Face Landscape Prints

This print by African American Modern artist Romare Bearden is a limited edition, lithograph on Somerset paper. The scene comes from Bearden's Mecklenburg series, a collection of ima...

This exquisite etching by Marc Chagall (1887–1985), titled Les cartes a jouer (Playing Cards), originates from the celebrated folio Nicolas Gogol, Les Ames mortes, Eaux-fortes originales de Marc Chagall (Nicolas Gogol, Dead Souls, Original Etchings by Marc Chagall), published by Teriade Editeur, Paris, 1948, and printed by Fort, Impressions artistiques, Paris, under the direction of Louis Fort, 1923–1927. The composition captures Chagall’s deeply humane and satirical interpretation of Gogol’s world, blending tenderness, irony, and psychological insight within a dreamlike narrative space. Executed as an etching on velin d arches filigrane paper, this work measures 10.827 x 17.764 inches (27.5 x 45.12 cm). Unsigned and unnumbered as issued. Printed by Fort, Impressions artistiques, Paris, under the direction of Louis Fort. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Les cartes a jouer (Playing Cards), from Nicolas Gogol, Les Ames mortes, Eaux-fortes originales de Marc Chagall (Nicolas Gogol, Dead Souls, Original Etchings by Marc Chagall), 1948 Medium: Etching on velin d arches filigrane paper Dimensions: 10.827 x 17.764 inches (27.5 x 45.12 cm) Inscription: Unsigned and unnumbered as issued Date: 1948, published; 1923–1927, printed Publisher: Teriade Editeur, Paris Printer: Fort, Impressions artistiques, Paris, under the direction of Louis Fort Catalogue raisonne reference: Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne Des Livres Illustres. P. Cramer ed., 1995, illustration 17 Condition: Well preserved, consistent with age and medium Provenance: From Nicolas Gogol, Les Ames mortes, Eaux-fortes originales de Marc Chagall (Nicolas Gogol, Dead Souls, Original Etchings by Marc Chagall), published by Teriade Editeur, Paris, 1948 Notes: Excerpted from the folio (translated from French), It was taken from this album, on velin d arches filigrane "Les Ames mortes", L examples, numbered from there, including a complimentary suite on japon nacre; CCLXXXV examples, numbered from LI to CCCXXXV and XXXIII non-market examples, numbered from I to XXXIII reserved for employees. All colophons are signed by the artist. About the Publication: Nicolas Gogol, Les Ames mortes, Eaux-fortes originales de Marc Chagall (Nicolas Gogol, Dead Souls, Original Etchings by Marc Chagall) stands among the most important illustrated literary works of the twentieth century. Conceived over several decades and rooted in Chagall’s deep emotional connection to Gogol’s satirical vision of Russian society, the album unites text and image in a profoundly imaginative synthesis. Published by Teriade in 1948 and printed by Fort, Impressions artistiques, Paris, under the direction of Louis Fort, the album embodies the high standards of Parisian printmaking and continues to be regarded as one of the great illustrated works of the twentieth century, admired for its fusion of literature, etching, and the distinctively dreamlike vision of Marc Chagall. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the twentieth century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style merging elements of Cubism, Fauvism, Expressionism, and Surrealism defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. Over a prolific career spanning painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art. His works are held in major museums worldwide, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim. The highest price ever paid for a Marc Chagall artwork is approximately 28.5 million USD, achieved in 2017 at Sothebys New York for Les Amoureux (1928). Marc Chagall etching...

This exquisite lithograph, titled Sans titre (Untitled), by Leonor Fini, from the folio Parallelement (Parallel), Illustre de lithographies originales de Leonor Fini (Illustrated wit...

This exquisite etching by Marc Chagall (1887–1985), titled Nozdriov (Nozdriov), originates from the celebrated folio Nicolas Gogol, Les Ames mortes, Eaux-fortes originales de Marc Ch...

