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Art Subject: City
Golden
Located in London, GB
Patrick Hughes "Golden" Multiple. A hand painted three dimensional, Reverspective print, inspired by Venice. Produced in 2022. This print comes housed in a bespoke perspex display ca...
Category
2010s Contemporary Landscape Prints
Materials
Archival Pigment
Topiary I - x large format photograph of ornamental shaped tree
By Frank Schott
Located in San Francisco, CA
from a series of photographic observances capturing the antics of urban gardening and striking art of topiaries' green minimalism
Topiary I by Frank Schott
59.5 x 59.5 inches (1...
Category
21st Century and Contemporary Contemporary Color Photography
Materials
Archival Paper, Photographic Paper, Giclée, Archival Pigment
A 1930s Etching
Aquatint of Palmolive Building Chicago by S. Chester Danforth
Located in Chicago, IL
A 1930s, Art Deco etching & aquatint of the Palmolive Building in Chicago by notable print maker S. Chester Danforth. Image size: 14 1/4" x 8". Archivally matted to 20" x 14".
S....
Category
1930s Art Deco Landscape Prints
Materials
Paper, Etching, Aquatint
South Of France 1994 Signed Limited Edition Lithograph
By Tony Bennett
Located in Rochester Hills, MI
Tony Bennett
Title: South of France
Lithograph
Signed and Marked ATL 5/5 ( Printers Proof )
Paper Size: 31" x 24" inches
Image Size : 26" x 20" inches
Published By : Atelier E. Ettinger Gallery
Anthony Dominick Benedetto, known professionally as Tony Bennett, is an American singer of traditional pop standards, big band, show tunes, and jazz. He is also a painter, having created works under his birth name that are on permanent public display in several institutions.
Whether he is performing as Tony Bennett or painting as Anthony Benedetto...
Category
1990s American Impressionist Landscape Prints
Materials
Lithograph
$1,760 Sale Price
49% Off
“Paris, Place du Tertre”
Located in Southampton, NY
Original hand colored lithograph by the French artist, Maurice Jacque of the Place du Tertre in Montmartre Paris, France. Signed in lower right margin. Titled in lower left margin. ...
Category
Early 1900s Academic Landscape Prints
Materials
Archival Paper, Lithograph
$360 Sale Price
20% Off
1920s Deco etching
aquatint Lake Shore Drive, Chicago by S. Chester Danforth
Located in Chicago, IL
A 1920s, Art Deco etching
aquatint of Lake Shore Drive -- Chicago, by notable print maker S. Chester Danforth. Image size: 8 1/4" x 10 1/4". Archivally matted to 14" x 16".
Mandel Brothers...
Category
1920s Art Deco Landscape Prints
Materials
Paper, Etching, Aquatint
Canaluscious
Located in London, GB
Patrick Hughes "Canaluscious" Multiple. A hand painted three dimensional, Reverspective print, inspired by Venice. Produced in 2025. This print comes housed in a bespoke perspex disp...
Category
2010s Contemporary Landscape Prints
Materials
Archival Pigment
Magdalen Hall. Oxford University. Antique C19th engraving
Located in Melbourne, Victoria
'Magdalen Hall'
Engraving by John Le Keux after Frederick Mackenzie, 1837. From James Ingram's 'Memorials of Oxford'.
135mm by 175mm (platemark)
200mm ...
Category
19th Century Naturalistic Landscape Prints
Materials
Engraving
Minaret El Rhamree in Cairo, Egypt: Original 19th C. Lithograph by D. Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "Minaret of the Mosque El Rhamree" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, publish...
Category
1840s Realist Landscape Prints
Materials
Lithograph
New York Skyline
By Louis H. Ruyl
Located in Middletown, NY
Etching with drypoint on cream wove paper with deckle edges, 4 3/8 x 12 3/4 inches (233 x 323 mm); sheet 9 1/2 x 15 3/4 inches (240 x 338 mm), full margins. Signed and numbered 4/75 ...
Category
Early 20th Century American Modern Landscape Prints
Materials
Handmade Paper, Etching, Drypoint
Manhattan Old and New
— Vintage New York Cityscape
Located in Myrtle Beach, SC
Samuel Chamberlain, 'Manhattan Old and New', drypoint, 1929, edition 100, Chamberlain and Kingsland 81. Signed, titled, and numbered '81/100' in pencil. Titled and annotated '30.00' in pencil, in the artist's hand, bottom margin. Matted to museum standards, unframed.
