents" is a handmade cyanotype print of rough water texture resembling Pacific Ocean swell.
Details:
+ ...
Category
2010s Realist Landscape Prints
Materials
Paper, Emulsion, Engraving, Etching
Sunset in Ireland
Located in Middletown, NY
Drypoint etching on watermarked cream wove paper, 5 7/16 x 8 7/16 inches (39 x 215 mm), wide (perhaps full) margins. A very desirable, bright and richly inked impression, with the da...
Category
Mid-19th Century Realist Landscape Prints
Materials
Drypoint, Etching
"Two O
Clock Breeze, " Framed Limited Edition Giclee Print, 30" x 45"
Located in Westport, CT
This coastal Limited Edition print by Daniel Pollera pictures a sandy walk with wooden fencing and grass on either side, leading to a beach. Two beach chairs and an umbrella overlook...
Category
2010s Realist Landscape Prints
Materials
Digital, Giclée
Persenbeug Castle, Austria
Located in San Francisco, CA
This artwork titled "Persenbeug Castle, Austria" c.1930 is a color etching and aquatint on watermarked Kasimir Vienna Wove paper by Austrian artist Luigi Kasimir, 1881-1962. It is ha...
Category
Early 20th Century Realist Landscape Prints
Materials
Etching
Ruins of Semua
Located in London, GB
David Roberts RA
Ruins of Semua
1796 - 1864
Subscription and first edition lithographs in stock
Half plate: 56
Presented in a acid free mount
Modern hand-coloured lithograph for the...
Category
1840s Realist Landscape Prints
Materials
Laid Paper, Lithograph
"Out in the Open, " Framed Limited Edition Giclee Print, 36" x 54"
Located in Westport, CT
This coastal seascape Limited Edition giclee print by Daniel Pollera is an edition size of 10. It captures a scene of a sailboat on blue, glistening water, sailing along the coast, w...
Category
2010s Realist Landscape Prints
Materials
Digital, Giclée
David Roberts
19th Century Duo-tone Lithograph, "Suez, General View"
Located in Alamo, CA
"Suez, General View" is a 19th century folio sized tinted duo-tone lithograph, plate 124 from the "The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia" volume of David Roberts’ large folio edition, published in London by F. G. Moon in 1843. The lithographs were prepared by Louis Haghe (1806-1885) from paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century. The lithograph depicts the Suez city skyline on a peninsula with boats moored in the bay. Men, dressed in traditional Arab costumes, rest on a hillside In the foreground with their camels, weapons and presumably goods for sale and trade.
This tinted lithograph, which is professionally framed in a decorative gold-colored wood frame with cream-colored double mats. The print is in excellent condition.
There are four additional listings of David Roberts hand colored engravings of Egypt...
Category
1840s Realist Landscape Prints
Materials
Lithograph
Three gondole in Venice - Black White etched landscape by iconic Federica Galli
Located in Milan, IT
Federica Galli, an exquisite and prominent Italian etcher, dedicated two to the etchings of 39 Venice Viewscaps. She was able to interpret the splendid Italian city from an authentic unique standpoint.
Some of the 39 Views have been conceived as pairs, such as those featured above.
The pair of prints comprising Lo Squero, which is the most historic Gondole manufacturer boats in Venice, and it is still operating; and Lake of Pageri.
The two prints are perfect in terms of both size and atmosphere.
Lo Squero, etching, cm 29,3x79,1 (plate size + margins)
Lago dei Pageri, etching, cm 29,4x79,3 (plate size + margins)
A numbered and signed limited edition at 90. Unframed.
Illustrations featuring both views; exhibitions on Mrs Galli's artworks in Federica Galli Foundation and in other locations; and her portrait taken by photographer Gianni Berengo Gardin...
Category
21st Century and Contemporary Realist Landscape Prints
Materials
Etching
"Passing Time, " Framed Limited Edition Giclee Print, 36" x 48"
Located in Westport, CT
This contemporary realist Limited Edition print by Daniel Pollera is rendered from the perspective of a view from a beach house porch, looking out toward a body of water. Two Adirond...
Category
2010s Realist Landscape Prints
Materials
Digital, Giclée
University College, Oxford David Loggan 1675 engraving
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want.
David Loggan (1634 - 1692)
University College, Oxford (1675)
Engraving
29 x 40 cm
Loggan's view of Univ from the 'Oxonia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College...
Category
1670s Realist Landscape Prints
Materials
Engraving
"Into the Light, " Framed Limited Edition Giclee Print, 36" x 54"
Located in Westport, CT
This Limited Edition print, "Into the Light," by Daniel Pollera is a contemporary realist seascape that depicts a Bay House in Long Island. The Bay House can be seen to the right, su...
Category
2010s Realist Landscape Prints
Materials
Digital, Giclée
Woolworth Building, New York
Located in Middletown, NY
A rich and tonal image of an icon of Manhattan architecture.
Etching with drypoint, 11 7/8 x 7 3/8 inches (300 x 186 mm), full margins. Edition of 100. Signed in pencil, lower right...
Category
Early 20th Century Realist Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
Sandy Shore with Foam, Nautical Cyanotype Print on Watercolor Paper, Beach Coast
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype of a Sandy Shore with Foam.
Details:
+ Title: Sandy Shore with Foam
+ Edition Size: 100
+ Stamped and Certificate of Aut...
Category
2010s Realist Landscape Prints
Materials
Marble
David Loggan Cambridge View Frontispiece Cantabrigia engraving 1715
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
1710s Realist Landscape Prints
Materials
Engraving
David Loggan Hertford College Oxford Hart Hall engraving 1675 Aula Cervina
By David Loggan
Located in London, GB
David Loggan (1634-1692)
Hart Hall - now Hertford College - Oxford - Aula Cervina
Engraving
28x39cm
Loggan was born to English and Scottish parents, a...
Category
1670s Realist Landscape Prints
Materials
Engraving
Adrian Collaert Martin de Vos 17th Century Engraving Flight into Egypt print
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...
Category
17th Century Realist Landscape Prints
Materials
Engraving
"Into the Light, " Framed Limited Edition Giclee Print, 24" x 36"
Located in Westport, CT
This Limited Edition print, "Into the Light," by Daniel Pollera is a contemporary realist seascape that depicts a Bay House in Long Island. The Bay House ca...
Category
2010s Realist Landscape Prints
Materials
Digital, Giclée
Realist landscape prints for sale on 1stDibs.
Find a wide variety of authentic Realist landscape prints available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add landscape prints created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, green and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Daniel Pollera, John Harris (painter), David Loggan, and Adriaen Collaert. Frequently made by artists working with Digital Print, and Etching and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Realist landscape prints, so small editions measuring 3.25 inches across are also available. Prices for landscape prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $80 and tops out at $48,000, while the average work sells for $929.