This exquisite lithograph after Edgar Degas (1834–1917), titled Danseuse arrangeant sa robe (Dancer Arranging Her Dress), originates from the 1945 folio Degas, Ten Ballet Sketches. Published by The Studio Publications, Inc., New York, rendered and printed by Albert Carman, City Island, 1945, this work reflects Degas’s sensitive mastery of line, movement, and intimate observation, capturing the grace, poise, and psychological immediacy that define his iconic ballet imagery. In Danseuse arrangeant sa robe (Dancer Arranging Her Dress), Degas reveals gesture and inner emotion through economical contour and lyrical nuance. Executed as a lithograph and pochoir on velin paper, this work measures 17 x 13 inches (43.18 x 33.02 cm). Signed in the plate and unnumbered as issued. Rendered and printed by Albert Carman, City Island, one of the notable American ateliers specializing in fine art lithography during the mid-20th century. Artwork Details: Artist: After Edgar Degas (1834–1917) Title: Danseuse arrangeant sa robe (Dancer Arranging Her Dress), from Degas, Ten Ballet Sketches, 1945 Medium: Lithograph and pochoir on velin paper Dimensions: 17 x 13 inches (43.18 x 33.02 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1945 Publisher: The Studio Publications, Inc., New York Printer: Albert Carman, City Island, 1945 Condition: Well preserved, consistent with age and medium Provenance: From the 1945 folio Degas, Ten Ballet Sketches, published by The Studio Publications, Inc., New York Notes: Excerpted from the album, Born in Paris in 1834, Edgar Degas lived, and surely loved the life of that city during most of his years. These continued somewhat sadly beyond those of most of his friends— into the debacle of the first World War, during which he died in 1917. Judging by the frequency with which he used them as models, he must have had an especial admiration for the ballet girls who followed a profession that at the time brought none of the glory and prosperity which attend it today. New aspects of the human body, revealed in movement, fascinated him. But his occupation with the simply anatomical side of his subjects never resulted in a cold interpretation. On the contrary there is a warmth and sympathy that pervades all of his work. The drawings here represent the painter in one important phase of his multi-sensitive view of life; and permit an insight which a more ambitious work might not do-into the operation of the creative process, the artist's transformation of reality as it passes through the mesh of his sensibilities. The Edition of this Portfolio is limited to MMMD examples. Rendered by Albert Carman. About the Publication: Degas, Ten Ballet Sketches, published in 1945 by The Studio Publications, Inc., New York, stands as one of the most elegant and scholarly mid-century American fine art folios devoted to the ballet imagery of Edgar Degas. Conceived as a high-quality interpretive portfolio, the album presents a series of lithograph-and-pochoir renderings based on Degas’s original drawings, executed with exceptional attention to tonal subtlety, contour fidelity, and the emotional interiority that defines the artist’s draftsmanship. Rendered and printed by Albert Carman on City Island, the publication embodies an American postwar effort to restore and celebrate European masterworks through meticulous handcraft and artisanal color application, honoring Degas’s distinctive line and the atmospheric delicacy of his studio-based studies. Produced in a substantial edition of MMMD examples, the portfolio offered audiences rare access to Degas’s private working drawings—images rarely seen outside institutional collections—while exemplifying the technical refinement and interpretive care characteristic of Carman’s workshop. Today, Degas, Ten Ballet Sketches remains a sought-after historical publication, valued for its craft, fidelity to Degas’s aesthetic, and its role in preserving and disseminating the artist’s intimate ballet imagery in a beautifully executed mid-century fine art format. About the Artist: Edgar Degas (1834–1917) was a French painter, draughtsman, printmaker, and sculptor whose groundbreaking fusion of classical draftsmanship, modern experimentation, and psychological depth helped define the trajectory of Western art, positioning him as one of the most influential figures of the nineteenth and early twentieth centuries; renowned for his depictions of ballet dancers, racehorses, theater scenes, cafe life, domestic interiors, milliners, laundresses, and women at their toilette, Degas reimagined observational realism through radical compositional innovation—employing extreme cropping, asymmetrical framing, oblique viewpoints, and dramatic lighting that anticipated photographic and cinematic language long before these technologies shaped visual culture, and although associated with Impressionism, he rejected plein-air spontaneity in favor of studio-based discipline rooted in the linear precision of Jean-Auguste-Dominique Ingres, the expressive chromaticism of Eugene Delacroix, and the modernity of Edouard Manet while also drawing inspiration from Japanese ukiyo-e prints, classical sculpture, and early photography; his independent artistic philosophy resonated with and helped shape the innovations of Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, whose explorations of movement, form, dream logic, abstraction, and conceptualism all find antecedents in Degas’s investigations into seriality, temporality, and the fragmented figure, and his pioneering use of pastel, monotype, and wax sculpture fundamentally transformed each medium, influencing artists from Henri Matisse, Francis Bacon, Lucian Freud, and Giacomo Manzu to Paula Rego, contemporary realists, experimental photographers, and choreographers; his works are held in nearly every major museum collection worldwide—including the Musee dOrsay, the Louvre, the Metropolitan Museum of Art, the National Gallery of Art, the Art Institute of Chicago, the Courtauld Institute, and the National Gallery, London—affirming his central place in the history of art, and the highest auction record for Degas was achieved at Sothebys London on February 3, 2015, when Danseuses en Bleu sold for 37,033,000 GBP, cementing his status as one of the most sought-after and enduringly significant artists of the Western canon. Edgar Degas lithograph...