A superb, finely-detailed impression, with selectively wiped plate tone, on heavy Rives cream wove paper; full margins (1 1/2 to 2 1/4 inches), in excellent condition.
The subject of the print is the lower Manhattan cityscape just before the Depression.
Image size 8 3/4 x 6 13/16 inches (222 x 173 mm); sheet size 12 3/4 x 10 inches (324 x 254 mm).
Impressions of this work are held in the collections of the National Gallery of Art and the Zimmerli Art Museum.
ABOUT THE ARTIST
'There is something about the atmospheric vibrancy of an etching which imparts a peculiar and irresistible life to architectural drawing...A copper plate offers receptive ground to the meticulously detailed drawing which so often appeals to the architect'. —Samuel Chamberlain, from the Catalogue Raisonné of his prints.
Samuel V. Chamberlain (1896 - 1975), printmaker, photographer, author, and teacher, was born in Iowa. His family moved to Aberdeen, Washington in 1901, and in 1913, Chamberlain enrolled in the University of Washington in Seattle, where he studied architecture under Carl Gould. By 1915, he was enrolled in the School of Architecture of the Massachusetts Institute of Technology in Boston. With the United States' involvement in the First World War, Chamberlain sailed to France, where he volunteered in the American Field Service. In 1918, he was transferred to the United States Army to complete his tour of duty. After the war, he returned to Boston and resumed his architectural studies, which he eventually discontinued, working for a few years as a commercial artist.
Chamberlain received the American Field Service Scholarship in 1923, which he used to travel to Spain, North Africa, and Italy. In 1924 he was living in Paris, where he studied lithography with Gaston Dorfinant and etching and drypoint with Edouard Léon, publishing his first etching the following year. In 1927, he studied drypoint with Malcolm Osborne...
Category
1920s American Modern Landscape Prints
Materials
Drypoint
Brooklyn Bridge
Located in New York, NY
An exquisitely printed image created by Richard Bosman in 1996, the artist’s iconic Brooklyn Bridge is a woodcut on Japan paper. Measuring 18 x 24 1/2 in. (45.7 x 62.2 cm), unframed,...
Category
20th Century Neo-Expressionist Landscape Prints
Materials
Woodcut
Vintage Poster of Albert Decaris
Exhibition in Paris - Lithograph - 1981
Located in Roma, IT
Vintage poster realized in 1981.
Offset and lithograph.
Very good condition.
Category
1980s Modern Figurative Prints
Materials
Lithograph
Mural Study: Lower Manhattan
— WPA Era Precisionism
Located in Myrtle Beach, SC
Louis Lozowick, 'Mural Study: Lower Manhattan', lithograph, edition 10 or fewer, 1936. Flint 135. Signed and dated in pencil. Signed in the stone, lower right.
A fine, richly-inked...
Category
1930s American Modern Landscape Prints
Materials
Lithograph
New York City Layers (Cityscape, Iconic, James Rizzi, Fun, Vibrant, ~42% OFF)
Located in Kansas City, MO
Linnea Pergola
New York City Layers
3D Construction, Screenprint on Hahnemuhle Velvet
Year: 2019
Image Size: 14.75 × 20.375 inches (37.47 × 51.75 cm)
Paper Size: 19 x 24 inches (48.3...
Category
2010s Contemporary Prints and Multiples
Materials
Archival Paper, Screen
Chicago Skyline
Located in Middletown, NY
A beautiful turn-of-the-century lake view of Chicago by an American artist known for his Texas landscapes.
Etching with drypoint on watermarked Umbria laid paper with deckle edges, 7 1/4 x 10 7/8 inches (182 x 275 mm), full margins. Signed and numbered 4/25 in pencil, lower margin. In good condition with adhesive residue at the sheet edges on the verso, does not show through to the recto. A lovely Lake Michigan landscape...
Category
Early 20th Century American Modern Landscape Prints
Materials
Handmade Paper, Etching, Drypoint
Late Night (Where Berkeley Place meets Seventh Avenue in Brooklyn
s Park Slope)
Located in New Orleans, LA
In "Late Night", Frederick Mershimer created a winter scene where Berkeley Place meets Seventh Avenue in Brooklyn's Park Slope. This image, the seventh in t...
