Boat Landscape Prints

Allonby is an etching realized in 1845 by W. H.Bartlett. Signed on the plate. Titled on the lower center. Good conditions with slight foxing. The artwork is beautifully realized...

Workington is an etching realized in 1845 by W. H. Bartlett. Signed on the plate. Titled on the lower center. Good conditions with slight foxing. The artwork is beautifully real...

This realistic coastal limited edition print by Michel Brosseau features a light blue and white palette and captures a large sailboat as it sails through the ocean, carrying four pas...

Bridge - London, Southwark & Blackfriars Bridges (from the Surrey side of the River) is a lithograph artwork on paper realized by the artist W.H. Bartlett . Signed on the plate on t...

This limited edition print by Daniel Pollera depicts a figure wearing a hat, sitting in a sailboat, sailing out into the open bay. The sailboat creates misty ripples in the water as ...

Yarmouth, with Nelson's Monument (from the Lowestoft Road) is a lithograph on paper realized by the artist W.H. Bartlett . Signed on the plate on the lower left. Titled on the lower center. The state of preservation is good, only a yellowed paper along the edge. William Henry Bartlett...

Artist: Peter Max (1937) Title: Himalayan Valley Year: 1980 Medium: Lithograph on Arches paper Edition: A.P.; 165, plus proofs Size: 20.25 x 24.75 inches Condition: Good Inscription:...

Richard Florsheim created this color lithograph entitled “Approaching Storm” in 1967 in an edition of 125 pieces. Published by Associated American Artists and printed by Mourlot Press, Paris, this impression is signed and inscribed “Artist Proof.” It is in good condition with full original color. The printed image size is 28.25 x 19 3/4 inches and the paper size is 31.12 x 22 inches. RICHARD ABERLE...

John McNulty, Irish/American (1949 - ) - Sailing 2, Year: circa 1981, Medium: Lithograph, signed and numbered in pencil, Edition: 450, Size: 13 in. x ...

Dionisio MORETTI Venice, Santa Chiara Island, 1831 Original etching Finely enhanced by hand with watercolor On vellum 26 x 41 cm (c. 10.2 x 16 inc...

Greenock is an etching realized in 1845 by F. W. Topham. Signed on the plate. Titled on the lower center, from the series of "Ports of Great Britain" Good conditions with slight ...

Dionisio MORETTI View of the Grand Canal, 1831 Original etching Finely enhanced by hand with watercolor On vellum 26 x 41 cm (c. 10.2 x 16 inch) ...

This limited edition print by Daniel Pollera depicts a figure wearing a hat, sitting in a sailboat, sailing out into the open bay. The sailboat creates misty ripples in the water as ...

Jean PICART LE DOUX Lagoon of Venice Original lithograph Signed in pencil Justified EA (artist proof) On vellum Arches 76 x 53 cm (c. 29,9 x 20.9 inch) Very good condition, light m...

This coastal seascape Limited Edition giclee print by Daniel Pollera is an edition size of 10. Printed on canvas, this giclee ships framed in a warm silver floater frame wired and re...

Tsukuda Sumiyoshi no yashiro (Sumiyoshi Shrine on Tsukuda Island) is the original title of this superb ten colour woodblock print on paper, by the Japanese master, Utagawa Hiroshige ...

View of Ripa Grande is a vintage offset print realized in the early 20th Century by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions. Giuseppe Vasi (Corle...

This limited edition seascape print by S.C. Aldo captures an abstracted coastal scene overlooking water from a sandy shore, with greenery lining part of the horizon and a sailboat sa...

This limited edition seascape print by S.C. Aldo captures an abstracted coastal scene overlooking water from a sandy shore, with greenery lining part of the horizon and a sailboat sa...

This limited edition seascape print by S.C. Aldo captures an abstracted coastal scene overlooking water from a sandy shore, with greenery lining part of the horizon and a sailboat sa...

This coastal Limited Edition print by Daniel Pollera depicts a brightly-lit row boat, with two ores resting on either edge of the boat, sitting on a small island of sand in the water...

Lithograph on vélin d’Arches paper. Signed in pencil and unnumbered, as issued. Good condition. Notes: From the folio, Jacques Villon, Huit Lithographies Originales, 1962. Published ...

Uses and Customs - Ischia is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the governmen...