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Chandelier (The Candelabrum), from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition pu...

This exquisite lithograph by Marc Chagall (1887–1985), titled Vision de Paris (Vision of Paris), from the album The Lithographs of Chagall, Volume I, originates from the 1960 edition...

This exquisite lithograph by Marc Chagall (1887–1985), titled Cheval bleu au couple (Blue Horse with Couple), originates from the historic 1982 folio Derriere le Miroir, No. 250, Hommage a Aime et Marguerite Maeght (Tribute to Aime and Marguerite Maeght). Published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Imprimerie Moderne du Lion, Paris, this vibrant composition reflects Chagall’s lyrical fusion of color, dream, and devotion. In Cheval bleu au couple, ethereal figures and a radiant blue horse float within a luminous space of poetic imagination, evoking love, memory, and transcendence. The image captures the artist’s timeless ability to unite fantasy and emotion within the expressive language of modernism. Executed on velin paper, this lithograph measures 15 x 11 inches (38.1 x 27.9 cm). As issued, it is unsigned and unnumbered, consistent with the authorized publication format. The edition exemplifies Chagall’s mastery of color lithography and his lifelong exploration of faith, folklore, and the human spirit. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Cheval bleu au couple (Blue Horse with Couple), from Derriere le Miroir, No. 250, Hommage a Aime et Marguerite Maeght (Tribute to Aime and Marguerite Maeght), 1982 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.9 cm) Inscription: Unsigned and unnumbered, as issued Date: 1982 Publisher: Maeght Editeur, Paris Printer: Imprimerie Moderne du Lion, Paris Catalogue raisonne references: Chagall, Marc, et al. Chagall Lithographe VI, 1980–1985. Andre Sauret, Editeur, 1986, illustration 993. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne Des Livres Illustres. P. Cramer ed., 1995, illustration 113. Condition: Well preserved, consistent with age and medium Provenance: From the 1982 folio Derriere le Miroir, No. 250, published by Maeght Editeur, Paris Notes: Excerpted from the folio (translated from French), This special issue of Derriere le Miroir was designed and defined by Aime Maeght in the fall of 1980. He envisioned its publication as a celebration with which artists and writers published since 1946 were to be associated. He also chose Francois Chapon, president of the Reverdy Committee, to write the presentation. This Derriere le Miroir number 250 took the form, after its disappearance on September 5, 1981, of a tribute to Aime Maeght and his wife Marguerite Maeght who died four years earlier. 24 artists agreed to create an original graphic work for this issue which includes the general table of all issues as well as excerpts from texts by 32 writers. Finished printing on June 2, 1982 on the presses of the l'Imprimerie moderne du Lion in Paris. CL examples were printed on velin d'Arches, numbered from I to CL, and some non-commercial examples constituting the original edition. About the Publication: Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists' stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Paul Rebeyrolle, Claude Garache, Antoni Tapies, Bram van Velde, Pierre Alechinsky, Pol Bury, Shusaku Arakawa, and Gerard Titus-Carmel. Printed in the ateliers of Mourlot, Arte, and Imprimerie Moderne du Lion, the periodical set new standards for quality in color lithography, combining fine art printing with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroir's enduring place in the history of modern art and fine art publishing. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary use of color and poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the rich imagery of his Jewish heritage and childhood in Vitebsk, Chagall’s dreamlike compositions fused memory, folklore, faith, and romance with the expressive innovations of modern art. His work evolved alongside and in dialogue with the great modern masters—Pablo Picasso, Henri Matisse, Alexander Calder, Salvador Dali, Joan Miro, Georges Braque, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, redefined artistic language for a new century. Spanning painting, printmaking, stained glass, ceramics, stage design, and illustration, Chagall’s career reflected both his deep spirituality and his boundless imagination. His works are held in major museum collections worldwide, including the Museum of Modern Art, the Guggenheim, the Tate, and the Centre Pompidou. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Cheval bleu au couple, Marc Chagall lithograph, Chagall Derriere le Miroir, Chagall Maeght...