Category
1990s Contemporary Landscape Prints
Materials
Mezzotint, Aquatint
Fantastic Mid-Century Mark Coomer Serigraph of Chicago River
Wrigley Building
Located in Chicago, IL
You need this fantastic Mid-Century serigraph of Chicago's iconic Wrigley Building & Tribune Tower by artist Mark Coomer, in its original off-white panel f...
Category
1950s American Modern Landscape Prints
Materials
Masonite, Screen
Bridge, Geometric Pop Art Screenprint by Allan D
Arcangelo
Located in Long Island City, NY
Artist: Allan D'Arcangelo, American (1930 - 1998)
Title: Bridge
Year: 1979
Medium: Serigraph, signed and numbered in pencil
Edition: 120
Image Size: 29 x 40 inches
Size: 35 x 46 in. ...
Category
1970s Conceptual Landscape Prints
Materials
Screen
Plymouth Street ( a twilight scene is set in the Brooklyn section of DUMBO)
Located in New Orleans, LA
This view of the Brooklyn and Manhattan Bridges is looking down "Plymouth Street" to the intersection of Jay Street. It is #35 in the catalogue raisonne by Retif
Salzer and is in the permanent collection of the Museum of City of New York...
Category
1990s Contemporary Landscape Prints
Materials
Mezzotint, Aquatint
Along Lake Como I
Located in Chesterfield, MI
Hand embellished by the artist, "Along Lake Como I" is in excellent condition and hand signed by the artist.
It is an ARTIST PROOF.
Framing options are always available with
The Loft Fine Art.
Category
Late 20th Century Impressionist Landscape Prints
Materials
Giclée
A Fabulous 1950s Serigraph of Chicago
s Wrigley Building by Mark Coomer
Located in Chicago, IL
You really need to bring home this wonderful serigraph for your collection! A fabulous Mid-Century, ca. 1959 serigraph of Chicago's Wrigley Building in its original (and kitchy!) fr...
Category
1950s American Modern Landscape Prints
Materials
Paper, Screen
Piazza Navona allagata solito farsi nelle Feste di Agosto
Located in Fairlawn, OH
Piazza Navona allagata solito farsi nelle Feste di Agosto
Etching, 1752
Signed in the plate lower right (see photo)
From: Della Magnificenze di Roma Antica e Moderna ( The Magnificense of Ancient and Modern Rome) , (1747-1761)
Volume II, The Main Squares and Obelisks, columns and other ornaments, 1752, Plate No. 26
Della Magnificenze di Roma Antica e Moderna_ (1747-61), a collection of 238 plates that was published in ten volumes. Vasi recorded all types of architecture and organized these images of contemporary Rome by subject, with each volume representing a different category of architecture. This comprehensive project provides one of the most complete views of eighteenth-century Rome
Condition: Excellent
Image/Plate size: 8 .25 x 12.63 inches
Sheet size: 11 x 15 7/8 inches
Vasi was Giovanni Battista Piranesi’s teacher. Piranesi (1720-1778) entered Vasi’s studio as an apprentice at age 20 c. 1740. Piranesi left Vasi’s employment after stabbing Vasi over the perception that Vasi was withholding secrets of the etching process.
Giuseppe Vasi was an Italian engraver and painter born and trained in Sicily. He received a classical education in his hometown of Corleone and trained as a printmaker in nearby Palermo, perhaps under the tutelage of the etchers Antonino Bova and Francesco Cichè. He moved to Rome in 1736, already an established printmaker, and spent most of his career documenting the urban landscape of the city in engravings. Through his patron, the politically and culturally influential Cardinal Troiano Acquaviva d’Aragona, Vasi met other artists working in Rome, such as Sebastiano Conca, Ferdinando Fuga, and Luigi Vanvitelli. He was also influenced by his predecessors, including Giovanni Paolo Panini, Giovanni Battista Falda...
Category
1750s Old Masters Landscape Prints
Materials
Etching
COLMAR Signed Wood Engraving, French Village, Little Venice Half-Timbered Houses
Located in Union City, NJ
COLMAR is an original wood engraving by the American artist Bernard Brussel-Smith, hand printed in yellow, light blue and black ink. COLMAR depicts a quaint French village scene with...
