City Landscape Prints

(after) Maurice Utrillo Inspired Village of Montmartre Pochoir with printed signature Edition of 490 Dimensions: 39 x 30 cm Information : This print was created for the portfolio &q...

Lithograph hand colored realized by Rosanna Cattaneo. Edition of 190. Original title "Quando il Porto è Silenzio". Hand signed and numbered. Excellent condition.

Artist: Ralph Fasanella, American (1914 - 1997) Title: Empire State Year: 1974 Medium: Screenprint on Arches Paper, signed and numbered in pencil Edition: 300 Image: 40 x 24 inches S...

Drypoint etching on white, buff laid paper with deckle edges, 8 13/16 x 12 inches (224 x 305 mm), full margins. One of only 25 proof impressions. In superb condition with excellent i...

Moody, mysterious, majestic – these are some of the ways to describe the mezzotints of Frederick Mershimer. His images travel through the serenity of a Brooklyn neighborhood on a sti...

London: Charles Joseph Hullmandel, 1842. Lithograph with hand coloring in watercolor on cream wove paper, 17 5/16 x 12 3/16 inches (440 x 309 mm), full margins. Scattered foxing thro...

The Hague: circa 1799. Engraving with burin on cream laid paper, 7 7/8 x 13 inches (198 x 330 mm) full margins. Octavo fold with additional hard creases with an associated loss in t...

Original Las Vegas, Nevada American Airlines travel poster. Archival linen backed in very good Condition Grade A-. The post...

Lithograph hand colored realized by Rosanna Cattaneo. Edition of 190. Original title "Quando il Porto è Silenzio". Hand signed and numbered. Excellent condition.

Maurice UTRILLO (1883 - 1955) Street of Montmartre Lithograph Printed signature in the plate On vellum Arches This edition is autentified by the blind stamp S.P.A.D.E.M and the blin...

Artist : C.J. Yao Title: Coca Cola #4 - 1981 Screen Print, on Arches archival paper 22'' x 23.5'' Edition: signed in pencil and numbered 162/250 Unframed Excellent Condition C. ...

A fine prospect image of gardens at Lincoln's Inn, London. A Prospect of Lincoln's Inn; A Survey of the Cities of London and Westminster; The Fountain and Gardens in New Square, Lin...

Richard Haas Chelsea Hotel, Sunset, 1980 Offset Lithograph poster on paper Pencil signed on the front 23 1/4 × 21 1/2 inches Unframed This striking offset lithograph poster by the world's top architectural muralist Richard Haas presents a detailed portrait of the historic New York City landmark - the legendary Chelsea Hotel. Many famous people stayed at this storied hotel. Nancy Spungen...

The Castle is an artwork realized by Antonio de Totero (1936) in 1980. Hand-signed and numbered by artist with pencil. Numbered, Edition of V/XXV prints Good condition.

London: Gebbie & Husson Co., 1879. Héliogravure and engraving on cream wove paper, 10 1/4 x 12 1/4 inches (258 x 310 mm), full margins. In good condition with some very minor margin...

Etching on cream wove paper, 8 1/8 x 9 3/4 inches (205 x 246 mm), full margins. Signed in pencil, lower right margin. One minor printing defect appearing as a slightly folded bottom ...

Lithograph with hand tinting on heavy wove paper, full margins. Significant condition issues in the margins which include adhesive residue, edge tears and minor edge losses. The image area is clean with minor mat tone, however, colors are slightly attenuated. The verso shows moderate uneven toning. Issues primarily exist outside of the image area. This large and lively work was printed by Charles Hullmandel. _______ The images in Boys's 1842 portfolio, Original Views of London...

Panoramic view from the city of Ghent Pigment photographic paper - photography & fine art print © Jean Pierre De Neef You make my head spin serie - Tribute to Belgium The technique...

London: R.H Laurie, 1823 Engraving on buff wove paper, 10 x 15 3/4 inches (252 x 398 mm), full margins. Age and light tone, as well as areas of light yellow discoloration from the e...

A 1930 lithograph on paper by artist Raoul Varin, titled "Old Fort Dearborn". Provenance: Arthur Ackerman & Son, Inc., Chicago, IL - Printed in 1930. Artwork size: 13" x 16 1/2"....

