Bride Landscape Prints

This exquisite collotype after Max Ernst (1891–1976), titled Les Epouvantails (The Scarecrows), from the album Max Ernst, Histoire Naturelle (Natural History), originates from the 19...

Lithograph on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Regards sur Paris, 1963. Published by André Sauret, Paris;...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Ballade du Soldat, 34 Lithographies Originales de Max Ernst, 1972. P...

Lithograph on fine vélin paper, mounted on archival mat-board, as issued. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Eugène De...

Engraving on vélin de Rives paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Portrait de A. Decaris, 1953. Published by Editions d'Art Manuel Bruker, Paris; printed by Ateliers Rigal, Paris, January 30, 1953. Excerpted from the volume (translated from French), The present portrait of Albert Decaris was completed to print on January 30, 1953 for typography by Zichieri; for engraving by Rigal. The edition has been set at 250 on vélin de Rives. The first twenty examples are suites on annam of all the engravings. ALBERT DECARIS (1901-1988) was a French artist, engraver, painter and Olympic Gold Medallist. Decaris was the first illustrator of luxury art books such as Le Chant de Mon Voyage vers la Grèce by Léon Cathlin, Combourg by Chateaubriand, Les Discours des Misères de ce Temps by Ronsard and Les Destinées by Alfred de Vigny. Decaris joined the infamous group called FVHJ at age 24. In the 1930s, Decaris began engraving postage stamps, resulting in more than 500 such designs, for various postal services, notably French and African. Stamp collectors...

Landscape is an original modern artwork realized by Giuseppe Giorgi in 1980s. Original etching on paper. Hand-signed on the lower right. Numbered. ...

This exquisite collotype after Max Ernst (1891–1976), titled Le Pain vaccine (The Vaccinated Bread), from the album Max Ernst, Histoire Naturelle (Natural History), originates from t...

This exquisite collotype after Max Ernst (1891–1976), titled Les Diamants conjugaux (The Conjugal Diamonds), from the album Max Ernst, Histoire Naturelle (Natural History), originate...

Merchant of Venice,  Shakespeare is a print on paper realized by Francesco Niquet in the mid-19th Century. Etching on paper Signed on the lower right. With Shakespeare's ACT V sce...

A fine early 19th Century strike of the humorous scene of the death of Tom Moody. Moody's friends from his hunting troupe gather round his open grave, wildly shouting "Tally Ho!" muc...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

La. Benediction de l'Aieul is a black and White etching realized by Edouard Moyse in the 1860s.  Titled in the lower. Image size:23x31. Very good impression with wide margins and ...

"When Day is Done" is an original etching and aquatint signed lower right in pencil by the artist John Edward Costigan. It depicts a man and a woman with their young child at the end...

Drypoint on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagnie Françai...

This exquisite lithograph after Jacques Villon (1875–1963), titled Couverture (Cover), from the folio Vins, Fleurs et Flammes (Wines, Flowers, and Flames), originates from the 1956 e...

Percussion Instruments is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the government, ...

André Masson, French (1896 -1987) - Place de Concorde, Year: 1962, Medium: Lithograph, unsigned, Image Size: 15 x 11.5 inches, Size: 15.25 x 11.75 in. (38.74 x 29.85 cm), Descrip...

Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...

The Small Village is an original artwork realized by Jeannine Hervé in the second half of the XX Century. Original etching on paper. Hand-signed in pencil on the lower right. Numbered on the lower left margin. Edition of 60 prints. Passepartout included (cm 34 x 27). Perfect conditions. Very small but elegant artwork representing a village with buildings. Jeannine Hervé (Morbihan, 1931). Painter, watercolourist, draughtswoman, lithographer, engraver (wood/burin) and art restorer. From 1936 to 1937, Jeannine Hervé studied drawing and then painting with E. Robert and the engraver Adolphe Beaufrère...

This exquisite lithograph after Jean-Edouard Vuillard (1868–1940), titled Intimite (Intimacy), originates from the 1966 folio Derriere le Miroir, No. 158–159, published by Maeght Edi...

Etching realized by Félix Milius d'après Van Dyck in 1872. Very good condition.

Etching on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Published by Éditions Marcel Seheur, Paris; printed by Atelier d'art Paul Haasen, Paris, Septembe...

Woodcut on vélin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Vingt fables de La fontaine, 1961. Published by Éd...

Lithograph on vélin chiffon de Rives paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Réflexions Simples Sur Le Corps, Ay...

A sunburst sheds light on a plant in an decorated celadon vase. Signed and numbered from the edition of 10. Printed on Chine colle. Yuji Hiratsuka was born 1954 in Osaka, Japan. In ...