Title: 4 Liberty Heads Year: 2005 Medium: Offset lithograph in colors on gloss archival paper Size: 15 x 19 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as iss...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Sans titre (Untitled), originates from the 1966 folio Derriere le Miroir, No. 158–159, published by Maeg...

This exquisite lithograph by Marc Chagall (1887–1985), titled Devant le Tableau (Before the Painting), from the album The Lithographs of Chagall, Volume II, originates from the 1963 ...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Portrait de Jacqueline (Portrait of Jacqueline), from the folio Picasso, La flute double, 16 Dessins, Aq...

Lithograph on vélin paper. Paper Size: 13 x 9.5 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cain, Julien, and Fernand Mourlot. Chagall Lit...

This exquisite lithograph after Henri Matisse (1869–1954), titled Crayon (Crayon), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse), originates from the 1925 edition published by Editions des Quatre Chemins, Paris, rendered by Daniel Jacomet, Paris, and printed by Atelier Daniel Jacomet et Cie, Paris, December 15, 1925. The work exemplifies Matisses mastery of pure line and the expressive economy of form that defined his graphic art of the 1920s, transforming simplicity into lyrical harmony. Executed as a lithograph on velin Lafuma Navarre paper, this work measures 10 x 8 inches (25.4 x 20.32 cm). Unsigned and unnumbered, as issued. The edition exemplifies the refined craftsmanship of the Daniel Jacomet et Cie workshops, Paris. Artwork Details: Artist: After Henri Matisse (1869–1954) Title: Crayon (Crayon), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse) Medium: Lithograph on velin Lafuma Navarre paper Dimensions: 10 x 8 inches (25.4 x 20.32 cm) Inscription: Unsigned and unnumbered, as issued Date: 1925 Publisher: Editions des Quatre Chemins, Paris Printer: Atelier Daniel Jacomet et Cie, Paris Catalogue Raisonne Reference: Duthuit, Claude. Henri Matisse: Catalogue raisonne des ouvrages illustres. Editions Claude Duthuit, Paris, 1988, illustration 3. Condition: Well preserved, consistent with age and medium Provenance: From the album Dessins de Henri-Matisse (Drawings by Henri Matisse), published by Editions des Quatre Chemins, Paris; rendered by Daniel Jacomet, Paris; printed by Atelier Daniel Jacomet et Cie, Paris, December 15, 1925 Notes: Excerpted from the album (translated from French), This album was printed in C examples on velin d'Arches with an original example by Henri-Matisse, numbered from I to C, and M examples on velin Lafuma. Printing was completed on December Fifteenth, One Thousand, Nine Hundred and Twenty-Five by F. Dutal et Cie, in Paris; the boards having been executed by the Daniel Jacomet et Cie workshops in Paris. About the Publication: Dessins de Henri-Matisse (Drawings by Henri Matisse), published by Editions des Quatre Chemins, Paris, in 1925, is a landmark early graphic portfolio that captures the artist’s mastery of contour and proportion through a series of delicately rendered lithographs. Realized under the direction of the Daniel Jacomet et Cie workshops—renowned for their exceptional skill in fine art printmaking—the album showcases Matisse’s fascination with the purity of line and the human form. Issued in a limited printing of examples on both velin d’Arches and velin Lafuma papers, it reflects the refined aesthetics and technical excellence that characterized the interwar Parisian print ateliers. The publication represents a pivotal stage in Matisse’s evolution as a