Face Landscape Prints

FRANCIS SHIELDS (1908 – 1984) THE DESCENT c. 1937 Lithograph, signed and titled. Edition c. 25. Done for the WPA/Federal Art Pro...

This exquisite lithograph by Georges Rouault (1871–1958), titled Le Moqueur (The Mocking One), from the album Georges Rouault, Divertissement, originates from the 1943 edition publis...

This exquisite lithograph after Marc Chagall (1887–1985), titled Tribe of Asher, from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition published by And...

This exquisite lithograph after Fernand Leger (1881–1955), titled Le deux figures (The Two Figures), from the folio Derriere le miroir, No. 79-81, originates from the 1955 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1955. This composition exemplifies Leger’s rhythmic balance of color, form, and movement, translating the mechanical vitality of modern life into a harmonious, humanized geometry. Executed as a lithograph on velin paper, this work measures 15 x 11 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: After Fernand Leger (1881–1955) Title: Le deux figures (The Two Figures), from the folio Derriere le miroir, No. 79-81 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.94 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1955 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 79-81, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1955 About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght's belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Fernand Leger (1881–1955) was a visionary French painter, sculptor, designer, and filmmaker whose groundbreaking fusion of modern industry, vivid color, and geometric form transformed the course of 20th-century art. Born in Argentan, Normandy, Leger began as an architectural draftsman before studying at the Academie Julian and the Ecole des Beaux-Arts in Paris, where he absorbed the lessons of Paul Cezanne’s structural rigor and the revolutionary ideas of Cubism. Alongside Pablo Picasso and Georges Braque, he became one of the leading innovators of the avant-garde, yet his work stood apart through its embrace of mechanical rhythm, bold contrasts, and industrial modernity—earning him the title “the painter of the machine age.” His art celebrated the beauty of technology, urban life, and the human form rendered in dynamic, interlocking cylinders and planes, evoking the pulse of the modern world. Immersed in the vibrant Parisian art scene, Leger worked in dialogue with peers and contemporaries such as Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, all of whom shared his commitment to innovation and the reimagining of artistic expression. Beyond painting, Leger’s creative reach extended into film, design, and monumental public art—his 1924 collaboration on Ballet Mecanique with Dudley Murphy and Man Ray remains a landmark of avant-garde cinema. His later works evolved toward greater clarity and monumentality, celebrating the unity of form, color, and humanity through large-scale murals and mosaics that bridged fine art and architecture. Leger’s synthesis of Cubism, Futurism, and abstraction paved the way for movements such as Pop Art and influenced generations of artists including Roy Lichtenstein, Ellsworth Kelly, Robert Indiana, and Alexander Calder, who admired his fusion of structure, energy, and optimism. Today, his works are prized by major museums and collectors worldwide for their bold visual power and enduring modernity. His highest auction record was achieved by La femme en rouge et vert (1914), which sold for 39,241,000 USD at Sotheby’s, New York, on May 7, 2008. After Fernand Leger Le deux figures 1955, Leger Derriere le miroir No. 79-81, Leger Mourlot...

This exquisite lithograph by Georges Rouault (1871–1958), titled La Roussalka (The Water Nymph), from the album Georges Rouault, Divertissement, originates from the 1943 edition publ...