Category
1970s Realist Landscape Prints
Materials
Engraving
Dark House
By Earl Horter
Located in New Orleans, LA
Dark House is a soft-ground etching with aquatint signed in pencil by the artist. This image is in the collection of the Detroit Institute of the Arts
Printmaker Earl Horter, born in 1881 in Germantown, Pennsylvania, was known for his realistic etchings and aquatints of urban scenes, though he was also an illustrator and painter. As a teenager, he engraved stock certificates. He was essentially self-taught, though he did take an etching class when he moved to New York City in 1903 to work for an advertising agency. Horter had a one-man show in 1916 in New York City at the Frederick Keppel and Company gallery. He was given the exhibition by Carl Zigrosser, later the first Curator of Prints and Drawings at the Museum of Modern Art. Horter was back in Philadelphia in 1917, where he would remain until his death in 1940. He worked there as art director for the N. W. Ayer advertising firm from 1917-1923.
Horter was a member of the Society of Illustrators. He exhibited at the Pan American Exposition in 1915 in San Francisco, California; the Art Institute of Chicago, Illinois; and the Philadelphia Print Club's National Exhibition of Prints; as well as Corcoran Gallery biennials from 1935 to 1939, in Washington, D.C. Horter is listed in "Mantle Fielding's Dictionary of American Artists"; "Who Was Who in American Art"; and Mallett's "Index of Artists".
Though not a man of extraordinary means, Horter was a lover of modernist art, which he gradually purchased, creating an important collection, well ahead of its time in America, of Cubist and Precisionist works, as well as African sculpture and Native American artifacts. Artists Horter collected include Europeans Picasso, Braque, Duchamp and Brancusi, and Americans Charles Sheeler and Arthur B. Carles. He was a friend of Carles, as well as other artists and collectors such as Leopold Stokowski, conductor of the Philadelphia Orchestra; Franklin Watkins; S. S. White; and Carroll Tyson...
Category
1930s American Modern Landscape Prints
Materials
Etching
MANHATTAN MINARETS
Located in Portland, ME
Tittle, Walter. MANHATTAN MINARETS. Drypoint, 1931. Titled, lower left and signed, lower right. Edition of 75. 14 1/2 x 8 7/8 inches (plate), 17 3/4 x 11 1/8 inches (sheet). In excel...
Category
1930s Landscape Prints
Materials
Drypoint
Canaletto
Located in London, GB
A hand painted three dimensional, Reverspective print, inspired by Venice. Produced in 2024. This print comes housed in a bespoke perspex display case. A limited edition of 75.
Hand...
Category
2010s Contemporary Landscape Prints
Materials
Lithograph, Offset
Cortland Street
Located in Middletown, NY
Etching with drypoint on antique handmade laid Japon paper, 12 7/8 x 7 1/2 (327 x 191 mm); sheet 15 5/16 x 10 7/16 (389 x 265 mm), full margins. Signed in pencil in the lower margin....
Category
Early 20th Century American Modern Landscape Prints
Materials
Drypoint, Etching
The Magical Island, New York
Located in Middletown, NY
Vienna: Robert Kasimir, 1935. Color etching and aquatint on Robert Kasimir watermarked white wove paper, 11 3/8 x 13 3/4 inches (288 x 350 mm); sheet 19 x 21 inches (483 x 534 mm), f...
Category
Mid-20th Century Modern Figurative Prints
Materials
Etching, Aquatint
Original Chicago Fly TWA vintage travel poster
By David Klein
Located in Spokane, WA
Original vintage travel poster: Chicago - Fly TWA. UP UP and Away Trans World Airline. Artist: David Klein. Size 25" x 40" Dated 1960's. ...
Category
1960s American Modern Animal Prints
Materials
Offset
MANHATTAN
By Anton Schutz
Located in Santa Monica, CA
ANTON SCHUTZ
MANHATTAN c 1940
Etching, signed in pencil, edition 100, no. 15/100. On thin simili-japan paper. Very slight toning around plate mark. Remnants of old tape on verso, s...
Category
1940s American Realist Landscape Prints
Materials
Etching
Manhattan Bridge — 1920s New York City
By George Stimmel
Located in Myrtle Beach, SC
'Manhattan Bridge', etching, c. 1920, proofs only. Signed in ink in the image, lower right. A fine, rich impression, in warm black ink, on cream wove ...
Category
1920s American Realist Landscape Prints
Materials
Etching
Fishing in the Clouds, fantastical jungle inspired cityscape by Guillaume Cornet
Located in Dallas, TX
GUILLAUME CORNET (b. 1987, Paris, France)
Guillaume Cornet is an artist working with illustration and painting, exploring notions of abstract geometry, influenced by surreal perspec...