draughtsman, bridging the intimate immediacy of his drawings with the permanence of fine print. About the Artist: Henri Matisse (1869–1954) was a French painter, sculptor, draughtsman, and printmaker whose revolutionary vision redefined modern art through his daring use of color, line, and form. Celebrated as one of the greatest artists of the 20th century, Matisse led the Fauvist movement and devoted his life to the pursuit of balance, beauty, and emotional expression in visual art. His early works burst with vibrant hues and liberated brushwork, while his later “cut-out” compositions achieved a poetic simplicity that transformed the relationship between color and space. Deeply influenced by the work of Paul Cezanne, Vincent van Gogh, and Georges Seurat, as well as by the rhythmic patterns of Islamic art, Byzantine mosaics, and Japanese prints, Matisse forged a new visual language that celebrated joy, movement, and serenity. He was part of an extraordinary generation of artists who shaped the evolution of modernism, maintaining lifelong dialogue and friendly rivalry with contemporaries such as Pablo Picasso, Georges Braque, Marc Chagall, Andre Derain, Albert Marquet, and Raoul Dufy—peers who, like him, sought to expand the expressive potential of color and composition. Matisses influence extended across generations, inspiring modern and contemporary masters including Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom drew upon his fearless experimentation and refined visual harmony. His paintings, sculptures, and works on paper are held in the most prestigious museums in the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Hermitage Museum, where his art continues to symbolize the essence of creativity and human emotion. The highest price ever paid for a Henri Matisse artwork is approximately 80.8 million USD, achieved in 2018 at Christies New York for Odalisque couchee aux magnolias (1923). Henri Matisse Crayon...

This exquisite lithograph after Henri Matisse (1869–1954), titled Plume (Feather), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse), originates from the 1925 editi...

Original poster: Palm Springs The Desert Oasis original poster by Bill Ogden. The poster is not linen-backed. Excellent condition. Mint. 1969. ...

This exquisite lithograph after Henri Matisse (1869–1954), titled Pinceau (Brush), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse), originates from the 1925 editi...

This exquisite lithograph after Marc Chagall (1887–1985), titled Tribe of Judah, from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition published by And...

This exquisite lithograph after Henri Matisse (1869–1954), titled Fusain (Charcoal), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse), originates from the 1925 edi...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Kathe Kollwitz, Ten Lithographs. Published by Henry C. Kleemann and...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Scene de famille (Family Scene), from the folio Picasso, La flute double, 16 Dessins, Aquarelles Lavis (...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, L'indicatif présent ou l'infirme del qu'il est, 1938. Published by Éditions Sou...

This exquisite lithograph after Henri Matisse (1869–1954), titled Crayon (Crayon), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse), originates from the 1925 editi...

This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 111 (Plate 111), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates fro...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Verve: Revue Artistique et ...