This exquisite lithograph by Marc Chagall (1887–1985), titled Rachel derobe les Idoles de son Pere (Rachel Steals Her Father’s Idols), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, originates from the September 1956 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1956. This poignant and symbolic composition illustrates the biblical episode in which Rachel secretly takes her father Laban’s household idols, an act that represents both defiance and devotion. Chagall’s interpretation imbues the scene with mystery and spiritual complexity, transforming it into a meditation on faith, transformation, and the tension between tradition and revelation. With his characteristic use of fluid lines and emotional resonance, Chagall elevates this intimate moment into a timeless vision of courage and divine purpose. The piece forms part of Chagall’s celebrated series of lithographs and drawings created for Dessins Pour La Bible, a monumental project uniting art, scripture, and mysticism in one of the artist’s most important achievements. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches (35.56 x 26.67 cm). Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, renowned for its collaborations with the greatest modern masters of the 20th century. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Rachel derobe les Idoles de son Pere (Rachel Steals Her Father’s Idols), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, September 1956 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches (35.56 x 26.67 cm) Inscription: Unsigned and unnumbered as issued Date: 1956 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Cain, Julien, and Fernand Mourlot. Chagall Lithographe. Andre Sauret, Editeur, 1960, illustrations 117–46. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne Des Livres Illustrés. P. Cramer ed., 1995, illustration 25. Condition: Well preserved, consistent with age and medium Provenance: From Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, published by Editions de la revue Verve, Paris, 1956 Notes: Excerpted from the album (translated from French), This double issue of Verve is dedicated to the full reproduction in heliogravure of the one hundred-five plates etched by Marc Chagall, between 1930 and 1955, for the illustration of the Bible. The artist composed especially for the present work, sixteen lithographs in color and twelve in black, as well as the cover and the title page. This volume was completed and printed on September 10, 1956, by the Master Printers Draeger Freres for heliogravure, and by Mourlot Freres for lithography. About the Publication: Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), published as Verve Vol. VIII, No. 33–34 in September 1956, represents one of the crowning achievements of Chagall’s lifelong dialogue with the sacred. Conceived and directed by the visionary publisher Teriade and printed by the master lithographers Mourlot Freres, the issue features thirty-four color lithographs and numerous black-and-white drawings inspired by biblical figures and stories. Chagall’s works for this edition unite text and image in a luminous meditation on divine creation, moral struggle, and spiritual renewal, imbued with his signature dreamlike symbolism and radiant color. Produced in postwar Paris, this landmark publication reaffirmed the enduring union of art and faith, establishing Dessins Pour La Bible as one of the most important illustrated works of the 20th century. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Rachel...

To Picasso is an original lithograph realized by Gian Paolo Berto, in 1974. Hand-signed and dated on the lower right margin. Numbered on the lower right margin. Edition of 25. The ...

Woodcut on vélin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Vingt fables de La fontaine, 1961. Published by Éd...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Kathe Kollwitz, Ten Lithographs. Published by Henry C. Kleemann and...

This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...

This exquisite lithograph and pochoir with hand coloring by Jean Cocteau (1889–1963), titled Sans titre (Untitled), from the album Le Livre blanc (The White Book), precede dun fronti...

This exquisite collotype after Max Ernst (1891–1976), titled L'Origine de la pendule (The Origin of the Clock), from the album Max Ernst, Histoire Naturelle (Natural History), origin...

Foire de Paris; original lithograph; artist: Albert Solon. Year: 1954. Acid free archival linen backed Size 10.5" x 16 5/8". Excellent condition. Ready to frame The top of this antique poster features the image of the first poster from 1904 in the art nouveau style; and the bottom of the 1954 Foire de Paris where the sails cover part of the earliest poster image. The bottom portion of this design is reflected in its art deco style with the wording of the name of the Foire de Paris reflecting in the water. Original. Linen-backed. The annual Paris Fair was a large international industrial exhibition that attracted not only manufacturers from around the world, but also posterists who vied for the honor of having their design selected as the official poster of the event. For 1954, this poster artist is nostalgic for the turn of the century. He is reminding us that it is the 50th anniversary of the Paris Fair. The vintage poster...

Title: God Bless America Year: 2001 Medium: Offset lithograph in colors on gloss archival paper Size: 24 x 18 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as i...

This exquisite lithograph after Pierre-Auguste Renoir (1841–1919), titled Ambroise Vollard, from the album Les Lithographies de Renoir (The Lithographs of Renoir), originates from th...

Authentic 1959 US 1-sheet poster for "The Scapegoat" starring Alec Guinness and Bette Davis. This original theatrical release poster has been professionally linen-backed for preserva...

SUNRISE II is an original hand drawn lithograph by the renowned American Pop artist, Peter Max, printed in 1980 in an edition of 165, using traditional hand lithography techniques on archival paper, 100% acid free. SUNRISE II features a pop art landscape with a black line drawing depicting an elegant woman wearing an off shoulder dress against an imaginary rainbow color landscape. SUNRISE II is a magical, hippie art...