Category
2010s Pop Art Landscape Prints
Materials
Watercolor, Permanent Marker, Screen, Mixed Media
Paris Café with Eiffel Tower France Limited Edition Print by British Artist
Located in Preston, GB
Paris Café with Eiffel Tower France Limited Edition Print of Figurative Cityscape Painting by Leading British Urban Landscape Artist, Angela Wakefield.
Print measures 16 x 9.5 inch...
Category
2010s Contemporary Landscape Prints
Materials
Paper, Printer s Ink, Archival Paper, Giclée, Color, Digital
Financial District
, New York City — American Modernism
Located in Myrtle Beach, SC
Howard Cook, 'Financial District', lithograph, 1931, edition 75, Duffy 155. A fine, richly-inked impression, on cream wove paper, the full sheet with wide margins (2 3/4 to 5 5/8 inches), in excellent condition. Image size 13 5/16 x 10 3/8 inches (338 x 264 mm); sheet size 23 x 16 inches (584 x 406 mm). Matted to museum standards, unframed.
Literature: 'American Master Prints from the Betty and Douglas Duffy Collection', the Trust for Museum Exhibitions, Washington, D.C., 1987.
Collections: Crystal Bridges Museum of American Art, Library of Congress, Metropolitan Museum of Art, Philadelphia Museum of Art, Smithsonian American Art Museum.
ABOUT THE ARTIST
Howard Norton Cook (1901-1980) was one of the best-known of the second generation of artists who moved to Taos. A native of Massachusetts, he studied at the Art Students League in New York City and at the Woodstock Art Colony. Beginning his association with Taos in 1926, he became a resident of the community in the 1930s. During his career, he received two Guggenheim Fellowships and was elected an Academician in the National Academy of Design. He earned a national reputation as a painter, muralist, and printmaker.
Cook’s work in the print mediums received acclaim early in his career with one-person exhibitions at the Denver Art Museum (1927) and the Museum of New Mexico (1928). He received numerous honors and awards over the years, including selection in best-of-the-year exhibitions sponsored by the American Institute of Graphics Arts, the Brooklyn Museum, the Society of American Etchers, and the Philadelphia Print Club. His first Guggenheim Fellowship took him to Taxco, Mexico in 1932 and 1933; his second in the following year enabled him to travel through the American South and Southwest.
Cook painted murals for the Public Works of Art Project in 1933 and the Treasury Departments Art Program in 1935. The latter project, completed in Pittsburgh, received a Gold Medal from the Architectural League of New York. One of his most acclaimed commissions was a mural in the San Antonio Post Office in 1937.
He and Barbara Latham settled in Talpa, south of Taos, in 1938 and remained there for over three decades. Cook volunteered in World War II as an Artist War Correspondent for the US Navy, where he was deployed in the Pacific. In 1943 he was appointed Leader of a War Art Unit...
Category
1930s American Modern Figurative Prints
Materials
Lithograph
St Pancras, London, Gothic revival, landscape, cityscape, London, cars
Located in Deddington, GB
Cities 7 - Gothic Revival, St Pancras, London by Susan Brown. Limited edition giclée print - The print edition is 150 The image size of the print is 40cm X 40cm, the overall size is 50cm X 50cm Each print is signed and numbered by Susan Brown Unframed, unmounted. The gothic building of St Pancras, designed in 1874 by George Gilbert Scott...
Category
21st Century and Contemporary Abstract Landscape Prints
Materials
Giclée
NOTRE QUARTIER Signed Lithograph, Nostalgic French Street Market Scene
By Ari Gradus
Located in Union City, NJ
NOTRE QUARTIER is a hand drawn original lithograph by the artist Ari Gradus printed in 13 colors using traditional hand printmaking techniques on archival Arches paper 100% acid free...
Category
1970s Contemporary Landscape Prints
Materials
Lithograph
Kamezaki Bishu (First Edition)
By Kawase Hasui
Located in Burbank, CA
Three soft yellow lights shine from windows, beacons from the homes at the end of our path, middle right. At left a canal flows into the sea, and textured clouds float in an early ev...