Lithograph on vélin chiffon de Rives paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Réflexions Simples Sur Le Corps, Ayant Inspiré Des Lithographie...

Original 1947 Paris 1900 lithographic movie poster by the artist Raymond Peynet. The poster had originally been folded, and there is some wrinkling at the bottom edge of the poste...

This exquisite etching by Jean Cocteau (1889–1963), titled Sans titre (Untitled), from the album Alternance (Alternation), originates from the 1946 edition published by Le Gerbier, P...

This exquisite lithograph by Marc Chagall (1887–1985), titled L’Accordeoniste (The Accordionist), from the album Chagall, originates from the 1957 edition published by Maeght Editeur...

This exquisite lithograph after Henri Matisse (1869–1954), titled Crayon (Crayon), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse), originates from the 1925 editi...

This exquisite lithograph, titled Sans titre (Untitled), by Leonor Fini, from the folio Parallelement (Parallel), Illustre de lithographies originales de Leonor Fini (Illustrated wit...

This exquisite lithograph by Marc Chagall (1887–1985), titled Sara et Abimelech (Sarah and Abimelech), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue...

Artist: Peter Max (1937) Title: Vase of Flowers Year: 1979 Edition: 138/350, plus proofs Medium: Lithograph on Somerset paper Size: 30 x 22 inches Condition: Excellent Inscription: S...

Artist: Andy Warhol (1928-1987) Title: Mao 97 Year: 1972 Medium: Silkscreen in colors on Lenox Museum Board Size: 36 x 36 inches Condition: Good Inscription: signed in ball-point pen...

Artist: Peter Max (1937) Title: Cosmic Flyer in Space Year: 2003 Edition: 497/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 3.5 x 3 inches Condition: Excellent Ins...

This exquisite lithograph after Henri Matisse (1869–1954), titled Crayon (Crayon), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse), originates from the 1925 editi...

La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...

This exquisite lithograph after Henri Matisse (1869–1954), titled Plume (Feather), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse), originates from the 1925 editi...

Artist: Peter Max (1937) Title: Liberty Head III Year: 2001 Edition: 485/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 3.5 x 3 inches Condition: Excellent Inscript...

Artist: Peter Max (1937) Title: Liberty Head VII Year: 2003 Edition: 451/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 3.43 x 2.62 inches Condition: Excellent Insc...

This exquisite lithograph after Jean Cocteau (1889–1963), titled Frontispice pour Les Cavaliers d’Ombre (Frontispiece for The Horsemen of Shadow), from the album Les Cavaliers d'Ombr...

Artist: Peter Max (1937) Title: Mona Lisa II Year: 2003 Edition: 500/500, plus proofs Medium: Lithograph on Arches paper Size: 16 x 11 inches Condition: Excellent Inscription: Signed...

This exquisite lithograph by Marc Chagall (1887–1985), titled L'Ange (The Angel), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litter...

This exquisite lithograph, titled Sans titre (Untitled), by Leonor Fini, from the folio Parallelement (Parallel), Illustre de lithographies originales de Leonor Fini (Illustrated wit...

Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...

This exquisite lithograph and pochoir by Marc Chagall (1887–1985), titled L'ecuyere au cheval rouge (The Horsewoman with the Red Horse), from the album XXe Siecle, Nouvelle serie No....

This exquisite lithograph by Marc Chagall (1887–1985), titled Quai de fleurs (Flower Quay), from the folio Derriere le miroir, No. 67–68, originates from the 1954 edition published b...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Etude pour l’homme au mouton (Study for Man with Sheep), from the folio Picasso, La flute double, 16 Des...

This exquisite lithograph, titled Sans titre (Untitled), by Leonor Fini, from the folio Parallelement (Parallel), Illustre de lithographies originales de Leonor Fini (Illustrated wit...

Etching realized by Franco Marzilli in 1980s. Hand signed in pencil. Artist proof. Excellent condition.