Boats is a modern artwork realized by Michele Ricciuti in 1971. Black and white etching Hand signed, numberec and dated on the lower margin. Edition of 3/20 Includes frame

Salvador DALI Le combat avec le Morhoult ("The fight avec Morhoult") Original etching Handsigned in pencil Limited to 115 copies On vellum Rives 45 x 32.5 cm This etching...

Lithograph on Magnani-Pescia paper. Paper size cm.17,5x cm.24,5 work size cm. 14,5 x cm. 22 Excellent condition, no defects.

Lithograph on Magnani-Pescia paper. Paper size 17,5 cm x 24,5 cm work size 14,5 cm x 22cm. Excellent condition, no defects. Aldo Riso was born in 1927 in Santa Maria di Leuca, in th...

This traditional Limited Edition print by Daniel Pollera captures a coastal scene. A sailboat with its sail down sits in the shadow of dark trees, and looks out toward another white ...

North Dock is a black and White etching realized by Mathew White Ridley in the 1860s.  Titled in the lower. Image size: 12x21. Very good impression with wide margins and a very fr...

Bernard Buffet, French (1928 - 1999) - Le Phare, Year: 1958, Medium: Etching, signed and numbered in pencil, Edition: 56/75, Image Size: 12 x 10 inches, Frame Size: 22.75 x 19...

Boats on the River is an artwork realized by Eduard Pellens (1872-1947) in 1907. Woodcut print. Good condition.

This coastal seascape Limited Edition giclee print by Daniel Pollera is an edition size of 10. Printed on canvas, this giclee ships framed in a warm silver floater frame wired and re...

This limited edition print by Daniel Pollera features a small sailboat with a white sale, sailing along a coastline of green foliage behind it. The sun shines from the left hand side...

This coastal seascape Limited Edition giclee print by Daniel Pollera captures a sailboat at sunset. A single figure can be seen in the boat itself, navigating past a shadowed coastli...

This limited edition print by Daniel Pollera depicts a figure wearing a hat, sitting in a sailboat, sailing out into the open bay. The sailboat creates misty ripples in the water as ...

Artist: Treadway Russell Nash (English, 1724-1811) Title: "The South View of the City of Worcester, from Digley Fields" and "Hewell, the Seat of the Right Honorable the Earl of Plymouth" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Two Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Reference: Upcott III, page 1330 Sheet size (each): approx. 10.25" x 16.63" Image size (each): approx. 7" x 12" Condition: "The South View of the City of Worcester, from Digley Fields" has some minor foxmarks in margins. "Hewell, the Seat of the Right Honorable the Earl of Plymouth" has toning and uneven discoloration to its sheet. Have been professionally stored away for decades. They are both otherwise strong impressions, the first in excellent condition, and the second in good condition Notes: Provenance: private collection - Aspen, CO. "The South View of the City of Worcester, from Digley Fields" was engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after a drawing by himself. "Hewell, the Seat of the Right Honorable the Earl of Plymouth" was engraved by English artist Michael Angelo Rooker (1743-1801) after a watercolor painting by English artist Paul Sandby (1731-1809). Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". "The South View of the City of Worcester, from Digley Fields" has an unidentified watermark in the center of its sheet resembling "XV". Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

John Taylor Arms was known for making such finely drawn etchings that commercial tools were not good enough: He regularly used sewing needles with corks for handles. Made during Worl...

Jetee en Bois dans le POrt de Honleur is a black and White etching realized by Johan Barthold Jongkin in the 1860s.  Titled in the lower. Image size: 24x32. Very good impression w...

This coastal seascape Limited Edition giclee print by Daniel Pollera captures two small sailboats, one white and one navy blue, anchored along a grassy shoreline in the foreground. T...

This traditional coastal Limited Edition print by Daniel Pollera pictures three white Adirondack chairs, positioned in the grass overlooking a body of water. Several sailboats can be...

Lithograph on vélin d’Arches paper. Signed in pencil and unnumbered, as issued. Good condition. Notes: From the folio, Jacques Villon, Huit Lithographies Originales, 1962. Published ...

Triest is an original modern artwork realized in Italy in the half of the 19th Century. Original Lithograph on Ivory Paper. Inscripted in Capital Letters on the lower margin. Pa...

This coastal seascape Limited Edition giclee print by Daniel Pollera is an edition size of 10. Printed on canvas, this giclee ships framed in a warm silver floater frame wired and re...

This coastal Limited Edition print by Daniel Pollera pictures a sandy walk with wooden fencing and grass on either side, leading to a beach. Two beach chairs and an umbrella overlook...

