Bride Landscape Prints

This exquisite lithograph after Raoul Dufy (1877–1953), titled Isaac Newton (Isaac Newton), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), originat...

This exquisite heliogravure after Georges Rouault (1871–1958), titled Christ et disciples (Christ and Disciples), from the album Georges Rouault, Stella Vespertina (Evening Star), or...

This exquisite lithograph by Georges Rouault (1871–1958), titled Pierrot Blanc (White Pierrot), from the album Georges Rouault, Divertissement, originates from the 1943 edition publi...

Andrew Dasburg, 'Trees in Ranchitos II', two-color lithograph, 1975, edition 20. Signed 'A. D.' in pencil. Annotated 'Trial Proof' in pencil, verso. A superb impression, in dark taup...

Etching, Engraving on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagn...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Isaac Newton (Isaac Newton), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), originat...

Original linen backed one sheet "The Savage Guns". Nss: 62/298. Archivally linen backed with the original issued fold marks restored. Great color, no paper loss, Excellent condition. As close to mint as you will find. Because the original fold marks were restored, it can only be listed as good. Condition: A. The gunfighter and the spitfire meet and love in a wild wind-lashed land where the law ends ... And the one they thought was afraid surprised them the day the banditos came!. Metro Goldwyn Mayer. Starring: Richard Basehart; Don Taylor, Alex Nicol, Pacquita Rico. In Metrocolor and Metroscope. Western movie poster...

Risks and Temptations is an Original Lithograph realized by Willette (Adolphe Léon). Good condition on a yellowed paper. Hand signed with blue pencil on the lower left corner. Ad...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: Based in New York, Caitlin McGauley is an artist and illustrator with...

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Couple a l'Arbre (The Couple at the Tree), from the album The Lithographs of Chagall, Volume II, originates from the ...

The nativity  is an  artwork realized by Gianpaolo Berto, 1976.  Etching, 60 x 50 cm. Edition 2/20, Dated 76'  in the right margin.  Very good condition. Gian Paolo Berto was b...

Engraving on vélin de Rives paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Portrait de A. Decaris, 1953. Published by Editions d'Art ...

Conversations is a modern artwork realized d'apres Karl Werner  Mixed colored cromolithograph.  The artwork is after the watercolors realized by the artist during a trip to Egypt b...

This exquisite lithograph by Keith Haring (1958–1990), titled Untitled, from the album Against All Odds, 20 drawings - Oct. 3, 1989 (Against All Odds, 20 drawings - Oct. 3, 1989), or...

"Fluviorum in Europa principis Danubii" is a hand-colored map of the region about the Danube river created by Johann Baptist Homann (1663-1724) in his 'Atlas Novus Terrarum', publish...

The artwork is print on silk and it is limited edition. Our theater of culinary extravaganza and everyday vaudeville. The worst thing is when you don’t know what's funniest to you t...

Artist: Vahe Yeremyan Work: Print on Paper, Subject: Trees, Framed Size: 1.5" x 20.5" x 0.5''inch, 42x52x2cm, Ready to Hang, Metal Frame with the Glass, Plastic Wrapped. All work...

Medium: Lithograph on papier bouffant des Papeteries de Casteljoux paper Year: 1970 Paper Size: 12 x 9.25 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio...

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Clown Amoureux (The Loving Clown), from the album The Lithographs of Chagall, Volume II, originates from the 1963 edi...

Etching and sand ground on cream laid paper, 10 1/2 x 7 5/8 inches (262 x 193 mm), full margins. Inscribed "No. 29" in black ink, lower right margin. In good condition with minor tim...

Artist: Vahe Yeremyan Work: Print on Paper, Subject: Trees, Framed Size: 1.5" x 20.5" x 0.5''inch, 42x52x2cm, Ready to Hang, Metal Frame with the Glass, Plastic Wrapped. All work...

Title: OPSAIL Year: 2000 Medium: Offset lithograph in colors on gloss archival paper Size: 36 x 24 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as issued Notes...