Aquatint printed in brownish ink with extensive hand coloring in watercolor on buff paper, 10 1/4 x 12 1/2 inches (260 x 317 mm) (sheet), uneven narrow to full margins. Laid down to a contemporary wove paper support. Scattered condition issues on the sheet (excluding the mount) include surface soiling, creasing, a significant vertical repaired tear, and toning, despite these issues, the hand coloring remains good. Suitable for framing. From A Picturesque Tour Through the Cities of London and Westminster, Illustrated With the most interesting Views, accurately delineated And executed in Aquatinta By Thomas Malton, published by Thomas Malton, London 1796. The work was published serially, in twenty-five numbers. The plates in Volume I carry the dates 1792, 1793, 1794, 1795, 1796 or 1797; those in Volume II, the dates 1797, 1798, 1799, 1800 or 1801. In most copies the title page of Volume I carries the publisher's later address, of 103 Long Acre...

Summer Shadows, Wiscasset, Maine Lithograph, 1947 Signed in pencil lower right (see photo) "Ed. 85" lower left corner (see photo) Edition: 85 Wiscasset, known as the "prettiest villa...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California. His pictures of California's iconic architecture and beaches carry the same romantic feel of a...

large scale photogaph from a series of photographic observances capturing the antics of urban gardening and whimsical botanical art of topiaries' green minimalism Topiary I...

Etching on antique handmade laid paper, 9 5/8 x 4 1/4 inches (246 x 109 mm), full margins. Signed and dated (1928) in pencil, lower margin. Printed by Frederick Reynolds. In very goo...

Etching and drypoint realized by Alcione Gubellini in the mid-20th Century. Edition of 16. Hand signed and numbered in pencil. Excellent condition.

Etching with engraving on cream laid paper with a Garden of Holland or Maid of Dort Pro Patria watermark, 11 x 14 1/4 inches (278 x 361 mm), thread margins. Lettered with the title in a cartouche at the top-center sheet, continuing "a Latere Occidentali Prospeus AD MDCCXXXIX," with numbers over the image at right that correspond to a key 1 to 29, and with publication details: "Georgius Vertue Londini delineavit et Sculpsit anno MDCCXXXIX". Multiple expert repairs, notably a Y-shaped, expert paper tape repair on the verso. Handling creases, toning. All issues are consistent with age. An impression of this work may be viewed in the permanent collection of the British Museum, registration No. 1880,1113.3963. A bird's eye view of the college in Broad Street, London, showing the courtyard, adjoining stable yard to the right, and the buildings at the back. This work was included in Frederick Crace...

Lithograph in colors on card stock (as issued), 15 x 10 5/8 inches (380 x 268 mm), full margins. In good condition with some minor toning and some extremely minor and unobtrusive edg...

An extremely scarce impression from the artist's own collection. Etching on watermarked antique laid J Whatman Japon paper, 14 1/2 x 7 5/8 inches ( 368 x 195 mm), full margins. Signe...

Etching and aquatint on hand made F.J. Head & Co watermarked cream laid paper, full margins. Signed and dated in pencil, lower right margin. From the edition of 160 (from a total of ...

ECLIPSE was born out of Milton's interest in the photographer Eugene Atget. Work on the image went through many transformations and reversals, until finally settling on Atget's Pari...

Jean LEBEDEFF (1884-1972) Paris, Old Street in Latin Quarter, 1924 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25 cm (c. 12,7 x 9,5 in) Edited for the 'Ima...

John Baeder Berkshire Diner - 1980 Print - Serigraph on Somerset paper Paper Size - 30'' x 22'' in. Edition: Signed in pencil and marked from the edition of 250 John Baeder's calcula...

This splendid lithograph De Rue de l'Hotel De Ville is part of the series of prints dedicated to views of the city of Geneva, engraved by the Italian artist Antonio Fontanesi. The s...

Lithograph hand colored realized by Rosanna Cattaneo. Edition of 190. Original title "Quando il Porto è Silenzio". Hand signed and numbered. Excellent condition.

This print from Linda Stein's Covid Story series was developed while she sheltered in place on the 31st floor of her New York City apartment building. The imagery draws from recurrin...