This exquisite lithograph, titled Sans titre (Untitled), by Leonor Fini, from the folio Parallelement (Parallel), Illustre de lithographies originales de Leonor Fini (Illustrated with Original Lithographs by Leonor Fini), 1969, was published and printed by Pierre de Tartas, Paris-Bievres, Paris, 1969. Executed as a lithograph on grand velin d'Arches paper, this work exemplifies the technical refinement and sophisticated aesthetic that defined the finest Parisian printmaking of the mid-twentieth century. Measuring 15.94 x 23.22 inches, with centerfold as issued, the work is unsigned and unnumbered as issued. Printed on grand velin d'Arches paper, the composition reveals Finis distinctive blend of psychological intensity, theatrical sensuality, and symbolic mysticism. Artwork Details: Artist: Leonor Fini (1907–1996) Title: Sans titre (Untitled), from the folio Parallelement (Parallel), Illustre de lithographies originales de Leonor Fini (Illustrated with Original Lithographs by Leonor Fini) Medium: Lithograph on grand velin d'Arches paper Dimensions: 15.94 x 23.22 inches (40.5 x 59 cm), with centerfold as issued Inscription: Unsigned and unnumbered as issued Date: 1969 Publisher: Pierre de Tartas, Paris-Bievres, Paris Printer: Pierre de Tartas, Paris-Bievres, Paris Catalogue Raisonne Reference: Monod, Luc. Manuel de L'amateur de Livres Illustres Modernes: 1875-1975. Ides and Calendes, 1992, No. 11122. Condition: Well preserved, consistent with age and medium Provenance: From the folio Parallelement, published and printed by Pierre de Tartas, Paris-Bievres, Paris, 1969 Notes: Excerpted from the folio (translated from French), Justification of draw: a unique example on Japon nacre, including two original watercolors specially executed for the work, two vouchers to shoot, a suite of all the plates on grand velin d'Arches, a continuation of all the plates on Japon nacre, signed by the Artist, as well as a series of the plates refused on grand velin d'Arches; a unique example. XX examples on Japon nacre with an original watercolor of the Artist executed for the work, a suite of all the plates on grand velin d'Arches, a continuation of all the plates on Japon nacre, signed by the Artist, as well as a series of the plates refused on grand velin d'Arches; lettered from A to T; XXX examples on Japon nacre including a suite of all the boards on grand velin d'Arches, as well as a suite of the plates refused on grand velin d'Arches; numbered from I to L. LX examples on grand velin d'Arches, including a suite of the six double-boards on grand velin d'Arches, as well as a series of the plates refused on grand velin d'Arches; numbered from XXXI to XC. CCC grand velin d'Arches, with the definitive state of the illustrations; numbered from XCI to CCXC; In addition, some examples were drawn, all nominative, reserved for the Artist, the Publisher and those who contributed to the production of this album. All examples are signed by the Artist on the colophon, the publisher, and endorsed by Ministere d'Huissier de Justice. On Japon nacre, it was taken from the sequels of the plates numbered and signed by the Artist. About the Publication: Parallelement (Parallel), published and printed in 1969 by Pierre de Tartas, Paris-Bievres, is one of the most refined and luxurious livres d'artiste of the late twentieth century, uniting Paul Verlaines celebrated poetry with the visionary imagery of Leonor Fini. Produced with uncompromising standards of printing, paper, and typographic craftsmanship, the folio exemplifies the golden era of French limited-edition printmaking. Issued in multiple paper states—from Japon nacre to grand velin d'Arches—the album reflects the meticulous care, material richness, and artistic ambition characteristic of Pierre de Tartas' finest publications, affirming its status as a masterwork in the tradition of French illustrated albums. About the Artist: Leonor Fini (1907–1996) was an Argentine-born Italian-French painter, illustrator, author, and stage designer whose electrifying fusion of myth, mysticism, eroticism, and psychological depth established her as one of the most unmistakable and influential artistic voices of the twentieth century. Celebrated for depicting women as sovereign, enigmatic, and psychologically commanding beings, Fini rejected the patriarchal hierarchy of Surrealism even as she exhibited alongside its foremost figures, forging instead a fiercely independent path defined by theatricality, female autonomy, and visionary imagination. Her richly symbolic universe filled with sphinxes, priestesses, witches, and androgynous guardians was shaped by a broad constellation of influences including Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, while also drawing deeply from Symbolist painting, Renaissance portraiture, and Venetian colorism. Moving among artists such as Max Ernst, Giorgio de Chirico, Leonora Carrington, Dorothea Tanning, Meret Oppenheim, and Pavel Tchelitchew, she nevertheless maintained a singular vision whose impact reverberates through the work of later creators including Kiki Smith, Cindy Sherman, Marlene Dumas, Tracey Emin, Pierre et Gilles, Laurie Simmons, and numerous feminist and queer artists who embraced her exploration of gender, identity, and psychological mythology. A prolific illustrator and designer, Fini also shaped European performance culture through celebrated costumes and stage designs, while her paintings entered major museum collections worldwide, including the Metropolitan Museum of Art, the Tate Modern, Centre Pompidou, the Museum of Modern Art in Buenos Aires, and the Moderna Museet. Known for her imaginative freedom, elaborate personal style, and legendary Parisian salon, she remains a defining figure in feminist and avant-garde art history. The highest auction record for Leonor Fini was achieved when her self-portrait Autoportrait au Scorpion sold for 2,319,000 USD at Sotheby's New York on May 12, 2021, underscoring the dramatic rise in appreciation for her visionary legacy. Keywords: Leonor Fini print, Parallelement Fini, Leonor Fini lithograph...