'The Fountain of Job', tinted lithograph after David Roberts RA. Signed in stone lower right. Printed title below the image. Roberts travelled throug...

This Winslow Homer woodcut engraving entitled "Skating on the Ladies' Skating-Pond in Central Park, New York", was published in Harper's Weekly in the January 28, 1860 edition. It depicts a large number of men, women and children skating on a recently opened pond in Central Park. At the time of publication of this engraving, Central Park was in the early stages of construction. This engraving documents the very early appearance of Frederick Law Olmstead and Calvert Vaux's masterpiece of landscape design. According to Olmsted, the park was "of great importance as the first real Park made in this century – a democratic development of the highest significance". The people of New York were very proud of the plans for their park. It was stated at the time: "Our Park, which is progressing very satisfactorily under the management of the Commissioners, will undoubtedly be, one of these days, one of the finest place of the kind in the world...Those who saw the Park before the engineers went to work on it are amazed at the beautiful sites which have been contrived with such unpromising materials; all fair persons believe that the enterprise is managed with honesty and good taste." Skating was rapidly rising in national popularity in part due to the opening of Central Park’s lake to skaters on a Sunday in December 1858 with 300 participants. The following Sunday it attracted ten thousand skaters. By Christmas Day, a reported 50,000 people came to the park, most of them to skate. There were rules governing who could use the skating pond. “The Ladies’ Pond...

Title: Earth Day 1995 Year: 1995 Medium: Offset lithograph in colors on gloss archival paper Size: 22 x 20.875 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as ...

This exquisite lithograph by Marc Chagall (1887–1985), titled Ruth glaneuse (Ruth the Gleaner), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, originates from the September 1956 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1956. This lyrical composition depicts Ruth gleaning in the fields of Boaz, a story of devotion, faith, and humble perseverance that reflects Chagall’s profound empathy for biblical humanity. Through flowing lines and radiant harmonies, he transforms the pastoral act into a vision of grace and spiritual renewal, suffused with divine light and poetic serenity. The work captures Chagall’s enduring ability to elevate everyday acts into timeless expressions of love, dignity, and divine purpose. The piece forms part of Chagall’s celebrated series of lithographs and drawings created for Dessins Pour La Bible, a monumental project uniting art, scripture, and mysticism in one of the artist’s most important achievements. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches (35.56 x 26.67 cm). Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, renowned for its collaborations with the greatest modern masters of the 20th century. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Ruth glaneuse (Ruth the Gleaner), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, September 1956 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches (35.56 x 26.67 cm) Inscription: Unsigned and unnumbered as issued Date: 1956 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Cain, Julien, and Fernand Mourlot. Chagall Lithographe. Andre Sauret, Editeur, 1960, illustrations 117–46. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne Des Livres Illustrés. P. Cramer ed., 1995, illustration 25. Condition: Well preserved, consistent with age and medium Provenance: From Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, published by Editions de la revue Verve, Paris, 1956 Notes: Excerpted from the album (translated from French), This double issue of Verve is dedicated to the full reproduction in heliogravure of the one hundred-five plates etched by Marc Chagall, between 1930 and 1955, for the illustration of the Bible. The artist composed especially for the present work, sixteen lithographs in color and twelve in black, as well as the cover and the title page. This volume was completed and printed on September 10, 1956, by the Master Printers Draeger Freres for heliogravure, and by Mourlot Freres for lithography. About the Publication: Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), published as Verve Vol. VIII, No. 33–34 in September 1956, represents one of the crowning achievements of Chagall’s lifelong dialogue with the sacred. Conceived and directed by the visionary publisher Teriade and printed by the master lithographers Mourlot Freres, the issue features thirty-four color lithographs and numerous black-and-white drawings inspired by biblical figures and stories. Chagall’s works for this edition unite text and image in a luminous meditation on divine creation, moral struggle, and spiritual renewal, imbued with his signature dreamlike symbolism and radiant color. Produced in postwar Paris, this landmark publication reaffirmed the enduring union of art and faith, establishing Dessins Pour La Bible as one of the most important illustrated works of the 20th century. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Ruth...