'Porto di Ripetta. Veduta presa dalla scala della Chiesa di S. Rocco' Tinted lithograph by Philippe Benoist (1813-1881). Figures by Bayou. From a French series titled 'Rome dans Sa...

Etching on antique cream laid paper with a partial watermark, 9 5/8 x 4 1/4 inches (246 x 109 mm); full margins. Signed and dated "1928" in pencil, lower margin. Inscribed "Street in Porto Maurizio...

Etching on thin, bluish-green cream laid paper, 9 1/4 x 4 3/4 inches (233 x 120 mm), full margins. Signed and dated in pencil, lower margin. First and only state. Printed by Frederi...

Louis SOULAS (1905-1954) Roman Church near Bordeaux, 1928 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of the e...

This luminous nocturnal mezzotint by Art Werger depicts a quiet American neighborhood arranged in a circular pattern, glowing under the soft spill of streetlights. Seen from an eleva...

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), full margins. Small spots of adhesive residue from a former mount at each edge on the recto. Light ghost impression in the area of the sky. Scattered minor areas of light brown discoloration, with a 3 3/4 inch horizontal edge loss along the lower left sheet edge, outside of the platemark. Colors remain fresh. Plate No. 3 from Wonders: Images of the Ancient World. Likely printed 1828. A view of the Temple of Hercules Victor...

Firmada a lápiz por el artista en la parte inferior y con tiraje 1/250 En buen estado de conservación Sin enmarcar Medidas: 49 cm x 58 cm.

ABOUT THIS PIECE: This photograph is of a movie set diner and Joshua tree lost in the desert near a place called Lake Los Angeles, California. ABOUT THIS ARTIST: Noel Kerns is a Tex...

This exquisite lithograph by Maurice Utrillo (1883–1955), titled a Notre-Dame, La Cite (At Notre-Dame, The City), from the album Paris Capitale (Paris Capital), originates from the 1...

'St Alban Hall' Engraving by John Le Keux after Frederick Mackenzie, 1837. From James Ingram's 'Memorials of Oxford'. 135mm by 175mm (platemark) 200mm ...

This print from Linda Stein's Covid Story series was developed while she sheltered in place on the 31st floor of her New York City apartment building. The imagery draws from recurrin...

Silkscreen on paper Edition 55 of 125 Signed and numbered on the front Mint. Minor imperfections may appear due to the production process.

This print from Linda Stein's Covid Story series was developed while she sheltered in place on the 31st floor of her New York City apartment building. The imagery draws from recurrin...

This print from Linda Stein's Covid Story series was developed while she sheltered in place on the 31st floor of her New York City apartment building. The imagery draws from recurrin...

This print from Linda Stein's Covid Story series was developed while she sheltered in place on the 31st floor of her New York City apartment building. The imagery draws from recurrin...

This print from Linda Stein's Covid Story series was developed while she sheltered in place on the 31st floor of her New York City apartment building. The imagery draws from recurrin...

By Giuseppe Vasi after Giovanni Piranesi: Etching and engraving with hand coloring in watercolor on laid paper with an E and R watermark, full margins. Minor...

BURRO EXPRESS by the American Western artist Conrad Schwiering, is a hand drawn limited edition lithograph printed using hand lithography techniques on archival Somerset paper 100% a...

This splendid lithograph Interieur de Geneve. Fontaine de l'Hotel De Ville is part of the series of 20 prints dedicated to views of the city of Geneva, engraved by the Italian artist...

A lovely dark and inky impression, signed by the artist. Drypoint etching on cream laid paper, 10 7/8 x 8 5/8 inches (275 x 218 mm), full margins. Signed in pencil, lower center marg...

Colosseo Quadrato (2020) by Frank Schott, from a series of photographic observances capturing Roman urban textures and color palettes of timeless ar...