This exquisite lithograph by Marc Chagall (1887–1985), titled Creation (The Creation), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, originates from the September 1956 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1956. This visionary composition depicts the divine act of creation, evoking the genesis of light, life, and spirit through Chagall’s radiant imagination and poetic symbolism. The flowing forms and luminous harmonies reflect the unity between the divine and the natural world—a theme central to Chagall’s lifelong spiritual vision. Infused with movement and transcendence, the work transforms the biblical narrative into a lyrical meditation on the origin of existence and the creative essence of faith. The piece forms part of Chagall’s celebrated series of lithographs and drawings created for Dessins Pour La Bible, a monumental project uniting art, scripture, and mysticism in one of the artist’s most important achievements. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches (35.56 x 26.67 cm). Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, renowned for its collaborations with the greatest modern masters of the 20th century. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Creation (The Creation), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, September 1956 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches (35.56 x 26.67 cm) Inscription: Unsigned and unnumbered as issued Date: 1956 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Cain, Julien, and Fernand Mourlot. Chagall Lithographe. Andre Sauret, Editeur, 1960, illustrations 117–46. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne Des Livres Illustrés. P. Cramer ed., 1995, illustration 25. Condition: Well preserved, consistent with age and medium Provenance: From Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, published by Editions de la revue Verve, Paris, 1956 Notes: Excerpted from the album (translated from French), This double issue of Verve is dedicated to the full reproduction in heliogravure of the one hundred-five plates etched by Marc Chagall, between 1930 and 1955, for the illustration of the Bible. The artist composed especially for the present work, sixteen lithographs in color and twelve in black, as well as the cover and the title page. This volume was completed and printed on September 10, 1956, by the Master Printers Draeger Freres for heliogravure, and by Mourlot Freres for lithography. About the Publication: Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), published as Verve Vol. VIII, No. 33–34 in September 1956, represents one of the crowning achievements of Chagall’s lifelong dialogue with the sacred. Conceived and directed by the visionary publisher Teriade and printed by the master lithographers Mourlot Freres, the issue features thirty-four color lithographs and numerous black-and-white drawings inspired by biblical figures and stories. Chagall’s works for this edition unite text and image in a luminous meditation on divine creation, moral struggle, and spiritual renewal, imbued with his signature dreamlike symbolism and radiant color. Produced in postwar Paris, this landmark publication reaffirmed the enduring union of art and faith, establishing Dessins Pour La Bible as one of the most important illustrated works of the 20th century. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Creation...

This exquisite lithograph and pochoir after Marc Chagall (1887–1985), titled Les Amoureux (The Lovers), from the folio Couleur amour, 13 Aquarelles, Gouaches, Lavis (Color of Love, 1...

Etching on handmade wove paper, 3 3/4 x 2 3/4 inches (95 x 70 mm), thread margins. Third state (of five), likely printed early 19th century. In very good condition with light handlin...

Artist: Andy Warhol (1928-1987) Title: Mao 90 Year: 1972 Medium: Silkscreen in colors on Lenox Museum Board Size: 36 x 36 inches Condition: Excellent Inscription: signed in ball-poin...

Artist: MGM Studios Title: Pink Panther, Supporting Characters Year: 1993-1995 Medium: Original, hand-painted production animation cel with laser color background, plus pencil drawin...

La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...