Portrait of Gene Autry, by Frank Romero This print was featured in “Dreamland”, the first solo exhibition of a Chicano artist at MOLAA (Museum of Latin American Art). This is the first time the entire museum has been dedicated to a single artist. Throughout his 40 year career as an artist, Frank Romero has been a dedicated member of the Los Angeles arts community. As a member of the 1970s Chicano art collective, Los Four...

This exquisite lithograph by Marc Chagall (1887–1985), titled Asuerus chasse Vasthi (Ahasuerus Banishes Vashti), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Ve...

Germany by bicycle original 1972 serigraph travel poster. Archivally backed linen is in excellent condition and ready to frame. The images shown are of the exact poster you will receive. This European bicycle posters are rare and very difficult to find in any condition! Germany has a rich tradition of travel posters often featuring bicycles, reflecting the country's cycling culture and scenic landscapes. These posters showcase Germany's beautiful countryside, picturesque towns, and well-maintained cycling paths, encouraging tourism and outdoor activities. Cycling in Germany is popular due to its extensive network of bike paths and routes, including the famous Romantic Road and the scenic paths along the Rhine River. Travel posters from various periods may highlight popular cycling destinations such as the Bavarian Alps and the Black Forest and charming cities like Heidelberg and Rothenburg ob der Tauber. Bicycles Across Time Periods: The poster illustrates the evolution of bicycles over the years, showcasing various designs from different eras. This could range from the early penny-farthing models of the 19th century to modern road bikes and bicycles built for two...

Original San Francisco, California fun map vintage poster 1970. Archival linen backed in very fine condition, ready to frame. -Artist: Henry Hinton I don’t know how much more you could include in this detailed fun map of San Francisco...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Kathe Kollwitz, Ten Lithographs. Published by Henry C. Kleemann and...

This exquisite lithograph after Henri Matisse (1869–1954), titled Crayon (Crayon), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse), originates from the 1925 editi...

Medium: Lithograph on vélin Hamilton Kilmory paper Year: 1947 Paper Size: 9.5 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Rembrandt, Drawings...

This exquisite heliogravure, titled Sans titre (Untitled), after Leonor Fini, from the album Fruits de la passion, trente-deux variations sur un theme de Leonor Fini (Fruits of Passi...

This exquisite lithograph after Francois Auguste Rene Rodin (1840–1917), titled Sans titre (Untitled), from the folio Douze aquarelles de Auguste Rodin (Twelve Watercolors by Auguste...

'Loggia di Raffaello, in Vaticano' Tinted lithograph by Philippe Benoist (1813-1881). From a French series titled 'Rome dans Sa Grandeur', circa 1870. Benoist was one of France's...

André Masson, French (1896 -1987) - Le soleil passe au dessus de la fontaine, Medium: Lithograph on thin wove paper, unsigned, Image Size: 9.75 x 12.75 inches, Size: 11 x 13.25 in...

This exquisite lithograph and pochoir with hand coloring by Jean Cocteau (1889–1963), titled Sans titre (Untitled), from the album Le Livre blanc (The White Book), precede dun fronti...

Winter Grasses by Anthony Gross, 1972 Additional information: Medium: etching 39 x 52 cm 15 3/8 x 20 1/2 in signed, titled and dated English painter and printmaker. He trained in L...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Sur la Route de Fleury, Les Deux Tuer (On the Road to Fleury, The Two Killed), from the album Fernand Le...

Lithograph and stencil on grand Velin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Édouard Pignon, Arbres et Voi...

Etching and drypoint realized by Alcione Gubellini in the mid-20th Century. Edition of 16. Hand signed and numbered in pencil. Excellent condition.

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Verdun detruit (Destroyed Verdun), from the album Fernand Leger, Dessins de Guerre 1915-16 (Fernand Lege...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Hissage de Forme Mobile (Hoisting the Mobile Form), from the album Fernand Leger, Dessins de Guerre 1915...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Verdun, La place d'Armes (Verdun, The Parade Ground), from the album Fernand Leger, Dessins de Guerre 19...