This Limited Edition print titled, "Into the Light," by Daniel Pollera. It is printed on canvas and ships rolled with natural edges. It can be stretched upon arrival - please see ima...

Anchored Up By Gordon Hunt [2022] limited_edition Acrylic paint on paper Edition number 20 Image size: H:50 cm x W:50 cm Complete Size of Unframed Work: H:60 cm x W:60 cm x D:0.5...

This exquisite collotype after Max Ernst (1891–1976), titled Il tombera loin d'ici (He Will Fall Far from Here), from the album Max Ernst, Histoire Naturelle (Natural History), origi...

This traditional coastal Limited Edition print by Daniel Pollera pictures three white Adirondack chairs, positioned in the grass overlooking a body of water. Several sailboats can be...

This coastal Limited Edition print by Daniel Pollera features a white row boat with two ores resting on either side of the boat's edge. It is tied to a wooden post in the water with ...

The Beach Aldeburgh, limited edition giclee print. These stunning prints are created using fine art archival quality inks and canvas with three layers of UV varnish to protect the a...

Lithograph on grand vélin d'Arches spécial paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Les Côtes Normandes 1961. Published by Pierre de Tartas, ...

Japanese born, Fugi Nakamizo came to New York City in 1910. He studied at the Art Students League and Cooper Union, NYC, and also printmaking with Joseph Pennell. He worked on the Federal Public Works of Art Project in the 1930s and in the 40s, during WWII, was interned at the Japanese-American internment camp in Topaz, Utah. His work is in the permanent collections of the Metropolitan Museum of Art and the Brooklyn Museum of Art, NYC, and the Library of Congress and Smithsonian Institution, Washington, DC. This etching of New York...

Durham is a black and White etching realized by William Ridley (1764-1838), and printed in the 1860s.  Titled in the lower. Image size: 13x21. Very good impression with wide margi...

Wayne Ensrud, American (1934 - ) - Upwind, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 45, Image Size: 19 X 26.5 inches, Size: 22 in. x 30 in...

This coastal seascape Limited Edition giclee print by Daniel Pollera captures a sailboat at sunset. A single figure can be seen in the boat itself, navigating past a shadowed coastli...

Moulin Hollandais is a black and White etching realized by Alphonse Aufray De Roc'Bihan in the 1860s.  Titled in the lower. Image size: 15x23. Very good impression with wide margi...

This coastal seascape Limited Edition giclee print by Daniel Pollera captures a sailboat at sunset. A single figure can be seen in the boat itself, navigating past a shadowed coastli...

This coastal seascape Limited Edition giclee print by Daniel Pollera is an edition size of 10. It captures a scene of a sailboat on blue, glistening water, sailing along the coast, w...

Landscapes and seascapes are a specialty for McMillan, but capturing the night-time lights of the Grand Canal in Venice is an unusual subject for this artist who usually specializes ...

THE LOOKOUT is an original hand drawn lithograph by the American woman artist Sally Caldwell-Fisher, printed using hand lithography techniques on archival Arches paper 100% acid free. THE LOOKOUT depicts a quiet boating scene with a young woman dressed in a long, Victorian style navy blue skirt, white blouse and navy neck scarf solidly standing aboard her sailboat gazing out toward the viewer. Ms. Caldwell-Fisher presents a nostalgic look back at New England life portraying a Victorian era female sailor on her sailboat floating on still water, surrounded by peaceful blue skies. THE LOOKOUT evokes a wistful affection for the past with its classic coloration of blues, beige, brown, yellow ochre, black, touches red and white. THE LOOKOUT captures a moment of tranquility while boating during the earlier era of a New England summer season delightfully expressed by the talented American woman artist, Sally Caldwell Fisher. Print size - 16.5 x 9.5 inches, unframed, mint condition, pencil signed by Sally Caldwell-Fisher Sally Caldwell-Fisher was born in Philadelphia 1951, raised in Michigan. She graduated from the University of Michigan and started selling her artwork. Upon moving to New England in the early seventies, she immediately fell in love with its natural beauty - a beauty of contrasts; the granite and dark pines, the fields of snow, and the sparkling sea. It quickly became Caldwell-Fisher's passion to paint New England life in its variety and harmony with nature. Sally Caldwell Fisher portrays in her images a world brimming with charm and simplicity. Attracted to the whimsical, she illustrates everyday life in rural...