Category
Early 20th Century Showa Landscape Prints
Materials
Handmade Paper, Woodcut
Maurice Utrillo, The Mill of la Galette, 1956 (after)
Located in Southampton, NY
This exquisite lithograph after Maurice Utrillo (1883–1955), titled Le moulin de la Galette (The Mill of la Galette), from the album Eloge de Maurice Utrillo (In Praise of Maurice Utrillo), originates from the 1956 edition published by Editions d'Art Manuel Bruker, Paris, and printed by Mourlot Freres, Paris, June 5, 1956. The work embodies Utrillos mastery of atmospheric mood, architectural clarity, and emotional restraint, distilling the quiet poetry and introspective spirit that define his modernist vision.
Executed as a lithograph on papier velin Vidalon blanc, fabrique au Moulin de Vidalon, Canson paper, this work measures 13.18 x 10.55 inches (33.5 x 26.8 cm). Unsigned and unnumbered, as issued. The edition exemplifies the refined craftsmanship of Mourlot Freres, Paris.
Artwork Details:
Artist: After Maurice Utrillo (1883–1955)
Title: Le moulin de la Galette (The Mill of la Galette), from the album Eloge de Maurice Utrillo (In Praise of Maurice Utrillo)
Medium: Lithograph on papier velin Vidalon blanc, fabrique au Moulin de Vidalon, Canson paper
Dimensions: 13.18 x 10.55 inches (33.5 x 26.8 cm)
Inscription: Unsigned and unnumbered, as issued
Date: June 5, 1956
Publisher: Editions d'Art Manuel Bruker, Paris
Printer: Mourlot Freres, Paris
Condition: Well preserved, consistent with age and medium
Provenance: From the album Eloge de Maurice Utrillo (In Praise of Maurice Utrillo), published by Editions d'Art Manuel Bruker, Paris; printed by Mourlot Freres, Paris, June 5, 1956
Notes:
Excerpted from the album (translated from French), This album was completed and printed on June 5, 1956 on the presses of madame Jean-Gabriel Daragnes for typography and by the Mourlot Freres for lithographs. It was shot on Vidalon blanc. Two hundred numbered examples from I to CC, including the first XX with a suite on velin paper of the Marais. It has been attached to each example a simulated fac of the Sonnet d'Utrillo: "Lyric art...
Category
1950s Post-Impressionist Landscape Prints
Materials
Lithograph
$796 Sale Price
33% Off
Notre Dame de Paris
Located in Middletown, NY
A superb, dark impression of a well known scene by Arms.
Etching with aquatint on watermarked handmade F.J. Head & Co. laid paper, 12 3/8 x 13 15/16 inches (315 x 354 mm), full marg...
Category
1920s American Modern Landscape Prints
Materials
Handmade Paper, Laid Paper, Etching, Aquatint
Veduta in Prospettiva della gran Fontana dell
Acqua Vergine detta di Trevi
Located in New York, NY
Etching, 1773.
From the Vedute di Roma.
Framed dimensions 25.5 x 34.5 inches.
Category
18th Century Old Masters Landscape Prints
Materials
Etching
Puck Corner, SOHO, New York signed, numbered by top architectural artist, Framed
By Richard Haas
Located in New York, NY
Richard Haas
Puck Corner, SOHO, New York, 1971
Etching and Aquatint (affixed to white matting)
Hand signed and numbered 10/100 by the artist on the lower front
Elegantly matted and f...
Category
1970s Realist Figurative Prints
Materials
Pencil, Etching, Aquatint
1983 Variety Photo Plays Signed Limited Edition Lithograph in colors
By Davis Cone
Located in Rochester Hills, MI
Davis Cone
1983
Variety Photo Plays
Signed in pencil and marked 3/7 PP (Printers Proof)
Lithograph in colors
Paper Size 34½ x 26 inches
Image Size 32½ x 23¼ inches
Eleanor Ettinger G...
Category
1980s Photorealist Landscape Prints
Materials
Lithograph
$680 Sale Price
20% Off
Maurice Utrillo, Toward Franconville, 1956 (after)
Located in Southampton, NY
This exquisite lithograph after Maurice Utrillo (1883–1955), titled Vers Franconville (Toward Franconville), from the album Eloge de Maurice Utrillo (In Praise of Maurice Utrillo), originates from the 1956 edition published by Editions d'Art Manuel Bruker, Paris, and printed by Mourlot Freres, Paris, June 5, 1956. The work embodies Utrillos mastery of atmospheric mood, architectural clarity, and emotional restraint, distilling the quiet poetry and introspective spirit that define his modernist vision.