This exquisite lithograph after Marc Chagall (1887–1985), titled Daphnis et Chloe (Daphnis and Chloe), from the album Le plafond de l’Opera de Paris par Marc Chagall (The Ceiling of the Paris Opera by Marc Chagall), originates from the 1965 edition published by Andre Sauret, Editeur, Monte Carlo, rendered by Charles Sorlier, Paris, and printed by Mourlot Freres, Paris, October 6, 1965. This radiant and lyrical composition celebrates Maurice Ravel’s ballet Daphnis et Chloe, one of the musical masterpieces represented in Chagall’s monumental ceiling design for the Palais Garnier. Daphnis et Chloe captures the pastoral romance of Ravel’s ballet through a symphony of color and form, as lovers, nymphs, and mythic symbols float amidst a celestial landscape. Chagall translates the musical sensuality and poetic grace of Ravel’s score into a visual harmony that radiates joy, movement, and tenderness. The composition exemplifies Chagall’s genius for merging sound and image, myth and modernity, into a timeless meditation on love and creation. Executed as a lithograph on velin paper, this work measures 13 x 9.5 inches (33.02 x 24.13 cm). Unsigned and unnumbered as issued. The edition exemplifies the technical mastery of the Mourlot Freres atelier and the enduring collaboration between Marc Chagall and Charles Sorlier. Artwork Details: Artist: After Marc Chagall (1887–1985) Title: Daphnis et Chloe (Daphnis and Chloe), from Le plafond de l’Opera de Paris par Marc Chagall (The Ceiling of the Paris Opera by Marc Chagall) Medium: Lithograph on velin paper Dimensions: 13 x 9.5 inches (33.02 x 24.13 cm) Inscription: Unsigned and unnumbered as issued Date: 1965 Publisher: Andre Sauret, Editeur, Monte Carlo Rendered by: Charles Sorlier, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Cain, Julien, and Fernand Mourlot. Chagall Lithographe III, 1962–1968. Andre Sauret, Editeur, 1969, illustration 434. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne Des Livres Illustres. P. Cramer ed., 1995, illustration 61. Condition: Well preserved, consistent with age and medium Provenance: From the album Le plafond de l’Opera de Paris par Marc Chagall (The Ceiling of the Paris Opera by Marc Chagall), published by Andre Sauret, Editeur, Monte Carlo, October 6, 1965, in an edition of V̅ Notes: Excerpted from the album, This work could not have been made without the valuable collaboration of Madame Marc Chagall to whom we extend our warmest thanks. This work, made by Andre Sauret, was completed to print on October 6, 1965 on the presses of l’imprimerie du Lion in Paris. Jacques Lassaigne’s texts were composed by hand in Romain du Roi in the workshops of l’imprimerie nationale. The VI color lithographies and all the black and white drawings were set on stone by Charles Sorlier, based on Marc Chagall’s original models. The original lithography and color lithographs were drawn on the presses of Mourlot Freres. The binding is by Maurice Busenhart in Lausanne. About the Publication: Le plafond de l’Opera de Paris par Marc Chagall (The Ceiling of the Paris Opera by Marc Chagall), published in October 1965 by Andre Sauret, Editeur, Monte Carlo, commemorates one of the most ambitious and celebrated artistic commissions of the 20th century. Created under the direction of Charles Sorlier, the album documents Chagall’s magnificent ceiling design for the Palais Garnier in Paris, unveiled in 1964. The publication includes color lithographs based on the artist’s preparatory studies and painted maquettes, executed with exceptional fidelity by Mourlot Freres. Chagall’s ceiling—divided into segments representing musical masters such as Mozart, Wagner, Berlioz, Ravel, and Debussy—blends myth, music, and emotion into a vibrant celestial composition. The album captures this visionary synthesis through luminous lithography, allowing viewers to experience the grandeur and intimacy of the artist’s monumental work. Produced with the collaboration of Madame Marc Chagall, Charles Sorlier, and Fernand Mourlot, and printed with the precision and artistry for which Andre Sauret’s editions were renowned, this publication stands as both a tribute to Chagall’s genius and a celebration of French art’s enduring dialogue between tradition, innovation, and the divine. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Daphnis...

La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...

Etching, Engraving on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagn...

EARLY JACOULET PAUL JACOULET (1896 – 1960) UNE AVERSEA METALANIM, PONAPE , EST CAROLINES, 1935 A DOWNPOUR AT METALANIM PONOPE EAT CAROLINAS (Miles 29) Color woodcut, with metallic ...