Original 1934 Lithograph poster for TSF radio Monopole "une vague de puissance et d'harmonie" (a wave of power and harmony) with the beautiful mermaid strumming her harp. Archival...

This exquisite lithograph after Pierre-Auguste Renoir (1841–1919), titled Le chapeau epingle, etat du noir (The Pinned Hat, Black State), from the album Les Lithographies de Renoir (...

This exquisite lithograph by Marie Laurencin (1883–1956), titled Portrait d'Alice (Portrait of Alice), from the folio Les aventures d'Alice au pays des merveilles (Alice's Adventures...

This exquisite lithograph after Pierre-Auguste Renoir (1841–1919), titled Louis Valtat, from the album Les Lithographies de Renoir (The Lithographs of Renoir), originates from the 19...

Lithograph and stencil on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Le Peseur d'âmes, précédé d'un frontispice et suivi de hui...

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Féerie et Le Royaume, Lithographies Originales de Marc Chagall, 1972...

This exquisite lithograph after Marc Chagall (1887–1985), titled Pelleas et Melisande (Pelleas and Melisande), from the album Le plafond de l’Opera de Paris par Marc Chagall (The Cei...

It's an original vintage poster. A beautiful stone lithograph that has a monogram signature of the artist. GUANO de POISSON FRANCAIS. Year; 1925. A French advertisement for fish guano that is produced in 18 factory locations. (Affiche publicitaire...

This exquisite lithograph after Pierre-Auguste Renoir (1841–1919), titled Portrait de femme (Portrait of a Woman), from the album Les Lithographies de Renoir (The Lithographs of Reno...

This exquisite lithograph by Keith Haring (1958–1990), titled Untitled, from the album Against All Odds, 20 drawings - Oct. 3, 1989 (Against All Odds, 20 drawings - Oct. 3, 1989), or...

Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape S...

Tokyo: Yokoyama Ryohachi, 1892 Woodcut in ink with embossing and hand-coloring in watercolor on handmade mulberry paper, 14 1/2 x 9 7/8 inches (368 x 251 mm), ōban tate-e, the full ...

Black and white etching on wire rod paper, representing the Greek myth of Salmacis and Hermaphroditus. Wonderful plate with very fresh impression and a beautiful use of chiaroscuro,...

This exquisite lithograph after Pierre-Auguste Renoir (1841–1919), titled Paul Cezanne, from the album Les Lithographies de Renoir (The Lithographs of Renoir), originates from the 19...

This exquisite lithograph after Pierre-Auguste Renoir (1841–1919), titled Le chapeau epingle et La baigneuse (The Pinned Hat and The Bather), from the album Les Lithographies de Reno...

Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...

This exquisite lithograph after Pierre-Auguste Renoir (1841–1919), titled L’Enfant au biscuit (Child with a Biscuit), from the album Les Lithographies de Renoir (The Lithographs of R...

Urbain HUCHET Paris : Terrace of a Café And Eiffel Tower, c. 1970 Original lithograph Handsigned in pencil by the artist Numbered / 295 copies On velllum paper, size 19 x 28 cm (c. ...

This exquisite lithograph by Marie Laurencin (1883–1956), titled Alice dans la piscine des larmes (Alice in the Pool of Tears), from the folio Les aventures d'Alice au pays des merve...

This exquisite etching by Jacques Villon (1875–1963), titled Tete de Femme (Woman’s Head), from the album XXe Siecle, Nouvelle serie N°3 (double), Juin 1952, originates from the 1952...

This exquisite lithograph after Andre Derain (1880–1954), titled Age d'or et Terre promise (Golden Age and Promised Land), from the folio Vins, Fleurs et Flammes (Wines, Flowers, and...

This exquisite lithograph after Andre Derain (1880–1954), titled Enlevement de Dionysos (The Abduction of Dionysus), from the folio Vins, Fleurs et Flammes (Wines, Flowers, and Flame...

This exquisite etching by Marie Laurencin (1883–1956), titled Jeune femme et son fils (Young Woman and Her Son), from the album Antares, eaux-fortes originales de Marie Laurencin (An...