Executed as a lithograph on papier velin Vidalon blanc, fabrique au Moulin de Vidalon, Canson paper, this work measures 13.18 x 21.1 inches (33.5 x 53.6 cm), with centerfold as issued. Unsigned and unnumbered, as issued. The edition exemplifies the refined craftsmanship of Mourlot Freres, Paris.
Artwork Details:
Artist: After Maurice Utrillo (1883–1955)
Title: Vers Franconville (Toward Franconville), from the album Eloge de Maurice Utrillo (In Praise of Maurice Utrillo)
Medium: Lithograph on papier velin Vidalon blanc, fabrique au Moulin de Vidalon, Canson paper
Dimensions: 13.18 x 21.1 inches (33.5 x 53.6 cm), with centerfold as issued
Inscription: Unsigned and unnumbered, as issued
Date: June 5, 1956
Publisher: Editions d'Art Manuel Bruker, Paris
Printer: Mourlot Freres, Paris
Condition: Well preserved, consistent with age and medium
Provenance: From the album Eloge de Maurice Utrillo (In Praise of Maurice Utrillo), published by Editions d'Art Manuel Bruker, Paris; printed by Mourlot Freres, Paris, June 5, 1956
Notes:
Excerpted from the album (translated from French), This album was completed and printed on June 5, 1956 on the presses of madame Jean-Gabriel Daragnes for typography and by the Mourlot Freres for lithographs. It was shot on Vidalon blanc. Two hundred numbered examples from I to CC, including the first XX with a suite on velin paper of the Marais. It has been attached to each example a simulated fac of the Sonnet d'Utrillo: "Lyric art...
Category
1950s Post-Impressionist Landscape Prints
Materials
Lithograph
$796 Sale Price
38% Off
Downtown, New York
— 1920s Modernism
Located in Myrtle Beach, SC
John Taylor Arms, 'Downtown, New York', etching with aquatint, 1921, edition 75, Fletcher 108. Signed, dated, and numbered 14/75 in pencil.
A superb, finely nuanced impression, in d...
Category
Early 20th Century American Modern Landscape Prints
Materials
Etching
Boardwalk Empire in the Mist, Atlantic City, New Jersey - American Color Photo
Located in Cambridge, GB
Photographed in Atlantic City your eye takes you past the Boardwalk Empire facade down the atmospherically misty boardwalk.
This artwork is a limited edition of 25, gloss photograph...
Category
2010s Contemporary Color Photography
Materials
Photographic Paper, C Print, Color, Silver Gelatin
Grand Central, Night
— 1920s New York City Realism
Located in Myrtle Beach, SC
Walter Tittle, 'Grand Central Night', drypoint, edition not stated, c. 1920s. Signed in pencil. Titled, and annotated '36.00' and with the inventory numb...
Category
1920s American Impressionist Landscape Prints
Materials
Drypoint
Untitled
Located in Kansas City, MO
Unknown Artist
Title: Untitled
Year: 2018
Medium: Lithograph
Size: 18 x 24 inches
COA provided
Category
2010s Contemporary Prints and Multiples
Materials
Lithograph
$99 Sale Price
50% Off
SPORT, SPIRIT, SPLENDOR Signed Lithograph, Town Landscape, Special Olympics
Located in Union City, NJ
In 1995, Michel Delacroix became the Official Artist of the Special Olympics World Games and was joined for the unveiling of the splendid commemorative lithograph ‘Sport. Spirit. Splendor' by Caroline Kennedy. This commissioned print edition, SPORT, SPIRIT, SPLENDOR is a town landscape scene depicting community people gathering by the flag pole at the town green to cheer on the colorfully dressed charity runners as they pass. In SPORT, SPIRIT, SPLENDOR a calming pink and blue horizon serves as the backdrop of this quaint New England town green landscape scene featuring a charity running event printed in shades of Autumn golden ochre, greens, brown. A prominent white steeple tops the terracotta brick town hall building, a red, white, and blue American flag and a dark blue and chrome yellow Special...
Category
1990s Contemporary Landscape Prints
Materials
Lithograph
Ascension (Traffic in front of St. Bartholomew / Park Ave bet 50th and 51s
Located in New Orleans, LA
An overflow of traffic in front of St. Bartholomew's Episcopal Cathedral on Park Avenue between 50th and 51st
Category
1990s Contemporary Landscape Prints
Materials
Mezzotint
Umbrian Street; An Assisi Street
Located in Middletown, NY
Etching on cream laid watermarked FJ Head paper with a deckle edge, 10 1/4 x 5 3/8 inches (262 x 137 mm); sheet 18 1/8 x 10 1/4 inches (457 x 260 mm), full margins. Signed, titled, d...