'Cripta di S Cornelio, Papa e Martire, Cemetero di S Calisto, presso la Via Appia' Tinted lithograph by Sabatier after Felix Benoist (1813-1881), with figures by Bayot. From a Fren...

Bijinga, The art of tea ceremony for a day is an original artwork realized in 1896 by Mizuno Toshikata (1866 - 1908). Oban yokoe From the series "Chanoyu nichinichi gusa" (The art ...

Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...

Etching and aquatint realized by Paul Emile Colin in 1930s.  Hand signed, numbered and titled. Edition of 1/4.

Original. Linen backed Sensoji Temple Tokyo. Buddhist poster. Features the Buddha giving off lotus pedals, while floating above a city. Behind him is a pagoda—rare original Asian travel poster. "Asakusa Festival". Sensoji Temple Tokyo This poster does not show a date. Sensoji (浅草寺, Sensōji, also known as Asakusa Kannon Temple) is a Buddhist temple located in Asakusa. It is one of Tokyo's most colorful and famous temples. This temple is dedicated to Kannon, the Buddhist goddess of mercy. The Sanja (Sensoji) Festival of Asakusa Shrine is held on the third weekend in May. It became very popular during the Edo period (1603-1868), and today it features the parading of more than a hundred mikoshi (portable shrines) by residents around the crowded streets near Asakusa Shrine. Japanese Railway...

This exquisite lithograph after Henri Matisse (1869–1954), titled Crayon (Crayon), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse), originates from the 1925 editi...

Etching on paper realized by Giovanni Gromo in 1980s. Hand signed in pencil lower right. Not numbered,

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Le Boche dans les fils de fer (The German Caught in the Barbed Wire), from the album Fernand Leger, Dess...

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Pantheon (The Pantheon), from the folio Derriere le miroir, No. 67–68, originates from the 1954 edition published by ...

Original vintage poster: FRENCH LINE cruise line. Archival linen-backed original travel by cruise line vintage poster. "Greet Europe Relaxed & Refreshed by France- Afloat." Frenc...

Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...

Cities 10 – Norman Shaw Buildings, Big Ben, London by Susan Brown. Limited Edition and hand signed by the artist It’s Autumn, cold and crisp, and walking...

Woodcut on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Éloge de Émile Bernard, 1962. Published by Editions d'Art Ma...

Admiring the Original "Le Puy En - Velay" Vintage Poster The exquisite vintage poster for the old city of Le Puy En - Velay has inspired many art aficionados. ...

Caroline Durieux's image captures a lone figure in her garden in this southern plantation in Louisiana. "Plantation Garden" is a lithograph created by Durieux in 1946 in an edition of 20. It is signed in pencil. Durieux shared her feeling about this piece with these reflections. “The spectrum analysis of satire runs from the red of invective at one end to the violet of the most delicate irony at the other.” David Worcester 16, "The Art of Satire". The feeling expressed in Plantation Garden is that of a dirge with ironic overtones; it is sad, nostalgic yet satirical. The bent figure of the old lady, the ancient trees, the static moss, all seem to belong to the past; even the lady is old. For contrast, a ray of late afternoon sun lights up the only young note in the picture: perennials in the foreground. When “we are satirical and we are friendly at the same time, the consciousness of the friendship gives a regretful and tender touch to the satire, and the sting of the satire makes the friendship a trifle humble and sad.” George Santayna 255, "The Sense of Beauty". This concept of satire mixed with friendship comes closer to humor because there is less censure involved. In "Plantation Garden", the satire is tempered by a feeling of empathy. Caroline Durieux (American, 1896 – 1989) Printmaker, painter, satirist, innovator, social activist, Caroline Durieux was born in New Orleans and was already making sketches by the age of four. Her formal art training was at Newcomb College (1912-1917) and the Pennsylvania Academy of Fine Arts (1918-1920). Carl Zigrosser of the Philadelphia Museum of Art encouraged Durieux to try lithography. While living in Mexico, she learned lithography from Emilio Amero...