Medium: Lithograph on vélin paper, hinged on archival backing paper, as issued Year: 1967 Paper Size: 17.32 x 14.17 inches (backing paper size) Inscription: Signed in the plate and u...

Lithograph and stencil on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Le Peseur d'âmes, précédé d'un frontispice et suivi de hui...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Portrait de l'Artiste (Portrait of the Artist), from the album Vlaminck, originates from the 1958 edition publ...

Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...

Lithograph and stencil on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Le Peseur d'âmes, précédé d'un frontispice et suivi de hui...

Original KLM to the Caribbean midcentury modern vintage travel poster. Archival linen backed in excellent, Grade A condition, ready to frame. Note that the background color is a light blue-grey. Vibrant and clean. Printed by Kuhn & Zoon, Rotterdam. KLM Royal Dutch Airlines. Capture the allure of mid-century travel with this stunning original vintage KLM Royal Dutch Airlines poster titled "To the Caribbean." This poster features vibrant illustrations and bold imagery designed to inspire wanderlust among travelers. The centerpiece is a captivating portrait of a man in a straw hat, symbolizing the culture and warmth of the Caribbean. Surrounding him are colorful depictions of local architecture, lively festivities, tropical plants, and scenic elements—all rendered in an artistic, postwar illustrative style. The poster's overall design and artistic style evoke a sense of adventure, exoticism, and the allure of tropical vacation destinations. The bold text "to the Caribbean" and the prominent KLM logo at the bottom indicate that this was an advertisement for KLM's air travel services to the Caribbean region. This original vintage KLM poster...

This exquisite lithograph, titled Sans titre (Untitled), by Leonor Fini, from the folio Parallelement (Parallel), Illustre de lithographies originales de Leonor Fini (Illustrated wit...

Paul BAUDIER (1881-1962) The Old House, 1923 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of the editor 'Imagie...

Portrait of a Lady is an Artwork  realized by  the French Artist Louis Thomas Bardel. Lithograph, Hand-signed by the artist on the lower left corner. The artwork is glued on cardbo...

Bele Bachem Romantische Reisende III Lithograph on Velum Year: 1967 Size: 19.25x25.5in Signed, dated and inscribed by hand Edition: 150 Publisher: Edition ...

This exquisite lithograph by Marc Chagall (1887–1985), titled Le fleuve vert (The Green River), from the album Chagall, originates from the 1976 edition published by Maeght Editeur, ...

This exquisite collotype after Max Ernst (1891–1976), titled Petites tables autour de la terre (Little Tables Around the Earth), from the album Max Ernst, Histoire Naturelle (Natural...

This exquisite lithograph after Pierre-Auguste Renoir (1841–1919), titled Mere et enfants (Mother and Children), from the album Les Lithographies de Renoir (The Lithographs of Renoir...

This exquisite lithograph after Pierre-Auguste Renoir (1841–1919), titled Richard Wagner, from the album Les Lithographies de Renoir (The Lithographs of Renoir), originates from the ...

This exquisite lithograph after Jean Cocteau (1889–1963), titled Une tete, deux races (One Head, Two Races), from the folio Taureaux, Lithographies de Jean Cocteau (Bulls, Lithograph...

This exquisite lithograph after Pierre-Auguste Renoir (1841–1919), titled Portrait de Jeanne Baudot (Portrait of Jeanne Baudot), from the album Les Lithographies de Renoir (The Litho...

This exquisite lithograph by Georges Rouault (1871–1958), titled Pierrot Noir (Black Pierrot), from the album Georges Rouault, Divertissement, originates from the 1943 edition publis...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Portrait de mon caporal de la Cie (Portrait of My Corporal of the Company), from the album Fernand Leger...

This exquisite lithograph by Georges Rouault (1871–1958), titled Margot (Margot), from the album Georges Rouault, Divertissement, originates from the 1943 edition published by Editio...

The Loop I was created in a small edition of 15. The Loop is a vibrant area featuring eclectic eateries, shops, theaters and parks. Comprised mostly of high-rises, it’s also home to the 108-story Willis Tower. The iconic “Cloud Gate...