Category
Early 20th Century American Modern Landscape Prints
Materials
Handmade Paper, Etching, Laid Paper
Acropolis Americana - Lincoln Center, New York 1975
Located in Middletown, NY
Zinc lithograph on cream wove paper, 12 3/4 x 10 inches (272 x 253 mm), full margins. Signed and titled in pencil, lower margin. One work from the series titled "Salute to New York,"...
Category
20th Century American Modern Landscape Prints
Materials
Handmade Paper, Lithograph
Durham Cathedral, C19th English topographical engraving, by Samuel Read, 1884
By Samuel Read
Located in Melbourne, Victoria
'Durham Cathedral'
Wood-engraving after Samuel Read. From 'The Illustrated London News'.
Samuel Read was an English illustrator who provided many illust...
Category
Late 19th Century Naturalistic Landscape Prints
Materials
Engraving
Landscape - Etching by Luigi Kasimir - Early 1900
Located in Roma, IT
Landscape is an original etching on paper realized by the Austrian artist Luigi Kasimir (1881-1962),Hand-signed on the lower left.
In very good conditions.
Sheet dimension: 38 x 27...
Category
Early 20th Century Landscape Prints
Materials
Etching
AFTERNOON STROLL Signed Lithograph Nostalgic City Street Scene Victorian Fashion
By Ari Gradus
Located in Union City, NJ
AFTERNOON STROLL is a hand drawn original lithograph by the artist Ari Gradus printed in 13 colors using traditional hand printmaking techniques on archival Arches paper 100% acid fr...
Category
1970s Contemporary Landscape Prints
Materials
Lithograph
OUT WEST Signed Lithograph, Nostalgic Wild West Town Scene, Cowboys
By Ari Gradus
Located in Union City, NJ
OUT WEST is a hand drawn original lithograph by the artist Ari Gradus printed in 13 colors using traditional hand printmaking techniques on archival Arches paper 100% acid free. OUT ...
Category
1970s Contemporary Landscape Prints
Materials
Lithograph
A Fabulous ca. 1950s Mid-Century Serigraph of the Chicago Skyline by Mark Coomer
Located in Chicago, IL
You really need to bring home this wonderful & handsome serigraph for your collection! A fabulous ca. 1959, Mid-Century serigraph of the Chicago Skyline by artist Mark Coomer...
Category
1950s American Modern Landscape Prints
Materials
Paper, Screen
La Bella Venezia
Located in Middletown, NY
(New York: John Taylor Arms, 1930)
Etching on antique cream laid paper with a fancy "G" watermark, 7 1/8 x 16 1/2 inches (182 x 442 mm), full margins. Signed, dated and inscribed "Ed. 70" in pencil, lower margin. From a total edirion of 81 plus 5 trial proofs. Printed by Henry E. Carling. Number 18 from the Italian Series. A superb impression of this scarce print, with all of the subtleties and details of the reflections in the water printing clearly. [Fletcher 232]
[Illustrated: Page 192, Arms, Dorothy Noyes, "Hilltowns and Cities of Northern Italy"].
Along with his constant companion and wife, Dorothy Noyes, Arms spent decades exploring and documenting gothic structures throughout Europe. Noyes, an accomplished travel writer, had gifted Arms an etching set...
Category
1930s American Modern Landscape Prints
Materials
Etching
Shadows on the Ramp
By Martin Lewis
Located in Plano, TX
Shadows on the Ramp. 1927. Drypoint and sand ground. McCarron 64. 9 x 10 1/2 (sheet 12 3/8 x 14). Edition 75 recorded impressions. A rich, tonal impression with drypoint burr, printe...
Category
1920s American Modern Landscape Prints
Materials
Drypoint, Etching
A Pictorial View of Broadway, 1899 - 74 Chromolithograph plates
Located in Middletown, NY
What did Broadway look like at the turn of the 20th Century? Here is a scarce and important block-by-block view published in 1899 by The Mail and Express
New York: The Mail and Expr...
Category
Late 19th Century American Realist Figurative Prints
Materials
Lithograph