Original screen print which would be considered a silkscreen or serigraph of a birds eye view of Herald Square in New York City at lunch time by the contemporary American artist, Jacqueline Fogel. Edition 3/15. Signed in lower right margin by the artist. Executed in 1988. Condition is excellent. Currently unframed. Professionally matted. Overall matted measurements are 14 by 11 inches. Framing options are available. Provenance: A Venice, Florida collector. This park was named for the newspaper that was once published directly to its north. The City of New York acquired the area in 1846 as part of the opening of Bloomingdale Road (now Broadway). By the early 20th century, many printers and publishers had located in the area. The New York Herald, founded by James Gordon Bennett in 1835, was best known for its sensational coverage of scandal and crime, and for its enormous circulation. Herald Square's centerpiece monument to Bennett and his son houses a sculpture and clock that formerly topped the Herald building. The bronze figures include Minerva, the goddess of wisdom and invention, and two bell-ringing blacksmiths. The clock and figures were installed on the monument in 1940, and blacksmiths "Stuff and Guff" or "Gog and Magog" have chimed the hours Born Oct. 13, 1928, in Brooklyn, as a child she showed a great interest in drawing. She attended the Philadelphia School of Art and maintained a career as an artist throughout her life. Impressed by the native American art represented in Kachina dolls, she developed a personal style in her 20s that always incorporated bright colors. Her work ranged from land and cityscape watercolors to small to life-size polychrome sculptures made almost entirely from discarded ornate furniture parts and other found or collected objects. In 2000, she was given the opportunity to create cow sculptures for the New York Cow Parade, and in 2002 she painted sculptures for the Rescue Dog book honoring the working dogs from Sept. 11, 2001. In 2005, her Big Apple sculpture was displayed outside Trump Tower. She swam regularly in Jamaica Bay and maintained an active and vibrant lifestyle throughout her life, attending many parties, art exhibits and concerts. Fogel's multifaceted planes which should recede far into the distance and give the illusion of depth because of their tonality and color intensity appear, instead, to be on the same plane. Because the depth of field is flattened, the color areas become rather decorative. In addition, the planes on the buildings are charmingly tilted and destorted, contributing to the zaniness and gaiety of these paintings. Fogel has a graceful sense of composition and her placement of shapes is always sound. The paintings, while they seem so effortless and unselfconscious, belie an unobtrusive and playful artistic intelligence. Fogel enjoys dealing with visual paradoxes in a natural, unforced and unselfconscious manner. Shop her watercolor art for sale online. SELECTED EXHIBITIONS 2002DOGNY 2000Cowparade, NY 1998Michael Ingbar Gallery, NY 1996-2002Nassau County Museum, Roslyn, NY 1993-2002Guild Hall, East hampton, NY 1991Housatonic Museum of Art, Bridgeport, CT 1990, 1997Elaine Benson Gallery, Bridgehampton, NY 1987, 1988Bergen County Museum, New Jersey 1986-1989The Country Gallery, long Island, NY 1983Zim Lerner Gallery, NY '83, '85, '86Grace Building, NY 1983Queens Museum, NY 1979, 1980Fabian Gallery, NY 1979Sculpture CEnter, NY 1979Cork Gallery, Lincoln Center, NY '79, '82, '83, '87, '90, '93, '94, '96Lever House, NY 1968, 1972, 1979Gold Door Gallery, Bucks County, Pa. 1968Brooklyn Museum, NY 1966Madison Square Garden Art and Antique Show, NY 1962New Jersey Water Color Society, New Jersey 1961Newark Museum, New Jersey ONE PERSON SHOWS 1997, 1999Temple Emanuel Gallery, Great Neck, New York 1996Shelter Rock Gallery, Long Island, New York 1989East End Arts, Long Island, New York 1985The Manhattan Borough President's Gallery, New York 1984The Erato Gallery, St. Maarten, Caribbean, NY 1982, 1985Mari Gallery, Mamaroneck, NY 1981Perin - Sharpe Gallery, New Caanan, CT 1981Hooks-Epstein Gallery, Houston, TX 1974Aberbach Fine Art, NY 1971Kutztown Art College, PA 1965, 1966Krasner Gallery, NY 1963Art Alliance, Philladelphia, PA 1960Carus Gallery, NY 1960San Miguel Allende, Mexico COLLECTIONS...

A spectacular view from above of a major cross roads in a town where some large gathering of people or protest is happening. Werger's mezzotint prints are masterful at capturing a mo...