Medium: Lithograph and stencil on vélin paper Year: 1954 Paper Size: 13.5 x 9.5 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Femmes de Lau...

Barges, Dordrecht Etching, c. 1886 Signed in the plate with the butterfly Edition: One of 10 known impressions of this image. VERY RARE Provenance: Frederick Keppel & Co. with their ...

Lithograph and stencil on grand Velin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Édouard Pignon, Arbres et Voi...

This is an enigmatic image. Between the two center/left trees there appears to be a figure, possibly a woman. At the right, seated on a rock, is a man, in robes. Religious images are...

Woodcut on vélin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Vingt fables de La fontaine, 1961. Published by Éd...

Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...

This exquisite collotype after Max Ernst (1891–1976), titled Les Cicatrices (The Scars), from the album Max Ernst, Histoire Naturelle (Natural History), originates from the 1972 edit...

This exquisite collotype after Max Ernst (1891–1976), titled Le Tilleul est docile (The Lime Tree Is Docile), from the album Max Ernst, Histoire Naturelle (Natural History), originat...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Ballade du Soldat, 34 Lithographies Originales de Max Ernst, 1972. P...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Ballade du Soldat, 34 Lithographies Originales de Max Ernst, 1972. P...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Suites nº8, Rencontres, 1964. Published...

Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...

This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...

This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...

This exquisite etching by Jean-Gabriel Daragnes (1886–1950), titled Sans titre (Untitled), from the album Alternance (Alternation), originates from the 1946 edition published by Le G...

Uses and Customs - Egyptian Deities is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the...

BREWSTER , Martyn (b.1952) Winter Trees 1 Image: 8.0 x 8.0 cm (3 1/8 x 3 1/8 ins.) Paper: 15.0 x 18.0 cm (6 x 7 1/8 ins.) Edition 60 Etching photogravure, 2009 Martyn Brewster’s...

Medium: Lithograph on vélin d'Arches paper Year: 1970 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, André Derain entre ...

Etching on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Published by Éditions Marcel Seheur, Paris; printed by Atelier d'art Paul Haasen, Paris, Septembe...

Landscape is an original etching on paper realized by an unknown artist of the XX century. The State of preservation is very good with some small stain on the margins. Sheet dimen...

Letter of the Alphabet S, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century. Good conditions. The etching belon...

Uses and Customs - all the peoples of the universe is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: "...

Uses and Customs - Egyptian Costume is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the...

Lithograph on grand vélin des Papeteries de Lana paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Au Temps de Paris Seine...

Beach is a modern artwork realized by Gaetano Giangrande in 1968 Black and white etching Hand signed and numebered on the lower margin. Edition of 123/125 Signature, date on plat...

Linda Plotkin, American (1938 - ) - Hunter, Year: circa 1965, Medium: Lithograph on BFK Rives, signed, titled and numbered in pencil, Edition: Trial Proof, Image Size: 9.5 x 9.25...

Uses and Customs - Bridge of Cassano is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of th...

Ponte S. Niccolò, Florence is an artwork realized in 1979, by the Italian Artist Michele Cascella. Colored lithograph on paper of the Portfolio "Landscape", 1979, with six original lithograph and the poems of Franco Simongini titled "Twenty Landscapes 1953-1960" Hand-signed on the lower right in pencil and numbered edition of 29/125 ex. Lower right blind stamp of the Printer Graphis Art, Livorno The state of preservation of the artwork is very good. Michele Cascella (Ortona, 7 September 1892 - Milan, 31 August 1989) was an Italian twilight painter and landscape painter. Over the course of his long artistic life which spanned almost eight decades of intense activity, Cascella has been able to maintain a unique, unmistakable style which is practically immune to the contamination of the pictorial currents and avant-gardes of the twentieth century. His works, including canvases, panels, pastels and drawings, are exhibited in numerous Italian and international museums, including the Victoria and Albert Museum[1] in London, the Galerie nationale du Jeu de Paume in Paris, the National Museum of History and Art in Luxembourg, the Musée d'Art Moderne in Brussels and the De Saisset Art Gallery of the University of Santa Clara in...

Uses and Customs - Saints is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the governmen...

Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...

Medium: Lithograph on papier bouffant des Papeteries de Casteljoux paper Year: 1970 Paper Size: 12 x 9.25 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio...

The architect is Paolo Posi, and the image is engraved by Giuseppe Vasi.  The title:  Prospetto della prima machina de fuochi d'artifizio, rappresentante il Tempio di Esculapio figl...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...